TV Review: The Girl From Plainville 1.4 “Can’t Fight This Feeling Anymore” (dir by Pippa Bianco)

Posted on April 5, 2022 by Lisa Marie Bowman

Last week, when the first three episodes of The Girl From Plainville dropped on Hulu, my main concern was that, regardless of how well-acted the show may be or how tragic the true life story might be, there really wasn’t much left to be said about Michelle Carter and Conrad “Coco” Roy.

Having watch the fourth and latest episode last night, I have to say that I think my concerns were justified. I mean, don’t get me wrong. The fourth episode was fairly well-directed. It was definitely well-acted. There was a scene where Elle Fanning and Colton Ryan start singing Can’t Stop This Feeling that I’m sure will be a favorite amongst many viewers. But, in the end, it’s hard to see why eight hours are going to be required to tell this story. There was really nothing in the fourth episode that couldn’t have been communicated in a two-minute montage.

The fourth episode continued the show’s distracting habit of jumping back and forth in time. The main problem with this is that, unless Colton Ryan is in the scene, it’s often difficult to keep track of whether we’re seeing the past or the show’s “present.” There’s not much different between past Michelle and present Michelle. For that matter, Coco’s parents appear to have been just as miserable in the past as they were in the present. There was a scene where Coco’s father and his grandfather got into an argument about whether or not they should sell Coco’s truck and it took me a few minutes to understand that the scene was supposed to be taking place in 2014 and not 2012. To be honest, there’s really no reason for the show’s jumbled timeline, other than the fact that it’s currently what all the Emmy-winning miniseries are doing. But since we all already know how the story began and how the story is going to end, we don’t really get much out of the show’s mix of flashbacks and flashforwards.

The show seem to be trying to generate some suspense over whether Michelle will actually go on trial over her part in Coco’s death but again, what’s the point? We all know that she went on trial. The publicity of the trial is the whole reason why most people are going to be watching this show in the first place. In fact, all of the legal maneuvering is probably the least interesting part of the story. So far, both the prosecutor and Michelle’s attorney are coming across as being one-note characters. That may be a reflection of reality because real-life lawyers are rarely as interesting as their television counterparts but that still doesn’t make for compelling viewing.

What does make for compelling viewing is the show’s suggestion that this was all because of Glee. Michelle’s obsession with Finn and Rachel, in particular, seems to have been her main motivation for pursuing a relationship with Coco in the first place. And, of course, Finn died when his actor died so perhaps Coco had to die as well. (On the bright side, at least Michelle wasn’t obsessed with Puck and Quinn.) While the rest of the world is trying to understand why Coco killed himself and why Michelle apparently ordered him to get back in the truck, Michelle is imagining herself in an episode of Glee. As I mentioned earlier, the Can’t Fight This Feeling scene was probably the episode’s highlight, if just because it revealed how fragile Michelle’s concept of reality truly was.

If the fourth episode of The Dropout was where that show justified its existence, the fourth episode of The Girl From Plainville feels like it has more in common with the fourth episode of Pam & Tommy. The Girl From Plainville works as a showcase for Elle Fanning and, occasionally, Colton Ryan but the show itself still hasn’t quite convinced me that it needs to exist.

TV Review: The Girl From Plainville Episodes 1-3 (dir by Lisa Cholodenko and Zetna Fuentes)

Posted on April 2, 2022 by Lisa Marie Bowman

With The Dropout scheduled to air its final episode next week, Hulu is moving on to another 8-hour miniseries about another young blonde woman who was at the center of a media firestorm. The Girl From Plainville stars Elle Fannie as Michelle Carter, a teenager who was convicted of more or less goading her “boyfriend,” Conrad Roy (played by Colton Ryan, who was one of the few good things about Dear Evan Hansen) into killing himself.

It was a case that got a lot of attention and Michelle was, for a few months, everyone’s favorite heartless villain. She was eventually convicted of manslaughter and, after several appeals, was eventually sentenced to 15 months in prison. She served 11 and is currently free. She’s 25 years old and has already experienced not only prison but also being briefly the most hated person in the country. And yet, for all the attention that she received, no one has ever been able to determine just why exactly she told Conrad Roy that he should kill himself or why she went as far as to order him to do so, even after he said he had changed his mind. There was a lot of speculation that Conrad perhaps thought that he and Michelle had a suicide pact, one that Michelle didn’t follow through on. It’s also undeniable that, after Conrad’s suicide, Michelle made herself the center of attention. Before her final text messages to Conrad were discovered, Michelle organized a charity softball game in his memory. Of course, she held the game in her hometown instead of Conrad’s and apparently, she went out of her way not to involve any of Conrad’s friends or family in her efforts. Could Michelle have pressured Conrad to kill himself just so she could use his death to be the center of everyone’s attention?

The first three episodes of The Girl From Plainville dropped on Hulu earlier this week and they certainly suggest that Michelle could be capable of doing it all for the attention. At the same time, they also suggest that Michelle herself probably didn’t truly understand what she did or why she did it. As played by Elle Fanning and Colton Ryan, both Michelle Carter and Conrad Roy come across as two people who didn’t have much of a connection with reality. Conrad, or Coco as his friends and family call him, wants to escape a home life that is dominated by the constant bickering between his divorced parents. He’s at his happiest when he gets a summer job working on a fishing boat and he’s miserable when he has to return to the “real” world, where he’s anxious around people his own age and he’s constantly being used as a pawn in his mother and father’s never ending battles. Meanwhile, Michelle is so detached that she has to watch an episode of Glee in order to come up with something to say after Conrad’s suicide. Conrad’s family is earthy, loud, and working class while Michelle’s family is reserved and wealthy but both families have raised children who feel like permanent outsiders. Indeed, it seems almost preordained that they would eventually find each other and both Colton Ryan and Elle Fanning do a good job of bringing Conrad and Michelle to life.

That said, as I watched the first three episodes of The Girl from Plainville, I did find myself wondering if there was anything more to say about this case. After the endless news coverage, one Lifetime movie, one HBO special, and countless “ripped from the headlines” episodes of Law & Order: SVU, are there any new insights left to be gleaned from the story of Michelle and Conrad? With a story this terrible, one’s natural tendency is to search for a deeper meaning but is there really one there? What if, for all the speculation, Michelle really was just a heartless monster who manipulated Conrad into suicide because she knew she could? In short, is there enough here to really justify spending 8 hours with someone like Michelle Carter?

I guess we’ll find out over the upcoming few weeks.

TV Review: The Walking Dead 11.14 “The Rotten Core” (dir by Marcus Stokes)

Posted on March 31, 2022 by Lisa Marie Bowman

I’ve always wondered how little Herschel would react when he eventually met Negan and learned that Negan was responsible for killing Glenn.

