This video was directed by the French mime, dancer, and choreographer, Philippe Decouflé. Starting with a slap fight to end all slap fights, it also features a person in green makeup hand signing the song’s lyrics. As is so often the case with New Order, what it all actually means is open to interpretation.
Philippe Decouflé went on to direct the video for the Fine Young Cannibals’ She Drives Me Crazy, as well as choreographing the opening ceremony of the 1992 Winter Olympics.
This song spent 109 weeks on the charts after its release and it remains one of Mötley Crüe’s most popular singles.
Nikki Sixx, who wrote the song, later told Rolling Stone that the song was based on several different drug dealers that he had done business with before getting sober. Just two years before Dr. Feelgood became a hit, Sixx had been a notorious junkie who, after a heroin overdose, was actually legally dead for two minutes before a paramedic was able to revive him with two shots of adrenaline.
Dr. Feelgood became Mötley Crüe’s first and, to date, only gold single in the United States. The video follows the song’s title character as he goes from working the streets to owning a mansion. In a repeat of what happened to Tony Montana, Dr. Feelgood’s own hubris eventually brings him down. As for why Mötley Crüe is performing in a revival tent, it probably just looked cool.
Director Wayne Isham is one of the most recognizable names when it comes to music video directors. If you were someone who was anyone in the music business, Isham probably directed at least one video for you.
A New York-based band that once featured Madonna on drums, Breakfast Club’s biggest hit was Drive My Car, a cover of a song that had previously been made famous by The Beatles. The cover appeared on the soundtrack of License to Drive, one of the better films to co-star Corey Haim and Corey Feldman.
The video is the usual combination of clips from the film and scenes of the band acting crazy. Since they were already covering a Beatles song, it made sense to go ahead and put Breakfast Club in a 1980s version of Hard Day’s Night and have them spend most of the video trying to escape their obsessed fans. Luckily, they’ve got an invisible car.
Breakfast Club split up shortly after the release of License to Drive.
This song was a part of an attempt to rebrand Donny Osmond as a contemporary rocker. The song was a hit and the video was popular on MTV but once an Osmond, always an Osmond.
The video is pure Michael Bay. Donny, several hot women, and a group of construction workers drive out to the middle of the desert. While Donny looks over blue prints and gives orders, the models and the day laborers start carrying boards and hammering nails. Are they building a house or a temple? No, it turns out that they’re building a stage so that Donny can perform in front of an audience that spontaneously shows up. Donny does such a good job performing that it starts to rain and the video goes from being in black and white to being in color. Bay directs with the same style that he would later bring to his feature films. This video presents Donny Osmond as an epic hero and it nearly works.
It would be easy to mistake this video for being the most wholesome beer commercial ever made.
Whale was a Swedish alternative band, made up for Gordon Cyrus, Henrik Schyffert, and Cia Berg. During the mid-90s, they were big in Europe while, in America, they were best known for this video.
When this video was first released, there was a lot of confusion as to what was meant by Hobo Humpin’ Slobo Babe. Everyone knew what a hobo and a babe were. Everyone understood humpin’. But what did slobo mean? According to the band, they misheard the British term “sloane.” A sloane is a type of fashionable, upper class person. How that ties into hobo humpin’ is open to interpretation.
Mark Pellington won the inaugural MTV Europe Music Video Award for best video for Hobo Humpin’ Slobo Babe. Whale broke up in 1999, though all three members remain active on the Swedish entertainment scene.
Who were Blotto? A new wave band from Albany, New York, they had a strong cult following among college students in the late 70s and early 80s. Much like the Ramones, all the band members used pseudonyms and took Blotto as their last name. Among the members were: Bowtie Blotto, Broadway Blotto, Cheese Blotto, Lee Harvey Blotto, Sergeant Blotto, Blanche Blotto, and Chevrolet Blotto.
I Wanna Be A Lifeguard was probably their best known song, as it was adopted as an anthem by the Jones Beach lifeguards. Blotto and I Wanna Be A Lifeguard were championed by Dr. Demento and, like all good, quirky New York bands, they appeared on both The Joe Franklin Show and the Uncle Floyd Show. Today, it’s clear to see that Blotto were ahead of their time. The band’s mix of humor and music are tailor-made for the age of YouTube and social media.
As for the video, it was filmed by video production students at SUNY Albany. It was also the 36th music video to be played on MTV, airing during the first day of MTV’s existence. MTV didn’t have many music videos to choose from in 1981 and the majority of the videos that they did play on their first day came from Rod Stewart. But MTV still found time for this quirky band from Albany and their song about being a lifeguard.
“Everyone thinks I’m the boy next door because I look like the boy next door. But look at my parents, and look where I come from. I’m a beatnik kid.”
— Huey Lewis
For the record, Huey Lewis has always insisted that the lyrics of Hip To Be Square are meant to be ironic. They were originally written in the third person and were meant to satirize the band’s clean-cut image. Because Huey Lewis and the News were older than the average rock band when they hit it big, they were often considered to be safe or conservative. In real life, Huey Lewis was the stepson of beat poet Lew Welch, whom Lewis has described as being a major influence on his life and music. (Huey, who was born Hugh Cregg III, even paid tribute to Lew Welch with his stage name.) After high school, Lewis hitchhiked through Europe and he spent several years as a part of San Francisco’s decidedly unsquare music scene.
Despite what Patrick Bateman might try to tell you, Hip To Be Square was never meant to be an anthem for square people. In concert, Lewis usually makes this point square by signing the song as Too Hip to Be Square.
The video was directed by the team of Kevin Godley and Lol Creme, who directed several memorable music videos in the 80s. Godley and Creme directed this video using the type of medical cameras that are typically inserted into a human body to allow doctor to get a closer look at what might be ailing you. The video was nominated for Best Experimental Video at the 1987 MTV Music Video Awards.
Metallica has never released an official music video for Don’t Tread On Me so, for our purposes, we’ll have to settle for this live performance. The band was performing in Kentucky when this video was filmed.
Don’t Tread On Me was originally included on 1991’s Metallica. When asked about the song, James Hetfield replied, “America, it’s a good fucking place.”
Shockingly enough, this song and video was actually considered to be controversial in 1994. Today, we just wish that Tom Petty was still here to roll another joint.
This video was directed by Phil Joanu, who directed several videos for both Tom Petty and U2. He also directed films like State of Grace and Gridiron Gang.