Lifetime Christmas Movie Review: The Christmas Contract (dir by Monika Mitchell)


There’s a very clever scene at the beginning of The Christmas Contract.

Jack Friedman (Robert Buckley) is a writer who can’t get any of the big publishing houses to even take a look at his new book.  However, Jack’s agent informs him that they might change his mind if he does some ghostwriting.  One can see from Jack’s reaction that this is not the first time that he’s been asked to be a ghostwriter and it’s not something that he particularly enjoys.  Still, because one does have to eat, Jack agrees.

His agent tells him that he’ll be ghostwriting the latest installment in a very popular but critically dismissed series of romance novels.  He’s told to go read the previous book in the series and then to basically rewrite it, just changing a few details so that it can be advertised as a totally new book.  He’s given a list of plot points that the publishers want to be included in the book.  Again, it’s not particularly important how the plot points are integrated into the story.  Instead, they just have to be there.

Moonlight dance?  Yep.

Kisses under the stars?  Yep.

Oh, and the book needs to take place in Louisiana.

Now, you don’t have to be a part of the industry to realize that, in this scene, Jack is serving as a stand-in for every writer who has ever been assigned to write a Hallmark (or, let’s just be honest here, Lifetime) Christmas movie.  Don’t try to reinvent the season, just make sure that the basics are there.  Pick a new location and you’re ready to go!

With that scene, the makers of The Christmas Contract are acknowledging that, “yes, this is another Lifetime holiday movie.”  And yes, it’s going to remind you of a lot of other Lifetime holiday movies.  But, that still doesn’t mean that you can’t enjoy it.  After all, the appeal of a movie like this is to be found in its familiarity.  In an often chaotic world, there’s something to be said for the comfort of a good, if predictable, romance novel.  The same can be said of a Lifetime Christmas movie.

Anyway, it’s a good thing that the publishers want the book to be set in Louisiana because that’s where Jack spends his holiday.  He’s actually accompanying a recently single woman named Jodie (Hilarie Burton) back to her home for Christmas.  Because Jodie’s ex-boyfriend is going to be visiting with his new girlfriend, Jodie doesn’t want her family to know that she’s single.  So, Jack pretends to be her boyfriend.  They even sign a contract ahead of time.  And, yes, you can guess exactly what ends up happening but, again, that’s kind of the point with a movie like this.

The cast, which includes several veterans of One Tree Hill, does a good job with the material but the true star of this film is the state of Louisiana.  This film makes full use of the beautiful Louisiana landscape and the celebratory nature of the state’s culture.  It may have been predictable but it was still enjoyable.  Spending the holidays with Jodie, Jack, and the family looked like a lot of fun.

Lifetime Christmas Movie Review: Christmas Lost and Found (dir by Michael Scott)


It’s become a bit of a cliché that all Lifetime and Hallmark Christmas movies take place in a small town and feature someone returning to visit relatives for the holidays.  Christmas Lost and Found, however, breaks with tradition.  While it is true that film begins with Whitney Kennison (Tiya Sircar) returning to her former hometown so she can spend the Christmas with her grandmother (Diane Ladd), the hometown in this case is Chicago.

(Of course, in all fairness, I guess we should keep in mind that Whitney left Chicago for New York City, where she found employment as an event planner.  And, from what I’ve seen, it does appear that a lot of people in New York consider almost every other city in America to be a small town by comparison.  That being said, I live in Dallas and I spend my holidays in Fort Worth so, to me, both New York and Chicago are huge metropolises.

Anyway, where was I?)

Whitney is an extremely successful in event planner in New York City but her success has come at a cost  Whitney is so driven to succeed and such a workaholic that she’s running the risk of forgetting about the things that make life worthwhile, things like love and family.

Fortunately, Grandma’s here with her box of ornaments!

The ornaments are several years old, each one representing a different Christmas that Whitney spent with her grandmother.  (For instance, a snow flake ornament represents that Christmas when they got snowed in.)  Grandma gives Whitney the box of ornaments and tells her to keep them safe until it’s time to decorate the tree.  However, the very next morning, Whitney is cleaning the house and the ornaments accidentally get thrown out!