I mean, we all knew that it would happen eventually because, let’s face it …. Maggie and Negan are totally in love! It’s going to take them a while to admit it, of course. Maggie’s busy ruling Hilltop like a dictator and Negan’s got a new wife. Plus, there’s the whole thing where Negan savagely murdered Glenn and then spent a few seasons gloating about it. I mean, it’s going to take a while to move on from all of that. Taking all of that into consideration, Lauren Cohan and Jeffrey Dean Morgan still have more legitimate chemistry than anyone else on this show and Maggie and Negan are definitely in love. Plus, they’re scheduled to get their own spin-off, where they both move to the most romantic city in America, New York! Not only does that mean that Hilltop is probably screwed (because why else would Maggie leave) but it also means that Maggie and Negan are destined to fall in love while listening to Dean Martin sing That’s Amore.

And the question has always been, how would Herschel react? Well, this week, we got our answer. After discovering that bratty little Herschel had snuck into the Apartment Complex, Negan agreed to keep an eye on him while Maggie and the other Hilltoppers continued to fight off a combination of walkers and Commonwealth soldiers. It didn’t take long for Herschel to figure out that Negan was the man who killed his father. Herschel pointed a gun at Negan but was eventually talked out of shooting him, proving that Herschel is ready to forgive and it’s time to let the healing begin!

Just as Herschel was discovering that Negan killed Glenn, Darryl was discovering that the Commonwealth isn’t as much of a paradise as he perhaps originally thought. He and Rosita was ordered by Sebastian to enter his old house and retrieve his cash. The only problem was that the house was full of walkers! In not very subtle terms, Sebastian threatened Darryl’s children. Inside the house, Darryl and Rosita discovered that they were not the first people to be ordered into the House of Death. There was also April, whose children were also threatened by Sebastian. Apparently, threatening people’s children is Sebastian’s thing. Fortunately, Carol and Mercer showed up to help. Unfortunately, they still had to give the money to Sebastian because he’s Governor Milton’s son and, as a result, doesn’t have to face the consequences of his actions.

This was an okay episode, though it was hard not to feel that the whole thing with the Apartment Complex was a bit overextended. The Complex invasion could have been wrapped up in one episode instead of stretching it out over two weeks. That felt like a throwback to the days when almost every episode was Rick talking about something that he was going to do in a future episode as opposed to just going ahead and doing whatever needed to be done. The Walking Dead has often had a bad habit of stretching things out a bit too far. As far as the other subplot was concerned, we already know that Commonwealth is a bad place so devoting an entire episode to Darryl finally figuring it out felt a bit superfluous.

That said, the important thing is that this episode reminded us all that Negan and Maggie are totally in love, even if they won’t admit it. Good for them. The world may end but love never dies.

TV Review: The Dropout 1.7 “Heroes” (dir by Erica Watson)

Posted on March 31, 2022 by Lisa Marie Bowman

This week’s episode of The Dropout was the most emotionally satisfying yet.

Seriously, after six episodes of Elizabeth and Sunny walking over their employees, lying to their investors, and basically getting away with all of it, it was deeply satisfying to watch everything start to unravel in episode 7. Not only did Elizabeth and Sunny fail to kill the Wall Street Journal story about their fraud but, for once, their heavy-handed attempts at suppression made the situation worse for them. Tyler Schultz refused to sign the new NDA. Even if George Schultz is still too stubborn to admit that he was wrong about Elizabeth, he at least seems to suspect that he’s been played. Even David Boies seems to be at the end of his limit as far as defending Theranos is concerned. Perhaps that explains why he didn’t seem to be too upset when one of his associates made a very basic mistake that gave John Carreyou (well-played by Ebon Moss-Bachrach) the information he needed to keep his WSJ story alive. Perhaps most satisfying of all was the scene where Phyllis Gardner finally got a chance to tell Elizabeth off to her face. It was a stand up and cheer moment in a miniseries that, up until this point, has portrayed the world as being a very dark place.

This week’s episode also deserves a lot of credit for the perfect use of David Bowie’ “Heroes” over the opening montage. Even when the proverbial walls closing on her and Sunny, Elizabeth still convinced a lot of people that she was a hero, a college dropout who has somehow managed to revolutionize the way that blood is tested. To be honest, it was always too good to be true but, for many years, Elizabeth Holmes pulled it off. Not only did she present herself as being a hero but she allowed her investors to feel that they were also heroes for supporting her. As the song says, “We can be heroes …. if just for one day.”

This episode of features several clip of Elizabeth Holmes being fawned over by the members of the political and media establishment. Cleverly, the show digitally inserted Amanda Seyfried into actual footage of Holmes being interviewed and praised by old men like Bill Clinton, Joe Biden, and Charlie Rose. As the miniseries has made clear, Elizabeth Holmes’s biggest boosters were all older men. Women easily saw through her but men like George Schultz, Ian Gibbons, and others took on an almost fatherly role with her. When Tyler asked George if he secretly wished that Elizabeth was related to him instead of Tyler, George didn’t answer. He didn’t have to.

On one final note, I do hope that this episode will be viewed by the people responsible for Inventing Anna because this episode’s portrayal of journalism and a working newsroom feels exciting authentic in a way that Inventing Anna doesn’t. Unlike the neurotic and needy characters at the center of Inventing Anna, John Carreyou gets the story through his own hard work and he fights for the story because he knows that it’s true. LisaGay Hamilton’s performance as Carreyou’s editor was one of the highlights of the episode and her scenes with both Moss-Bachrach and Kurtwood Smith were fun to watch. They left the viewer wanting to know more about the character. Indeed, one of the things that The Dropout does so well is that it creates the impression that everyone on the show is worthy of their own miniseries. I would happily watch a show about Carreyou and his editor.

The Dropout finishes up next week as Elizabeth and Sunny finally face the consequences of their own bad actions. I can’t wait!

A Few Random Thoughts On The Oscars

Posted on March 27, 2022 by Lisa Marie Bowman

Let’s just be honest about this.

No matter what else you or I might have to say about the Academy Awards, the only thing that anyone is going to remember about this year’s ceremony is Will Smith walking up on stage and slapping Chris Rock. That’s it. That’s what these awards are going to be known for. Whenever this ceremony is written about in the future, the accompanying picture won’t be of the cast and crew of CODA. Instead, it’ll be Will Smith slapping Chris Rock.

The Slap, itself, was unpleasant to watch. Will Smith sitting back down in his chair and continuing to shout at Chris Rock was unpleasant to watch. It left me feeling awkward and uncomfortable and I was just watching it on TV. I can only guess what it was like the celebrities sitting in the auditorium. You know that they were probably terrified that something unexpected would happen with the vote for Best Actor. At that moment, there was probably a lot of worry about what would happen if Andrew Garfield pulled off an upset.

