Category Archives: Horrorthon

Maniac Cop 2 (1990, directed by William Lustig)

Posted on by Jedadiah Leland

Maniac Cop 2 picks up where the first Maniac Cop ended.

The NYPD thinks that the undead maniac cop Matt Cordell (Robert Z’Dar) has been destroyed but he is actually still alive and killing civilians and cops in New York.  He has even teamed up with a serial killer named Steven Turkell (Leo Rossi, ranting and raving like a pro).  Jack Forrest (Bruce Campbell) and Theresa Malloy (Laurene Landon) both return from the first film but both of them are killed by Cordell before the movie is even halfway over.  Maniac Cop 2 is not playing around.

With Jack and Theresa gone, it falls to Detective Sean McKinney (Robert  Davi) and Officer Susan Riley (Claudia Christian) to discover what the rest of the audience already knows, that Cordell is seeking revenge against the system that abandoned him in prison.  The new police commissioner, Ed Doyle (Michael Lerner), is determined to cover up what happened but Cordell is even more determined to have his vengeance.  Working with Turkell, Cordell heads to the prison where he was unjustly incarcerated and murdered.

Maniac Cop 2 is a marked improvement on the first film.  Cordell is no longer a lumbering and slow monster.  He is now a ruthless, Terminator-style executioner who, in the film’s best-known scene, wipes out an entire police precinct in a matter of minutes.  Cordell is so ruthless that he won’t even stop when he’s on fire.  His partnership with Turkell adds a new twist to the Maniac Cop saga.  Turkell views Cordell as his partner-in-crime but Cordell is only interested in getting his revenge.  (Turkell was originally meant to be Frank Zito, the main character from Lustig’s Maniac.  When Maniac star Joe Spinell died before shooting began, the role was changed to Leo Rossi’s Steven Turkell.)

Stepping into the shoes of the main investigation, Robert Davi gives one of his best performances.  As opposed to the boring heroes of the first film (sorry, Bruce!), Davi’s Sean McKinney is just as obsessive and ruthless as Cordell.  Cordell sets fire and McKinney uses those fires to light his cigarettes.

William Lustig has described Maniac Cop 2 as being his best film and he’s probably right.  It is definitely the best of the Maniac Cop films and the only one to fully take advantage of its premise.

Horror Scenes I Love: Giovanni Lombardo Radice in The House At The Edge of the Park

Posted on by Lisa Marie Bowman

I miss Giovanni Lombardo Radice.

The Italian writer/actor passed away earlier this year, on April 23rd.  He is missed, both for his wit and charm and for his talent.  He was great storyteller and always had the best anecdotes to share about the films in which he appeared, even though he himself often expressed amazement that people were still watching his movies.  Giovanni Lombardo Radice was an artist and a gentleman.

I’ve shared this scene before but I’m going to share it again because it’s Giovanni at his best.  Giovanni, incidentally, is dancing with his frequent co-star and friend, Lorraine de Selle.

From 1981’s The House On The Edge of the Park:

October True Crime: The Hillside Strangler (dir by Chuck Parello)

Posted on by Lisa Marie Bowman

2004’s The Hillside Strangler opens with a woman stepping into a dressing room with several tops.  She removes all of the tags.  Then she puts all of them on and finally covers them with the sweater that she was wearing when she first stepped into the dressing room.

What she doesn’t realize is that she’s being watched by a security guard named Kenneth Bianchi (played by C. Thomas Howell, with a thin mustache).  Bianchi isn’t the type of security guard who relies on cameras.  Instead, he sneaks around in the store’s heating ducts and stares down into the dressing room.  Bianchi manages to get out of the duct quickly enough to stop the woman as she walks out of the store.  He takes her back to his office and orders her to remove each layer of stolen clothing while he watches.

Agck!  Seriously, as a former teen shoplifter, this scene totally freaked me out.  Beyond the creepiness of seeing Bianchi in the air ducts, this scene also captures the authoritarian mindset.  As soon as we see Bianchi, we know that his job is about more than just a paycheck to him.  His job is about wielding power and giving orders.  Wearing his uniform, Bianchi feels that he’s untouchable.

Bianchi dreams of being a real cop but the Rochester Police Department rejects his application to join because his test scores were too low.  Sick of having to listen to him whine, Bianchi’s mother sends him to Los Angeles so that he can stay with his cousin, Angelo Buono (Nicholas Turturro).  Maybe Angelo can knock some sense into him.  Maybe Angelo can teach him about being a man.

Instead, Angelo soon gets as tried of Bianchi as everyone else.  Still, he is impressed when Bianchi orders a fake diploma from Colombia University and sets up a practice as a sex therapist.  When Angelo attempts to set himself up as a pimp, he makes Bianchi is partner.  When Angelo and Bianchi fail at being pimps, they start picking up women and strangling them.  Angelo and Bianchi start out by stalking sex workers but soon, they’re using a fake LAPD badge to prey on anyone that catches their interest.

