Horror Film Review: C.H.U.D. (dir by Douglas Cheek)


There’s something living under the streets of New York City.

That’s the basic idea behind 1984’s C.H.U.D., a film that opens with an upper class woman and her little dog being dragged into the sewers by a creature the reaches out of a manhole.  People are disappearing all over the city but the authorities obviously aren’t revealing everything that they know.  Even after the wife of NYPD Captain Bosch (Christopher Curry) disappears, the city government doesn’t seem to be too eager to dig into what exactly is happening.

Instead, it falls to two activists.  Photographer George Cooper (John Heard) specializes in taking picture of the homeless, especially the one who live underground in the New York subways.  He’s like a well-groomed version of Larry Clark, I guess.  Social activist A.J. “The Reverend” Shepherd (Daniel Stern) runs a homeless shelter and is convinced that something is preying on the most vulnerable citizens of New York.  When the police won’t do their job, George and the Reverend step up!

So, what’s living in the sewers?  Could it be that there actually are cannibalistic humanoid underground dwellers out there?  Everyone in New York City has heard the legends but, much like stories of the alligators in the Chicago sewers, most people chose not to believe them.  Or could the disappearance have something to do with the cannisters labeled Contamination Hazard Urban Disposal that are being left in the sewers by the Nuclear Regulatory Commission?  Wilson (George Martin) of the NRC says that they would never purposefully mutate the people living underground but Wilson works for the government so who in their right mind is going to trust him?

C.H.U.D. is a horror film with a social conscience.  It’s very much an 80s films because, while you have Shepherd running around and attacking everyone for not taking care of the most vulnerable members of society, the true villain is ultimately revealed to be the members of a regulatory agency.  Instead of finding a safe way to get rid of their nuclear waste, they just found a sneaky way to abandon it all in New York and obviously, they assumed no one would care because …. well, it’s New York.  Everyone in the country knows that New York City isn’t safe so who is going to notice a few underground monsters, right?

The idea behind C.H.U.D. has a lot of potential but the execution is a bit lackluster.  For every good C.H.U.D. kill, there’s long passages where the story drags.  Considering that Heard spent most of his career typecast as the type of authority figure who would dump nuclear waste under New York City, it’s actually kind of interesting to see him playing a sympathetic role here.  Daniel Stern, on the other hand, is miscast and rather hyperactive as Shepherd.  You really do want someone to tell him to calm down for a few minutes.  Watching C.H.U.D., one gets the feeling that it’s a film with an identity crisis.  Is it a horror film, an action flick, a work of social commentary, or a dark comedy?  There’s no reason why it can’t be all four but C.H.U.D. just never really comes together.  It ultimately feels more like a mix of several different films instead of being a film made with one clear and coherent vision.

In the end, Death Line remains the film to see about underground cannibals.

Film Review: The Pursuit of D.B. Cooper (dir by Roger Spottiswoode and Buzz Kulik)


The story of D.B. Cooper has always fascinated me.

D.B. Cooper is the name assigned to a man who, in 1971, hijacked an airplane, demanded $200,000, and then jumped off the plane after he got the money.  Reportedly, he was well-dressed and unfailingly polite during the entire hijacking.  When he jumped off the plane, he was about 10,000 feet over the Washington wilderness.  After he jumped, no further trace was found of him.  Over 50 years after the incident, the identity and the location of D.B. Cooper remains a mystery.

It’s been said that, even though Cooper had a parachute with him when he jumped, there’s no way that he could have survived the jump.  And yet, no body has ever been found.  (Of course, finding a body in the wilderness is not as easy as some people assume.)  Nine years after the the skyjacking, some of the money that Cooper received was found on the banks of the Columbia River, which was several miles away from the area that Cooper jumped over.  Did Cooper survive the jump and lose the money?  No one can say for sure.

Over the years, many people have come forward to say that they know the identity of D.B. Cooper.  Many distant fathers and secretive boyfriends and long lost friends have been accused of being D.B. Cooper.  Some of those suspects are more likely than others.  Even John List, the murderer who inspired the Stepfather films, was suspected at one point.

D.B. Cooper remains a fascinating character precisely because he’s never been captured and the mystery itself will probably never be solved.  Because he remains an enigma, it’s easy to project your own pet obsessions on him and his story.  Myself, I always imagine D.B. Cooper as being some sort of clever, fun-loving international rogue, even though there’s not really any evidence to back that up.  But, the fact of the matter is that I have a weakness for clever, fun-loving international rogues so, of course, that’s who I’m going to imagine D.B. to be.

I certainly would never imagine him to be like the character at the center of 1981’s The Pursuit of D.B. Cooper.

