Horror On TV: Door Into Darkness Episode 1 “The Neighbor”


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For some of our readers, this will probably be the most challenging episode of television that I’m going to post this Halloween season.

But first, what is Door Into Darkness?

In 1973, after he had directed his highly successful Three Animals Trilogy, Dario Argento produced a television series called Door Into Darkness.  Each episode of Door Into Darkness told a different story of horror and suspense.  Argento would appear at the beginning of each episode and introduce the story.

Of the four episodes of Door Into Darkness that were produced, most critics agree that the first one was the best.  Titled Neighbors, it was also the directorial debut of Argento’s long-time assistant, Luigi Cozzi.

Neighbors tells the story of a newlywed couple who, along with their newborn baby, move into a seaside villa.  (Along the way, they also manage to run their car into a ditch, effectively leaving them stranded at their new home.)  When they arrive at the villa, they discover that the power hasn’t been turned on yet so they decide to hang out in the apartment upstairs.  Once up there, they come across the dead body of their neighbor’s wife.  When the neighbor arrives back home, the couple have to try to survive in the darkness while he looks for a place to hide the body of his dead wife.

Neighbors is an effectively suspenseful story that makes good use of both our inherent fear of the dark and the fact that we can never be quite sure of what our neighbors are doing.

I’m happy to say that a user in Italy has downloaded all four episodes of Door Into Darkness to YouTube and, hence, we can now share Neighbors on this site.

However, that’s where the challenge comes in.

The episode below is in Italian.

It has not been poorly dubbed into English and there are no subtitles.  Personally, that’s not an issue for me.  The plot of Neighbors is effectively simple and easy to follow and Italian suspense has always been a visual genre.  Add to that, I love Italy.  I’m a fourth Italian.  I could listen to people speak Italian for days without understanding a word with it.  I just love the sound of the language.

With all that in mind, here is Door Into Darkness…

Horror On TV: Are You Afraid Of The Dark 5.13 “The Tale of the Badge”


This episode of Are You Afraid of the Dark? is important for two reasons.

First off, when it originally aired on April 20th, 1996, it was meant to be the series finale.  It would be another 3 years before the show would start up again with a new Midnight Society sitting around the campfire and telling tales.

Secondly, and most importantly, this episode is about Irish magic!

And, as we all know, that’s the best type of magic that there is.

Horror On TV: Twilight Zone Ep. 123 “Nightmare at 20,000 Feet”


When I first decided to feature old, horror-themed television episodes this month, I knew that I had to include Nightmare At 20,000 Feet.

This is perhaps the most famous episode of Twilight Zone. William Shatner plays a man on an airplane who is both terrified of flying and who has spotted a gremlin out on the wing. As Shatner desperately tries to convince his fellow passengers that he’s not crazy, the gremlin cheerfully goes about his destructive business.

This is one of the few episodes of The Twilight Zone not to have been downloaded onto YouTube and, at first, I was worried that I wouldn’t be able to share it. Fortunately, site subscriber and frequent commenter KO tracked it down on Hulu for me and, as a result, we are very happy to present the classic fright fest Nightmare At 20,000 Feet!

This episode was written by Richard Matheson and directed by Richard Donner, who would later direct such films as The Omen, Superman, and Lethal Weapon. It originally aired on October 11th, 1963.

 

http://www.hulu.com/watch/440824
(Incidentally, originally an episode of Goosebumps was scheduled to be featured tonight. However, the YouTube account that was hosting that video has been suspended. The episode in question was The House of No Return, which many people believe features an early performance from Ryan Gosling. Having seen the episode before it was taken off YouTube, I can assure you that Ryan was nowhere to be seen.)

Horror On TV: Beyond Belief: Fact or Fiction Episode 1


Earlier this month, we featured an episode of Beyond Belief: Fact or Fiction that was hosted by Jonathan Frakes.  What I did not mention, in that post, is that Frakes was not the 1st person to host this show.

The first season was hosted by veteran scenery-chewer James Brolin.  Whereas Frakes brought a bemused appreciation to the absurd to his role of host, Brolin’s approach was far more earnest.

And, in appreciation of that earnestness, here’s the very first episode of Beyond Belief: Fact or Fiction?  This originally aired on May 25th, 1997 and it’s worth watching just to compare Brolin’s blandly sincere approach to the far more snarky approach of Jonathan Frakes.

Horror On TV: Twilight Zone 2.23 “The Obsolete Man”


I know that some people will claim that The Obsolete Man really isn’t a horror story but consider this:  What’s more horrifying than a world without freedom of thought or expression?  The Obsolete Man takes place in a world where books have been banned.  As a result, librarian Romney Wordsworth (Burgess Meredith) has been determined to be obsolete and, hence, is now scheduled to be executed.  Wordsworth appears to have accepted his fate but, as the Chancellor (Fritz Weaver) discovers, Wordsworth is far more clever than he originally appears.

