Retro Television Review: Fantasy Island 7.19 “Lost and Found/Dick Turpin’s Last Ride”

Posted on November 25, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. The show is once again on Tubi!

This week, I really missed Tattoo.

Episode 7.19 “”Lost and Found/Dick Turpin’s Last Ride”

(Dir by Bob Sweeney, originally aired on April 7th,1984)

Stung by the discovery that her husband has cheated on her, Sheila McKenna (Carol Lynley) comes to Fantasy Island, looking for revenge. Her husband, Frank (Adam West), follows her and tries to save his marriage. Sheila is tempted to cheat with Frank’s business partner. Fortunately, Mr. Roarke is there to show Frank the error of his ways and, for some reason, Sheila ends up forgiving him and they leave the Island with their marriage stronger than ever.

This storyline is one that I perhaps would have been more invested in if Sheila McKenna had not been played by Carol Lynley. Lynley was the most frequent guest star on Fantasy Island. She was never particularly memorable but, in this episode, she gives a performance that can only be described as bad. Delivering her lines without a hint of emotion (and forget about having any chemistry with West), Lynley comes across as if she under the influence of serious narcotics. I was genuinely worried about her health. I didn’t really care much about her marriage.

As for the other storyline, singer Tom Jones stars as mild-mannered accountant Jack Palmer. Palmer idolizes the legendary Welsh highwayman, Dick Turpin. Roarke sends him into the past so that he can actually be Dick Turpin. Tom Jones as Turpin sings almost all of his dialogue. Jack’s wife (Dianne Kay) is also sent into the past and is kidnapped by Sid Haig.

The Dick Turpin storyline was the sort of thing that Fantasy Island did well in the past. However, despite some surprisingly strong production values, it just kind of fell flat in this episode. A big problem is that this was the type of story that would have been perfect for Tattoo but, unfortunately, the show replaced Herve Villechaize with Christopher Hewett. I have nothing against Christopher Hewett. From what I’ve read, he was apparently a very devout Catholic who was loved by all. But the switch-over from Villechaize to Hewett was definitely the moment that Fantasy Island stopped being a fantasy to watch.

It’s hard to believe that I’m nearly done with this series. I’ve been reviewing it since 2022! It’s brought me a lot of joy but, as I make my way through the final episodes of season 7, I’m ready to finally move on.

Horror on TV: The Night Stalker (dir by John Llewelyn Moxey)

Posted on October 23, 2025 by Lisa Marie Bowman

Long before he achieved holiday immortality by playing the father in A Christmas Story, Darren McGavin played journalist Carl Kolchak in the 1972 made-for-TV movie, The Night Stalker. Kolchak is investigating a series of murders in Las Vegas, all of which involve victims being drained of their blood. Kolchak thinks that the murderer might be a vampire. Everyone else thinks that he’s crazy.

When this movie first aired, it was the highest rated made-for-TV movie of all time. Eventually, it led to a weekly TV series in which Kolchak investigated various paranormal happenings. Though the TV series did not last long, it’s still regularly cited as one of the most influential shows ever made.

The Night Stalker is an effective little vampire movie and Darren McGavin gives an entertaining performance as the rather nervous Carl Kolchak.

Enjoy!

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”

Posted on February 4, 2025 by Lisa Marie Bowman

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally. The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working. Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure). Michael could not bring himself to allow Catharine to die. So, she miraculously survived. But now, years later, Michael has been sent to collect the soul of Brent. Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident. Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul. If Brent’s dead than maybe Michael and Catharine could (somehow) be together. But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband. And he allow Brent to live, which seems a bit unfair to …. well, like anyone. Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel. When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.” This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on. I always like it when Tattoo gets to do more than just wave at the airplane. As for the rest of this fantasy, it wasn’t bad. Carol Lynley did a good job as Catharine. Gary Collins was a bit stiff but it kind of worked for his character. Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat. She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall). Did I mention that Clemens is having trouble coming up with a plot for his new book? Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog. Sure, why not? This storyline was predictable, largely because I read Huckleberry Finn in high school. However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy. (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes. Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute. That’s good to know!