Will Smith, however, did win Best Actor. After making a few “fierce protector” excuses, he did, eventually, get around to apologizing to the Academy and “my fellow nominees.” He also did a lot of God talk and I’m not sure if it’s a good idea to mention God twenty minutes after slapping someone on national TV. He mentioned that Denzel Washington had apparently taken him aside and warned him that the Devil would come for him at the height of his success. Which …. I mean, okay. The thing is, Will Smith is 53 years old and he’s been a star longer than I’ve been alive. By this point, the Devil should have moved on to someone else.

A few notes on the rest of the show:

It was good to see the show taking place in a theater, as opposed to a train station. Just by using an actual theater, this year’s Oscar ceremony was a significant improvement over the previous year’s.

The hosts were pretty boring. There was nothing gained by having three of them. Amy Schumer needs to fire whoever picked out her first outfit. If Schumer picked it out herself, she needs to hire someone to pick out her outfits. Regina Hall looked lost. Wanda Sykes was okay but that museum segment bogged down the whole show.

CODA is a likable film and it’s obvious that the audience appreciated its heartwarming approach more than the emotionally detached style of The Power of the Dog. The fact that this tiny little indie film managed to defeat the expensive Netflix slate was gratifying in a David vs. Goliath sort of way. CODA, if we’re going to be honest, really does feel more like a made-for-TV movie than a feature film but I think that, emotionally and mentally, people were just ready for a positive movie that wouldn’t leave them feeling disturbed or depressed. After two years straight of pandemic panic, voters were perhaps not inclined to honor a film that ends with its main character dying on anthrax poisoning.

Dune swept the technical awards and ended the night with the most Oscars. Dune II is probably going to win Best Picture.

Troy Kostur’s acceptance speech was definitely the most moving part of the night. It’s a bit of a shame that it’s going to be forever overshadowed by The Slap.

Politically, it was pretty much a typical Oscar ceremony. At this point, I think anyone who cares enough to be offended by Hollywood’s liberalism has probably already stopped watching the Oscars.

As the Academy promised, the cut categories (i.e., the Oscars there were awarded before the start of the live show) were edited into and shown during the show. They were awkwardly inserted, so that we would see the people in the auditorium reacting to a speech that was given two hours earlier. It just came across as weird and fake and, whenever the hosts did anything, I found myself thinking, “They cut categories for this.” Even a brilliant hosting trio would have suffered as a result. In this case, you had Amy Schumer dressed like Spider-Man on live TV while the winner for Best Film Editing had to make due with edited highlights of his speech.

What’s hilarious is that, even with all of ABC’s new measures, this year’s Oscar run longer than the previous two years. The total show clocked in at nearly 220 minutes. For comparison, that’s 20 minutes longer than The Godfather, Part II. Will Smith’s acceptance speech alone ran for seven minutes. Of course, would you want to be the person tasked to tell Will Smith to wrap it up?

It was hard to tell but I guess Army of the Dead won the Twitter Poll and Zack Snyder’s Justice League won the Oscar Cheer Moment thing. Even from just watching on TV, it was obvious how annoyed everyone in the auditorium was with them. Personally, I have to respect the ability of the Snyder fandom to game the system.

The interpretive dance that went along with the In Memoriam segment was distracting and annoying. If I’m ever included in a memoriam segment, I’m hoping there will be no gospel music and no interpretive dancing.

The Godfather tribute was nice but I wish they had gotten Sofia Coppola to do the introduction instead of Sean “Whatever” Combs.

In the end, the Oscars weren’t as much of a train wreck as I thought they would be but it was still a fairly unfortunate ceremony. The category cutting didn’t sit well and I doubt I’ll ever be comfortable with that. (It’s something that I hope will be abandoned in the future.) This ceremony will always be known for The Slap and probably not much else. I would say that I would hope the Academy and ABC would learn from this but the only thing they care about is ratings. If the ratings are good, ABC will take the credit. If the rating are bad, the Academy will get the blame. Who knows what next year will bring?

Speaking of next year, that’s what I am now concentrating on! There’s a lot of good movies coming out over the next few months and a whole new Oscar race to prepare for! Let’s get to it!

Lisa Marie’s Week in Television: 3/20/22 — 3/26/22

Posted on March 26, 2022 by Lisa Marie Bowman

I didn’t watch much this week because I’ve been busy preparing for the Oscars. Here’s a few thoughts on what little I did watch.

Allo Allo (Sunday, PBS)

Lt. Gruber thought that he spotted the ghost of Rene’s twin brother in the cemetery and was frightened for his life. Of course, what we all know is that Rene never had a twin brother and instead, he’s been pretending to be his own twin brother after faking his death several seasons ago. Somehow, no one on the show has figured this out yet or found it strange that Rene had to explain that both he and his twin have the same name. Things only got more complicated from there, with Flick trying to disguise himself as a British spy and the Italian soldiers learning how to speak English. Officer Crabtree still still thinks that he can speak French. What I like is that, whenever he says “Good moaning,” all of the French characters respond with “Good moaning,” indicating that they are also mangling their French in sympathy for him. That’s nice of them. I’m also starting to get the feeling that those British airmen are never going to get out of France.

American Idol (Sunday and Monday Night, ABC)

ABC gave us two episodes of American Idol this week. The auditions came to a close. Because I was busy on both Sunday and Monday, it wasn’t until Tuesday that I watched both of the episodes on Hulu and I have to admit that it wasn’t long before I started to get bored and I ended up fast forwarding through some of the auditions. From what I heard, some of the singers had good voices but there was still an overwhelming blandness to the whole thing. Perhaps things will perk up in Hollywood.

Beyond the Edge (Wednesday Night, CBS)

The show is all about celebrities doing stuff in the jungle. Aguirre, The Wrath of God, it is not. So far, none of the celebs have had a breakdown and requested to leave the show so what even is the point?

The Brady Bunch (Sunday Afternoon, MeTV)

The Bradys went to a national park, laughed their way through a Native ceremony, and declared themselves to be The Brady Braves. More like the Problematic Bunch, am I right?

The Dropout (Hulu)

I reviewed the latest episode of The Dropout here!

Full House (Sunday Afternoon, MeTV)

The Tanners and the Uncles are stranded at the airport on Christmas Eve and proceed to make life miserable for all of the other passengers. Uncle Jesse gives a speech about the true meaning of Christmas. Santa Claus is revealed to be a grumpy passenger who wears a toupee. In a scene of maximum cringe, Danny falls asleep on the baggage claim carousel. This was followed by three more episodes, all of which dealt with Jesse and Joey trying to work from home while Stephanie and Michelle demanded all of their attention. DJ and Aunt Becky were the only characters on this show who ever seemed to worry about anyone else’s feelings.