This episode of The Twilight Zone was written by Rod Serling and directed by Eliot Silverstein.  It was originally broadcast on June 2nd, 1961.

Horror On TV: Twilight Zone 5.21 — “Spur of the Moment”


18 year-old Anne Marie Henderson (Diana Hyland) is being pressured, by her family, to marry Robert, a dull stockbroker (Robert Hogan).  However, Anne Marie is still in love with her former fiancee, David (Roger Davis).  As the day of her marriage approaches, Anne Marie suddenly finds herself being chased by a woman in black who yells at her not to get married…

This episode of the Twilight Zone was originally broadcast on February 21st, 1964.  It was directed by Elliot Silverstein and written by Richard Matheson.

Agents of S.H.I.E.L.D. – Girl in the Flower Dress: Review


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Agents of S.H.I.E.L.D… where do I start… I want to like this show for two main reason: it is inspired by comics and created by Joss Whedon (I dug all of his other shows & films).  But it’s not clicking with me.  Something is missing.  It seems tame, almost like the creative team is holding back. Would the show have a different tone if it was on another network? Did the ABC/Disney element mute the tone?

What I liked:

  1. The hints of characterization for May before she reverted to cliche warrior woman.
  2. More clues about Coulson has changed after being shanked by Loki (I still believe that he’s Life Model Decoy (highly advanced robotic duplicate of SHIELD Agents)).
  3. The prospect of improved Extremis villains.
  4. More details about Skye’s past.

What I was expecting:

  1. Some of Steranko’s trippy spy fiction.
  2. High tech weaponry and gadgets (the hovercar isn’t enough).
  3. Official Uniforms.
  4. Recognized Agents like Carter, Wu, Dum Dum, and Contessa Valentina Allegra de Fontaine
  5. Some actual villains because the “making of Graviton isn’t enough” and these pastiches of established characters aren’t enough.  Tired off the misunderstood post-humans after NotLuke Cage.
  6. A fully fleshed out cast: it seems like Coulson and Skye are getting all of the characterization, Ward, May, Fitz & Simmons are so cliche.

Review (Spoiler Free):

Tonight’s episode felt like a remix of the pilot episode.  Both episodes featured seemingly innocent post-human goes nuts after interacting with Centipede.  “Scorch” lacked the emotional tether & motivation of NotLuke Cage and the drive for acknowledgement wasn’t enough for me.

Visual Expectations (courtesy of Kris Anka):

Agents of SHIELD 2 Agents of SHIELD

(Courtesy of Aaron Kuder)

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Horror On TV: Twilight Zone 5.26 “I Am The Night — Color Me Black”


As a small community prepares to execute a remorseless killer, the sky above the town turns pitch black.  Even as the Sheriff and the town priest try to figure out what’s happening, the town prepares to administer its own version of justice.

Some reviewers have complained that this Twilight Zone episode is a bit too heavy-handed for its own good but it’s actually one of my favorite episodes,  (Then again, I’ve always been against the death penalty and, for the most part, critics only consider a show to be heavy-handed when they disagree with the message.)  While the writing may not be subtle, this is a well-acted episode and, while watching it, you truly do get the feeling that a community is slowly giving into the darkness of hatred.

This episode was written by Rod Serling and directed by Abner Biberman.  It was originally broadcast on March 27th, 1964.

Horror On TV: One Step Beyond 2.5 “Night of the Kill”


John Newland is back with yet another “true” story designed to take us One Step Beyond.  In this episode, a young boy named Dewey goes missing but then shows back up and says that he’s been hanging out with a Bigfoot-like monster.

This episode first aired on October 20th, 1959.

 

Horror Review: The Walking Dead S4E02 “Infected”


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“I see when the shit hits you’re standing there with a shovel.” — Daryl Dixon

[some spoilers]

Last week saw the return of AMC’s wildly popular horror tv series, The Walking Dead. The show ran huge ratings numbers which seems to still confound it’s critics. These are numbers that rivals Sunday Night Football ratings numbers. Yes, the show has had issues with character development and acting, but it continues to bring in more and more viewers. Could it be that the show is satisfying a jaded public’s appetite for bloodlust? If that’s the case then gory horror films should be doing much better in the theaters, but that’s definitely not the case.