Film Review: The Cardinal (dir by Otto Preminger)

Posted on January 27, 2025 by Lisa Marie Bowman

The 1963 film, The Cardinal, opens with an Irish-American priest named Stephen Fermoyle (Tom Tyron) being instituted as a cardinal.

In a series of flashbacks, we see everything that led to this moment. Stephen starts out as an overly ambitious and somewhat didactic priest who, over the years, is taught to be humble by a series of tragedies and mentors. It’s a sprawling story, one that encompasses the first half of the 20th Century and, as he did with both Exodus and Advice and Consent, Preminger tells his story through the presence of several familiar faces. Director John Huston plays the cardinal who takes an early interest in Stephen’s career. Burgess Meredith plays a priest with MS who teaches Stephen about the importance of remaining humble and thankful. When Stephen is in Europe, Romy Schneider plays the woman for whom he momentarily considers abandoning his vows. When Stephen is assigned to the American South, Ossie Davis plays the priest and civil rights activist who teaches Stephen about the importance of standing up for those being oppressed. In the days leading up to World War II, Stephen is sent to Austria to try to keep the local clergy from allying with the invading Nazis. Stephen also deals with his own family drama, as his sister (Carol Lynley) runs away from home after Stephen counsels her not to marry a good Jewish man named Benny (John Saxon) unless Benny can be convinced the convert to Catholicism. Later, when his sister becomes pregnant and Stephen is told that she’ll die unless she has an abortion, Stephen is forced to choose between his own feelings and teachings of the Church. Along the way, performers like Dorothy Gish, Cecil Kellaway, Chill Wills, Raf Vallone, Jill Haworth, Maggie McNamara, Arthur Hunnicut, and Robert Morse all make appearances.

All of the familiar faces in the cast are used to support Tom Tryon and Tryon needs all the support that he can get. Despite Otto Preminger’s attempts to make Tom Tyron into a star, Tryon eventually retired from acting and found far more success as a writer of the type of fiction that Stephen Fermoyle probably would have condemned as blasphemous. Tryon gives a stiff and unconvincing performance in The Cardinal. The entire film depends on Tryon’s ability to get us to like Stephen, even when he’s being self-righteous or when he’s full of self-pity and, unfortunately, Tryon’s stiff performance makes him into the epitome of the type of priest that everyone dreads having to deal with. Tryon gives such a boring performance that he’s overshadowed by the rest of the cast. I spent the movie wishing that it would have spent more time with John Saxon and Burgess Meredith, both of whom give interesting and lively performances.

The Cardinal is a long and rather self-important film. The same can be said of many of Preminger’s films in the 60s but Exodus benefitted from the movie star glamour of Paul Newman and Eva Marie Saint and Advice and Consent was saved by an intelligent script. The Cardinal, on the other hand, is a bit draggy and makes many of the same mistakes that many secular films make when they try to portray Catholicism. Oddly enough, The Cardinal received more Oscar nominations than either Exodus or Advice and Consent. Indeed, Preminger was even nominated for Best Director for his rather uninspired work here. Considering the number of good films for which Preminger was not nominated (Anatomy of a Murder comes to mind), it’s a bit odd that The Cardinal was the film for which he was nominated. (Of course, in 1944, the Academy got it right by nominating Preminger for his direction of Laura.) The Cardinal is largely forgettable, though interesting as a type of self-consciously “big” films that the studios were churning out in the 60s in order to compete with television and the counterculture.

Late Night Retro Television Review: Monsters 3.1 “Stressed Environment”

Posted on December 4, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we begin the third season of Monsters!

Episode 3.1 “Stressed Environment”

(Dir by Jeffrey Wolf, originally aired on September 30th, 1990)

The third season of Monsters starts off with the story of an experiment gone wrong.

For twelve years, Dr. Elizabeth Porter (Carol Lynley) has been experimenting with lab rats, trying to help them evolve into a higher form of intelligence. Her work is supervised by Dr. Robert Winston (Victor Raider-Wexler) and her assistants are the cowardly Keith (Scott Weir) and Gina (Kathleen McCall). The episode opens with a lengthy (by Monsters standards) scene of Gina undressing and then putting on her special rat feeding uniform while Keith tries to discreetly watch. It’s a scene that really has little to do with the rest of the episode but I guess the producers of Monsters decided that the best way to survive to a fourth season would be to appeal to teenage boys.

