I came across tonight’s Ghost of Christmas Past while I was doing a search on Christmas specials that have been posted to YouTube. Apparently, this is a Canadian show that aired way back in 2002.
And, watching it, I could really tell that was the truth. This show is not only very Canadian but it’s very 2002 and as well. Fortunately, while I can pretty much do without 2002, I happen to love Canada.
Today’s Ghost of Christmas Past was originally broadcast in 1952 and it’s certainly a lot more serious than anything that The Brady Bunch ever had to deal with.
In this episode of the early police procedural Dragnet, two cops search for two young boys who have disappeared on Christmas. Ominously, one of the boys has received a present — a .22 caliber rifle.
The Big .22 Rifle For Christmas was originally broadcast on December 18th, 1952 and it remains effective even 60 years later.
Earlier this month, we shared with you the very first Brady Bunch Christmas episode.
For today’s Ghost of Christmas Past, we find out what happened to all the Brady kids after they finally left home. It turns out that they all basically grew up to be losers but, as we learn in 1988’s A Very Brady Christmas, they still have a home for the holidays.
I first saw A Very Brady Christmas last year when it showed up on ABC Family during their 25 Days of Christmas programming. At the time, I thought it was so saccharine that I was worried that I might get a cavity as a result of watching. A year later, my opinion hasn’t changed much but A Very Brady Christmas still has an oddly dream-like feel to it.
Seriously, the Bradys are just so weird.
Today’s ghost of Christmas past comes to use from the year 1955.
Alfred Hitchcock Presents was an anthology show, in which director Alfred Hitchcock would sardonically present a weekly tale of suspense and surprise. The series’ 12th episode was a Christmas-themed episode in which character actor Barry Fitzgerald played a recently paroled convict who gets a job as a department store Santa Claus. Though Fitzgerald starts out as a rather grumpy and cynical St. Nick, he starts to get into the holiday spirit after he meets an equally cynical young shoplifter. It’s a surprisingly sweet little story that’s well-worth watching for Fitzgerald’s excellent lead performance.
I haven’t seen that many episodes of The Brady Bunch but the few I have seen lead me to suspect that The Brady Bunch may be the most creepy show ever made. With their eternally optimistic attitudes and their total and complete faith in authority figure Mike Brady, you have to wonder if The Brady Bunch is a family or if they’re a cult. Plus, what was the deal with Alice? Was she an indentured servant? Did Mike Brady win her in a poker game? I mean, seriously, I’ve never seen anyone so happy and willing to devote her life to picking up after a bunch of entitled little brats.
However, I also know that some people love this show and see it as a perfect example of bizarre Americana. And I have to admit that I’ve often said, “Oh! My nose!” just to get a cheap laugh on twitter.
So, with that in mind, tonight’s Ghost of Christmas Past is the very first Brady Bunch Christmas episode. First aired in 1969, The Voice of Christmas tells what happens when Carol loses her voice. Does Mike use Carol’s lack of verbal ability to confess that he’s been cheating on her with his secretary? Do Marcia and Greg finally act on their secret feelings together while sharing a cup of coffee?* You’ll have to watch to find out!
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* That’s a reference to what those of us who watch too much TV call the “Folgers Too Close Siblings commercial.” It used to air every Christmas but I haven’t seen it yet this year. Here it is, in case you’re curious:
Today’s ghost of Christmas Past is the 1995 short film, The Spirit of Christmas: Jesus Vs. Santa. This is the short film that led to Comedy Central hiring Trey Parker and Matt Stone to develop the television series South Park. Needless to say, The Spirit of Christmas is not safe for work. It’s also not safe for the easily offended.
A Christmas episode of the Twilight Zone? Yes, such a thing does exist. In Night of the Meek, an unemployed man (Art Carney) is given a chance to be Santa Claus. This is a wonderful episode that truly captures the spirit of the season.
Night of the Meek was written by Rod Serling and directed by Jack Smight. It was originally broadcast on December 23rd, 1960.
I am not a huge Star Wars fan.
Don’t get me wrong. I respect the fact that the movies are important to a lot of my close friends and fellow movie bloggers. My boyfriend loves the first three Star Wars films and I’ve told him that if he ever wants me to wear a gold bikini and a chain around my neck, I’ll do it. It’s just that, on a personal level, the Star Wars films don’t do much for me. When people mention Star Wars, I usually think about how I fell asleep 10 minutes into Attack of the Clones and then when my date woke me up at the end of the movie, my bra had mysteriously been undone.
That said, I still knew that when I started my series of Christmas Past posts, I would have to post something about The Star Wars Holiday Special. The Holiday Special aired way back in 1978 and it was apparently such a disaster that George Lucas has spent the past 3 and a half decades trying to convince people that it doesn’t exist.
Perhaps that’s why, when I did a search for the Holiday Special on YouTube, I came across a lot of videos that had been either taken down or had their audio tracks removed.
However, I was able to find a 15 minutes video from a YouTube user who goes by the name of StarWarsFan1975. The Star Wars Holiday Special Retrospective features some background material on the Holiday Special and some of the special’s more bizarre moments.
Enjoy!
“We’re not too far gone. We get to come back.” — Rick Grimes
[some spoilers]
The Walking Dead had it’s mid-season finale over this past Sunday and like previous mid-season and season-ending finales of the past three season this one went for the gut-punch. Season 4 of the show has seen a major improvement in how the writers were finally treating some of the major characters on the show.
