A Book For The Weekend (7/25/25)


Yesterday, I received Daniel Budnick’s 80s Action Movies On The Cheap and I’m already in love with this book!

This book features 284 reviews of the 80s action films that tend to be ignored by those who now sing the praises of Stallone and Schwarzenegger.  We’re talking about the films of Michael Dudikoff here.  We’re talking about the directorial efforts of Cirio Santiago, Nico Mastorakis, Sam Firstenberg, and so many others.  We’re talking Italian action cinema.  In short, we’re talking about some of the most entertaining and unfairly overshadowed films of all time.

Yes, the American Ninja films are reviewed (or, at least, the ones that came out in the 80s are).  Yes, there’s a review of The Last Hunter and Space Mutiny and the Deathstalker films.  Much like me, Daniel Budnik appreciates Red Brown even if Reb’s habit of shouting during his action scenes does seem to be a bit weird.  But what I truly love about this book is that it also features reviews of films that even I previously didn’t know about.  I mean, honestly, there are hundreds of film guides out there.  What sets the great film guides apart from the good ones is how many previous unknown titles you can discover by just randomly flipping through it.  And when it comes to film reviews, the most important question is whether or not the review inspires you to try track down a film that you may not have seen or even heard about before.  The best film reviews inspire you to watch so that you can judge for yourself.  I’ve discovered a lot just by randomly opening this book.  And I now have a long list of cheap 80s actions films that I want to watch and which I will be watching and hopefully reviewing myself.

With 80s Action Movies On The Cheap as my guide, I look forward to all sorts of new discoveries.

(Click here for my previous entry in weekend books!)

The Films of 2025: Happy Gilmore 2 (dir by Kyle Newacheck)


I love 1996’s Happy Gilmore and, over the past few months, I have very much been looking forward to the release of the long-delayed sequel, Happy Gilmore 2.  Still, I was a bit concerned when I opened the film on Netflix and discovered that the sequel had a nearly two-hour running time.  (The original clocked in at an efficient and fast-paced 90 minutes.)  Comedy is all about timing and, in general, shorter is funnier.  I know that Judd Apatow and Adam McKay might disagree with me on that but let’s be honest.  For all of the acclaim that it was met with, when was the last time you actually felt any desire to rewatch The King of Staten Island?  For that matter, if you have to pick between Anchorman or Anchorman 2, which are you going to pick?  The 90 minute original or the sequel that takes more than two hours to tell essentially the same story?

Having now watched the film, I can say that Happy Gilmore 2 does run a bit too long.  There are a few sequences that could have been trimmed without hurting the film.  I can also say that I thoroughly enjoyed the film.  I laughed more often than not.  It’s a funny film but it’s also a surprisingly touching one.

Taking place 29 years after the first film, Happy Gilmore 2 features an older and slightly more mature Happy.  It also features an older and slightly more mature Adam Sandler and, to its credit, the film acknowledges that.  It doesn’t try to convince us that Sandler and Gilmore are still the young hell-raisers that they once were.  (Happy’s Happy Place has changed considerably.)  I’ve often written that there are two Adam Sandlers.  There’s the youngish Sandler who made silly and often stupid films where he basically just hung out with his friends and didn’t seem to put much effort into anything.  That’s the Sandler who has won multiple Razzie awards.  And then there’s the older and wiser Adam Sandler, the sad-eyed character actor who gives sensitive performances as world-weary characters.  This is the Adam Sandler who seems to be overdue for an Oscar nomination.  If an alien came to Earth and only watched Adam Sandler’s serious films, they would probably think he was one our most-honored actors.  While Happy Gilmore 2 is definitely a comedy, it still features quite a bit more of the serious Sandler than I was expecting.

