Mohawk (1956, directed by Kurt Neumann)


In the late 18th century, Boston socialite Cynthia Stanhope (Lori Nelson) travels to Fort Alden in upstate New York to visit her fiancé, a painter named Jonathan Adams (Scott Brady), who has been commissioned to paint the local scenery.  As soon as Cynthia and her mother arrive, they are shocked to discover that not only Jonathan has been painting pictures of the members of the Native local tribes but that he is also now flirting with a barmaid named Greta.  Greta is played by Allison Hayes so who can blame him?  Cynthia wants to return to their normal upper class life in Boston but Adams has fallen for the untamed wilderness of the frontier.

When Onida (Rita Gam), the daughter of Iroquois chief Kowanen (Ted de Corsia) is captured during a raid on the fort, Adams is assigned to escort her back to her tribe.  Leaving behind Cynthia and Greta, Adams falls in love with Onida over the course of the journey.  When he meets the Iroquois, he earns the respect of her father and the entire tribe when he agrees to paint the chief’s portrait.

Meanwhile, a haughty settler named Butler (John Hoyt) is trying to play the army and the Iroquois against each other, feeding both of them false information in an attempt to spark a war.  Butler is hoping that a war will lead to both sides wiping each other out so that he can once again have the valley to himself.  When it turns out that his words might not be enough to spark a war, Butler resorts to murder.  When Kowanen’s son is killed, the Iroquois prepare for war while Adams is framed for the crime and finds himself tied to a stake.

Mohawk is a standard B-western, with a plot that is largely lifted from John Ford’s Drums Along The Mohawk.  Unfortunately, Adams is about as sympathetic hero as you would expect someone manipulating three different women to be and, when it comes to depicting the Iroquois, Mohawk resorts to too many clichés.  This is one of those westerns where the Native characters speak broken English, even when they are just talking to each other.

Mohawk does have three things to recommend it.  Number one, John Hoyt was a master at playing haughty villains and Butler is easy to root against.  You will look forward to seeing him get his comeuppance.  Number two, Allison Hayes was a force of nature and that’s true even in this film, where she’s not given nearly enough to do.  Number three, one of Iroquois braves is played by Neville Brand.  A highly decorated World War II veteran, Brand built a long career playing tough guys.  In Mohawk, it only takes one look at Neville Brand to know that this isn’t someone you want to mess with.  Anyone watching would want to stay on Neville Brand’s good side.

Otherwise, Mohawk is forgettable.  Two years after it was released, Mohawk’s director Kurt Neumann, would be responsible for the much more memorable The Fly.

Horror Scenes That I Love: Cheatin’ Harry Gets Grabbed In Attack of the 50 Foot Woman


From 1958’s Attack of the 50 Foot Woman, Harry discovers that cheaters never get away with it.  Especially when they’re cheating on someone who is 50 feet tell….

Pier 5, Havana (1959, directed by Edward L. Cahn)


Shortly after the Cuban Revolution, Steve Daggett (Cameron Mitchell) comes to Havana.  He’s searching for his friend, Hank Miller (Logan Field).  An alcoholic, Hank has been missing for several days.  When Steve arrives, he discovers that the local police are less than helpful.  He is also reunited with his former girlfriend, Monica Gray (Allison Hayes), who also happens to be Hank’s estranged wife.  Since separating from Hank, Monica has taken up with Fernando Ricardo (Eduardo Noriega), a wealthy land owner who, so far, has been spared from Castro’s revolution.

It doesn’t take long for Steve to discover that no one wants him to stay in Havana.  When he goes to meet an informant on a pier, he’s instead assaulted by two men who order him to be on the next plane to Miami.  When Steve refuses to leave, both his life and Monica’s are put in danger.  Steve’s investigation eventually leads him to a plot to overthrow Fidel Castro and return Batista to power.

Pier 5, Havana is a low-budget, B-noir that is mostly interesting due to its historical context.  The movie went into production a month after Castro took over Cuba and certain scenes were actually shot on location in Havana.  Because it was a quick shoot meant to capitalize on current events, the movie was rushed into theaters before Castro officially allied his country with the Soviet Union.  As a result, Pier 5, Havana is one of America’s few pro-Castro films.  While the film doesn’t fully embrace Castro, it does present his new government as being preferable to return of Batista’s dictatorship.

As for the film itself, it’s a fairly standard mystery.  Edward L. Cahn, who also directed Flesh and the Spur and Jet Attack, was a director who shot fast and in a workmanlike style.  (Pier 5 Havana was one of seven films that he directed in 1959 alone.)  Cameron Mitchell is surprisingly but effectively subdued as the two-fisted hero and he provides the hard-boiled narration as well.  As always, Allison Hayes is an effective femme fatale.

Pier 5, Havana is a fast-paced B-movie with some good performances and some interesting footage of Havana right after the revolution.