In this film, D.B. Cooper turns out to be Jim Meade (Treat Williams), a Vietnam vet and all around jackass who steals the money so that he can get back together with his estranged wife, Hannah (Kathryn Harrold).  Hannah does take him back because, seriously, who is going to say no to that much money?  Jim and Hannah spend the entire film running from one wilderness location to another.  They steal cars.  They steal trucks.  Meade steals an airplane at one point.  Hannah gets worried often and Jim tends to yell, “Woo hoo!” whenever he gets excited about anything.  At one point, Jim and Hannah are chased across some white water rapids.  When Hannah and Jim reach dry land, Jim gives the finger to the river.  I will say that, as someone who grew up in the South, Jim is a type of character who seems very familiar to me.  I’ve known a lot of Jim Meades and Treat Williams doesn’t do bad job playing Meade as being an impulsive, loud-mouthed good old boy.  The only problem is that, at no point, does Jim Meade come across like someone who could have pulled off what D.B. Cooper pulled off.

Jim is being pursued by two old army buddies.  The scruffier of the two is Remson (Paul Gleason), who somehow manages to keep popping up like a cartoon character at the most inopportune of times.  No matter what bad thing happens to Remson, he still shows up good-as-new a few minutes later.  Paul Gleason gives an energetic performance as Remson, a character who has little in common with the uptight authority figures that Gleason later played in The Breakfast Club and Die Hard.

The other person chasing Jim is Bill Gruen (Robert Duvall), who served with Meade in Vietnam but who is now working as an insurance investigator.  Gruen says that he knew Meade had to be D.B. Cooper because only Meade could survive jumping out of a plane over wilderness terrain.  Gruen wants some of the money for himself.  Despite his greed, it’s hard not to like Gruen because he’s played by Robert Duvall.  The best scene in the film is one where Duvall and Williams, exhausted from chasing each other, have a weary but friendly conversation.  It’s the one moment where Williams actually calms down and provides some hint that there’s actually something going on underneath Meade’s manic exterior.  Acting opposite Duvall brings out the best in him.

The Pursuit of D.B. Cooper had a notoriously troubled production and apparently, there was never a completed script during shooting.  Reportedly, bits of the film were directed by Robert Mulligan, John Frankenheimer, and Buzz Kulik before Roger Spottiswoode took over.  It’s a film that was obviously inspired by 70s chase films like Smokey and the Bandit but it also somehow managed to attract actors like Robert Duvall, who does his best to class up the joint.  The action quickly gets repetitive and the movie never seems to know if it wants to be a comedy or a drama.  On the plus side, Treat Williams and Kathryn Harrold make for a cute couple.

When this picture first came out, Universal Pictures offered a million dollar reward for any information that would lead to the capture and arrest of the real D.B. Cooper.  No one collected.

Horror Book Review: A Taste of Blood: The Films of Herschell Gordon Lewis by Christopher Curry


Remember the movie Juno?

I can remember when Juno first came out, a lot of people were shocked when the character of Mark (played by Jason Bateman) suddenly started to come on to Juno (Ellen Page).  (For the record, as a result of that one scene, I’ve always had a hard time watching Jason Bateman in practically anything.)  Myself, I knew Mark no good long before he asked Juno what she thought of him.

Remember the scene where Mark asked Juno who her favorite horror director was?  Juno, being intelligent, replied, “Dario Argento.”  Mark smirked and replied that Herschell Gordon Lewis was better.  As soon as Mark said that, I knew he was no good.

Now, I should make clear that’s nothing against Herschell Gordon Lewis, who was one of the pioneers of independent American cinema.  Though I don’t think that there’s any way you can compare him to Argento, Lewis played an important and often undervalued role in the development of horror as a genre.  Lewis may not be a household name but Blood Feast and 2,000 Maniacs are two of the most influential films ever made.  Something Weird was one of the first films to feature an acid trip and it’s title inspired Something Weird Video.  Speaking of Something Weird Video, the clip that they always play before their films — the one of the bald man shouting that “you’re damaged merchandise and this is a fire sale!” — was taken from Lewis’s Scum of the Earth.  And finally, Lewis’s political satire — The Year of the Yahoo — pretty much predicted the current state of American politics.

If you want to find out more about the life and career of Herschell Gordon Lewis, the 1999 book, A Taste of Blood: The Films of Herschell Gordon Lewis, is a good place to start.  The author, Christopher Curry, admits from the start that he is an unapologetic fan of Mr. Lewis’s.  As such, don’t expect the book to be too critical of any of Lewis’s films.  That said, A Taste of Blood contains not only interviews with the always articulate Lewis and some of his collaborators but it also contains a synopsis of every single Lewis film that had been released up until that point.  As such, the book is not just a tribute to Lewis but also a fascinating record of what it was like to work outside of the mainstream Hollywood establishment in the 1960s.  For that reason alone, it’s a valuable resource.

Now, it should be remembered that A Taste of Blood was written in 1999.  At the time that it was written, Lewis had retired from filmmaking.  Lewis, who passed away in 2016, would return to make three more films after the publication of A Taste of Blood.  As a result, A Taste of Blood is not a complete look at Lewis’s film career.  But it is a good place to start!

Finally, I bought my copy of A Taste For Blood at Recycled Books in Denton, Texas.  As far as I know, it’s out of print but, as always, there are still copies to be found online.