At the start of the movie, Happy is not in a happy place.  His grandmother has passed away.  His wife, Virginia, was killed by an errant tee shot.  He has four rambunctious sons and a daughter, Vienna (played by Sunny Sandler, who was so good in You Are So Not Invited To My Bat Mitzvah).  After Virginia’s death, Happy gave up golf.  He lost his money.  He lost his grandmother’s house.  Now, he’s working in a grocery store and he’s an almost forgotten figure.  He’s also an alcoholic, keeping bottles of liquor hidden around the house.  (A tiny liquor bottle is hidden in the cuckoo clock.)  And while this film is certainly not Uncut Gems or even The Meyerowitz Stories, Sandler still does a good job of capturing the reality of Happy’s depression.  There’s a true sense of melancholy running through the film’s first hour, as Happy returns to golf to try to make enough money to pay for Vienna to attend a prestigious dance academy.  The second hour, in which Happy leads a team of pro golfers against a team of “extreme” athletes is far more goofier but Happy’s love for his family is a theme that runs through the entire film.

Aging is the other theme that runs through the film.   Forced to play with three younger players (including Eric Andre and Margaret Qualley) at a local golf course, the rusty Happy grimaces when he hears one of them say, “Is he trying to do the Happy Gilmore swing?”  When Happy rejoins the PGA, he discovers that all of the younger players now hit the ball as hard as he used to.  An obnoxious tech bro (Benny Safdie) wants to start a new, extreme golf league, one that will “continue the revolution” that Happy started.  Happy finds himself defending traditional golf and it’s an acknowledgement that both Gilmore and Adam Sandler have grown up and have come to appreciate that not everything needs to change.  Sometimes, you just want to play a nice round of golf on a pretty course without having to deal with the sensory overload of the 2020s.

It’s a funny movie.  Even when he’s playing it straight, Sandler still knows how to deliver a funny line.  Ben Stiller returns as Hal L., who is now an addiction recovery specialist.  (His techniques include ordering people to wash his car.)  Christopher McDonald also returns as Shooter McGavin, having escaped from a mental asylum and now fighting, alongside Happy, to save the game that they both love.  As someone who always felt that Shooter kind of had every right to be upset during the first film, I was happy to see him get a bit of redemption.  Several professional golfers appear as themselves.  A running joke about Scottie Scheffler getting arrested and then forcing all of his cellmates to watch golf made me laugh a lot more than I was expecting it too.

The sequel is full of shout-outs to the first film.  A fight in a cemetery reveals that everyone who died during and after the first film just happens to have a gravestone and it was actually kind of a nice tribute.  (Even the “Get Me Out Of Here” Lady gets a headstone.)  It’s a sequel that truly appreciates and values the legacy and the fans of the first film.  It’s also a sequel that seems to truly love the game of golf, which is not necessarily something that could be said about the first film.

Happy Gilmore 2 is a worthy sequel, even if it is a bit long.  It made me laugh but, at the same time, it was hard not to be touched by the obvious love that Happy had for his family and that they had for him.  (It didn’t hurt that Happy’s daughter was played by Sandler’s daughter.)  In the first film, Happy played golf for his grandmother.  In the second film, he returns to the game for his daughter.  It’s all about family, as Adam Sandler’s unexpectedly heartfelt performance makes clear.

Scene That I Love: Bob Barker Beats Up Happy Gilmore


Happy Gilmore 2, the sequel to my favorite golf movie, is currently available on Netflix.  I’ll be watching it later today.  I have no idea if it’s any good or not.  I’m hoping for the best, though.

Anyway, this seems like a good time to share the best scene from the original Happy Gilmore.  In this scene, Happy and Bob Barker team up for a celebrity tournament.  It does not go well.  Reportedly, Barker initially turned down this cameo and only changed his mind after he was assured that he would win the fight.

4 Shots From 4 Films: Special 1974 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a great year in cinema.  It’s time for….

4 Shots From 4 1974 Films

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler and Haskell Wexler)

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

Thunder In Paradise (1993, directed by Douglas Schwartz)


R.J. “Hurricane” Spencer (Hulk Hogan) is a former Navy SEAL who now lives in Florida and makes his living with his superboat, Thunder.  Spencer’s best friend, Bru (Chris Lemmon), is also his business partner.  There’s nothing that Spencer and Bru can’t do.  This movie starts with Spencer taking the boat down to Cuba so he can rescue the family of a dissident and bring them back to Florida.  It ends with his using his boat to save the lives of his wife (Felicity Waterman) and his stepdaughter (Robin Weisman) from some treasure hunters who have made the mistake of kidnapping them.  Spencer’s marriage is one of convenience.  His wife needed a husband to get her fortune and he needed a rich wife to keep his business going.  His father-in-law (Patrick MacNee) doesn’t trust him but Spencer’s a top-notch American hero.