Terrified that she’s lost the ornaments and ruined Christmas foever, Whitney puts off telling Grandma what happened.  However, then the notes start to show up, rhyming riddles that inform Whitney that she’s going to have to go on a scavenger hunt across Chicago to get the ornaments back.  Now, this may sound like the set up for a holiday-themed horror movie but have no fear!  The first riddle says that it might sound like a stunt but promises that it will be fun.

Working with the neighbor, Brian (Edward Ruttle), Whitney goes searching for both the ornaments and, in a larger sense, Christmas itself.  With each ornament that she finds, she’s reminded of yet another Christmas.  The unseen letter writer continues to give Whitney tasks, making her write a letter to Santa Claus at one point.  While Whitney searches for the ornaments, she also tries to figure out the identity of the letter writer.  And, of course, she also has to finish designing a department store display window because …. well, why not?

How you react to this movie will probably depend on how much tolerance you have for Lifetime holiday movies in general.  This is an unabashedly sentimental film and it takes place in a world that’s almost devoid of cynicism.  You have to be willing to accept that someone was somehow able to put together an extremely elaborate scavenger hunt and have it play out without a hitch.  Is the film implausible?  Kinda.  And if that matters to you, you’re probably not into Lifetime Christmas movies.

As for me, I always get sentimental around this time of year so I enjoyed Christmas Lost and Found.  Edward Ruttle was likable as the neighbor and he and Tiya Sircar had enough chemistry to make them pleasant to watch on screen.  And, of course, you’ve got the great Diane Ladd playing Whitney’s grandmother.  It’s hard to think of anyone who could have done a better job with the role.

If you’re not naturally inclined to like these type of movies, Christmas Lost and Found probably won’t convert you.  But if you enjoy sentimental holiday entertainment, Christmas Lost and Found delivers exactly what it promises.

Lifetime Christmas Movie Review: Hometown Christmas (dir by Emily Moss Wilson)


If there’s any lesson to be learned from Lifetime (and, for that matter, Hallmark) Christmas movies, it’s that no one should leave their hometown.

Seriously, everything’s always better in your hometown.  You might find success in the big city.  You might own a nice car.  You might find a huge apartment.  You might even have a well-paying job.  But you’ll never have what you had when you’re living in a small town with good, honest people, some of whom were related to you.

Admittedly, it’s easy for snarky critics like me to poke fun at this idea and the way that it shows up in every single Lifetime Christmas film.  But you know what?  These films have a point.  Every Christmas, my sisters and I get together and we pretty much stay together until the new year.  That’s our Christmas tradition and it’s one that I look forward to every year.  I always know that no matter what’s going on in our own individual lives, we’re all going to be together with the holidays and everything is going to be right with the world.

That’s certainly what I was thinking about as I watched Hometown Christmas, a Lifetime film in which Noelle (Beverly Mitchell) returns to her hometown in Louisiana for the holidays.  There’s not a lot of conflict to be found in Hometown Christmas, but that’s okay.  This is a film in which the nicest people in the world gather in the nicest town in the world and proceed to have the nicest holiday in the world and that’s why the film works.  Save the horror for Halloween.  Save the conflict for …. well, whenever the next election is.  This is a Christmas movie and Christmas movies should make you feel good and happy.

When your name is Noelle, it’s perhaps to be expected that your life is going to revolve around Christmas.  That certainly seems to be the case with the character that Beverly Mitchell plays in this film. One of the nice things about Hometown Christmas is that it never suggests that Noelle had to return to her hometown because she was miserable outside of it.  Instead, Noelle returns because she wants to return.  To be specific, Noelle has returned to stage the live Nativity, a town tradition that was started by her late mother.  Of course, as soon as Noelle returns home, she runs into her old high school boyfriend, Nick (Stephen Colletti).  Nick was going to be a star baseball player but injuries put an end to that.  Things are a little bit awkward between Nick and Noelle at first but it’s not long before they’re working on the Nativity and Nick is proving that he’s grown up a lot since he and Noelle last saw each other.  It’s a sweet relationship.

(Actually, there’s more than just one love story that unfolds over the course of Hometown Christmas.  While Nick and Noelle are getting reacquainted, Noelle’s father (Brian McNamara) is falling for Nick’s mother (Melissa Gilbert).  Meanwhile, Noelle’s brother is newly engaged.)

It was a pleasant Christmas love story and I enjoyed it.  Hometown Christmas is full of the holiday spirit, as any hometown Christmas should be.