With the show’s return we get to see what sort of long-running arc new showrunner Scott M. Gimple has planned for the series. With the first truncated season it was all about Rick adapting to this new dangerous world and reconnecting with his lost family. The second season saw a change in showrunners with series creator Frank Darabont fired and replaced by veteran producer Glen Mazzara and we saw the change in the show’s pacing and storytelling. What was a much more deliberate pacing under Darabont became much more about forward momentum. This worked for the most part and complaints about the show going in circles and nowhere died down, but Mazzara was soon replaced by the end of season 3.

So, the Scott M. Gimple era has begun and with last week’s premiere we found a season the started off full of hope and normalcy, but since this is a horror series that peaceful serenity ended just as fast as it was introduced.

“Infected” takes up very quickly after the cliffhanger of the season premiere which saw one of the new cast members die of some disease (I’m guessing a strong strain of the flu) in the showers and left unattended. If we’ve learned through the three seasons of this show that any death will cause the body of the deceased to reanimate and go looking for living flesh. So, that rule hasn’t changed and we see Harry Potter, I mean Patrick, get up from where he died in the showers and into a cell block full of sleeping people.

Tonight’s episode played out almost like a sort of crucible that Rick had to go through once more to find his true self. Last week’s episode showed us how Rick has turned his back on being the group’s leader. He’s stopped carrying his revolver when stepping beyond the prison’s fences. He’s trying to be a better role model for his son Carl who we saw last season become much colder and murderously pragmatic. Tonight we saw Rick having to face that decision to stop being a fighter and leader to become a farmer instead.

From the very beginning of the episode we see the seeds of doubt being planted in Rick’s mind that while his decision to forgo being a leader and fighter may save his son Carl from lsoing his childhood innocence he must believe deep in his heart that it’s a fool’s task. Rick is trying to regain a semblance of pre-zombie apocalypse world by being a better father to Carl, yet in doing so the group lost a person who had protected them from Atlanta and through Woodbury. It takes and outbreak within Cell Block D and the sorry state of the prison fences to finally wake Rick up from his utopian dream. By sacrificing the piglets Rick was dropping the act of being a farmer and going back to what he was good at doing and that’s protecting the group and killing zombies.

We see the opposite happening with the once meek and victimized Carol who has taken all the personal loss she’s had to go through the last three seasons and allowing that crucible to forge her into a survivor of this new world. She might’ve sounded harsh when dealing with the young girls and how they must learn to defend themselves even if it means killing a dying loved one, but nothing she said tonight was in the wrong. She’s adapted and accepted her new role as protector of the group even if it means she might alienate some. Rick was like this but could never find the balance between ruthless efficiency and empathy towards other survivors. It’ll be interesting to see what sort of pay off Carol’s character growth will mean not just for the group as a whole, but for Daryl who has formed a close relationship with the former victim.

Tonight’s episode was much stronger than last week’s by a wide margin. Where last week’s season premiere seemed like a new showrunner playing it safe with tonight’s episode we see a stronger and more focused narrative that looks to dominate at least the first half of this new season. So far, the new season had promised a new danger to harry the group and now we see what it is and we still haven’t seen the absent Governor. Scott Gimple promised that the show was going to go back to making the zombies a true danger once again after the human-on-human carnage from last season and if the first two episodes for season 4 were any indication he’s keeping his promise.

Notes

  • “Infected” was written and directed by series veterans Angela Kang and Guy Ferland.
  • Just when I thought Greg Nicotero and his make-up effects wizards at KNB EFX couldn’t top themselves they come up with several gory gags in just the first 20 minutes of the episode.
  • While some think it unbelievable that no one heard Patrick chowing down in the next cell one has to think that these people thought they were safe. The way the dead just geometrically expanded from Patrick to suddenly many in less than a morning was a nice touch.
  • It looks like we now have two new medical professionals with unnamed dude with the beard and Bob “On the Wagon” Stookey.
  • Carol has definitely grown as a character from the damaged housewife from season 1 to growing badass in Season 4. She’s even dressing up to look like one to match the new survival mindset.
  • The show has never been gun shy of putting children in danger but it was a tough scene to watch the one young mother carrying the small, bloody bundle out of Cell Black D to be buried.
  • I was very surprised at the event which finally looks to bring out the badass locked inside bug teddy bear Tyreese. I was thinking that it was something terrible happening to his younger sister, but definitely did not see Karen’s death at the hands of an unknown assailant as being the catalyst.
  • One the best gags in tonight’s episode was a nice homage to George A. Romero’s Day of the Dead were Greg Nicotero apprenticed with FX master Tom Savini and also appeared as one of the soldiers tasked with protecting the scientists. Here’s the scene in question from that film…
  • Tonight’s episode will definitely not amuse PETA. Not one bit.
  • Talking Dead Guests: Series exec. producer Greg Nicotero, comedian Doug Benson and Paramore singer Hayley Williams.

Season 4