Brad reviews FAMILY OF COPS III: UNDER SUSPICION (1999) – Charles Bronson’s final film! 


Legendary actor Charles Bronson ended his five-decade career by starring in a series of made-for-TV movies, FAMILY OF COPS (1995), BREACH OF FAITH: A FAMILY OF COPS II (1997), and FAMILY OF COPS III: UNDER SUSPICION (1999). I was in my mid-twenties as this series played out, and I enjoyed each of the installments. Today, I’m going to take a look at the final film in the series, and the final film in Charles Bronson’s career.

FAMILY OF COPS III: UNDER SUSPICION opens with Milwaukee Police Inspector Paul Fein (Charles Bronson) and his detective son, Ben Fein (Joe Penny), investigating the double murder of a wealthy banker, Phillip Chandler, and his wife. Their initial suspect, the couple’s son Evan Chandler (Greg Spottiswood), is later found murdered, so they have to keep digging. They eventually uncover a money laundering scandal involving the current Chief of Police (Sean McCann) that may go all the way up to the Mayor (Art Hindle)! As usual, this series includes additional storylines involving other members of the family. One of the subplots involves Paul’s youngest son Eddie (Sebastian Spence), who’s racked with guilt over a S.W.A.T. raid gone wrong. Unable to open the warehouse door at the appropriate time, Eddie blames himself for the deaths of two cops. The other primary subplot involves Paul’s oldest daughter Kate (Barbara Williams), who finds herself pregnant with the child of her social worker boyfriend. Determined to have the baby whether her boyfriend hangs around or not, Kate must navigate their relationship and all the family drama while preparing for the possibility of being a single mother. 

As far as I’m concerned, the fact that this is Charles Bronson’s final film should make it a must watch for any person who considers themselves to be a fan of the icon. Making his debut in 1951 in the Gary Cooper film YOU’RE IN THE NAVY NOW, because he could “belch on cue,” Bronson’s final film would debut on CBS on January 10th, 1999, when he was 77 years old. At such an advanced age, Bronson still commanded the screen even though he was at the end of his career, and as time would tell, near the end of his life. He would be diagnosed in 2001 with Alzheimer’s disease and would pass away on August 30th, 2003. I savor every moment of this film, and while it makes me sad in some ways, in other ways I consider it my favorite of the series. Joe Penny steps up and takes a co-lead role in the film. He’s tough and sensitive, which adds another layer of depth to the foundation that Bronson had established in the first two movies. The series wouldn’t get another movie without Bronson, but I would have definitely been down for a Joe Penny led follow-up! This movie has a stronger sense of humor than we’ve seen in the earlier films, and I also like the main story as Paul Fein and his son take on systemic corruption in Milwaukee. While it’s still formulaic, I found the primary storyline to be more interesting than the generic crime stories in the first two installments. The subplots involving Eddie and Kate add some depth to the Fein family dynamics, but other than the fact that Kate is determined to keep her baby with or without her boyfriend’s help, the subplots didn’t make much of an impact for me. Also, there is one major departure in this installment, as Angela Featherstone does not return as the youngest daughter, Jackie Fein. Nicole de Boer steps into the role, and while she’s cute as a button, the character isn’t given much to do.

Overall, while FAMILY OF COPS III: UNDER SUSPICION is not in the same league as the great films made during Charles Bronson’s prime, it’s still a respectable close to his iconic career. It features good, committed performances, especially from Bronson and Joe Penny. The final shots of Charles Bronson looking over his movie family and smiling as they enjoy each other and share a meal together is a fitting end to his movie career, and one final celluloid glimpse into the man underneath the legendary facade.

4 Shots From 4 Films: Special “Tony Leung Chiu-wai” Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the 63rd birthday of one of the great Hong Kong actors, Tony Leung Chiu-wai! “Little” Tony, as he is affectionately called in Hong Kong, has won a total of eight Hong Kong Film Awards, with six of those being for Best Actor and two for Best Supporting Actor. He has also turned into a giant of international cinema, as evidenced by him receiving a Golden Lion Lifetime Achievement Award at the 2023 Venice Film Festival. He’s an incredibly brave and powerful artist, one of the very best in the business!

