John Carluccio (Paul Carafotes) is the star running back on his high school football team until the district’s new chief doctor (Dennis Patrick) rules that John can no longer play because he’s partially deaf and wears a hearing aid. Coach Rizzo (Val Avery) protests but John is off the team. John stops hanging out with his squeaky clean best friend (William R. Moses) and instead becomes friends with the school delinquent (Stephen Nichols). John starts smoking pot and gets a bad attitude. Whenever anyone tries to help him or suggests that he can live a productive life even without football, John gets angry. Can his new girlfriend (Demi Moore) turn his life around?
I really wanted to feel bad for John and cheer him on as he fought to be allowed to play football but he was such a mopey character that it was hard. He acted like the rest of the team should have refused to play until he was allowed to rejoin them. It didn’t help that the new running back was just as good as John ever was. Eventually, John discovered that he loved music and Demi Moore but even all of that felt like it came out of nowhere. I know a lot of people who have had setbacks as bad as John’s who managed to get through them without treating everyone around them terribly.
Demi Moore is the big “name” here but she’s only in the movie for a few minutes. I recognized a few of the other actors. William R. Moses later played Ken Malansky in the Perry Mason movies and Stephen Nichols will always be Patch on Days of our Lives.
If you’re looking for football action, you won’t find it here. My choice, if I could do it again? Don’t watch.
Taylor Sheridan has become a fairly big part of my life over the last decade. It started when I saw HELL OR HIGH WATER in the movie theater back in 2016. It was one of my favorite movies of the year, and it was written by a guy named Taylor Sheridan. Well, the next year brought us WIND RIVER, which was both written and directed by Taylor Sheridan, and it was one of my favorite movies of 2017. Then came the series YELLOWSTONE, which was created by Taylor Sheridan and began airing in 2018. I didn’t watch the first couple of seasons, but I thought it looked good and even bought the first season on DVD when I saw it for sale at Wal Mart. When my wife Sierra came home from performing her nursely duties at the hospital and told me that everyone was saying that we needed to watch YELLOWSTONE, I informed her that I just so happened to own Season 1 on DVD. So, we popped it in the DVD player, and we were soon obsessed with the world of the Duttons. My wife took special joy in the characters of Beth (Kelly Reilly) and Rip (Cole Hauser), while John Dutton (Kevin Costner) and Rip kept my attention. I’ll admit that it scared me a little bit that Sierra enjoyed Beth so much, and I’m glad to report that, up to this point, she has not started trying to emulate her actions in real life!
When YELLOWSTONE ended its run at the end of 2024, the Paramount network was putting a major marketing push into their latest “Taylor Sheridan” series, that being LANDMAN, which had started its first season around the same time YELLOWSTONE was wrapping up its final season. I’m a huge fan of actor Billy Bob Thornton, so the fact that he was headlining a series set in Texas oil country automatically piqued my curiosity. Not ready to commit to 10 hours’ worth of LANDMAN episodes quite yet, we put the show on the backburner for a bit, knowing that we could jump in and watch it whenever we wanted to. Well, this past weekend, we got snowed in here in Central Arkansas, so I asked Sierra if she’d like to watch a few episodes of LANDMAN. Needless to say, over the course of the day we watched every episode of Season 1. I really enjoyed the first season and decided to share some of my thoughts with you.