Anyway, Keith’s crush on Gina comes to naught because Gina is killed while trying to feed the rats. It turns out that the rats have gotten smart. They’ve gotten smart enough to build crude spears and crossbows and use them as weapons. Dr. Winston wants to shut the experiment down. Keith wants to go home. Elizabeth, however, wants to protect her rats and see if she can convince them to give up their weapons and live in peace. Dr. Winston points out that if humans can’t convince their own species to do that, how is Elizabeth going to convince a bunch of rats?

And Dr. Winston has a point. Elizabeth may think that she has a special bond with the rats but the rats disagree. Soon, Gina is not the only person to have lost their life to an army of spear-carrying rats. The episode ends with Keith as the sole survivor and his ultimate fate is still up in the air. The rats are angry, ruthless, and armed.

And cute!

Seriously, this episode probably might have been more effective if the rats themselves have been a bit more frightening but it wouldn’t have been as much fun. As it is, the use of crude puppets actually made the rats look kind of adorable, especially when they were holding their little spears and setting up their little crossbows. Of course, one reason why I found the rats to be cute is because I’m used to CGI. I take CGI for granted. This episode was made when special effects people still had to use puppets for their monsters and, as a result, the rats don’t really look like rats. They’re so fake-looking that it’s hard not to like them. They’re a throw-back to a simpler and more innocent time.

This was actually a pretty entertaining episode and a great way to start season 3! I appreciated that this episode of Monsters featured actual monsters. After the uneven batch of episodes that finished up the second season of this show, it’s nice to season 3 starting off on the right foot.

Horror on the Lens: The Night Stalker (dir by John Llewelyn Moxey)

Posted on October 22, 2024 by Lisa Marie Bowman

For today’s horror on the lens, we have a real treat! (We’ll get to the tricks later…)

The Night Stalker is an effective little vampire movie and Darren McGavin gives a great performance as Carl Kolchak.

Enjoy!

Retro Television Review: Fantasy Island 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”

Posted on October 15, 2024 by Lisa Marie Bowman

This week, King Arthur comes to Fantasy Island!

Episode 5.13 “King Arthur in Mr. Roarke’s Court/Shadow Games”

(Dir by Philip Leacock, originally aired on January 23rd, 1982)

Yay! Tattoo is present in this episode!

Listen, there’s nothing wrong with Wendy Schaal and it’s not her fault that the character of Julie was seriously underdeveloped by the show’s writers. But I have to admit that I always cheer a little whenever an episode opens with Julie being sent to take care of something elsewhere on the Island. In this case, Julie is sent to find a home for five adorable kittens while Tattoo and Mr. Roarke deal with this episode’s guests.

Sara Jean Rawlins (Linda Blair) is a country music singer who comes to Fantasy Island with her manager, Sam (the always sinister Peter Mark Richman). Sara Jean wants to record her song Shadow Games and she wants her former collaborator and boyfriend, Billy, to play guitar on the track. The only problem is that Billy is believed to have died in a fiery car crash. Mr. Roarke says that Sara Jean’s fantasy can come true but only if she has total and complete faith. Plus, she needs to let guitarist Todd Porter (Don Most) play with her. “It is very important to the success of your fantasy,” Roarke tells her. Hmmm….I wonder why.

Hey, do you think that maybe Billy isn’t dead and instead, he’s disguised himself as Todd Porter? That would certainly explain why Todd’s guitar playing sounds just like Billy’s. And do you think it’s possible that Sam, who is played by an actor who was always cast as a villain no matter what, might turn out to be the story’s true villain?

This fantasy was predictable and Linda Blair overacted the whole “country” aspect of her character but I did like the Shadow Games song. And Mr. Roarke played the piano at one point! It’s always fun when Mr. Roarke shows off a new skill. (Apparently, Montalban himself was a very talented pianist.)