The Love Boat (Saturday Afternoon, MeTV)

On Saturday’s episode, The Love Boat’s passengers included: Kim Darby, Howard Duff, Greer Garson, Lawrence Pressman, Louanne, and Jim Stafford. To be honest, I didn’t know how the majority of those people were. Greer Garson was a psychic. Lawrence Pressman was a guy who used his best friend’s daughter to convince Kim Darby that he was a single parent. In the episode’s serious plot, Isaac briefly went deaf. It all worked out in the end.

The Office (All Week, Comedy Central)

On Sunday, I watched two episodes from season 1, both of which were classics of cringe comedy. In Basketball, Michael challenged the warehouse to a game and Jim ended up getting punched in the face by Roy. (Agck! That was a lot of blood and, according to John Krasinski, it was real.) Then, Amy Adams showed up at The Office to sell purses and Michael ran out to buy her a cappuccino machine. Amy Adams deserved an Emmy for the look of horror she got in her face when Michael tried to flirt with her. Will offices really let you sell purses out of their conference room? I might actually check into that.

Open All Hours (Sunday Night, PBS)

This week, PBS aired the first ever episode of Open all Hours. Granville looked younger and a smidgen less disgruntled than he did in later episodes. He still seemed to be a bit of a ticking time bomb, though.

Survivor (Wednesday Night, CBS)

I wrote about this week’s episode here! I enjoyed this week’s episode far more than I enjoyed the previous two episodes.

Talking Dead (Sunday Night, AMC)

Chris talked to Michael Biehn and Seth Gilliam, both of whom were absolutely charming.

The Walking Dead (Sunday Night, AMC)

I wrote about The Walking Dead here!

Now, on to the Oscars!

TV Review: The Dropout 1.6 “Iron Sisters” (dir by Francesca Gregorini)

Posted on March 24, 2022 by Lisa Marie Bowman

This week’s episode of The Dropout opens with Elizabeth Holmes staring at a camera.

She’s got the black turtleneck on. She’s speaking in the voice. She’s doing the un-blinking stare. She’s a bit awkward whenever she has to talk to anyone but that awkwardness now feels much more calculated than it did when we first met her. Offscreen, we hear the voice of famed documentarian Errol Morris telling her which camera to look at. Elizabeth tells Morris that she’s a huge fan of his work. Though we don’t see Morris’s reaction, he certainly sounds thrilled by the compliment. Of course, those of us who have been watching The Dropout from the start and who have also watched Alex Gibney’s documentary about Holmes, can guess what it probably the truth. In all probability, Elizabeth Holmes had never seen any of Errol Morris’s documentaries. For the most part, Elizabeth Holmes doesn’t appear to have had many interests beyond maintaining her carefully constructed public persona. When Errol Morris makes mention of friends, a look of confusion crosses Elizabeth’s face. Friendship is something that can only be shared between real people and, at this point, there’s nothing real about Elizabeth Holmes.

Friendship is a recurring theme throughout the sixth episode of The Dropout. In fact, the episode returns so frequently to the theme that, for all of the show’s strengths, it actually runs the risk of getting a bit heavy-handed. George and Charlotte Schultz are busy preparing Elizabeth’s 30th birthday party and they ask Elizabeth who they should invite. They ask her who her friends are. Elizabeth laughs and replies that the Schultzes are her friends. The Schultzes laugh it off but to Elizabeth, her relationship with the Schultzes and the other members of the Board are really the only thing that she has. For her, friendship is all about the validation of being praised by older, powerful people and, as this episode shows, men like George Schultz had a need to feel as if they were supporting her “good” work and ensuring that their final legacy will be a positive one. Mix that with the stubborn refusal to admit to one’s mistake when one is old, wealthy, and well-connected and the end result is the type of environment that’s perfect for someone like Elizabeth Holmes.

Indeed, the only vaguely real relationship that Elizabeth has is with Sunny and that relationship is one that she insists on keeping a secret. (Though Charlotte instinctively understands what’s going on with Elizabeth and Sunny, George is clueless and complains, to Elizabeth, that Sunny just doesn’t have enough class. In this case, George is right.) In this episode, we see a bit more of Elizabeth and Sunny’s life together. Sunny is resentful and manipulative. Elizabeth needs him because she needs someone to actually be the bad boss while she’s busy shooting commercials and hanging out with the board of directors. They enable each other, with Elizabeth almost using Sunny’s amorality as a shield from having to deal with the consequences of her own behavior. If Elizabeth seems to be in deep denial about the extent of her fraud, Sunny seems to be convinced that he will always be able to outsmart anyone who tries to uncover the truth. (Of course, as the show has repeatedly demonstrated, Sunny isn’t really that smart.)

Meanwhile, over the course of the episode, a much more unlikely friendship develops between Richard Fuisz, Phyllis Gardner, and Rochelle Gibbons. All three of them are linked by a common desire to see Elizabeth revealed as a fraud. Richard feels that Elizabeth treated him disrespectfully, Phyllis is offended by Elizabeth’s faux feminism, and Rochelle saw first-hand how Elizabeth and Sunny drove her husband to suicide. Throughout the episode, the three of them try to get a Wall Street Journal reporter interested in the story but they struggle to find concrete evidence of Elizabeth’s fraud. William H. Macy, Kate Burton, and especially Laurie Metcalf brought some much-needed moral clarity to last night’s episode. In the past, I’ve complained that, as played by William H. Macy, Richard was almost too cartoonish to be believed but, as of last night’s episode, I stand corrected. Richard is just as socially clueless as Elizabeth but, unlike Elizabeth, he has no idea how to use that to his advantage. Instead of being cartoonish, Macy’s performance is instead a perfect counterpoint to Amanda Seyfried’s more tightly controlled performance as Elizabeth.

And finally, the episode’s most important friendship was the friendship between two new Theranos employees, Tyler Schultz (Dylan Minette) and Erika Cheung (Camryn Mi-Young Kim). Erika began the episode in awe of Elizabeth, just to discover that Theranos was faking results and that the Edison was just a repurposed Siemen machine. Tyler and Erika took on the role of whistleblowers, just to discover that no one — especially not Tyler’s grandfather, George — had any interest in listening. In the end, they both ended up losing the jobs. That’s not a big deal for Tyler, who is a scion of the establishment. For Erika, an idealist who shared much in common with the pre-Theranos Elizabeth Holmes, it’s very much a big deal. As this episode makes clear, people will look the other way if it means being able to pay the rent and put food on the table. It takes true bravery to do the right thing when you actually need the job, as Erika does. Erika does the right thing and asks the right question and ends up by escorting out of Theranos by security guards.

There was a lot going on in this week’s episode but, ultimately, what I’ll always remember was Elizabeth’s birthday party, which featured the elderly members of the American establishment all wearing expressionless Elizabeth Holmes masks. It was a sight of almost Cronenbergian horror. Things only got more awkward as Elizabeth and George demanded that Tyler sing a song that he had written in honor of her birthday. Of course, by this point, Tyler knew that Elizabeth was a fraud and Elizabeth knew that Tyler knew. It was truly a moment of supreme cringiness but also one that apparently actually happened.