Lifetime Christmas Movie Review: Christmas Around The Corner (dir by Megan Follows)


Claire (Alexandra Breckenridge) is a venture capitalist who lives in the big city but dreams of visiting the same small Vermont town that her mother once loved.

Andrew (Jamie Spilchuk) is the latest in a long line of blacksmiths and he also owns an independent bookstore in the same small Vermont town where all of his ancestors have lived.

Together….

THEY SOLVE CRIMES!

Okay, not really.  Christmas Around The Corner is a Lifetime Christmas movie, which means that there’s not a single crime to be committed.  For that matter, there’s none of the other things that we typically expect from a Lifetime movie.  There’s no seductive nannies.  There’s no duplicitous best friends.  No adultery.  No scheming.  No runaways.  Nope, that doesn’t happen on Lifetime around Christmas time.

Instead, the movie opens with Claire having some sort of major career setback.  I’m not really sure what the exact details were but it had something to do with the stock market and a downward pointing arrow and a party that none of her investors came to.  It was financial stuff, which I’ve never really been able to follow.  What’s important is that Claire decided to get out of New York and spend the holidays in that small town in Vermont.

(Yes, yes, I know.  Vermont.  I hate Vermont but I won’t go into that right now.)

Anyway, Andrew runs a bookstore that also rents out rooms or something like that.  Apparently, when you’re staying at the bookstore, you’re also expected to work in the bookstore.  I have such mixed feelings about that.  On the one hand, I would love to live over a bookstore.  And I probably wouldn’t mind working in a bookstore, as long as I was the owner and could basically spend all day bossing people around and having them rearrange the books.  I mean, that seems like it would be a lot of fun.  However, I just can’t imagine going on a vacation so I could work.

When Claire arrives in the town, she’s really looking forward to the annual Christmas festival but …. uh oh!  The festival has been cancelled!  In fact, due to tough times and bad weather, it would appear that no one in town has the Christmas spirit!  No one but Claire!

So, can Claire get the town to rediscover its love of Christmas?

Even more importantly, can she use her marketing background to show Andrew a better way to run his bookstore?  Of course, she can!  Unfortunately, it may all be for naught because Andrew is thinking about selling the bookstore!

Along the way, Andrew and Claire fall in love.  Can you blame them?  I mean, Andrews’s a blacksmith!  Soot is sexy.

As you might expect from a Lifetime Christmas film, Christmas Around The Corner is more than a little predictable but, at the same time, it’s a sweet movie.  The town looks beautiful and Alexandra Breckenridge and Jamie Spilchuk have a likable chemistry as the two leads.  As anyone who has ever watched a Lifetime Christmas movie knows, these films always have an older voice of wisdom who helps to bring everyone together.  This time, that voice of wisdom was provided by the veteran actress Jane Alexander and she did a good job with her role.  It’s a likable movie, which is really the main thing that can ever be asked of a movie like this.  It’ll make you feel happy and Christmas-y.

Because, after all, Christmas is right around the corner!

Christmas-tery: Deanna Durbin in LADY ON A TRAIN (Universal 1945)


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Deanna Durbin was the best Christmas present Universal Studios ever received. The 15-year-old singing sensation made her feature debut in 1936’s THREE SMART GIRLS, released five days before Christmas. The smash hit helped save cash-strapped Universal from bankruptcy, and Miss Durbin signed a long-term contract, appearing in a string of musical successes: ONE HUNDRED MEN AND A GIRL, THAT CERTAIN AGE, SPRING PARADE, NICE GIRL?, IT STARTED WITH EVE. One of her best is the Christmas themed comedy/murder mystery LADY ON A TRAIN, one of only two films directed by  Charles David, who married the star in 1950, the couple then retiring to his native France.

Our story begins with young Nikki Collins travelling by train from San Francisco to New York City to visit her Aunt Martha, reading a murder mystery to pass the time. Nikki witnesses a real-life murder committed through a window, and after ditching her wealthy…

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Cowboy Christmas: TRAIL OF ROBIN HOOD (Republic 1950)


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There’s no sign of Robin Hood to be found in the Roy Rogers vehicle TRAIL OF ROBIN HOOD. However, the film has gained a cult following among sagebrush aficionados for the plethora of cowboy stars gathered together in this extremely likable little ‘B’ Western directed by Republic Pictures workhorse William Whitney William Whitney, with plenty of songs by Roy and the Riders of the Purple Sage to go along with that trademark Republic fightin’ and a-ridin’ action (thanks, stuntmen Art Dillon, Ken Terrell, and Joe Yrigoyen!).

