On tonight’s epiosde of One Step Beyond, we visit the legend of the ghostly hitchhiker.
Will Sally ever make it home?
This episode originally aired on October 18th, 1960!
If tonight’s episode of One Step Beyond seems familiar, that’s because it’s a remake of a story that was originally filmed as an episode of The Veil.
This time, instead of witnessing a murder occurring in another apartment, it’s a suicide that is witnessed by artist Anthony March (Michael Higgins). Of course, when he investigates, he discovers that the apartment in empty. Is Anthony hallucinating or has he gone one step beyond and is he seeing the future? Watch to find out!
By the way, that’s future Oscar winner Louise Fletcher playing Anthony’s model.
This originally aired on November 3rd, 1959.
Enjoy!
When young Davey Morris tells his parents that he’s been hanging out with a friendly Bigfoot-type creature, all of the adults in town react in the worst way possible.
This episode, from the second season of One Step Beyond, was one of the first to deal with the legend of Bigfoot. Needless to say, it’s the adults who turn out to be the true monsters in this scenario.
This episode originally aired on October 20th, 1959.

Happy Horrorthon! There’s a Half-Deer woman (DeerTaur?) on the loose and only Martin Tupper…I mean Detective Dwight Faraday can stop her…maybe. Many of you don’t remember Dream On from the late 80s-early 90s on HBO, but it was awesome. Benben played this kinda cranky book editor Martin Tupper who always thought in movie clips and seeing him act again was like being a wee kid again who quietly watched Dream On after his parents fell asleep. Dream On BTW was hilarious and created by John Landis- Check it Out! Yes, The American Werewolf in London director and he did Thriller.
Well, in the early 2000s Mick Garris got a lot of the greats from the 80s and 90s to do short horror films and Deer Woman was one of them. In Deer Woman, Drunk dudes are getting trampled to death and Detective Faraday is assigned to the case.
Faraday is a down and out detective who no one respects. Martin Tupper was a down and editor who no one respected. Faraday is actually not a terrible detective. He follows up leads and sees where they go. He checks with the coroner and sees that the bodies are riddled with hoof prints. You know what makes hoof prints? Deer-Taurs!!!!
Also, men are really portrayed as dumb and horny. The Deer-Taur picks her next victim up at a hotel bar without speaking a word, but the dudes don’t seem to mind. Once the seduction is on, she tramples him with her hooves! Yes, hooves. I love this show!
What’s not to like?! Deer-Taurs, Detectives, and hooves! There’s also a great dream sequence when Faraday imagines how the kill went down where a Deer in flannel carries off a victim Creature from Black Lagoon style. It’s hilarious. This is what’s great about Landis; his horror is always interspersed with great comic relief.
Anywho, bodies keep dropping and they’re so beat up that their arms are found on rooftops! AWESOME!!! Does Detective Faraday stop the Deer-Taur? Who Cares?! It’s got Deer-Taurs and Brian Benben! I would definitely recommend finding this show however you can. Pretty much all of the Masters of Horror episodes are great. Cheers!
yuou
On tonight’s episode of One Step Beyond, Cloris Leachman plays Rita Wallace, an American photographer in France. She’s looking for a model whose face will serve as the ultimate symbol of the country. One day, a haunted-looking man (Marel Dalio) shows up at her apartment. She thinks he’s a model. The truth, needless to say, is something quite different….
This episode features good performances from both Leachman and Dalio. In real life, Dalio was an icon of French cinema and a favorite of Jean Renoir’s. When the Nazis invaded France, the Jewish Dalio fled Paris and, after a harrowing journey, eventually made it to America. In America, he played the croupier in Casablanca and appeared in several other films. Tragically, the rest of his family did not escape and were murdered by the Nazis. Dalio returned to France after the end of the war and remained an in-demand character actor for several more decades, making his final film appearance in 1980.
The Darkroom originally aired on February 10th, 1959.

Happy Horrorthon! I’m am once again reviewing Creepshow. It is officially a true Guilty Pleasure, but come on, aren’t those all of our go to pleasures anyway? To the uninitiated, Creepshow is a GOOD horror anthology series, but really it’s a showcase for short-films. How? It’s broken down into two stories and neither of them are over 23 minutes. Aside from giving writers like Christopher Buehlman his big break (before this he’d only written skits for Renaissance Faires….really), they are the short short brought to life.
Many of Stephen King’s short stories are made into movies, but they are always lengthened into something (usually better) than their original quick-paced short story. Creepshow keeps that fast pace…mostly. Well, they keep it for the second story. The second story is always the better story and moves at the quick pace that you’d expect in a short story. Even at 22 minutes, the first story tends to drag.
All Hallow’s Eve follows 5 youths trick or treating in a terrified neighborhood. It was obvious to anyone with a pulse that these kids were dead and out to cause trouble. Turns out that during a vigorous D&D session in their treehouse, some bullies from the neighborhood thought it would be funny to set it on fire, with the D&D nerds in it. As you do. Well, their door gets stuck and they all die. So, they haunt the neighborhood setting fire to one bully each Halloween until they are all briquettes.
