Scenes I Love: Salem’s Lot (Part 1)


Stephen King’s novels and short stories were mined relentlessly during the late 70’s and through the 80’s and the early 90’s. For the most part the film and tv adaptations of his work were adequate and passable. Some were downright awful and made one wonder if King was just trying to cash as many of his work for licensing paychecks or if he really thought the studios who purchased the rights would actually do a good job adapting them. One such studio which seemed to have done a very good job adapting one of King’s greatest works, Salem’s Lot, was Warner Brothers who adapted the classic vampire novel to become a mini-series for CBS.

I never saw the mini-series when it first aired in 1979, but I did see it a few years later when it re-aired on TV and then many more times on VHS and then on DVD. Tobe Hooper directed the hell out of this mini-series and turned what was a very complex modern retelling of Bram Stoker’s Dracula into a 3-hour mini-series that was both gothic and downright terrifying despite the restraints of TV.

While the mini-series does seem dated now it still retains that creepiness, foreboding atmosphere and scares which made Hooper’s Salem’s Lot one of the better King adaptations. The scene which will always stick with me and still gives me the chills whenever I watch it is when Danny Glick’s younger brother visits him in the hospital. This scene is just downright scary whether watching it as a 9 year-old or one in their 30’s.

Scenes I Love: Hard Boiled


While looking over at something to watch as the night wore on I came across a film that I still consider to this day one of the best action films ever made. People may try and guess that I’m looking at a Michael Bay flick (wrong). Maybe it’s a John McTiernan classic 80’s actioner (wrong again). Or maybe it’s one of those Luc Besson Euro-action flicks which became such the rage amongst the hipster cineaste during the 90’s (wrong thrice). No the film I’m talking about comes from Hong Kong and was the last actin film directed by the master of bullet ballet himself, John Woo, before he left for Hollywood to try his luck.

The film is Hard Boiled and it has so many iconic film scenes that it would be difficult to just choose which one I love. So, I decided to go right at the beginning and picked the “Tea House” gun fight which opens up the film. To call this scene awesome would be an understatement. The scene looks like chaos the moment the first gun goes off, but looking at this scene over and over one cannot help but wonder at the musical-like dance choreography in how the gun fight unfolds from beginning to end.

It’s not a surprise that the musicals of the 50’s and 60’s were some of John Woo’s favorite films and it shows in how he choreographs and films the scene. Chow Yun Fat as the coolest cop ever to walk a beat with the kickass nickname of “Tequila” almost goes through the scene like Fred Astaire or Gene Kelly except this time the lead is not dancing in the rain or with Ginger Rogers, but shooting and weaving his way through a tea house full of Triad gangsters.

Two of the coolest sequences in this scene would be the body grind down the stair bannister and then the final climactic sequence in the end. Also, the way Chow Yun Fat and the main gangster look as they shoot it out reminds one of samurai dueling each other right down to the very stance they sometimes use.

Michael Bay and his supporters could learn and thing or two from Woo and this scene.

Scenes I Love: Conan the Barbarian


Just been watching The Social Network on Starz and I couldn’t help but think back to this important scene from one of my favorite films of all-time. It was the film which propelled Arnold Schwarzenegger from just being a bodybuilding icon but into superstar film icon. The scene occurs during the part of the film where Conan has just gone through years of becoming the best pit-fighter in all the lands and now repaing the accolades from other warriors, warlords and women. One of the warlords (looking like a Mongol horselord) asks the important question that everyone should be asking: “What is best in life?”

The scene finishes with Conan answering this important life question. An answer which actually has it’s roots from a much more detailed quote from the greatest conqueror in history: Genghis Khan. A quote that goes like so…

“The greatest pleasure is to vanquish your enemies and chase them before you, to rob them of their wealth and see those dear to them bathed in tears, to ride their horses and clasp to your bosom their wives and daughters.” – Genghis Khan

Conan’s answer is quite similar but has been simplified for the film, but still retains it’s impact. This is a life lesson everyone should live by. Mark Zuckerberg definitely lives by them.

Scenes I Love: The Shining (dir. by Stanley Kubrick)


Today’s scene I love is from Stanley Kubrick’s 1980 horror masterpiece The Shining.  No matter how many times I see that film, it still scares me and, for whatever the reason, the two little girls standing in that hallway scare me the most.  Here they are.

Scenes I Love: Blue Velvet (dir. by David Lynch)


From David Lynch’s 1986 “mystery” Blue Velvet comes this scene.  Frank Booth (Dennis Hopper) visits Ben (Dean Stockwell), who, we’ve been told previously, is “one suave fucker.”  Ben proceeds to prove it by “performing” In Dreams.  On just the basis of sheer perversity, this is one of the greatest scenes in film history.  Also appearing in this scene — the daughter of Ingrid Bergman (Isabella Rossellini), an actor who would play bad husbands on not only Sex and the City but Desperate Housewives as well (Kyle MacLachlan), an actor who had previously appeared in One Flew Over the Cuckoo’s Nest and would later show up in The Two Towers (Brad Dourif), and my very distant cousin, the late, great Jack Nance.

(Jack is the little man with the mustache and the hat.  He had the title role in Lynch’s first film, Eraserhead.)

Scenes I Love: Touch of Evil (dir. by Orson Welles)


Yesterday, I posted a tracking shot from Jean-Luc Godard’s Weekend.  Today, I want to offer up another great tracking shot, this one from a much better director and a much better movie: Orson Welles’ Touch of Evil.  This 3 and a half-minute, unedited tracking shot begins in the United States and ends in Mexico.  It also starts off one of the greatest films of all time.

Scenes I Love: Weekend (dir. by Jean-Luc Godard)


As you may or may not know, I’ve been on a road trip with my very good friend Jeff since Monday of last week. 

That seems like as good an excuse as any to highlight this legendary 7-minute track shot (without any cuts) from Jean-Luc Godard’s 1967 film WeekendWeekend, by the way, was probably the last worthwhile film made by Godard before he became just another irrelevant Marxist with a film crew.

I have to admit that this scene takes some patience if you’re not familiar with Godard’s 1960s aesthetic but let me ask you this?  Do you love me?  If you love me, you’ll watch this scene and stick with it to the end.  The punch line isn’t totally unexpected but it does rank as one of Godard’s most effective attacks on the bourgeois value system.

Scenes I Love: The Sandlot – “The Night Game”


When I think of the 4th of July, one of the biggest memories for me (other than recognizing what it took to declare the country free), are Fireworks in the street. Here in NYC, there was once a time where anyone could get a hold of fireworks, and the views you’d get in the sky were just as bright and beautiful as they are on the Hudson. Add to that a little baseball, and you have an easily memorable scene. Enjoy and may you all have a Safe and Happy Independence Day.