How have I ignored Roger Corman here for so long, save for a short “Cleaning Out the DVR” review of THE TERROR ? The King of the Low Budget Quickies has long been a favorite filmmaker of mine, and has probably had more impact on American cinema than people realize. Well, now that TCM is running its month-long salute to AIP, I’m about to rectify that oversight. (By the way, Corman himself is cohosting the retrospective every Thursday night along with TCM’s own Ben Mankiewicz!)
American International Pictures scored a hit with 1960’s HOUSE OF USHER, an Edgar Allan Poe adaptation starring Vincent Price and directed by Corman. Studio honchos James Nicholson and Samuel Z. Arkoff looked at the box office numbers and, realizing they had a cash cow on their hands, asked Corman to produce a follow-up. Rapid Roger decided on PIT AND THE PENDULUM, shot in 15 days for less…
Oh boy. TCM is running a salute to AIP every Thursday this month. Now I’ll never get that DVR cleaned out! American International Pictures released some of my favorite films of the 50’s, 60’s, and 70’s, and TCM’s showing everything from Vincent Price/Roger Corman/Edgar Allan Poe horrors to outlaw biker flicks to Beach Party teen shenanigans. Expect to see lots of AIP posts in the near future, starting right now with 1958’s ATTACK OF THE PUPPET PEOPLE.
One of my earliest movie memories is watching this on the local “Four O’ Clock Movie Matinee” when I was about five years old. For some strange reason, it resonated with me. I haven’t seen it in years, and my recent re-viewing had me wondering just why it did. Maybe I was a strange kid! Anyway, ATTACK OF THE PUPPET PEOPLE was the brainchild of Mr. B.I.G. himself, producer/director/effects wizard Bert I. Gordon. Well, maybe…
Five years before Woodstock, there was T.A.M.I. Show.
In 1964, a concert was held over two days at the Santa Monica Civic Auditorium. Free tickets were distributed to local high school students and the best footage from the two shows was edited into one movie. Distributed by American International Pictures, T.A.M.I. Show was one of the first concert films.
T.A.M.I. stood for Teenage Awards Music International but no awards were given out during those two days. Instead, 12 of the most popular music acts of 1964 performed on one stage. The Beatles may not have been there but almost every other hitmaker of the year showed up.
Among the highlights of T.A.M.I. Show was the performance of James Brown and The Famous Flames, which many consider to be one of the best musical performances ever captured on film.
James Brown’s performance was followed by The Rolling Stones. Though Keith Richards once claimed that trying to follow James Brown was the biggest mistake of their careers, T.A.M.I. Show was the first time that many American teenagers actually saw the Stones perform.
Also performing: The Supremes, at the height of their popularity.
The Beach Boys’ performance has become semi-legendary because, as a result of copyright issues, it was edited out of prints of T.A.M.I. Show following the initial theatrical run.
For years, T.A.M.I. Show was unavailable for home viewing but finally, in 2010, Shout Factory released this landmark of movie and music history on DVD and they even included the long censored footage of the Beach Boys. For music lovers, T.A.M.I. Show is a must-see record of the rock scene in between the start of the British invasion and the rise of the counterculture.
I record a LOT of movies. Probably around ten per week, more or less. And since I also have to do little things like work, exercise, cook, clean, breathe, etc etc, I don’t always have time to watch them all (never mind write full reviews), so I’ve decided to begin a series of short, capsule reviews for the decades covered here at Cracked Rear Viewer. This will be whenever I find my DVR getting cluttered, which is frequent! I’ll try to make CLEANING OUT THE DVR a bi-weekly series, but there are no guarantees. Monthly is more realistic. Anyway, here are five films from the 1930s to the 1970s for your reading pleasure.