Horror on the Lens: The Screaming Woman (dir by Jack Smight)


Today’s horror on the lens is The Screaming Woman, a 1972 made-for-TV movie that’s based on a Ray Bradbury short story.

Olivia de Havilland plays Laura Wynant, who has just returned home from a stay at a mental institution.  Soon after her arrival, Laura starts to hear a woman crying for help.  Laura becomes convinced that the woman has been buried alive on her property but, because of her debilitating arthritis, she can’t dig the woman up on her own.  And, because of her own mental history, no one believes her when she tries to tell them about what she’s hearing!

The Screaming Woman features screen legend Olivia De Havilland giving a sympathetic performance as Laura.  It also features two other luminaries of the golden age of Hollywood — Joseph Cotten and Walter Pidgeon — in supporting roles.  It’s a good little thriller so watch and enjoy!

(And of course, I should mention that the great Olivia De Havilland is still with us, 103 years old and living in France.)

Coming Down The Mountain: Runaway! (1973, directed by David Lowell Rich)


Runaway! begins with a train starting a slow descent down a snowy mountain.  On board the train are collection of skiers, gigolos, conductors, and engineers.  One couple discusses their upcoming divorce.  An athletic father tries to bond with his less-athletic son.  A slick con artist tries to convince a depressed young woman not to throw herself from the train.  A group of skiers put on an impromptu concert, banging on their suitcases like bongo drums.  They get so loud that the conductor doesn’t even hear the engineer desperately trying to contact him.  What none of the passengers realize is that the train’s brake engines have frozen and the train is about to start hurtling down the mountain.  Unless the chief engineer can figure out a way to stop the train, everyone’s going to die!

Made for television in the year between the release of The Poseidon Adventure and The Towering Inferno, Runaway! is a low-key but entertaining disaster movie.  With a running time of only 70 minutes, Runaway! doesn’t waste any time getting down to business and, even if it is a low-budget movie, there’s no way that an out-of-control train racing down a mountain can’t be exciting.

Compared to the other disaster movies of the era, Runaway! does not exactly have an all-star cast though there are some familiar faces.  Vera Miles and Ed Nelson are the divorcing couple while Martin Milner is the father who puts too much pressure on his son.  Ben Murphy is the gigolo who refuses to pay for a ticket on general principle while Darleen Carr is the woman who wants to jump to her death.  Most of them are just there as placeholders.  It’s obvious from the start that the real stars of the film are going to be the train and the mountain.  However, the famously gruff character actor Ben Johnson manages to make an impression just by being Ben Johnson.  Johnson plays the chief engineer and, as long as he’s manning the engine, you know that the train’s passengers are in good hands.

Runaway! has never been released on DVD or even VHS but it is currently available on YouTube.

Horror on TV: Thriller 1.31 “A Good Imagination” (dir by John Brahm)


In tonight’s episode of the Boris Karloff-hosted anthology series, Thriller, Edward Andrews plays a bookseller who discovers that his wife has numerous lovers.  Fortunately, he has a collection of books that is just full of good ways to take care of the competition!

This episode was written by Robert Bloch and was based on his short story.

Enjoy the little tribute to the power of literature!

http://www.youtube.com/watch?v=wgj9NDt0cJ0

 

Halloween Havoc!: A BUCKET OF BLOOD (AIP 1959)


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We can’t have Halloween without a good Roger Corman movie, and A BUCKET OF BLOOD is one of my favorites. This 1959 black comedy is a precursor to Corman’s THE LITTLE SHOP OF HORRORS, and I actually prefer it over that little gem. A BUCKET OF BLOOD skewers the pretentiousness of the art world, the 50’s beatnik scene, and the horror genre itself with its story of nerdy Walter Paisley, a busboy at a hipster coffee house learns making it as a famous artist can be murder!

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Walter’s a no-talent nebbish longing to be accepted by the pompous clientele at The Yellow Door, especially beautiful hostess Carla. When he accidentally kills the landlady’s cat, Walter covers it in clay (with the knife still protruding in poor little Frankie!), and brings it in to work. The grotesque sculpture causes a stir among the patrons, and Walter is congratulated for his brilliant work ‘Dead Cat’. Beatnik…

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Horror on the Lens: Attack of the Crab Monsters (dir by Roger Corman)


For today’s horror on the lens, we have the 1957 science fiction film, Attack of the Crab Monsters!

About a month ago, I watched this film along with Patrick Smith and all of our friends in the late night movie gang.   To be honest, everyone else seemed to enjoy it a lot more than I did.  It was a fun little movie but … well, maybe I was just having a bad night.

Here’s why you should take 62 minutes out of your Saturday and watch Attack of the Crab Monsters on the Shattered Lens.  First off, it’s a Roger Corman film and anything directed by Roger Corman automatically needs to be watched.  Secondly, it’s about giant crabs that communicate through telepathy.  And when was the last time you saw that!?

(“Last night,” someone in the audience shouts, “as the sun went down over the crab-covered beaches of Denmark!”  I pretend not to hear.)

Anyway!  Here, for your viewing pleasure, is Attack of the Crab Monsters!

Embracing the Melodrama Part II #22: The Cry Baby Killer (dir by Joe Addis)


That's Jack Nicholson with the gun.

That’s Jack Nicholson with the gun.