The episode ends as it began, with Elizabeth Holmes staring straight at a camera and announcing that Theranos is the future. #IronSisters!

TV Review: The Walking Dead 11.13 “Warlords” (dir by Loren Yaconelli)

Posted on March 21, 2022 by Lisa Marie Bowman

This week, The Walking Dead introduced yet another community and also show us the darker side of the way that the Commonwealth does things.

Aaron and, for some reason, Father Gabriel were recruited to accompany the Commonwealth’s Toby Carlson (played by Jason Butler Harner) to a community that was based in an old apartment complex. Toby told Aaron and Gabriel that their mission was one of recruitment. They wanted to check out the Apartment People, learn about their customs and way of doing things, and then bring them into the Commonwealth. Of course, it actually turned out that Toby just wanted to kill everyone in the apartment building because Lance Hornsby believed that the Apartment People were responsible for attacking a Commonwealth caravan.

Normally, I would be opposed to such wanton death and destruction but, in all honesty, the Apartment People were really annoying. They were so annoying that I’m not even bothering to refer to them by the name of their community. Oceanside deserves a name. Hilltop deserves a name. Alexandria and the Commonwealth deserve a name. There’s been a lot of different groups that have wandered through The Walking Dead and they all earned the right to be known by the name that they selected for their community. But the Apartment People were just jerks and, as such, I don’t care what they call their big, ugly home. To me, they’re just the Apartment People. From the minute that Aaron and Carlson showed up, the Apartment People were acting like jerks. Are there any communities in the world of The Walking Dead that aren’t run by some overly loquacious Negan wannabe?

In this case, the Apartment People were ruled by Ian, the Warlord. The Warlord was played by Michael Biehn, so at least he had that going for him. The Warlord had a nice, dark office and a cool display case of skulls. He claimed that all of the skulls came from the enemies of the Apartment People. I’m not sure if I believed him but I guess it’s always good to have a display of some sort. A good leader always used their decorating skills to make their office their own. (Seriously, that’s on page 19 of Somehow I Manage by Michael Scott.)

I appreciated the fact that The Warlord was immediately suspicious of Father Gabriel because I’ve never really felt that Gabriel adds much to the show. Gabriel started out this season as a newly confirmed atheist but now, suddenly, he’s back to being a fire-and-brimstone holy warrior. Pick a persona and stick with it, Gabriel! And, seriously — if you survived the zombie apocalypse, would you really feel like spending all of your Sundays sitting in church? The fact that Gabriel even has a congregation is just weird to me.

As for the Apartment People, it turned out that Negan is living with them! That’s probably good news for the Apartment People because the Warlord was dead by the end of the episode and someone is going to have to step in and be the new guy who gives long monologues while standing in front of a display case of skulls.

The episode ended with Maggie and her crew showing up, set to do battle with the Commonwealth. I guess this is how the war gets started, over a shabby apartment complex that’s populated by some of the most unlikable people to ever appear on the show. If Negan does’t want to take the Warlord’s place, I guess Maggie can take over the Apartment People and make them as miserable as she’s made everyone at Hilltop.

Anyway, this episode probably would have had more impact if we didn’t already know about the darkness at the heart of the Commonwealth. Still, Michael Biehn was an effective Warlord and Jason Butler Harner was effectively fanatical as Toby Carlson. At least now, we know just why exactly Hilltop and the Commonwealth are going to go to war.

Next week is the mid-season finale!

Lisa Marie’s Week In Television: 3/13/22 — 3/19/22

Posted on March 19, 2022 by Lisa Marie Bowman

I probably watched too much television this week. It happens. But, on the plus side, I finally finished the first season of Baywatch Hawaii and I’m making progress on Silk Stalkings. Plus, The Bachelor is over and I’m finally going to get a break from that franchise. It’s always good to find the positive in things.

Here are some thoughts on what I watched this week:

American Idol (Sunday Night, ABC)

Despite having announced last week that they had found the next great superstar in that girl who played the piano, the American Idol judges were back for more auditions this week. As I’ve been saying ever since this season began, American Idol could use a little more negativity. I know that we’re all supposed to be super supportive nowadays but these shows are more fun when some obnoxious dude who can’t carry a tune gets his dreams shattered by a snarky Brit. Maybe Katy should bring Orlando with her to the next set of auditions. He seems like he could handle the role.

That said, I did like the gospel singer because he seemed to be a genuinely nice person and I just hope the show doesn’t ruin him. If he says he wants to sing gospel, let him sing gospel and let America decide whether or not to keep him around. Personally, I’m not a huge gospel music fan but whatever. It obviously meant a lot to him.

The Bachelor (Monday and Tuesday Night, ABC)

Mostly because I found Clayton to be rather dull (hence, why I called him the Claytonbot), I didn’t watch much of the latest season of The Bachelor. (It didn’t help, of course, that the Bachelor was scheduled opposite both Celebrity Big Brother and the Olympics.) However, I did join my BFF Evelyn to watch the two-part finale on Monday and Tuesday nights.

Wow, what a mess. The Claytonbot finally learned what love is and then promptly told three separate women that he was in love with them. He then slept with two of them, which led the third one — Susie — to leave the show. Then, at the Rose Ceremony, Claytonbot informed Gabby and Rachel that 1) he loved both of them and 2) that he had slept with both of them. This caused Gabby to walk off the show. Claytonbot, however, convinced Gabby to come back and accept the rose. The next day, Gabby and Rachel both had a nice meeting with the Claytonbot’s human family. After Gabby and Rachel left, Claytonbot informed everyone but the two women that he had decided that actually was in love with Susie and that he wanted a chance to try to convince her to return to the show. It didn’t seem to occur to the Claytonbot that Gabby and Rachel might not be happy with the idea of going through all of this emotional turmoil just so he could then track down the woman who had previously dumped him. The Claytonbot’s human family looked deeply disappointed in him and somewhat embarrassed to be associated with him on national television. That was all on Monday’s episode.

Tuesday’s episode was even messier as the Claytonbot dumped both Gabby and Rachel because he had decided that he was “most in love” with Susie. Gabby yelled, Rachel cried, and they both ended up leaving. Claytonbot proposed to Susie and Susie …. turned him down. Bachelor Nation rejoiced! But then host Jesse Palmer revealed that, after filming wrapped up, Susie slid into the Claytonbot’s DMs and now the two of them are dating. The live studio audience was not happy, especially when Claytonbot said that all of the emotional turmoil was worth it to end up with Susie. Try telling that to Gabby and Rachel, you dumbfug! (I gave up cursing for Lent.)

Anyway, this season of the Bachelor ended not with an engagement but instead a lot of pain and hostility. At least Gabby and Rachel will be the next bachelorettes.

