Tis the season for Christmas music, and today we have New Wave rockers The Waitresses with their peppy little classic “Christmas Wrapping”:
The song first appeared on a ZE Records compilation album called “A Christmas Album” featuring artists like Suicide and Was (Not Was). Since it’s release, it’s become a Yuletide standard on Classic Rock Radio, featured in movies and ads, and covered by the likes of The Donnas, Kylie Minogue, Spice Girls, Bella Thorne, and the cast of GLEE. The Waitresses had another hit that still gets plenty of airplay, “I Know What Boys Like”:
The band was formed by Akron, Ohio’s Chris Butler, formerly of the punk group Tin Huey, and included the late Patty Donahue on lead vocals, Mars Williams (sax), Dan Klayman (keyboards), Dave Hofstra (bass), Ariel Warner (backup vocals), and ex-Television drummer Billy Ficca. The Waitresses also recorded the theme to the ahead-of-it’s-time sitcom SQUARE…
For today’s music video of the day, we continue with the holiday theme that’s run through most of the recent music video posts. We also continue with the Lindsey Stirling theme. I wasn’t initially planning on making this Lindsey Stirling week on the Shattered Lens but, now that I think about it, why not?
This video finds Lindsey performing in the snow. There’s a chance that it might snow in my home state of Texas this weekend. I certainly hope so. Of course, when we say “it might snow” in Texas, what we actually mean is that it might sleet. And, if it does snow, we’ll probably get like an inch at most. But still …. snow is snow!
I was planning on just picking Christmas videos up until the 25th of December but then I came across this video of Lindsey Stirling and Pete Hollens performing the main theme from Skyrim Elder Scrolls and I simply knew that I had to pick it.
My love for music may not be on the same level as my love for film, but it’s up there in terms of the range of types of music that has appealed to my personal taste. Pop music may be a bad word for those who see themselves as gatekeepers of what’s good or bad music, but pop music has always been a major part of music throughout history. One can even say that the music that Mozart wrote a couple hundred years ago was a form of pop music for it’s time.
Even pop music has branched off into different subgenres. Every country which has its own music industry has their own take on what’s pop music. This is why there are such terms as J-pop (Japanese pop music), K-pop (South Korean pop music) and everything else pop in-between.
Fellow site contributor pantsukudasai56 knows all about J-pop (this type of pop music being a major contributor to all things anime), but he also knows that K-pop is right there just waiting in the wings to snatch the unwary with it’s brand of pop music. I am one such unwary music traveler who has fallen to dark side, as pantsukudasai56 has told me.
Yet, while I have begun to appreciate the merits of K-pop and the hard work and creativity which goes into the creation of K-pop groups, albums and music videos, I am still very conscious of which type of K-pop music I’m drawn to. While many K-pop fans love all types, I have been more drawn to K-pop that’s not as sugary and cute. I’ve enjoyed the more mature and different sounding K-pop which draws music influences outside of dance and electronic. Influences that ranges from soulful jazz to Middle-eastern.
One such K-pop group that has become a favorite of mine of recent is the girl group Red Velvet from S.M Entertainment (yes, these groups come out of production companies). They made their debut in 2014 and with each passing year they’ve continued to grow (both creatively and by adding a 5th member to what was a 4-girl team).
Their second single, “Be Natural,” is a departure from their debut single “Happiness.” This second offering is a cover of an earlier song from S.M.E. first girl group (S.E.S.) and is less to do with the catchy, dance pop of their debut single and more in line with the original S.E.S. track that was all soulful jazz with more than just a hint of sensuality dripping through every line of music.
I do love this song and the original it covers. The one part of the song that does break the mood for just a moment is the rap section in the song where the break would typically be. Other than that part the song is a major must-listen and the video itself is sensuality personified. Lisa Marie is probably a better judge on the video’s choreography and fashion style worn by the group’s four member (Irene, Seulgi, Wendy and Joy).
Above is the song without the rap section while below is the official music video. Unfortunately, the music video does still have the rap section instead of just an instrumental break. It would’ve been preferable to have either group member Irene or Seulgi handle the rap section. At least, the tone of the song would’ve kept the sensual nature intact.
Oh, if I have a bias from the group its a toss-up between Irene and Joy with Seulgi being my bias wrecker.