Two years ago, there was a rumor that Jack Nicholson had announced his retirement from acting because he was starting to suffer from memory loss.  Even though Nicholson’s people later claimed that this was false and that Jack was actively reading scripts, that rumor still left me feeling very depressed.  Jack Nicholson is such an iconic actor that it’s difficult to think that there will be a time when he’ll no longer be arching his eyebrows and delivering sarcastic dialogue in that signature voice of his.  When you look at a list of his films, you find yourself looking at some of the best and most memorable films ever made.  Chinatown, The Shining, The Departed, The Shooting, Easy Rider, One Flew Over the Cuckoo’s Nest; Nicholson has appeared in some truly great films.

But every actor, no matter how iconic he may be, had to start somewhere.  For Jack Nicholson, that somewhere was the 1958 Roger Corman-produced film, The Cry Baby Killer.  The good news is that the 21 year-old Nicholson starred in his very first film.  The bad news is that there’s absolutely nothing about Jack’s performance that would give you any reason to believe that he would eventually become one of the best known and most-honored actors of all time.  It’s not that Jack gives a bad performance.  In fact, it’s somewhat disappointing that Jack doesn’t do a terrible job in the role.  When you’re seeing the obscure film debut of a cinematic icon, you always hope that the first performance will either be amazingly good, shockingly bad, or just embarrassingly inappropriate.  But, in Jack’s case, he’s neither good nor bad and he doesn’t really embarrass himself.  Instead, he’s just bland.

Yes, you read that right.

Jack “HEEEEEEEEEERE’S JOHNNNNNNNY!” Nicholson was bland in his debut film.

As for the film itself, Jack plays Jimmy.  We’re told that Jimmy is 17 years-old and he’s still in high school.  (Since Jack Nicholson’s hairline was already receding at 21, we automatically have a difficult believing him in the role of Jimmy.)  Jimmy’s a good kid but he’s kind of stupid.  Also, his ex-girlfriend Carole (Carolyn Mitchell) is now dating an 18 year-old gangster named Manny Cole (played by Brett Halsey, who would later have a prolific career in Italian exploitation films as well as appearing in The Godfather, Part III).  Jimmy confronts Manny.  Manny has two of his thugs beat up Jimmy.  Jimmy grabs a gun off a thug and shoots someone.  Scared of going to jail, Jimmy runs into a store and takes three hostages — a stocker and a young mother with a baby.

The rest of the 70-minute film consists of an understanding policeman (Harry Lauter) trying to convince Jimmy to surrender while the crowd of reporters and observes outside the store hope for a violent confrontation.  The film does make a still-relevant point about how the media exploits the potential for tragedy but, for the most part, it’s pretty forgettable.

As I stated above, Jack is adequate but forgettable.  If I had seen this movie when it first came out in 1958, I would have expected handsome and charismatic Brett Halsey to become a huge star while I would have predicted that Nicholson would spend the rest of his career in television.

However, we all know that didn’t happen.  Jack Nicholson became an icon.  Sadly, Jack hasn’t appeared in a film since 2010.  Hopefully, he’ll give us at least one more great performance.  Who knows?  Maybe some aspiring screenwriter will write as script for Cry Baby Killer 2: Jimmy’s Revenge.

It could happen.

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Horror on TV: Night Gallery 2.22 “The Caterpillar/Little Girl Lost”


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For tonight’s televised horror, we have an episode of Night Gallery that was originally broadcast on March 1st, 1972. This episode tells two stories, one about government manipulation and then another about an earwig. The one about the earwig features a great performance from Laurence Harvey, who was dying of cancer while shooting this episode and who stopped taking his painkillers so that he could better portray his character’s suffering. Along with Harvey’s performance, The Caterpillar also features an absolutely perfect ending.


Enjoy!


Lisa Goes Back To College: Brink of Disaster! (dir by John Florea)


BRINK%20OF%20DISASTERNow, you may be thinking that after reading my reviews of Getting Straight and Zabriskie Point, that we here at the Shattered Lens are encouraging you to overthrow the United States.  Nothing could be further from the truth!  To quote Michael Scott, nobody here is subversive.  Everyone is thoroughly versive.  (Michael Scott said that once, didn’t he?)

Anyway, just in case anyone is having any dangerous thoughts, here’s a 30-minute short film from 1972.  In Brink of Disaster, Johnny, a college students who sympathizes with the n0-goodniks of the world, breaks into the library so that he cans study late at night and protect it from rampaging campus radicals.

(Wait?  What?  That makes no sense but, then again, it was 1972…)

Anyway, as Johnny attempts to smoke and study, the ghost of his great-great-great-great grandfather, John Smith, materializes out of thin air and tells him everything that’s wrong with his generation.  Johnny attempts to argue but he’s no match for his wiser ancestor.

“Don’t compare to the founding fathers to that riff raff!” John Smith exclaims at one point, “We want to worship God and they want to deny God!”

You tell him, John Smith!

Anyway, you know me.  Whether I agree or disagree with the message, there’s nothing that I love more than an old school propaganda film.  So, watch and enjoy Brink of Disaster and think twice before you try to overthrow the establishment because you might end up getting haunted by a condescending ghost.

https://www.youtube.com/watch?v=cHUgmVWWYaE