Retro Television Review: Homicide: Life On The Street 3.5 “The Last Of The Watermen”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

If you’re checking with the imdb and saying, “You’re reviewing these out of order!,” I’m reviewing them in the order that they were meant to air as opposed to the order by which NBC showed them.

Episode 3.5 “The Last of the Watermen”

(Dir by Richard Pearce, originally aired on December 9th, 1994)

We learn a bit more about the personal lives of Baltimore’s Homicide detectives with this episode.

For instance, we discover that Munch and Gee living in the same neighborhood.  When Gee, whose washing machine has broken down, visits the local laundromat, he’s not necessarily overjoyed to see Munch sitting there.  Munch talks and talks.  Gee lights a cigar and tries to read his newspaper in peace.  Munch keeps talking.  Gee points out that it’s the weekend and he doesn’t like to talk to anyone on the weekend.  Sunday is his day.  Munch nods and then keeps talking.  Gee stands up and moves to another part of the laundromat.

We also get to meet Kay Howard’s family.  Disgusted by the latest murder scene that she and Beau have come across and the fact that an elderly woman was murdered and her tongue was subsequently cut out and then stuffed down her throat (yikes!), Kay decides that she’s due some vacation time.  She leaves Baltimore and drives out to the local fishing village where she grew up.  She spends time with her father and her brother and a guy who she once had a romantic relationship with.  She visits her mother’s grave.  It’s interesting to see Kay outside of Baltimore and to see how she interacts with family.  It was so interesting that I was kind of annoyed that she still ended up working a murder.  A local environmental activist is murdered.  Kay worries that the murderer might have been her brother but it turns out to have been another fisherman.  I mean, I get it.  The show is called Homicide and Kay is a detective but still, I would have been just as happy if the show had just focused on her family and their rituals.  This episode is 30 years old but the scenes of the blue collar fishermen talking about how they were being “regulated” out of their life’s work still rang true.

While Kay was visiting family, Felton got a temporary new partner and you’ve probably already guessed that it was Pembleton.  This is not the first time that Pembleton has been assigned to work with Felton.  The pilot featured that classic scene of Pembleton checking car-after-car while Felton complained about Pembleton always having to be right.  Felton and Pembleton do make for an interesting team, if just because they do seem to sincerely dislike each other.  (I also enjoyed Gee’s half-smile as Pembleton reacted to the news that he would be working with Felton.)  In this case, Pembleton and Felton working together didn’t lead to any great fireworks, other than Felton reacting with shock at the idea of Pembleton preferring hockey to basketball.  The killer of the elderly woman turned out to be her grandson who said he did it because she wouldn’t stop talking.  That was sad, to be honest.  Grandmothers are supposed to talk.  Felton and Pembleton dragged the kid off to jail.

This was an okay episode.  After the emotional powerhouse of Crosetti, it was good to get something that was a bit more lowkey.  It was nice to be reminded that everyone has a family.

Late Night Retro Television Review: Check It Out! 3.9 “Bannister & Dale”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

I guess Howard’s a TV star now.

Episode 3.9 “Bannister & Dale”

(Dir by Alan Erlich, originally aired on November 14th, 1987)

Mr. Dale (Paul Soles) is an old vaudevillian who now shops at Cobb’s.  He doesn’t have enough money to pay his rent so Howard gives him a job working at the store.  He doesn’t have enough money to keep his retirement home running so Howard gets Mr. Dale booked on a television show.  Mr. Dale’s old partner died in 1952 so Howard agrees to step in and….

Wait.  Howard’s a talent agent now?

Seriously, how does a grocery store manager have the connections necessary to get an obscure vaudevillian booked on a national talk show?  I mean, I get that they’re all up in Canadas and it’s a simpler place but still, it just seems like a stretch.  And really, how popular was vaudeville in the 80s?  I always see all of these old TV shows, where the characters are doing a fundraiser or something and they recreate a vaudeville act or they put on clown makeup and sing Bring In The Clowns but it never feels very realistic.

Anyway, most of the show is made up of Howard and Mr. Dale recreating Mr. Dale’s old vaudeville routines and it’s all pretty dumb.  But I will say that it was a lot easier for me buy Don Adams as an old man who remembered and loved vaudeville than as the swinging 40-something store manager that the show usually presents him as being.  Still, it’s a bit strange to imagine a national talk show setting aside time for an act featuring an old vaudevillian and a grocery store manager.  I guess that’s Canada for you.

Lisa Marie’s Week In Television: 3/2/25 — 3/8/25


I watched the Oscars on March 2nd.  I originally intended to watch it on Hulu but Hulu struggled, just as Netflix did during its first time out, with streaming such a large event and I ended up just watching the ceremony on boring old ABC.  I liked the Oscars this time around.  Conan O’Brien was a good host.  The politics were kept to a minimum.  The ceremony moved along efficiently and it was hard not to get caught up in Sean Baker’s enthusiasm.  I cheered when Flow won.  I groaned when the Best Documentary winners started their long ramble.  The ceremony felt like a throwback to the old Oscars.  The ratings were not good, regardless of how they’ve been spun.  Eventually, the Oscars will be something that will be exclusively streamed on Hulu and that’s it.  Hopefully, Hulu will get the bugs out of the system before next year.