The acting in story A is ….ok. Story A is a bit slow-paced, which is really hard to do in 20 minutes, but here we are. I still watched it and so should you. It’s not like 2 Sentence Horror we are talking about, which is garbage wrapped in rotten bacon.
Story 2 was The Man in the Suitcase, which could’ve worked as a twilight zone episode. Justin is a loser stoner who is dumped by his girlfriend and used by his roommate. He is arriving home after visiting his family and he gets a carry-on from the airport and it’s not his stuff that’s inside; it’s a Middle-Eastern man bent so he can fit into the carry-on. It turns out the Man wants to leave the suitcase, but every time Justin tries to move him, it causes the Man pain, which in turn causes the Man to spit out a gold coin.
Well, Justin isn’t sure what to do, but Justin’s roommate and his ex-girlfriend do and they all decide to torture the man in the suitcase so that he’ll spit out loads of gold. The torture gets pretty gross, but Justin eventually has a change of heart and tries to free the Man, but his girlfriend and roommate want to keep the gold so she tries to kill Justin with a wrench, which is just lying about. I won’t spoil what happens next because this was a lot of fun and really makes Shutter worth my subscription fee.
This story really had some good pacing. Yes, it was predictable and very over the top, but that is just the Creepshow way.
Again, relax and enjoy!
For today’s televised horror, we have an episode of the 1960s anthology series, One Step Beyond. One Step Beyond was like (and aired at the same time as) The Twilight Zone, except that it often claimed that it’s stories were all based on fact.
In this episode, a young Englishwoman is haunted by dreams of drowning. Try as she might, she can’t get the feeling of doom out of her mind. Perhaps her upcoming trip to New York will help to relax her. Her fiancee even tells her that they’ll be traveling to New York on the most luxurious ship ever built. The name of that ship? Why, the Titanic, of course.
For the record, there actually were quite a few people who apparently did have psychic premonitions of doom when it came to the Titanic. Perhaps the most infamous example was the author Morgan Robertson, who wrote a novel in 1898 that was called The Wreck of the Titan: Or, Futility. That book managed to perfectly predict that sinking of the Titanic, right down to the iceberg and the number of lives lost.
This episode originally aired on January 27th, 1959.
Enjoy!
For our final episode of The Veil, we have a look at one of the most infamous real world monsters of all time, Jack the Ripper.
In this atmospheric episode, a London clairvoyant (Niall MacGinnis) is haunted by visions of the Whitechapel murders. Unfortunately, his attempts to help the police only leads to them treating him like a suspect! Each episode of The Veil was usually described as being “based on a true story.” In this case, it’s actually true. A medium named Robert Lees — renamed Walter in this episode — actually did go to the police with claims that he had seen the murders and could identify the killer.
This is the only episode of The Veil in which Boris Karloff acts only as host. That’s because this episode was not originally made for the series. Instead, it was intended for an unrelated British anthology show. The producers of the Veil later bought the episode and tacked on an introduction by Boris Karloff. Of course, because The Veil itself never actually aired on television as a result of the production company running into financial problems, Jack the Ripper never aired in the U.S. It was, however, later included in an anthology film that was put together using four episodes of The Veil.
Enjoy! That’s it for The Veil. Tomorrow, we start a whole new series!
Tonight’s episode of The Veil is a weird one.
Basically, Armand Vernoy (Jean Del Val) is haunted by not only the death of Indian his wife but also the fact that he’s lost all of his money “in the war” and will not be able to send his son, Krishna (George Hamilton) off to study with the world-renowned Prof. Charles Goncourt (Boris Karloff, who not only hosts but gets to play a kindly character for once). Then a young woman named Santha Naidu (Lee Torrance) shows up. She’s a year younger than Krishna but she claims to be his mother, reincarnated! Meanwhile, back in India, a young man hopes to marry Santha but he’s been told that he can’t because she’s already been married in a previous life….
This is an okay episode, though definitely not as good as some of the previous episodes of The Veil. Boris doesn’t get to do much but it’s kind of nice to see him play a character who is as nice as he apparently was in real life. If this episode were made today, the casting of Torrance and Hamilton as Indians would undoubtedly be extremely controversial.
Anyway, enjoy this trip to 1958!
On tonight’s episode of The Veil.…
There’s been a murder! Or has there? Edward Paige (Henry Bartell) swears that he saw someone murdered in a nearby apartment but, when the police investigate, they discover that the apartment appears to be totally deserted. Still convinced that he saw something, Edward is sent for a psychiatric evaluation from Dr. Mason (Boris Karloff, playing a sympathetic role for once). Dr. Mason says that Edward’s not making it up. Edward swears that he saw something. But what?
This is a pretty good episode. Think of it as being Rear Window with an extra twist. Boris Karloff hosts as well as co-stars.
Enjoy!