I am a totally unapologetic fan of Lindsey Stirling. I imagine some of that is because I wish I could play the violin. It’s an instrument that has always fascinated me and I’ve always regretted that I never learned how to play it. I also regret that I never learned how to play the piano or really any musical instrument. Back when I was in the third grade, I had a music teacher who told me that I had the worst singing voice she had ever heard and that I needed to pay more attention in class. Oh well!
Anyway, this is a really nice and heartfelt performance of Silent Night. Silent Night is actually one of my favorite Christmas songs. I certainly prefer it to that one where everyone’s singing about the bells.
This video was filmed at Temple Square in Salt Lake City.
If Sucker Punch had taken place during the Christmas season, one could very easily imagine this video as being a scene in the film. It just needs a giant ninja and Scott Glenn offering up words of pithy wisdom.
That said, what this song and this video do so well and what I love about them is that it provides a whole new spin to a very familiar song. Does the Grinch now own a casino or an Old West saloon? Is the Grinch now a gangster? And what exactly is the Grinch’s relationship with Sabrina Carpenter? This video leaves us with much to ponder during the holiday season.
This video was directed by Joshua Schultz, who has also directed videos for Juliet Simms and Haley Reinhart. According to the imdb, he’s currently in pre-production for a film called The Fog.
Happy Holidays! Trust Linsdey Stirling to elevate one of the worst Christmas songs ever written with an energetic performance and an entertaining music video.
(I should admit that I have a personal bias against Santa Baby, one that goes back to my dancing days. Let’s just say that falling flat on your ass in front of a huge crowd of people while dressed like one of Santa’s helpers and while Santa Baby plays in the background is not necessarily one of my happiest holiday memories.)
In 1986, David Byrne of Talking Heads directed his very first feature film. True Stories took place in the fictional town in Virgil, Texas and, as Byrne himself put it, it was “a project with songs based on true stories from tabloid newspapers. It’s like 60 Minutes on acid.”
Some people love True Stories. I am not one of them. However, not surprisingly, the film did have a killer soundtrack. The best known song to come off of the True Stories soundtrack was Wild Wild Life. The video for Wild WildLife takes place at what appears to be a karaoke bar, where different performers lip sync to the song while dressed up as their favorite performers. One person is dressed up like Billy Idol. Another does Madonna. Jerry Harrison imitates Prince. Be sure to keep an eye out for a young John Goodman, who co-starred in True Stories and who damn near steals this video with his energetic performance.
Wild Wild Life subsequently won the award for Best Group Video at the MTV Music Video Awards.
Before MTV ever hit the airwaves, there was TOMMY, Ken Russell’s stylized cinematic vision of The Who’s 1969 ‘rock opera’. It was a match made in heaven, teaming Britain’s Wild Man of Cinema with the anarchic rock and roll of Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon (not to mention England’s own enfant terrible,Oliver Reed ). Russell both captures the spirit of Townsend’s hard rock opus and expands on it visually with an all-out assault-on-the-senses musical featuring an all-star cast that includes an Oscar-nominated performance by Ann-Margret as the mother of “that deaf, dumb, and blind kid” who “sure plays a mean pinball”!
The Who’s original album cover
Townshend, the group’s primary songwriter, had been experimenting with long-form rock’n’roll since the beginning, notably the nine minute suite “A Quick One While He’s Away” on their second album A QUICK ONE (retitled in America HAPPY JACK). TOMMY was…
You couldn’t go into any bar, pub, or tavern in my fishing port hometown of New Bedford, MA for literally decades without someone playing Looking Glass’s #1 hit from 1972, “Brandy (You’re A Fine Girl)” on the jukebox – usually more than once a night!:
(And yes, that’s future country legend Kenny Rogers doing the introduction!)
The song/story of a barmaid in love with a sailor she can never truly have, because as he says “my life, my lover, my lady, is the sea” resonated with us locals, as I’m sure it did in every “harbor town” where barmaids work “layin’ whiskey down” to hard working seafaring men (not to mention that fact that it made a helluva great slow-dancing tune as closing time neared – ah, those were the days, my friends!).
The band Looking Glass was from New Brunswick, New Jersey, and consisted of Elliot Lurie (lead singer…