Though it was initially released direct-to-video, Thunder in Paradise was actually a pilot for a syndicated television show that started a few months later.  Both the film and the show were from the producers of Baywatch and it shows with the emphasis on the beach, the bikinis, the corny humor, and the cartoonish villains (led, in this case, by Flash Gordon himself, Sam Jones).  Of course, it’s a Hulk Hogan movie so none of that is really a negative.  Hogan might be playing Hurricane Spencer but he’s really playing himself and there’s enough self-aware humor to make Thunder In Paradise entertaining in a way that No Holds Barred definitely was not.  (I liked that, during a fight on another boat, there just happened to be a wooden chair sitting on the deck that Hogan could break across his opponent’s back.)  Chris Lemmon and Hulk Hogan are a surprisingly good team (Lemmon’s brain provide a needed  contrast to Hogan’s bawn) and Carol Alt is on-hand as the owner of a beach bar.  Naturally, a handful of Hogan’s fellow wrestlers shows up as well, Brutus Beefcake, Jim “The Anvil” Neidhardt, Giant Gonzalez, Jimmy Hart, and others.  As a fan of The Avengers, I was happy to see Patrick MacNee, even if his character was just a typical distrustful father-in-law.

Corny, silly, dumb, and more fun than it probably should be, Thunder In Paradise is an entertaining product of its time.

Scenes That I Love: The Airport Showdown From Bullitt


96 years ago today, the English director Peter Yates was born in Aldershot, Hampshire.  Yates would go on to direct films in almost every genre but today, he’s perhaps best-remembered for directing what is considered to be one of the first great cop films, 1968’s BullittI already shared the film’s classic car chase film for Steve McQueen’s birthday so today, I’m going to share the airport showdown.

4 Shots From 4 Films: Special Gus Van Sant Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today the Shattered Lens wishes a happy birthday to one of the pioneers of American independent cinema, Gus Van Sant!

It’s time for….

4 Shots From 4 Gus Van Sant Films

Drugstore Cowboy (1989, dir by Gus Van Sant, DP: Robert Yeoman)

To Die For (1995, dir by Gus Vant Sant, DP: Eric Alan Edwards)

Gerry (2002, dir by Gus Van Sant, DP: Harris Savides)

Elephant (2003, dir by Gus Van Sant, DP: Harris Savides)

Tripwire (1989, directed by James Lemmo)


Terrorist Josef Szabo (David Warner) and his team (including Viggo Mortensen, Charlotte Lewis, and Sy Richardson) attempt to hijack a train that’s carrying weapons that they can use in their plans for world conquest.  Renegade ATF agent Jack DeForest (Terence Knox) catches them in the act and, in the resulting crossfire, Szabo’s son is killed.  Now looking for revenge, Szabo kidnaps Jack’s estranged wife (Meg Foster) and Jack’s son.   Even though his supervisor (Yaphet Kotto) claims that Jack is dangerous and out-of-control, fellow ATF agent Anne (Isabella Hofmann) teams up with Jack to rescue his family.

This is a well-done B action movie, featuring villains who have more depth than usual and an interesting opening sequence that plays out with almost no dialogue.  Terence Knox is not the most exciting of heroes (he was better served by television than the movies) but the supporting cast makes up for his character’s blandness.  Where also can you see Meg Foster, David Warner, Yaphet Kotto, Viggo Mortensen, and Tommy Chong (!) all in the same movie?  The mountainous Utah setting gives the film  a modern western feel and, though this may be a direct-to-video B movie, the cast gives it their all.  Tripwire is cinematic fast food, quick and just satisfying enough to leave you happy.

Scenes I Love: Philip Seymour Hoffman in Punch-Drunk Love


Today would have been Philip Seymour Hoffman’s 58th birthday.

Here he is in 2002’s Punch-Drunk Love, yelling at Adam Sandler and showing how a good actor can make the simple act of yelling compelling.