The first five episodes were pretty much using a plague situation within the prison community to explore the growth of some of the lead roles in the show. We saw how Rick tried to escape the burdens of leadership by attempting to just be a farmer and a good role-model for his son Carl. It didn’t necessarily work out the way he wanted it to. In the end, Rick finally realized that leadership was what the group needed from him and what he was really best suited for.
We saw a major character shift in one of the show’s less realized characters in the past meek Carol Pelletier. This season we see how she has grown into becoming just as much a cold, calculating survivor as The Governor, but still retaining some of the humanity the latter seems to have lost when the zombie apocalypse happened to the world. It was a surprise to see Carol in such a new light. A person who would do anything to protect the group with special attention to the young children — especially two young girls — who have survived this far into the zombie apocalypse.
Then we had Hershel finally get to have his time in the limelight. Episode 5 has been a near-unanimous choice as the strongest episode of the first half of the season and nothing about the mid-season finale changes that. That’s how good “Interment” really was in the overall scheme of this new season’s first half. We saw Hershel finally become the show’s moral center but one that didn’t have the rigidity of ideals that Dale had. Hershel kept his humanity but also knew that this new world meant having to put one’s life on the line and not just pay lip-service to one’s ideals. I know that Dale would’ve done the same, but we never truly saw him put it all out there. He was great with the speeches, but the writers could never have him act on them. With Hershel they were able to reset the show’s moral compass and write the role properly.
The last two episode saw the return of The Governor. It was a peculiar two-parter which focused only on the return of Season 3’s main villain. Scott M. Gimple and his crew of writers tried to dial back the cartoonish way the character had become a villain by the end of Season 3. They tried to put the character back on the road to redemption. They even gave him a new surrogate family with a young girl who looked eerily like his previous daughter pre-zombie. Yet, while the attempt was an interesting one the character arrived full-circle to the very Governor we first met in the early episodes of Season 3. He wasn’t as mustache-twirling evil that he had become by the end of last season, but that redemption road that episode 6 and 7 was all about ended up being a red herring.
Now, we come to the mid-season finally which literally reset’s the finale of season 3. It was a finale that was underwhelming at best. The war between Rick and the Governor never truly materialized. This was finally rectified with the arrival of the Governor and his new band of camp followers but this time he has a tank. It’s a scene straight out of the comics and it was one that readers and fans of the books have been waiting for years to happen.
“Too Far Gone” marks a turning point for the series in that we finally leave another fixed location but do so with some major characters never to return. It was an episode that started off like a sizzle reel of every complaint detractors have about the show. Dialogue that went nowhere and just seemed to spin the episode’s wheels to fill time. Yet, as the episode progressed the entirety of the first half’s story-arcs began to take shape.
Rick was willing to share the prison with his worst enemy. He wasn’t too far gone that he would put himself as innocent of doing some heinous things to survive. He might not like the Governor, but for the sake of both groups not killing each other he would swallow his pride and accept everyone. The prison has room for everyone and the didn’t need to interact. It’s a major character growth for Rick who always saw his group as the good guys in any conflict. But like any leader he was getting tired of the battles that hurt only the survivors. The real threat were still the zombies who were slowly gathering outside. Hershel’s reaction to finally seeing Rick realize that one didn’t have to sacrifice their humanity to survive in this new world was one of the most poignant scenes in the series to date.
What followed it moment’s later would become one of the most heart-wrenching scenes of the series and one fans of the books were dreading to see.
Hershel was the MVP of this season’s first half and it was only appropriate that he went out in such a memorable, albeit very gruesome manner. It’s not often we see someone decapitated on any tv show. What had been an episode that threatened to meander just the way the finale of season 3 ended up doing instead became a final 20-minutes of intense action that saw both groups fail to hold onto the prison and the survivors scattered to all points of the compass. In the comics, this particular story-arc saw Lori and Judith die just when readers thought they were about to be safe from the battle. With Lori already dead a full season ago the only question which remained during this mid-season finale was whether the writers would actually pull off the unthinkable and do the same to tv version of Judith.
Children have never been seen a sacred cows on this show, yet infants seemed to remain safe. The episode ends with the question of whether Judith is dead or alive hanging in the air. It’s to the visceral power that this show brings to the table that peope will wait the near to three months of hiatus before the show returns of the second half of season 4. The show will remain one that’s obsessed over by the general population while derided by a minority who have valid complaints about it.
“Too Far Gone” could almost be the motto of this show. Any sort of major change on how the show’s stories has been told might be too late to implement. The fans like the show for it’s violence, gore and the soap opera stories. It’s not perfect television, but it is television which seems to have grabbed, caught and held the attention of not just the American tv viewing public but the global tv viewing public. Maybe, it’s just time to just make the that decision each viewer has to make. Either stay on the ride and hold on until the rollercoaster ends or jump off now and forever hold their peace.
Season 4
For the past few months, I’ve been exploring what I used to dismissively call “the old people stations.” These are television stations like MeTV, Antenna TV, Cozi TV, and TVLand which specialize in showing episodes of old television shows. Of the old shows that I’ve recently discovered, The Jack Benny Program is one of my favorites.
Each episode featured comedian Jack Benny playing himself and being cheap, egocentric, and annoying. In many ways, the show feels like a forerunner for shows like Curb Your Enthusiasm.
With this being the holiday season, what better time than to feature a Christmas episode of the Jack Benny Show. In this episode, Jack attempts to buy a Christmas present.
This episode originally aired on December 15th, 1957.
Enjoy!
Through the Shattered Lens