Bar Rescue (Sunday and weekday mornings, Paramount)

I watched one episode on Sunday morning. The owner of an Irish pub was drinking too much so Jon Taffer called him a jerk in front of all of his friends. That probably helped with the alcoholism.

On Monday, I watched another episode. In this one, Taffer and the crew revealed that the bar was selling cheap beer at premium prices. This, of course, led to a Roadhouse-style bar brawl. If only Dalton had been there to break it up. Oh well!

On Tuesday, I again watched one episode. Why was I watching so much Bar Rescue? It’s kind of a fun show. Jon Taffer is amusing and the show itself has a sense of humor about itself. Anyway, Tuesday’s episode was about yet another bar owner who had a drinking problem. Why do so many drunks end up owning bars? I would never want to mix my hobbies with my day job. Taffer yelled at her to get sober and, by the end of the episode, the alcoholism had been vanquished and the bar was making a lot of money. Yay!

Baywatch Hawaii (Prime and Hulu)

On Tuesday night, I watched two episodes from the first season of Baywatch Hawaii. The first episode featured Jessie training for a triathlon and then abandoning the race as soon as she realized that the team needed her to help out with a rescue. Jessie put aside her personal goals for the good of the team. If I was in a similar situation, I cannot say that I would have done the same. This second episode that I watched featured Sean, Jenna, and the team heading to the Big Island for a conference on drowning. With Jenna’s help Sean came to terms with the drowning death of his son. Both episodes felt like they had been assembled from scenes that had been cut from previous episodes. There was an odd subplot during the first episode in which Jason was haunted by an apparently malicious water demon. That whole storyline got abandoned after 20 minutes and was never mentioned again. It was odd. Like, seriously, how do you just forget about a water demon?

On Wednesday afternoon, I finally finished up season 1 with the final two episodes of the season. Top-billed David Hasselhoff, who was absent for most of the season, finally returned as Mitch Buchanon. In the first episode I watched, he helped Jessie’s grandfather deal with the guilt that he felt over surviving the attack on Pearl Harbor. Awwww! Make fun of the Hoff all you want but sentimental stuff like this is what he’s good at and it was actually a pretty effective episode (by Baywatch Hawaii standards, of course). The 2nd episode and the season finale featured Mitch …. GETTING BLOWN UP BY ECO-TERRORISTS! Well, I guess that’s one way to get out of the show. (Reportedly, the Hoff felt that he had been typecast as a result of his work on Baywatch. Well, when you do a show for ten years, that will happen, I suppose.) From what I understand, though, there was later a Baywatch reunion movie that established that Mitch actually survived the explosion, though with a case of amnesia. That’s good because Mitch deserved better. Other than Mitch getting blown up, the most interesting thing about this episode was that it revealed that both he and Sean were apparently part-time CIA agents, along with being lifeguards. Good for them! It’s always interesting to me how many part-time CIA agents there are on shows like this.

On Friday afternoon, I watched the first episode of the second season of Baywatch Hawaii. There was no mention of Mitch or his sacrifice. No one even seemed to be in mourning. Instead, the episode introduced the viewers to a few new trainee lifeguards and also one new senior lifeguard, played by Brande Roderick. Quite a few members of the first season cast were gone without explanation. Jason Momoa was still there, however. He looked kind of embarrassed. As for the episode itself, it dealt with Sean and a former friend of his, an arrogant jet skier who didn’t care about stuff like teamwork. *GASP!*

Beyond the Edge (Wednesday Night, CBS)

In this new reality show, 9 celebrities spend two weeks in the jungle and compete to raise money for charity. Who will stay the entire two weeks!? I watched the first episode and I don’t really care. The celebs don’t really have any sort of personal stake in all of this so the competition aspect of it all is pretty dull. I’m just glad that they’ve never done a celebrity edition of Survivor. You know it’s going to happen someday, though.

The Bold and the Beautiful (Weekday Afternoon, CBS)

I watched an episode of the world’s greatest daytime drama on Tuesday afternoon. Not much happened in the episode but the clothes were to die for and everyone owned a really nice house. That’s the important thing. It’s still hard for me to accept anyone other than Ronn Moss as Ridge. Yes, I know it’s been ten years since Moss left the role but you have to understand that I don’t watch this show that often so, in my mind, it should still be exactly the same way that it was in 2009.

The Brady Bunch (Sunday Afternoon, MeTV)

MeTV showed four driving-related episodes of The Brady Bunch on Sunday. Greg bought a car, without talking to his father about it first. Carol had an accident and was sued by the other driver, who was faking his injuries. Greg was told that he would not be allowed to drive his car for a week after nearly having an accident and then outsmarted his father by driving someone else’s car. Marcia tried to get her license and this, of course, led to her and Greg getting into a fight over whether men were naturally better drivers than women.

I’m a bit disappointed that MeTV did not show the controversial episode were Mr. Brady ran over the homeless guy and then forced Alice to take the blame. (Fortunately, Alice got out of prison just in time to appear on The Brady Bunch Variety Hour.)

Children’s Hospital (Hulu)

Yay! My favorite medical show is on Hulu! I rewatched season one on Sunday night. Fortunately, since there were only five 11-minute episodes in that season, it only took me an hour. But what an hour! How great it was to see the early days of Children’s Hospital, when Dr. Cat Black was narrating her thoughts and Dr. Lola Spratt was pretending to have a brain tumor so she could break up with Owen. And let’s not forget Dr. Blake Downs, curing people with the power of laughter!

Court Cam (Wednesday, A&E)

I only watched one episode on Wednesday evening. This episode featured too much true crime footage for me. I prefer when the episode focuses on lawyers acting strangely and judges speaking sarcastically. Watching the actual crimes that led to people ending up in court in the first place just isn’t as much fun.

The Dropout (Hulu)

I reviewed the latest episode of The Dropout here!

Full House (Sunday Afternoon, MeTV)

Things continued to get heated at the Tanner household. First, Joey and Jesse had to write a jingle together. Then, the Beach Boys mysteriously showed up. This was followed by Joey trying to be an authority figure as opposed to just a second-rate comic with an angry ex-girlfriend. Finally, Danny was frustrated to discover that there apparently wasn’t a single woman in San Francisco who hadn’t already dated Jesse. Poor DJ and Stephanie, it had to be traumatic growing up in that household! That said, everything always worked out in the end. The sentimental music would play. Danny would say something wise. The audience would respond with, “Awwwwwww!”

Happy Days (Weekday Evenings, MeTV)

I’m never quite understood the popularity of this old show but I did watch one episode on Tuesday evening. The Fonz had to convince his cousin, Spike, not to be a delinquent. Ron Howard only appeared for a few minutes at the start of the episode. I guess it was largely filmed during his week off.