Based on the true crimes of Angelo Buono and Kenneth Bianchi, The Hillside Strangler is a grim and frequently trashy film, a portrait of two misogynists who can only feel confident when they’re hurting others.  Bianchi is the type who wears a t-shirt that reads, “Official Local Sex Instructor.”  Buono has a doormat that reads, “Italian Stallion” and a sign on his wall that announces, “Candy is Dandy But Sex Won’t Rot Their Teeth.”  Turturro and Howell give two disturbing performances as two losers who feed on each other’s sadism and anger.  Bianchi is desperate for Bouno’s approval.  Buono finds Bianchi to be annoying but he still enjoys being the younger man’s idol.  Would Bianchi and Buono have committed their crimes if they had never met?  The film leaves you wondering.  As a viewing experience, it’s effective and disturbing.

In real life, Angelo Buono died in prison in 2002.  Kenneth Bianchi continues to serve his life sentence.

Live Tweet Alert: Join #ScarySocial For A Halloween Double Feature

Posted on by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, we’ve got a special Halloween double feature!  First up, we’ve got 1932’s White Zombie, starring Bela Lugosi!

After White Zombie, we will watch 1940’s The Wolf Man, starring Claude Rains, Lon Chaney Jr, and …. Belua Lugosi!

Halloween is always fun at #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start White Zombie at 9 pm et, and use the #ScarySocial hashtag!  The films are available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror On The Lens: The Cloning of Clifford Swimmer (dir by Lela Swift)

Posted on by Lisa Marie Bowman

Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.

This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine.  Check out my review here and then be sure to enjoy the show!

Music Video of the Day: Can I Play with Madness by Iron Maiden (1988, directed by Julian Doyle)

Posted on by Jedadiah Leland

Director Julian Doyle also directed videos for Kate Bush but he may be best known for working as an editor on several Monty Python and Terry Gilliam films, including Life of Brian, Time Bandits, The Meaning of Life, Brazil, and Terry Jones’s Mr. Toad’s Wild Ride.

Enjoy!

Late Night Retro Television Reviews: Friday the 13th: The Series 1.4 “A Cup In Time”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1988 to 1990.  The show can be found on YouTube!

This week, a cursed teacup wreck havoc and destroys lives!

Episode 1.4 “A Cup In Time”

(Dir by Harvey Frost, originally aired on October 19th, 1987)

Someone is killing the homeless.  Every morning, young homeless people are being found dead on the street, apparently strangled.  The police don’t really care about the victims and therefore, they aren’t really all that concerned with solving the case.  In fact, only a social worker named Birdie (Maxine Miller) really seems to care.

Of course, that’s not all that Birdie cares about.  Because she has a crush on Jack, she often drops by the Antique Shop in an attempt to visit with him.  Since Jack doesn’t know how to deal with her, Mickey and and Ryan end up talking to her instead.  Birdie tells them about the murders and she also mentions that her friend, the elderly Sarah Berrell, is missing.

When Jack hears about the homeless being murdered, he says that it might have something to do with one of the shop’s cursed antiques.  Searching through the ledger, he comes across a teacup that was sold to Sarah Berrell’s brother!

Indeed, it does turn out that Sarah is involved with the murders.  She approaches homeless people at night and offers them a warm drink in a tea cup that is illustrated with a picture of a vine.  Whenever anyone drinks from the cup, the vine comes to life and strangles them.  Their youth is then transferred over to the owner of the cup.  Sarah has committed so many murders that she now appears to be in her 20s.  Using the name Lady Di (and played by Hilary Shepard), she is now the hottest rock star in America!  Ryan loves her music and, in fact, Lady Di is planning on throwing a free benefit concert for the homeless!

What a mess!

This is actually a pretty good episode, one that is reasonably well-acted and scripted, though I do have to wonder just how long Sarah had been missing for her to have time to create an entirely new life for herself as Lady Di.  The episode’s true star was Maxine Miller, who gave a sweet and rather poignant performance as Birdie.  Eventually, she discovers what the cup is capable of doing and, in the episode’s best scene, she is tempted to do the same thing that Sarah has been doing.  And really, you can’t blame her.  I mean, who wouldn’t want to stay forever young?  As well, there’s a neat auditory moment, towards the end of the episode, when a crowd of concertgoers start to chant “We Want Di” and it sounds like they’re all saying, “We Want To Die!”  It’s an effective effect, whether it was deliberate or not.

All in all, this was a good episode of Friday the 13th.  That said, I have to wonder about Birdie.  I mean, she knows the teacup was cursed.  Is she curious about any of the other stuff in the shop?  Will her character ever appear again?  I guess I’ll have to keep watching to find out.

Horror on TV: The Hitchhiker 6.10 “Windows” (dir by Rene Manzor)

Posted on by Lisa Marie Bowman

On tonight’s episode of The Hitchhiker, David Marshall Grant plays an artist who comes to believe that his paintings are actually visions of the future.  The Hitchhiker is not impressed but it’s rare that he is.

The episode originally aired on November 23rd, 1990.