First off, if I’m going to commit to watching 10 hours’ worth of anything, I need to really like at least some of the characters. I don’t just like Billy Bob Thornton’s portrayal of the “Landman” of the title, his Tommy Norris is now one of my favorite characters that he’s ever played. He’s the ultimate realist, because no matter what situation he finds himself in, whether he’s dealing with the head of a drug cartel, the head of his oil company, or his ex-wife, he tackles every situation by uniquely framing the specific issues in a matter of moments and then providing solutions that appeal to his audience’s most base instincts. Alternatively hilarious, serious, heartbreaking and genius, Thornton gives a masterful performance that I don’t think anyone else could have pulled off any more effectively. His ex-wife Angela (Ali Larter) is probably the toughest of all for him to deal with as his own sense of self-preservation seems to go out the window whenever she’s around. Ali Larter’s performance as Angela is loud, brash, attention-seeking, hypersexual, and every so often, just vulnerable enough that you can kind of like her. I think she’s great, and quite sexy, in the role. Michelle Randolph and Jacob Lofland get a lot of screen time in the first season as their children, Ainsley Norris and Cooper Norris. Michelle is cute and spunky, definitely her mother’s daughter, but she also loves her dad so much. I like her. Lofland, who, like Thornton, is from my state of Arkansas, has a meatier role, having to deal with tragedy from the very beginning and then serious family drama as the season plays out. It’s not a showy role, but he does a solid job. The other performance that I really enjoy throughout season 1 comes from Jon Hamm as the head of the oil company, Monty Miller. I kept referring to him as J.R. Ewing as I watched because he’s the big boss. He’s the person that Tommy Norris calls when he can’t solve their problems. Unlike J.R. Ewing, although Miller is a tough businessman, he’s also a committed family man who tries to be there for his wife Cami (Demi Moore) and their daughters when they need him. He is as hard-nosed as it gets in his business dealings, though, and it’s easy to see why he had emerged as the main guy over Tommy. I did want to shout out the actors Colm Feore, James Jordan and Mustafa Speaks as various employees of the oil company who provide different elements of humor and toughness to the proceedings over the course of the season. Finally, as far as the primary cast, while prominently credited throughout the first season, Demi Moore has relatively little to do until the very end of season 1. If you’re a big fan of hers, just know that going in. Her character seems primed to be a big part of season 2, though, so it will be interesting to see where that goes.
Second, like with any popular dramatic TV series, LANDMAN Season 1 contains some storylines that I really enjoy, while there are some that I don’t really care for. Where LANDMAN really works for me is when it features Billy Bob Thornton’s Tommy Norris as a fixer of some sort. It was in these storylines that we get to see his ability to use his intelligence, communication skills, and understanding of human nature to come up with solutions that are best for everyone. It might not always be easy, and he might have to take a beating every now and then, but Tommy knows how to get things done, and the show is at its best when it’s focused on him. We see this throughout season 1 as Norris deals with a variety of cartel henchmen, hotshot attorneys, and unhappy leaseholders in order to advance his company, M-Tex’s interests. There are also a few badass moments when it becomes clear that talking won’t get the job done, and even more direct methods will have to be used to get his point across. This usually happens when Tommy’s feeling the need to protect his children. If there is a weakness to the show, for me, it’s the fact that when Tommy Norris isn’t part of the proceedings, I don’t like it nearly as much. For example, while scenes involving Jacob Lofland’s character, Cooper, and the recently widowed young mother Ariana (Paulina Chavez), whose husband was an employee of the company, ramp up the melodrama, they also take up a lot of time, and I don’t find them very appealing. The same can be said when Ali Larter’s character, Angela, and her daughter Ainsley, decide they’re going to volunteer at a nursing home, and then proceed to hook the residents up with alcohol and even take them to a strip club. While I smiled at some of the proceedings, they weren’t realistic and didn’t really add anything to the story. I even found myself worrying about some of the residents, I mean, I’m sure some of their medication was NOT compatible with tequila! I’m guessing that these quibbles really just come down to a matter of personal preference, as I’m sure there are some who enjoy these moments more than I do. I will admit that these scenes are well-acted and performed even if they’re not advancing my favorite parts of the story.
Overall, I really enjoyed season 1 of LANDMAN, and I’m looking forward to jumping into season 2 soon, which is now streaming. The last couple of episodes of season 1 introduced or elevated some very interesting characters who will have more prominent roles moving forward (played by Andy Garcia and Demi Moore), and peaking ahead, season 2 also appears to have some interesting additions to the cast (I’m looking at you Sam Elliott). I’m looking forward to the next 10 hours of fun!
Publisher Chris Thorne (Chevy Chase) is eager to get to know lawyer Diane Lightson (Demi Moore) so he agrees to drive her and two Brazilian hangers-on from Manhattan to New Jersey. The Brazilians encourage Chris to take a detour, which leads to him running a stop sign, getting into a high-speed chase with chief of police Dennis Valkenheiser (John Candy), and being detained in the dilapidated village of Valkhenheiser. Dennis decides to leave town with the Brazilians, leaving Chris and Diane to face the wrath of 106 year-old Judge Alvin “J.P” Valkenheiser (Dan Aykroyd). Judge Valkenheiser has spent decades killing anyone who breaks the law in his village, though he also kills anyone who he just dislikes. The Judge assumes Chris is a banker (and he hates bankers) and is prepared to kill him unless he marries the Judge’s granddaughter, Eldona (John Candy, in drag). This town is nothing but trouble and Chris and Diane have to escape.