As for the other fantasy, Ralph Rodgers (Tom Smothers) wants to go to the past so he can meet King Arthur. He specifically says his fantasy is to “meet King Arthur.” Ralph is briefly sent back to Camelot but, just as abruptly, he returns to the present and he brings Arthur (played by Robert Mandan) with him! Roarke admits that something must have gone wrong with the time traveling spell but he also points out that Ralph wanted to “meet King Arthur” and now he’s met him.

Now, what do you picture when you think of King Arthur? Young? Handsome? Battle-weary? Romantic? British?

Here’s what Fantasy Island gives us.

Now, if you’ve ever seen any old sitcoms from the 70s and the 80s, you’ll probably recognize Robert Mandan. He was one of those actors who always seemed to play stuffy authority figures. He was always the overprotective father or the greedy businessman or the principal who wasn’t going to stand for any foolishness in his school. Robert Mandan was not a bad actor but he was also definitely not British. But you know what? Robert Mandan is so miscast as King Arthur that it actually becomes kind of charming.

King Arthur and Ralph wander around the Island while Roarke works on finding a way to send Arthur back to Camelot. Arthur gets harassed by a group of roughnecks who don’t seem like they really belong on the Island. (Maybe they work at that fishing village that showed up in one episode and was then never mentioned again.) Arthur also reveals that his wife, Gwynevere, had vanished. Ralph eventually goes off on his own and runs into a British woman who says her name is Gwen (Carol Lynley). She explains she came to the Island because her politician husband was too consumed with work. Hmmmmm….

The important thing is that

Arthur and Gwen are reunited
Arthur knights Ralph before he and Gwen return to Camelot and,
There’s a masquerade ball and Tattoo dressed up like a knight!

This was a silly but cute episode. Between Robert Mandan as King Arthur and Linda Blair singing country music, this episode was so weird that it was impossible not to enjoy it. I just hope Julie found a home for all those kittens.

Retro Television Review: Fantasy Island 5.3 “Cyrano/The Magician”

Posted on June 18, 2024 by Lisa Marie Bowman

This week …. someone’s missing!

Episode 5.3 “Cyrano/The Magician”

(Dir by Dan Chaffey, originally aired on October 24th, 1981)

Hey, where’s Tattoo!?

Technically, Tattoo does appear in this episode but it’s only in the stock footage that appeared at the start of every episode. Tattoo rings the bell and announces, “Da plane …. da plane!” but that’s it. He does not meet Mr. Roarke outside of the bungalow. He is not present to greet the guests. He’s not present to say goodbye to the guests. Tattoo is nowhere to be seen and, somewhat disconcertingly, no mention is made of why he’s missing. Instead, Mr. Roarke and Julie handle the fantasies in this episode.

If I had to guess, I’d say that Herve Villechaize was having a salary dispute with the producers. It seems obvious that Julie was brought in as a way to tell Villechaize that he was replaceable. However, Tattoo’s absence is felt so strongly in this episode that it seems likely that all the producers did was prove Villechaize’s point about why he deserved more money. Wendy Schaal is a likable performer but she had close to no real chemistry with Ricardo Montalban and Julie was such a blandly-written character that there was no way she could replace the enigmatic and rather cynical Tattoo.

Sad to say, one of this episode’s fantasies feels as if it would have been perfect for Tattoo’s commentary. Marjorie Denton (Carol Lynley) is a bus driver who wants to go back to a time when men were at their most chivalrous. She finds herself back in 17th century France, a time when men were chivalrous but woman had absolutely no rights. At first, she is thrilled to be the subject of the attentions of both the handsome Gaston (Simon MacCorkindale) and the poetic Cyrano de Bergerac (John Saxon). She is less thrilled to catch the eye of the Marquis de Sade (Lloyd Bochner). It’s not a bad fantasy, though Cyrano and De Sade were not quite contemporaries. But it’s hard not to think about how Villechaize was always at his best when dealing with wounded romanticism. Since Cyrano himself turned out to be a guest having a fantasy, it’s hard not to regret that Tattoo was not around to encourage him.