PEOPLE’S HERO (1987)
HARD BOILED (1992)
THE LONGEST NITE (1998)
INFERNAL AFFAIRS (2002)

Brad’s Song of the Day – “Achy Breaky Heart” by Billy Ray Cyrus!


Just in case some of you may have forgotten, “Achy Breaky Heart” was a big hit. As a matter of fact, it was the number one song on the Billboard Hot Country Singles chart on this day, June 27th, of 1992. It was so big that it became the first country single to be certified platinum since “Islands in the Stream” by Kenny Rogers and Dolly Parton in 1983. Whether you loved it or hated it, you could not avoid it.

Take a trip down memory lane with me, Billy Ray, and Achy Breaky Heart!

Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who celebrated his birthday yesterday).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

4 Shots From 4 Films: Special Paul Thomas Anderson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Yesterday was the birthday of one of our greatest filmmakers, Paul Thomas Anderson!  It’s never too late for….

4 Shots From 4 Paul Thomas Anderson Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)

Phantom Thread (2017, dir by Paul Thomas Anderson)

Music Video of the Day: Better Broken by Sarah McLachlan (2025, Dir. by Lauren Wade)


After all these years, Sarah McLachlan is still making beautiful music.  Here is her latest music video for the title track of her upcoming album.

Enjoy!

Maybe if I catch my breath
Maybe if I wait a little
I’d remember how it hurts and stop before I fall
I’d forget to come apart
I’d catch myself and hold on tightly
Let memory wash over me, forgive but don’t forget

So you come back to me begging
“Why’d you leave? Tell me why, how you could you let this go?”
Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone

Some things are better broken
Some things are better broken

Illusions come the venom stings
Swirling visions, soft and perfect
They blur all the edges ‘til everything looks fine
So I’ll pretend I didn’t cry and you pretend that you’re my savior
We both remember what we want – to get us through the night

So don’t come back to me begging
“Why’d you leave? Tell me why, how could you let this go?”
Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone

Some things are better broken
Some things are better broken

Let it be all it is
Small and still a memory like a stone
A jagged edge made smooth by time
Let it be all it is
Small and still and better left alone

Some things are better broken
Some things are better broken

Late Night Retro Television Review: Highway to Heaven 4.2 “Man’s Best Friend, Part 2”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, the fourth season premiere concludes.

Episode 4.2 “Man’s Best Friend Part 2”

(Dir by Michael Landon, originally aired on September 23rd, 1987)

Picking up where last week’s episode, this episode opens with Alex (Danny Pintauro) visiting Jake the Siberian Husky at the big home that Jake shares with Jenny (Elisabeth Harnois), her grandfather (William Schallert), and her parents, Paul (Stan Ivar) and Michelle Raines (Laurie Walters).

Yay!

Alex’s attitude improves so much that it’s decided to move him into a foster home.

Uhmm….what about the Raines family?

The surrogate hired to carry Paul and Michelle’s baby loses the baby.  Paul and Michelle are heartbroken.

Uhmm….hey, I think Alex needs a family….

Jenny gives Jake to Alex.

Awwww!

Alex’s foster family lives in a building that doesn’t allow pets.

Oh no!

Alex and Jake run away and, after nearly dying in the desert, they end up with the Raines family’s home.

I see where this is going….

If you guessed that Paul and Michelle announce that they’re going to adopt Alex and that Jake is going to continue to live with them on the ranch, congratulations!  You could have been a Highway to Heaven writer!

This episode didn’t make me cry as much as last week’s, mostly because it was pretty easy to see where things were heading from the beginning.  Even when Alex and Jake were lost in the desert, I knew they would be okay because this is Highway to Heaven.  Children and their adorable dogs don’t die on this show. (Except, of course, for those two times that they did.  Actually, three times, now that I think about it.)    That said, I was still relieved when Jake was rescued because seriously, that dog was adorable!