Nothing But Trouble was both the directorial debut and swan song for Dan Aykroyd. (Aykroyd also wrote the script, from a story that was written by his brother, Peter.) The film was an notorious box office bomb and watching, it’s easy to see why. The story is all over the place, awkwardly mixing humor and horror. Anyone who has seen the early seasons of Saturday Night Live knows that young Dan Aykroyd was one of the funniest people around but, when it comes to the movies, he’s always worked better with a collaborator than on his own. As a director, Aykroyd throws a little bit of everything into Nothing But Trouble and the movie feels overstuffed.
As an actor, though, Aykroyd is funny. Whatever laughs are to be found in Nothing But Trouble are largely the result of his performance as the Judge. Chevy Chase seems bored. Demi Moore actually gives a decent performance but she plays her role straight. John Candy is likable as Dennis but too cartoonish as Eldona. Aykroyd, however, so commits himself to playing the 106 year-old judge that he wrings laughs from even the weakest of lines. Criticize Aykroyd the director all you want, Aykroyd the actor delivers.
One final note: The rap group Digital Underground makes a cameo appearance as themselves, performing in the Judge’s courtroom after getting arrested for speeding. When I was watching Chevy Chase mugging for the camera and Dan Aykroyd walking around hunched over, I hardly expected to see a young Tupac Shakur suddenly show up but he did. Digital Underground’s cameo is one of the film’s better moments, even if they don’t perform The Humpty Dance.
The Oscar nominations are due to be announced tomorrow so I guess I should post my final predictions. 2024 has been a rough year for me and my sisters. Our Dad was in a car accident in May and, after two months of physical rehab, passed away in August while in home hospice care. Needless to say, going to the movies was the last thing on my mind for much of 2024.
(I’m very thankful that my fellow contributors who kept the site going during our frequent absences. Their hard work not only kept TSL alive but it also rekindled my own passion for the Shattered Lens. I am still very much in mourning but writing for this site and sharing my thoughts with our readers has definitely helped me to regain some semblance of stability.)
So, there’s a lot of Oscar hopefuls that I have not seen. That’s one reason why I haven’t done a best of 2024 list this year or my usual “If Lisa Marie Had All The Power” posts because there’s still a lot that I need to watch. (I may publish them at some point in February, by which point everyone will have moved on but it will make me feel happy.) I’m flying blind here with a lot of the potential nominees. But I’ve been following the guilds and the critic awards and I feel reasonably confident about the predictions below.
Tomorrow morning, we’ll find out how right or wrong I am.
Due to the catastrophic wildfires currently burning in California, Tte Screen Actors Guild dispensed with their usual big nominations announcement and instead sent out a simple press release their morning.
Here are the SAG’s film nominations. The SAG is a usually pretty good precursor so the folks who were celebrating the victory of the Brutalist on Sunday night have a bit less to celebrate today. That said, the 2,0000-person nominating committee appear to have really liked The Last Showgirl. Let’s keep Pamela Anderson’s Oscar hopes alive!