As for the other fantasy, it’s one of those silly and kind of boring comedic fantasies that was obviously included for the kids. (“Mommy, who is the Marquis De Sade?”) Timothy Potter (Bart Braverman), no relation to Harry, is a bad magician who wants to be a great magician. Mr. Roarke gives him a collection of old spell books and an assistant named Suva (Judy Landers), whom Timothy proceeds to fall in love with. Unfortunately, Timothy doesn’t bother to study the books like Roarke told him to and he accidentally makes Suva disappear. In the end, though, Roarke assures Timothy that he just sent her to Cleveland, which just happens to be his hometown. There’s a chimpanzee in this fantasy and the chimp gives the most compelling performance. The only thing that could have saved this fantasy would have been some snarky Tattoo commentary.

Is it possible to have Fantasy Island without Tattoo? Based on this episode, the answer would be no. Let’s hope he returns next week.

Retro Television Review: Fantasy Island 4.23 “Man-Beast/Ole Island Opry”

Posted on April 30, 2024 by Lisa Marie Bowman

This week, we learn something new about the Island.

Episode 4.23 “Man-Beast/Ole Island Opry”

(Dir by George W. Brooks, originally aired on May 16th, 1981)

Did you know that Fantasy Island is home to a world-famous country music venue?

Yes, I’m talking about the Ole Island Opry! Operated by Lottie McFadden (Anne Francis), the Ole Island Opry is a mainstay of the Island, even though it’s never been mentioned before. Lottie says that everyone from Charley Pride to Hank Williams to Dolly Parton has played at the Ole Island Opry.

If you’re anything like me, you’re saying, “What the heck?”

I mean, seriously, why have we never heard of this place before? How many country music fans live on the Island? Why would established artists be so eager to play at a venue that’s sitting on an isolated island? And how big is this Island anyway? With the fishing village, the native villages, the downtown area that we see sometimes, the children’s side of the Island, the ancient castles, the isolated mansions, the Ole Island Opry, and all the magical portals, Fantasy Island has got to be at least the size of New Zealand.

These questions go unanswered, as usual. Instead, the episode focuses on Charlie Rowlands (Jimmy Dean), who was an up-and-coming country music star until his wife died and he gave up stardom to raise his daughter, Jennie (Wendy Schaal). Charlie is an old friend of Lottie’s and his fantasy is for Jennie to make her singing debut at the Ole Island Opry.

What Charlie doesn’t know is that Jennie has a fantasy of her own. She wants her father to stop pressuring her to become a singer so that she can focus on her love of photography! Mr. Roarke is able to grant both fantasies. Jennie sings but is really bad and her father finally realizes that she’s not meant to be a country-western star. Instead, Jennie asks her father to come up on stage and sing a song. Charlie sings King of the Road and, despite being a bit older than the usual up-and-comer, he gets a recording contract. He also wins the love of Lottie, who leaves the Island with him. As for Jennie, she can now attend a Yankee art school without feeling guilty. Yay!

Jimmy Dean gave a charming performance but otherwise, this fantasy was just silly. Perhaps it would have worked if Charlie and his daughter had stepped into the past and found themselves in Nashville in the 40s but having Jennie make her debut (and farewell) at the “Ole Island Opry” just required a bit too much of a suspension of disbelief. As well, Mr. Roarke has a habit of combining people’s fantasies without giving them any advance warning. It always seem to work out okay but I still think Mr. Roarke is lucky that he hasn’t gotten sued by a guest who didn’t want to share their fantasy with anyone else.

The other fantasy featured David (David Hedison) and Elizabeth Tabori (Carol Lynley) coming to the Island in an attempt to cure David of a recurring nightmare that he’s been having, one in which Elizabeth and he are in a dark cave and Elizabeth is terrified of something. Mr. Roarke quickly deduces that David is a werewolf. David can be cured by a very rare plant. Unfortunately, it will take the plant a few days to arrive so David will have to survive two full moons on Fantasy Island.

As with most of this show’s horror-themed fantasies, this fantasy was simple but fun. The werewolf makeup was pretty basic but David Hedison poured himself into the role of the tortured David Tabori. Fortunately, the magic flower arrives just in time to curse David of his ancestral curse.

As David and Elizabeth leave, Tattoo says that David must have been crazy because werewolves don’t exist. Suddenly, Tattoo realizes that he’s turning into a werewolf. Roarke has a good laugh as the end credits roll.