Cleaning Out the DVR #21: Halloween Leftovers 3


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Time to reach deep inside that trick-or-treat bag and take a look at what’s stuck deep in the corners. Just when you thought it was safe, here’s five more thrilling tales of terror:

YOU’LL FIND OUT (RKO 1940; D: David Butler) – Kay Kyser and his College of Musical Knowledge, for those of you unfamiliar…

…were a Swing Era band of the 30’s & 40’s who combined music with cornball humor on their popular weekly radio program. RKO signed them to a movie contract and gave them this silly but entertaining “old dark house” comedy, teaming Kay and the band (featuring Ginny Simms, Harry Babbitt, Sully Mason, and the immortal Ish Kabibble!) with horror greats Boris Karloff , Bela Lugosi , and Peter Lorre . It’s got all the prerequisites: secret passageways, a creepy séance, and of course that old stand-by, the dark and stormy night! The plot has Kyser’s…

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A Movie A Day #64: Gunslinger (1956, directed by Roger Corman)


gunslinger_posterWelcome to Oracle, Texas.  It’s a dusty little town in the old west.  Marshal Scott Hood (William Schallert) may uphold the law but everyone knows that the town is actually run by Erica (Allison Hayes), the owner of the local saloon.  Erica knows that a railroad may be coming to town so she comes up with a plan to buy all the land around Oracle.  She sends her lackey, Jake (Jonathan Haze), to each landowner.  Jake buys the land then murders the landowner so that he can get the money back.

When Scott is gunned down by two outlaws, his widow, Rose (Beverly Garland), takes over as temporary marshal.  Rose has two weeks until the new marshal arrives but that is just enough time for nearly everyone in town to get killed.  It starts when Rose orders Erica to close her saloon at three in the morning.  Erica loses the epic catfight that follows so she hires her former lover, Cane Miro (John Ireland), to come to town and kill Rose.  Cane is more interested in killing the town’s mayor (Martin Kingsley), a former Confederate who abandoned Cane and his brothers to Union forces during the Civil War.  Even more complications arise when Cane and Rose fall in love.

Roger Corman has described Gunslinger as being his most miserable experience as a director.  He filmed it in six days and it rained for five of them, causing cameras and lights to sink into the mud.  Both Allison Hayes and Beverly Garland were injured during filming, with Hayes breaking her arm after falling off a horse and Garland spraining her ankle while running down the stairs of the saloon.  During the filming of an outdoor love scene, both Ireland and Garland were attacked by fire ants.

Gunslinger is usually savaged by reviewers and it was featured on an early episode of Mystery Science Theater 3000.  But how can any film be that bad if it features an epic cat fight between Beverly Garland and Allison Hayes?  Gunslinger is proof that Beverly Garland and Allison Hayes were actress who could make something entertaining out of even the least inspiring material. Garland gives a serious, heartfelt performance while Hayes goes all out as evil Erica.  Years before he played Seymour in Corman’s Little Shop of Horrors, Jonathan Haze is intensely weird as Jake. As with many Corman films, part of the fun is watching for members of the Corman stock company, like Dick Miller and Bruno VeSota, in small roles.   Gunslinger may not be a classic but I like it.

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Stage Fright: THE HYPNOTIC EYE (Allied Artists 1960)


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The Hypnotic Eye (1960) Directed by George Blair Shown: Lobby card

Evil hypnotists have been a movie staple since Svengali first mesmerized Trilby in 1911, but THE HYPNOTIC EYE is in a class of its own. This demented little tale is sufficiently creepy enough to overcome its meager budget limitations, and features the Ice Queen of Horror, Allison Hayes, in the pivotal role of Justine, assistant to master trancemaker Desmond.

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We start with an opening shot of a woman, thinking she’s washing her hair, sticking her head directly into the flame of a stove pilot. That’ll get your attention! A series of horrible self-mutilations have left a dozen beautiful women disfigured and the police scratching their heads. Detective Dave Kennedy discusses the bizarre cases with police psychologist Phil Hecht: “One of them stuck her face in the blade of an electric fan. Thought it was a vibrator. Another one sliced her face with a straight razor. Thought it was a lipstick brush”.

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Dave’s girlfriend Marcia…

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Halloween Havoc!: ATTACK OF THE 50 FOOT WOMAN (Allied Artists 1958)


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“HAAARRRY!!!”

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It’s hard not to like ATTACK OF THE 50 FOOT WOMAN. Sure the premise is ridiculous, the script’s way over-the-top, the acting’s hammy, the direction’s practically non-existent, and the special effects flat-out stink. Yet the movie has an endearing, ragged charm in its unintentionally funny way that, like PLAN NINE FROM OUTER SPACE  , sucks the viewer right into its bizzaro world. Plus, it’s got two of the 1950’s hottest sci-fi/horror babes, Allison Hayes and Yvette Vickers!

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A giant space ball lands smack in the middle of Route 66 in the California desert. Heiress Nancy Archer swerves to avoid it, and next thing you know a giant hand grabs her! Meanwhile at Tony’s Bar & Grill, her louse of a husband Harry is living it up with local floozie Honey Parker. No one believes Nancy’s wild tale, as she’s known for being a boozer and has spent time in a sanitarium. Sheriff Dubbitt and…

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