This trailer took us all by surprise during the Super Bowl and all I can say is that I absolutely love it!
Here’s is the Super Bowl trailer for The Adventures of Cliff Booth!
This trailer took us all by surprise during the Super Bowl and all I can say is that I absolutely love it!
Here’s is the Super Bowl trailer for The Adventures of Cliff Booth!
While we wait for the teaser for The Adventures of Cliff Booth to be uploaded online, here is the Super Bowl trailer for Minions & Monsters!
I know the Minions may not be for everyone but I’ve always liked them! They’re so positive.
I swear, Grogu gets cuter every day!
Here’s the Super Bowl spot for The Mandalorian and Grogu!
Disclosure Day is Steven Spielberg’s latest film. We really don’t know much about it, beyond the fact that it appears to be science fiction and it stars Emily Blunt.
The Super Bowl spot is certainly intriguing. I’m looking forward to unraveling this film’s mysteries.
Here’s the Super Bowl spot for Scream 7.
I’m a bit of a cynic when it comes to the Scream films but this is an effective little teaser. Ghostface driving that knife into the wall over and over again? Agck!
Here is the Super Bowl spot for Hoppers, the upcoming film from PIXAR.
It looks cute!
After her sister falls off of the top her dorm, Maisy (Joelle Farrow) transfers to Vanderton University and takes her place on the cheerleading squad. Maisy thinks her sister was murdered and is determined to find out why. She discovers that several of the cheerleaders are also working as webcam girls, some of them against their will.
My main thought while watching this movie was that maybe if the squad had been any good, they wouldn’t have had to make extra money as webcam girls. This movie had some of the worst cheer routines that I have ever seen and none of the cheerleaders seemed like they really had much spirit. Their cheers were awful. “Are you ready to play/G0 Sharks/It’s your big day!” Whoever wrote that should be ashamed. Hearing that’s not going to give the Sharks the extra encouragement they need to win!
When Maisy gets too close to the truth, another cheerleader spikes her water right before a big media event. Drugged Maisy loses one of her pom-poms in the middle of a routine and she has to crawl across the floor to get it. When I was cheering in high school, that happened to me in practice a few times and I wasn’t even drugged! Afterwards, Maisy’s coach says that if Maisy is on drugs, they can’t kick her off the squad because that will make it appear as if the cheerleaders weren’t willing to help her. I can’t think of a cheerleading coach in the world who would follow that logic.
Watching this movie made me glad that I stopped cheering after high school. Cheerleading in high school was fun, even though I was always worried that the people in the stands would notice that I always had bruises from falling during practice. Eventually, I figured out that no one in high school cared as long as you smiled and looked cute in the uniform. In college, though, they make you become a webcam girl and throw you off a building if you refuse! It’s a whole other world!
John Carluccio (Paul Carafotes) is the star running back on his high school football team until the district’s new chief doctor (Dennis Patrick) rules that John can no longer play because he’s partially deaf and wears a hearing aid. Coach Rizzo (Val Avery) protests but John is off the team. John stops hanging out with his squeaky clean best friend (William R. Moses) and instead becomes friends with the school delinquent (Stephen Nichols). John starts smoking pot and gets a bad attitude. Whenever anyone tries to help him or suggests that he can live a productive life even without football, John gets angry. Can his new girlfriend (Demi Moore) turn his life around?
I really wanted to feel bad for John and cheer him on as he fought to be allowed to play football but he was such a mopey character that it was hard. He acted like the rest of the team should have refused to play until he was allowed to rejoin them. It didn’t help that the new running back was just as good as John ever was. Eventually, John discovered that he loved music and Demi Moore but even all of that felt like it came out of nowhere. I know a lot of people who have had setbacks as bad as John’s who managed to get through them without treating everyone around them terribly.
Demi Moore is the big “name” here but she’s only in the movie for a few minutes. I recognized a few of the other actors. William R. Moses later played Ken Malansky in the Perry Mason movies and Stephen Nichols will always be Patch on Days of our Lives.
If you’re looking for football action, you won’t find it here. My choice, if I could do it again? Don’t watch.
The Blues Brothers! They’re on a mission from God.
Jake (John Belushi) and Elwood Blues (Dan Aykroyd) are two Chicago orphans who love the blues and committing crime. After Jake is paroled from Joliet Prison, he’s picked up by Elwood in an old police car. Elwood traded the original Bluesmobile for a microphone. Jake understands, even if he still doesn’t like being seen in a police car. When they visit the orphanage where they were raised, Sister Mary Stigmata (Kathleen Freeman) beats them with a ruler and tells them that the orphanage is going to close if she can’t pay a $5,000 tax bill. Jake and Elwood set out to reform their band, raise $5,000, and save the orphanage. Jake and Elwood may be two career criminals who never take off their dark glasses but they’re on a mission from God.
Along the way to putting the band together and raising $5,000, Jake and Elwood meet characters played by everyone from James Brown to Ray Charles to Aretha Franklin. You never know when a big production number might break out. Jake and Elwood also step on a few toes. Soon, the Blues Brothers being chased by the police, the national guard, Jake’s parole officer (John Candy), Charles Napier’s country-western band, and a group of Illinois Nazis (led by Henry Gibson). There’s also a mysterious woman (Carrie Fisher) who wants to kill them. She has an impressive array of weapons but terrible aim.
The Blues Brothers was the first comedy to be based on a Saturday Night Live bit. Unlike most other SNL movies, The Blue Brothers develops its plot far beyond what was originally seen on television. Jake and Elwood get a full backstory and they also get personalities that go beyond the black suits and the dark eyewear. The Blues Brothers features Belushi at his most energetic but it’s also one of the few films to actually know what to do with Dan Aykroyd’s eccentric screen presence. If Belushi’s Jake is all about earthly pleasures, Aykroyd’s Elwood almost seems like a visitor for another world. Aykroyd’s performance of the Rawhide theme song is one of the film’s highlight.
The Blues Brothers has its share of funny lines and its famous for the amount of pointless destruction that it manages to fit into its storyline (with the “unnecessary violence” being authorized by the Chicago police to stop the Blues Brothers) but it’s also as surprisingly sincere tribute to the blues. It’s a movie that can balance Ray Charles shooting at a shoplifter and a massively destructive car chase in a suburban mall with Cab Calloway playfully performing Minnie the Moocher and Aretha Franklin bringing down the house (or diner, as the case may be). The movie can feature both a jump over an open drawbridge and Steven Spielberg as the clerk at the tax office. It’s one of the strangest comedies ever made and it features all the excesses that would bring an end to 70s Hollywood but when Jake and Elwood say they’re on a mission from God, you believe them.
If you were like me and you were hoping for some sort of big upset at the Oscars next month, it looks like we’re out of luck! The Directors Guild has honored Paul Thomas Anderson as director of the year for One Battle After Another.
The winners are in bold:
FEATURE FILM
Paul Thomas Anderson – “One Battle After Another” (Warner Bros.)
Ryan Coogler – “Sinners” (Warner Bros.)
Guillermo Del Toro – “Frankenstein” (Netflix)
Josh Safdie – “Marty Supreme” (A24)
Chloe Zhao – “Hamnet” (Focus Features)
FIRST-TIME THEATRICAL FEATURE FILM
Hasan Hadi – “The President’s Cake” (Sony Pictures Classics)
Harry Lighton – “Pillion” (A24)
Alex Russell – “Lurker” (Mubi)
Charlie Polinger – “The Plague” (IFC)
Eva Victor – “Sorry, Baby” (A24)