This week was another uneven trip to the Island. It’s interesting that, even with a werewolf on the loose, everyone still braved the night to attend the show at the Ole Island Opry. Fantasy Island is a strange place and I wouldn’t have it any other way.

Retro Television Reviews: Fantasy Island 4.1 “The Devil and Mandy Breem/The Millionaire”

Posted on November 21, 2023 by Lisa Marie Bowman

This week, season 4 begins with …. THE DEVIL!

Episode 4.1 “The Devil and Mandy Breem/The Millionaire”

(Dir by Vince Edwards, originally aired on October 25th, 1980)

The fourth season of Fantasy Island opens with Mr. Roarke and Tattoo once again upset with each other.

When a man named Fred Catlett (Arte Johnson) wrote to Mr. Roarke and said that his fantasy was to become an instant millionaire, Roarke turned down his fantasy for …. reasons, I guess. Seriously, becoming an instant millionaire sounds like a typical fantasy and I seem to remember that it’s one that Roarke has granted for other guests on the series. I’m not sure why Roarke decided that poor, meek Fred Catlett was somehow unworthy of his fantasy.

For whatever reason, though, Roarke does turn down the fantasy. So, imagine his surprise when Fred shows up on the island! Tattoo explains that he decided to give Fred his fantasy. Roarke tells Tattoo that he’ll receive no help and no money from him. Tattoo is shocked and I’m wondering if this means that Fred will get a refund. I mean, Fantasy Island is not cheap. Actually, if Fred already had enough money to come to Fantasy Island, that does make his fantasy seem a little bit weird. It seems like you have to be a millionaire to get your fantasy in the first place.

Roarke, I should add, is a hypocrite because he totally suspends the rules for this week’s other guest. Mandy Breem (Carol Lynley) has come to the Island with her fantasy being that she wants the Island to save her life. However, Mandy refused to explain all of the details of her fantasy until she came to the Island. Roarke allows her to come, despite not knowing what she wants. If Tattoo did something like that, Roarke would never let him hear the end of it.

So, what is Mandy’s fantasy? A year ago, Mandy’s husband (Adam West) underwent a surgery. Fearful of his life, Mandy made a deal with …. THE DEVIL! She agreed that, if he saved her husband’s life, she would give up her soul in a year’s time. Well, that year is coming to a close and Mandy has come to Fantasy Island, hoping that she can somehow get out of the deal. The Devil (played by a dapper Roddy McDowall) has followed her and soon, Roarke must confront the Lord of Darkness for the sake of Mandy’s soul.

This is a really fun story, largely because the performance of Roddy McDowall as the devil. Wearing a black suit and a white tie and delivering all of his lines with just the right mix of menace, sarcasm, and camp McDowall is the ideal trickster. The smoky confrontation between Roarke and the Devil is the highlight of the episode, with both Montalban and McDowall both seeming to relish they drama of the moment. Ricardo Montalban once said that, while the show’s producers wanted to keep Roarke as enigmatic as possible, he always envisioned Roarke as being a fallen angel who was doing his penance on Fantasy Island. And, indeed, there is a hint of that in his confrontation with the Devil, with the show suggesting that this is neither the first nor the final time that the two shall meet.

As for the other fantasy, Tattoo’s solution is to steal a magic lamp and give it to Mike. Mike rubs the lamp and wishes for a million dollars. A briefcase full of money flies through the sky and lands in front of him. Mike is convinced the magic worked but actually the briefcase was tossed out of a moving car and now, three thieves (Arlene Golonka, Ross Martin, and Joe Turkel) want their money back! It all works out in the end. Despite Roarke’s earlier refusal to grant Fred his wish, this was ultimately a typical Fantasy Island fantasy. While it really couldn’t compete with Mr. Roarke facing off against the Devil, it did, at least, give Tattoo something to do. One gets the feeling that this episode was specifically conceived so that both Ricardo Montalban and Herve Villechaize could get their chance in the spotlight without having to actually interact with each other. And it works out wonderfully, with Tattoo’s silly antics providing a nice balance to the more dramatic stuff involving Mr. Roarke.

All in all, even if it’s obvious that Ricardo Montalban and Herve Villechaize were still not getting along behind the scene, this was a fantastic start for season 4!