Outstanding Performance by a Male Actor in a Leading Role
ADRIEN BRODY / László Tóth – “THE BRUTALIST”
TIMOTHÉE CHALAMET / Bob Dylan – “A COMPLETE UNKNOWN”
DANIEL CRAIG / William Lee – “QUEER”
COLMAN DOMINGO / Divine G – “SING SING”
RALPH FIENNES / Lawrence – “CONCLAVE”
Outstanding Performance by a Female Actor in a Leading Role
PAMELA ANDERSON / Shelly – “THE LAST SHOWGIRL”
CYNTHIA ERIVO / Elphaba – “WICKED”
KARLA SOFÍA GASCÓN / Emilia/Manitas – “EMILIA PÉREZ”
MIKEY MADISON / Ani – “ANORA”
DEMI MOORE / Elisabeth – “THE SUBSTANCE”
Outstanding Performance by a Male Actor in a Supporting Role
JONATHAN BAILEY / Fiyero – “WICKED”
YURA BORISOV / Igor – “ANORA”
KIERAN CULKIN / Benji Kaplan – “A REAL PAIN”
EDWARD NORTON / Pete Seeger – “A COMPLETE UNKNOWN”
JEREMY STRONG / Roy Cohn – “THE APPRENTICE”
Outstanding Performance by a Female Actor in a Supporting Role
MONICA BARBARO / Joan Baez – “A COMPLETE UNKNOWN”
JAMIE LEE CURTIS / Annette – “THE LAST SHOWGIRL”
DANIELLE DEADWYLER / Berniece – “THE PIANO LESSON”
ARIANA GRANDE / Galinda/Glinda – “WICKED”
ZOE SALDAÑA / Rita – “EMILIA PÉREZ”
Outstanding Performance by a Cast in a Motion Picture A COMPLETE UNKNOWN
MONICA BARBARO / Joan Baez
NORBERT LEO BUTZ / Alan Lomax
TIMOTHÉE CHALAMET / Bob Dylan
ELLE FANNING / Sylvie Russo
DAN FOGLER / Albert Grossman
WILL HARRISON / Bobby Neuwirth
ERIKO HATSUNE / Toshi Seeger
BOYD HOLBROOK / Johnny Cash
SCOOT MCNAIRY / Woody Guthrie
BIG BILL MORGANFIELD / Jesse Moffette
EDWARD NORTON / Pete Seeger
ANORA
YURA BORISOV / Igor
MARK EYDELSHTEYN / Ivan
KARREN KARAGULIAN / Toros
MIKEY MADISON / Ani
ALEKSEY SEREBRYAKOV / Nikolai Zakharov
VACHE TOVMASYAN / Garnick
CONCLAVE
SERGIO CASTELLITTO / Tedesco
RALPH FIENNES / Lawrence
JOHN LITHGOW / Tremblay
LUCIAN MSAMATI / Adeyemi
ISABELLA ROSSELLINI / Sister Agnes
STANLEY TUCCI / Bellini
WICKED
JONATHAN BAILEY / Fiyero
MARISSA BODE / Nessarose
PETER DINKLAGE / Dr. Dillamond
CYNTHIA ERIVO / Elphaba
JEFF GOLDBLUM / The Wonderful Wizard of Oz
ARIANA GRANDE / Galinda/Glinda
ETHAN SLATER / Boq
BOWEN YANG / Pfannee
MICHELLE YEOH / Madame Morrible
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
DEADPOOL & WOLVERINE
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
WICKED
The North Carolina Film Critics Association has announced its picks for the best of 2024!
BEST NARRATIVE FILM Anora
The Brutalist
Challengers
Civil War Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance
BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane Super/Man: The Christopher Reeve Story
Will & Harper
BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One The Wild Robot
BEST FOREIGN LANGUAGE FILM All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig
BEST DIRECTOR Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys Denis Villeneuve – Dune: Part Two
BEST ACTOR Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
BEST ACTRESS Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers
BEST SUPPORTING ACTOR Yura Borisov – Anora Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II
BEST SUPPORTING ACTRESS Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding Margaret Qualley – The Substance
Isabella Rossellini – Conclave
BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA Kevin Durand – Kingdom of the Planet of the Apes Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail
BEST ACTING ENSEMBLE
Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked
BEST ORIGINAL SCREENPLAY A Different Man
Anora The Brutalist
Challengers
The Substance
BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing
BEST CINEMATOGRAPHY Challengers
Dune: Part Two
Nickel Boys Nosferatu
The Brutalist
BEST EDITING Anora Challengers
Conclave
Dune: Part Two
Nickel Boys
BEST COSTUME DESIGN Conclave
Dune: Part Two
Furiosa: A Mad Max Saga Nosferatu
Wicked
BEST HAIR AND MAKEUP A Different Man
Dune: Part Two
Nosferatu The Substance
Wicked
BEST PRODUCTION DESIGN The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga Nosferatu
Wicked
BEST SCORE The Brutalist Challengers
Conclave
Nosferatu
The Wild Robot
BEST ORIGINAL SONG
“Compress/Repress” – Challengers
“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing
BEST SOUND DESIGN Challengers
Civil War Dune: Part Two
Nosferatu
Wicked
BEST SPECIAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance
BEST STUNT COORDINATION Dune: Part Two
The Fall Guy Furiosa: A Mad Max Saga
Gladiator II
Monkey Man
DIRECTORIAL DEBUT Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson
BREAKTHROUGH PERFORMANCE Carlos Diehz – Conclave
Clarence Maclin – Sing Sing Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man
LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins
Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema
KEN HANKE MEMORIAL TAR HEEL AWARD Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer
On the 3rd, the Oklahoma Film Critics Circle announced their picks for the best of 2024!