Some rustlers have been stealing Christmas trees from ‘retired actor’ Jack Holt’s tree farm. The benign Jack raises his trees to sell at cost to parents of poor kids, but avaricious J.C. Aldridge (Emory Parnell ) and his foreman Mitch McCall (former Our Gang member Clifton Young ) want to put an end to it and corner the Christmas tree market! U.S. Forestry Agent…

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Christmas With 007: ON HER MAJESTY’S SECRET SERVICE (United Artists 1969)


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(Okay, so technically ON HER MAJESTY’S SECRET SERVICE isn’t a Christmas Movie. But neither is DIE HARD, though many consider it to be because it’s set during the holiday season. Well, so is this film, and it’s as close as you’ll get to a James Bond Christmas Movie, so I’m gonna go with that!)

ON HER MAJESTY’S SECRET SERVICE was the first Bond film to not star Sean Connery . Instead, newcomer George Lazenby was given the plum role of 007. Lazenby was a model whose claim to fame was a British TV commercial for a chocolate bar; despite having virtually zero acting experience, producer Albert “Cubby” Broccoli offered him an audition and gave him the part. Critics of the time derided Lazenby’s performance, more due to the fact that he wasn’t Sean Connery than anything else. Looking back on the film, he isn’t bad at all; he handles the…

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40 Years of SUPERMAN: THE MOVIE (Warner Brothers 1978)


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Unlike today, when superheroes dominate at the box office and your local multiplex, costumed crusaders were dead as the proverbial doornail in theaters of the 1970’s. The last was 1966’s BATMAN, at the height of the camp craze, but after that zer0… zilch… nada. I didn’t care; my comic book reading days were pretty much at an end by 1978, driven away by other distractions, like making money, girls, beer, and girls. I had moved on.

But when Warner Brothers announced they were making a new, big budget Superman movie, I was intrigued. I’d always loved the old 50’s TV series starring George Reeves as the Man of Steel, corny as it was, and with a cast featuring Marlon Brando , Gene Hackman , and Glenn Ford , not to mention that girl from Brian DePalma’s SISTERS as Lois Lane, I wanted to see this new version. I also wanted…

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Hollywood Babylon: TOO MUCH, TOO SOON (Warner Brothers 1958)


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Hollywood biopics are by and large more about their entertainment value than historical accuracy. TOO MUCH TOO SOON is no exception. It tells the story of actress Diana Barrymore, daughter of “The Great Profile” John, based on her 1957 best-selling tell-all, and though it pretty much sticks to the facts, many of them have been sanitized for audience consumption. Dorothy Malone , fresh off her Oscar-winning role in WRITTEN ON THE WIND, is very good indeed as Diana, whose true life was much more sordid than fiction, and we’ll get to all that later. What makes the film for me was the actor portraying the dissipated John Barrymore – none other than Errol Flynn !

Errol Flynn (1909-1959) as John Barrymore

Don’t expect to see the dashing star of CAPTAIN BLOOD and THE ADVENTURES OF ROBIN HOOD here. Flynn (who a year later would release his own tell-all book, MY…

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Pre-Code Confidential #24: THE STORY OF TEMPLE DRAKE (Paramount 1933)


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I’d heard so much about THE STORY OF TEMPLE DRAKE – that it was so depraved and salacious it almost singlehandedly led to stricter enforcement of the Production Code – that it was almost a letdown when I first viewed it. I say almost because, knowing the era this adaptation of William Faulkner’s SANCTUARY was made, I understand how shocked audiences must have been. THE STORY OF TEMPLE DRAKE could be a TV Movie of the Week today, but in 1933 people couldn’t handle this level of lasciviousness.

Georgia-born Miriam Hopkins is outstanding as Southern belle Temple, though she does lay on the “sho’ nuffs” a little too thick at times. Temple, daughter of a prominent judge, is a wild child, a big tease to all the men in town. Solid, steadfast lawyer Stephen Benbow wants to marry her, but the self-centered Temple thinks he’s too dull, preferring to party…

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