Inventing Anna (Netflix)

On Friday, I finally decided to return to watching Inventing Anna. It’s not so much that Inventing Anna is any good (it’s not) as much as it’s just a case of me not wanting to leave anything unfinished. I started watching this show and dammit, I’m going to finish it! Even if it takes me until 2024.

Anyway, I finally watched the 6th episode, which was all about Anna and her friends traveling to Morocco and Anna apparently committing credit card fraud in order to pay for the whole vacation. To be honest, though, the episode was really about the character of Vivian Kent bulging her eyes and going overboard with the facial expressions while listening to everyone’s story. After spending an hour presenting Anna as being a terrible and manipulative friend, the episode suddenly shifted gears and had people talking about how, “I felt so sorry for Anna, in Morocco all alone.” It was kind of annoying and didn’t make much sense. Nothing about the way Anna has been portrayed on this show makes it believable that she would inspire that type of loyalty. Maybe I’ll finish this show next year.

King of the Hill (Hulu and weekday afternoons on FXX)

I watched one random episode on Hulu on Monday evening. Kahn mortgaged his house to be buy Scrubby’s Car Wash, which was apparently an Arlen institution despite having never been mentioned on the show before this episode. Needless to say, Kahn’s abrasive management style was not a hit with the redneck customers and eventually, Mr. Strickland had to step in. It was an okay episode, if not one of the show’s best. The highlight of the episode was the introduction of infomercial huckster Dr. Money. Dr. Money promised to make his customer so rich that they would have “champagne for breakfast and caviar for your cat!”

On Tuesday, I watched four episodes on FXX. I watched as Peggy attempted to run a used bookstore and end up instead running a gun shop. I watched the classic Halloween episode where Louanne ended up a prisoner of insane pork product industrialist Trip Larsen. This was followed by the episode in which Dale was hired to kill the rats at the Mega-Lo Mart and instead discovered that jazz trumpeter Chuck Mangione was secretly living in the store. Finally, I watched an episode in which Louanne became a boxer and ended up fighting George Foreman’s daughter. Hank nearly got into a fight with Foreman himself over whether or not the Foremen Grill was a novelty product or not. Luckily, George’s son broke up the fight. “No, Daddy! He ain’t worth it!” still makes me laugh every time that I hear it.

Law & Order (Thursday Night, NBC)

On this week’s “ripped from the headlines” Law & Order, a tennis player who was definitely not meant to be one of the Williams sisters stood accused of murdering a family court judge. The tennis player went with an insanity defense, claiming that she was suffering from a manic episode at the time of the murder and that only her father’s conservatorship could keep her from losing control. So, just like that, the episode went from being about the Williams sisters to being about Britney Spears. In short, this episode was so ripped from the headlines that it was actually kind of dumb.

The Love Boat (Sunday Afternoon, MeTV)

On this week’s cruise: Sharon Gabet, Laurence Lau, Denise Miller, Taylor Miller, Robert Pine, Janine Turner, and Ruth Warrick. Admittedly, that’s not exactly the most memorable list of passengers and it was a bit of a silly episode. Somehow, Gopher got trapped in a suit of armor while a preacher was romantically pursued by two of his followers. And then, out of nowhere, there was this huge dramatic storyline, in which Warrick tried to forgive the son of the man who killed her husband in a drunk driving accident. It was an odd cruise but the scenery was nice.

M*A*S*H (Hulu and Weekday Evenings, MeTV)

Like Happy Days, this is another old show that I usually don’t really care for but I did watch two episodes on Tuesday. Both of them featured Alan Alda talking about how much he hates the war and basically getting in everyone else’s way. Like, seriously, Hawkeye — EVERYONE HATES WAR! It’s not all about you.

On Friday, I discovered that M*A*S*H is on Hulu and I decided to give the show another shot, mostly because people really do tend to rave about it. Jeff suggested that I check out a later episode called “Dreams” and oh my God, was it effective! While dealing with a seemingly never-ending amount of wounded soldiers, each of the main characters tried to get an hour or two of sleep and everyone ended up having a dream about what the war was doing to them, mentally. It was a bit heavy-handed but it was undeniably effective. Who knows? I may have to give this show another shot next week.

Saved By The Bell (Saturday, E!)

E! did a Saved By The Bell marathon on Saturday. I watched as Kelly broke up with Zack, Zack solved the mystery weekend, and Johnny Dakota tried to get all the students at Bayside hooked on the weed with roots in Heck. Bad Johnny Dakota!

(Yes, I said “roots in Heck.” I gave up cursing for Lent. I realize that I probably could have gotten away with not using Heck because it’s a name of place, as opposed to an actual exclamation. But I decided that it’s best not to get cutesy with Lent.)

Savoring Our Faith (Sunday Afternoon, EWTN)

Fr. Leon Patalinghug talked about St. Patrick and why we celebrate St. Patrick’s Day while preparing a meal. I watched this with Erin on Sunday and, somewhat unexpectedly, I enjoyed it. It’s an Irish Catholic thing.

Silk Stalkings (Tubi)

On Monday, I returned to Silk Stalkings. I watched the show’s 41st episode, in which Chris got shot at after witnessing yet another fight between a man, his mistress, and his wife. Chris literally couldn’t leave his apartment without witnessing a fight. Once again, the no-funsters at the police department were trying to get Chris in trouble but luckily, Rita was there to solve the crime. To be honest, it was kind of a confusing episode but, as I’ve said before, this isn’t show that you watch for the plots. You watch it for the frequently unclothed people committing crimes and having melodramatic conversations. It’s a lot of fun.

On Tuesday, I watched episode #42. A serial killer was stalking women who had sought the advice of a fake astrologer. Chris not only flirted with every woman he met (even if he happened to meet them at a crime scene) but he also tossed the killer into the ocean. Way to go, Chris!

On Friday morning, I watched episode #43, in which Chris and Rita investigated a murder connected to phone sex and prostitution. Can you guess what happened next? If you guessed, “Chris goes undercover as a client and Rita goes undercover as a phone sex operator,” you are correct! This was a supremely silly episode, largely because there was only one suspect so it was pretty easy to guess who was going to end up getting shot at the end of it all. Still, Chris and Rita! How can you not love them?

I followed this with Episode #44 (entitled “Crime of Love”), which was also the first episode of the show’s third season! Rita suspected that an author that she had previously arrested was responsible for murdering the wife of his publisher. She was certain that there was no way that he could have reformed but it turned out that he wasn’t the murderer. Sometimes you have to give people a second chance, Rita!

Since I was on a bit of a Chris & Rita roll, I decided to to watch two more episodes. The first was Episode #45 (entitled “Team Spirit”), in which Chris and Rita investigated a serial killer who was targeting wealthy men. However, the most interesting thing about the episode was the B-plot, in which Chris was audited by the IRS after he attempted to write off his wardrobe as a business expense! Even while being audited, Chris couldn’t help but flirt with the IRS agent. Oh, Chris!