This was a good conclusion to last week’s episode.  Everything worked out for the best.  At the end of the episode, Mark said that he understood why “they call them man’s best friend.”  Michael nodded and then said, a little sadly, “Shouldn’t man’s best friend be …. man?”

You tell ’em, Hippie Angel!

You tell them.

Brad’s Song of the Night – “Feels So Right” by Alabama!


I’ve shared before that Alabama was the group that my family listened to the most when I was growing up. Alabama could do it all. They knew how to put out fun country songs like “Tennessee River,” “Mountain Music” and “Dixieland Delight.” They put out some good workin’ man songs like “Roll On” and “40 Hour Week.” They took care of their redneck roots with songs like “Song of the South,” “Born Country,” and “Hometown Honeymoon.” But they seemed to really excel at love songs. I’m guessing that there was a lot of slow dancing and baby conceptions taking place during the 80’s to Alabama love songs. Songs like “Take Me Down,” “When We Make Love,” “There’s No Way,” and “You’ve Got the Touch” were all number one hits that went a long way towards the group being named “Artist of the Decade” for the 1980’s by the Academy of Country Music.

For my song of the night, I’m going to share one of my favorite Alabama love songs, “Feels So Right.” This song is a vibe, and if we’ve been lucky enough to experience the feelings expressed by these lyrics, it will take us back to some wonderful times. Enjoy my friends:

Casualties of War (1989, directed by Brian DePalma)


Private Max Eriksson (Michael J. Fox) is a new arrival in Vietnam, a young infantryman who is called a “cherry” by his fellow soldiers.  No one wants to get close to Eriksson because everyone knows that it’s the new guy who is most likely to make a mistake and get himself killed.  The only person who seems to care whether Eriksson lives or dies is Sgt. Tony Messerve (Sean Penn), a squad leader who is so tough and battle-worn that it is easy to forget that he is only 20 years old.  After a member of Messerve’s squad is killed in a firefight and Messerve’s squad had been denied leave despite all of the stress and pressure that they’ve been under, Messerve decides that, during their next mission, the squad is going to kidnap a woman from a village and take her with them.

Eriksson, who is still naive enough to sincerely say, “We’re supposed to be here to help these people,” is horrified by Messerve’s actions.  At first, only he and Diaz (John Leguizamo) refuse to take part in raping the terrified woman (Thuy Thu Le).  Diaz soon caves to the pressure from the rest of the squad and joins in.  Only Eriksson continues to refuse but his attempt to help the woman escape fails when the members of the squad murder her during a firefight with the Viet Cong.  After the battle, the wounded Eriksson discovers that no one in command wants to hear about what happened.  Messerve’s second-in-command, Clark (Don Patrick Harvey), targets Eriksson, trying to shut him up permanently.

One of the many Vietnam films to come out after the success of Platoon, Brian De Palma’s Casualties of War is an intense and disturbing recreation of a true story.   After years of being accused of making misogynistic and exploitive films, De Palma made an effective and sensitive anti-war film, one that did not exploit the suffering of the kidnapped woman but instead portrays the depravity of war and the courage it takes to do the right thing when everyone around is ordering you not to.  While it always takes a while to get used to Michael J. Fox in a serious role (and, at the start of the film, he really does seem to be miscast), he eventually gives the best performance of his career in Max Eriksson and, by using a framing device of Eriksson back in the United States after completing his tour, both De Palma and Fox show how the Eriksson, like countless other veterans, is still haunted by what he saw in Vietnam even after he returns home.  Sean Penn is equally impressive as Messerve, playing him as someone who sacrificed his soul in order to survive in Vietnam.  Messerve has come to view the entire country with contempt and, in his twisted way, he sees kidnapping the woman as a way to reward his squad for all that they’ve endured.  The rest of the cast is also strong, with John C. Reilly making his acting debut as a member of the squad.

Not surprisingly, the dark and disturbing Casualties of War was a box office disappointment.  It’s still one of most harrowing films made about Vietnam and one of De Palma’s best.