Top 10 Films 1. Conclave
2. Anora
3. The Brutalist
4. Challengers
5. Wicked
6. Sing Sing
7. Dune: Part Two
8. The Substance
9. I Saw the TV Glow
10. Memoir of a Snail
Best Actor Winner: Ralph Fiennes, Conclave Runner-Up: Adrien Brody, The Brutalist
Best Actress Winner: Mikey Madison, Anora Runner-Up: Demi Moore, The Substance
Best Supporting Actor Winner: Clarence Maclin, Sing Sing Runner-Up: Edward Norton, A Complete Unknown
Yesterday, The Kansas City Film Critics Circle announced their picks for the best of 2024!
BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing The Substance
Wicked
ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two
BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
BEST ACTRESS (TIE)
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez Mikey Madison – Anora Demi Moore – The Substance
June Squibb – Thelma
BEST SUPPORTING ACTOR
Yura Borisov – Anora Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II
BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez
BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain The Substance
BEST ADAPTED SCREENPLAY Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot
BEST CINEMATOGRAPHY The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked
BEST ORIGINAL SCORE Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot
BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl The Wild Robot
BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In
BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story Will & Harper
VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu The Substance
TOM POE AWARD FOR BEST LGBTQ FILM I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer
BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man
Yesterday, the Greater Western New York Film Critics Association announced its picks for the best of 2024.
BEST PICTURE
Anora
The Brutalist Challengers
Dune: Part Two
Furiosa: A Mad Max Saga
I Saw the TV Glow
Nickel Boys
No Other Land
Nosferatu
A Real Pain
BEST FOREIGN FILM
All We Imagine as Light (India)
Evil Does Not Exist (Japan)
Kneecap (Ireland) No Other Land (Israel)
Red Rooms (Canada)
BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl The Wild Robot
BEST DOCUMENTARY
Daughters No Other Land
The Remarkable Life of Ibelin
Soundtrack to a Coup d’Etat
Super/Man: The Christopher Reeve Story
BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
LEAD ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown Colman Domingo – Sing Sing
Hugh Grant – Heretic
Keith Kupferer – Ghostlight
LEAD ACTRESS
Pamela Anderson – The Last Showgirl Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Fernanda Torres – I’m Still Here
SUPPORTING ACTOR
Yura Borisov – Anora Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
SUPPORTING ACTRESS
Monica Barbaro – A Complete Unknown
Joan Chen – Dìdi
Ariana Grande-Butera – Wicked Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
ORIGINAL SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet & Mona Fastvold
Challengers – Justin Kuritzkes
A Different Man – Aaron Schimberg A Real Pain – Jesse Eisenberg
ADAPTED SCREENPLAY
Conclave – Peter Straughan
Hit Man – Richard Linklater & Glen Powell
Nickel Boys – RaMell Ross & Joslyn Barnes
Oh, Canada – Paul Schrader Sing Sing – Clint Bentley & Greg Kwedar / story by Kwedar, Bentley, Clarence Maclin & John Whitfield
BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Challengers – Sayombhu Mukdeeprom
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray Nosferatu – Jarin Blaschke
BEST EDITING
The Brutalist – David Jancso Challengers – Marco Costa
Dune: Part Two – Joe Walker
Nickel Boys – Nicholas Monsour
Saturday Night – Nathan Orloff & Shane Reid
BEST ORIGINAL SCORE
The Brutalist – Daniel Blumberg Challengers – Trent Reznor & Atticus Ross
Conclave – Volker Bertelman
Nosferatu – Robin Carolan
The Wild Robot – Kris Bowers
BREAKTHROUGH PERFORMANCE
Yura Borisov – Anora
Lily Collias – Good One Clarence Maclin – Sing Sing
Mikey Madison – Anora
Izaac Wang – Dìdi
BREAKTHROUGH DIRECTOR
India Donaldson – Good One
Vera Drew – The People’s Joker
Josh Margolin – Thelma RaMell Ross – Nickel Boys
Aaron Schimberg – A Different Man