Episode #46 (“The Perfect Alibi”) found Chris and Rita investigating a hot tub murder that was linked to a gang of video tape bootleggers. It was all very 90s but the main bad guy was named Sorkin so that was kind of amusing. As usual, every suspect that Chris visited was just getting out of shower when Chris arrived at the apartment. This happened every single episode but anyone who has watched the show knows that it didn’t matter how many half-naked people tried to come between them, Chris and Rita were always meant to be together.

Survivor (Wednesday Night, CBS)

I wrote about this week’s episode at Reality TV Chat Blog!

Talking Dead (Sunday Night, AMC)

Yay! For the second week in a row, Talking Dead was broadcast from the studio as opposed to Chris Hardwicke’s living room. Nature is healing.

Vaticano (Sunday Afteroon, EWTN)

It’s news for Catholics! It’s also Lent so I watched this with Erin on Sunday afternoon. I couldn’t help but remember the time that we visited Italy and took a tour of the Vatican. It was, needless to say, beyond amazing.

The Walking Dead (Sunday Night, AMC)

I reviewed this week’s episode here!

TV Review: The Dropout 1.5 “Flower of Life” (dir by Francesca Gregorini)

Posted on March 17, 2022 by Lisa Marie Bowman

Who was Elizabeth Holmes?

Was she an idealist who got in over her head and ended up cutting corners with the best of intentions?

Was she a con artist who simply lied for the money?

Was she the abused and manipulated partner in a crime that masterminded by Sunny Balwani?

Or was she a sociopath who was simply incapable of feeling any empathy for the people that she manipulated and, in some cases, destroyed?

That’s the question that’s been at the heart of the first five episodes of The Dropout. It’s also a question that the show’s version of Elizabeth Holmes (played, brilliantly, by Amanda Seyfried) is struggling with. One gets the feeling that she herself doesn’t full understand what’s going on inside of her head. For the first half of the episode 5, Holmes is an almost sympathetic character. Still desperate for Sunny’s approval and seemingly convinced that Theranos can come up with some magic spell that will actually make the Edison work, Elizabeth comes across as being more self-delusional than malicious. For the first half of the episode, it’s like we’re watching the socially awkward but earnest Elizabeth who we first met at the beginning of the series. At her uncle’s funeral, she asks her mother if she ever had any hobbies when she was younger and her mom can only list several competitive activities that Elizabeth took part in. But, as becomes clear, Elizabeth never did anything just for fun or just for enjoyment. Instead, everything the she’s always done has been a part of an obsessive need to not only prove her own abilities but to also prove that she’s superior to other people.

Perhaps this strange mix of a grandiose self-image and gnawing insecurity is why she simply cannot bring herself to settle the lawsuit that’s been brought against her by Richard Fuisz (William H. Macy). Instead, with the help of her newest mentor, George Shultz (Sam Waterston), Elizabeth brings in David Boies (Kurtwood Smith). Boies is one of the leading lawyers in the United States. Before getting involved with Theranos, Boies tried to put Al Gore in the White House. After his involvement with Theranos, Boies tried to keep Harvey Weinstein out of jail. Boies failed on both accounts but he was far more successful when it came to battling Fuisz’s lawsuit. One of the key scenes in the episode comes when Schultz mentions that he and Boies are on different sides politically but that they’re willing to come together to protect Theranos. It doesn’t matter that Schultz is a Republican and Boies is a Democrat. What matters is that they’re both a member of the elite and Theranos, with its prestigious board of directors, is now a part of the elite as well. Richard Fuisz, with his terrible haircut and his excitable manner, is far too gauche to be allowed to defeat Theranos.

Indeed, Elizabeth spends most of this episode worrying about the lawsuit and also what might happen if Ian Gibbons (Stephen Fry) is called to testify. Gibbons’s name is on all of Theranos’s patents, along with Elizabeth’s. Gibbons is perhaps the one person who can testify that Elizabeth had nothing to do with designing any of Theranos’s equipment. When we first see Theranos’s legal team pressuring Ian to sign a statement saying that, as an alcoholic, he can’t testify, we’re left to wonder whether the team is working at the direction of Sunny, Boies, or Elizabeth. When Ian points out that signing such a statement will end his career, no one seems to care. Ian Gibbons goes home, plays with his dogs, listens to his favorite opera, says goodnight to his wife, and then kills himself.

Elizabeth’s reaction to Ian’s death tells us all we need to know about her and it pretty much erases whatever sympathy we may have had for her. She’s a bit like a robot, trying to generate the “right” emotions but not quite sure the proper way to do it. When told that Ian is dead and that the lawsuit is apparently dead as well, Elizabeth focuses on the finger puppets that she wants to stock in the Theranos Wellness Centers. The puppets are for children to wear after getting their finger pricked but they’re also a part of Elizabeth’s fantasy world, a world where Theranos will be fine and she’ll be as famous and beloved as Steve Jobs. And if that means that the Edison had to be built with technology with Sunny stole from another company, so be it.

The episode ends with Brendan (Bashir Salahuddin) quitting the company and George Schultz’s nephew, Tyler (Dylan Minnette), starting his first day. Using her fake voice, Elizabeth gives a speech to her cult-like employees. She talks about her uncle’s death and how it effected her and we know that it’s all a lie but Elizabeth sells it. The only disconcerting note comes from Sunny, who can’t stop himself from casually threatening to fire anyone who doesn’t share Elizabeth’s version. They’re a team. Elizabeth knows how to sell Theranos. Sunny knows how to terrify anyone who asks too many questions.

This was the first episode of the series to not be directed by Michael Showalter. Instead, it was directed by Francesca Gregorini and there are a few scenes where you really do miss Showalter’s ability to balance the absurd with the dramatic. That said, this episode worked due to the performances of not only Seyfriend and Naveen Andrews but also William H. Macy, Kurtwood Smith, and especially Stephen Fry. Fry especially broke my heart, even though I knew enough about the real story of Theranos that I already knew that Gibbons was going to take his own life. Still, Fry plays the role with such a wounded dignity that you are left with no doubt that Gibbons was the last of the true believers. He gave his life for Theranos and, in the end, Theranos gave him nothing in return.

The episode ends with Richard calling Phyllis Gardner (Laurie Metcalf), who was last seen telling a very young Elizabeth that there was no way to make the idea behind Theranos a reality. Phyllis tells Richard that Elizabeth is a fraud. And I have to admit that, as a viewer who had just spent 50 minutes with Elizabeth Holes and Sunny Balwani and David Boies, it was nice to hear someone come straight out and say it.

Next week, Tyler Schultz starts working at Theranos and he discovers that everything is not as it seems! It’s the beginning of the end for Theranos and I’m looking forward to watching it all come down.