Before I watched the Oscars, I watched Devil In The Family: The Fall of Ruby Franke, the latest creepy true crime docuseries on Hulu.  I watched as Ruby went from a successful mommy vlogger to a convicted felon.  Interestingly, most of the people hurt by Ruby went on to become influencers themselves.  The docuseries was an intense look at just how crazy people can get in a world where everyone is famous.

Also on Sunday, I watched Gordon Ramsay rescue a gastropub on Kitchen Nightmares.  Come Thursday, I watched another episode of Dark with Case.

Throughout the week, I watched my usual shows for my Retro Television Reviews.  I didn’t watch a lot and I need to get caught up on Abbott Elementary, Survivor, and a few others.  But this week was still an improvement over last week!

Silent Assassins (1988, directed by Lee Doo-yong and Scott Thomas)


Elite cop Sam Kettle (Sam J. Jones) just wants to get out of Los Angeles and live a peaceful life with his girlfriend, Sara (Linda Blair), but the streets have other plans.  The evil Kendrick (Gustav Vintas) has kidnapped Dr. London (Bill Erwin) and is determined to get the code for a deadly bioweapon.  For reasons that are never made clear, Kendrick has also kidnapped young Joanna (Joanna Chong).  Backing Kendrick up is the evil Miss Amy (Rebecca Ferrati).  Backing up Kettle is Joanna’s uncle, Jun Kim (Jun Chong) and Bernard (Phillip Rhee), the son of Oyama (Mako), the owner of the local dojo.  Can Sam save the world, saved the doctor and the girl, and also save his relationship with Sara?

Silent Assassins is a terrifically fun martial arts movie.  The action is well-choreographed.  The film’s plot doesn’t make a bit of sense.  The movie is full of weird throw-away dialogue, like an offended Ms. Amy announcing that she’s “a biochemist too.”  Chong shows off his moves, Rhee plays his character as a playboy having the time of life, and Jones glowers at the camera as only Sam J. Jones can.  There’s an army of loud ninjas (so much for the silent part) and Vintas is so villainous that he even carries around a red rose as some sort of strange trademark.  The movie is full of weird details and no one seems to be taking any of it too seriously.  Movies like this are why people like me always went straight for the direct-to-video releases when we went to Blockbuster back in the day.

Linda Blair is second-billed.  When Lisa and I watched this movie, she kept track of Linda’s screentime.  Linda’s onscreen for a total of ten minutes and she spends most of that time doing the worried girlfriend thing.  It’s a sad waste of Linda Blair, the one misstep of an otherwise great experience.

The Lone Rider Rides On (1941, directed by Sam Newfield)


In the days of the wild west, Tom Cameron (George Houston) rides the range alone, seeking vengeance for the murder of his family.  They were killed when their wagon train was ambushed by the same outlaws who has previously sold them a plot of land.  Tom was a child at the time and he only remembers that the leader of the outlaws had a distinctive facial scar.  Tom Cameron is The Lone Rider.

No, not the Long Ranger.  The Lone Rider!  George Houston was an opera star who made for a surprisingly convincing gunslinger and the movie opens with him singing I Am The Lone Rider, just to make sure that it was understood that his vengeance-driven vigilante was a completely different character from that other vengeance-driven vigilante.  The Lone Rider is looking to avenge his family and, with the help of store keeper “Fuzzy” Jones (professional sidekick Al St. John), the Lone Rider does just that.  Though this is a standard B-western, the plot is a little more serious than most other B-movies.  This was the first of several Lone Rider movies and, despite the obviously low budget, there’s some emotional heft to its story.  Tom discovers that his brother (Lee Powell), who he thought had died in the attack, actually survived and joined up with the gang.  The story is about both Tom’s vengeance and his brother’s redemption.  Fans of the genre will enjoy the film’s classic western story and George Houston’s convincing performance as a gunslinger on a mission.

The Lone Rider would ride on for 16 more movies, the last one being released in 1944.  In 1942, George Houston was replaced in the lead role by Robert Livingston.  Houston went from starring in westerns to becoming one of Hollywood’s most respected vocal coaches.  (Howard Keel was one of his students.)  Shortly after the Lone Rider road for the last time, George Houston died while planning his musical comeback.  He had a heart attack and the police, thinking he was just intoxicated, tossed him in the drunk tank where he subsequently died.  He was only 48 years old.

4 Shots From 4 Films: Special 1985 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let us take a look back at a classic cinematic year.  It’s time for….

4 Shots From 4 1985 Films

Insignificance (1985, directed by Nicolas Roeg, DP: Peter Hannan)

The Breakfast Club (1985, dir by John Hughes, DP: Thomas Del Ruth)

Rambo: First Blood Part II (1985, dir by George Pan Cosmatos, DP: Jack Cardiff)

Brazil (1985, dir by Terry Gilliam, DP: Roger Pratt)