Artist Profile: Frank R. Paul (1884 — 1963)


Frank R. Paul was born in Austria, studied art in Vienna and Paris, immigrated to the U.S. in 1906, and went on to become one of the most influential science fiction artists of all time.  After working as a graphic designer, Paul was hired to illustrated a science magazine in 1916.  Paul went on to do hundreds of covers and interior illustrations for pulp magazines like Amazing Stories, Wonder Stories, and Planet Stories.  In 2009, he was inducted into the Science Fiction Hall of Fame.

Adventure in A World Beneath Antarctica Andromeda Master of the Asteroid One Prehistoric Night Planet of the Knobheads Sciencefiction Tetratheda of Space The Ideal The Malignant Flower The Moon Doom The TIme Trap

Artist Profile: Stanley Borack (1927 — 1993)


Born in Brooklyn, Stanley Borack served in the U.S. Navy during World War II and studied art at the Art Students League of New York under the G.I. Bill.  He began his career as professional illustrator in 1950 and, up until he retired at the end of the 1970s, he did hundreds of covers for pulp magazines and paperback book publishers.  Among collectors, he is especially known for the racy covers he did for Ted Mark’s Man From O.R.G.Y. series.  After retirement, his spent his remaining years doing painting of the Old West for fine art galleries across the country.

Cruise of Plywood Coffin Husband Chaser My Son, The Double Agent Raid of the Jivaro Headhunters The Day Kruschev Panicked The Loves of Dr. Devere The Man From Avon The Man From O.R.G.Y. The Thrill Makers Woman of the Avalon z-west z-west2

 

Artist Profile: Victor Olson (1924 — 2007)


Victor Olson was born in Connecticut and studied art at the Art Classic School of New York.  He was a well-known painter, whose work currently hangs in the Smithsonian Institute Air and Space Museum in Washington, D.C.  He was also an illustrator who painted several paperback covers for such publishers as Doubleday, Avon Books, MacFadden Books, Bantan and Monarch.

A sampling of his work can be found below.

Bad 'Un Down and Out Georgia Hotel Pierre's Woman Scandal Stella and Joe The 49 Deadly Virgins The Harem The Heat of Day The Marijuana Mob The Shadowy Sex Treachery is Trieste

Artist Profile: Raymond Johnson


The work below was all done by Raymond Johnson.  Other than that he was active in the 1950s and 60 and he painted the covers for several paperback publishers, I haven’t been able to find much biographical information about this artist.  His work will just have to speak for itself.

The Affairs of A Leading Lady

The Affairs of A Leading Lady

Adultress Cleopatra's Nights Diagnosis Homicide Hired Girl I'll Call Her Every Monday Love in Suburbia So Sweet So Wicked The Forsaken The Green Girl The Iron Mistress The Strong Don't Cry

Artist Profile: Fred Charles Rodewald (1905 — 1955)


Fred Charles Rodewald was an illustrator who was active from 1926 until his death in 1955.  Unfortunately, I couldn’t find much biographical information about Rodewald.  He was born in Hanover, Germany but moved, with his family, to New Jersey when he was six years old.  He dropped out of school in 1920, worked in his family’s store, and apparently never had any formal artistic training before he started his career as an illustrator.  In 1954, one year before his death, he wrote and illustrated a book entitled Commercial Art As A Business, a detailed guide to the practical concerns of earning a living as a commercial artist.

A small sampling of his work can be found below.
Bed Time Girl Blood Lusting Demon Illicit Love Is Sweet But Bloody Last Fling of the Playgirl Wife Passion's Mistress Paula Has A Price Pay For My Kiss Respectable Harlot Shamed Vera Is A Tramp

Artist Profile: Rudolph Belarski (1900 — 1983)


Born in Pennsylvania at the turn of the 20th Century, the prolific illustrator Rudolph Belarski dropped out of school at the age of 12 and spent the next ten years working in the coal mines.  During this time, he studied mail-order art courses at night from the International Correspondence School, Inc. of Scranton, PA.  In 1922, he moved to New York City and studied at the Pratt Institute.  Upon graduating in 1926, he taught at Pratt for 5 years.  He started his career as a cover artist in 1935 and worked regularly until 1960, painting covers for both pulp magazines and paperback books.  His greatest work may have been done during World War II, when he served with the USO and drew thousands of portrait sketches of hospitalized veterans in New York and London.

A small sampling of his pulp work can be found below.

1 Dead Hands on the Moon Don't Ever Love Me Homicide Johnny The Case of the Constant God The Devil's Diary The Gods Hate Kansas The Murder of the Circus Queen The Wingless Wonder The Young Sinners

Artist Profile: Earle Bergey (1901 — 1952)


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Born in Philadelphia, Pennsylvania and educated at the Pennsylvania Academy of Fine Arts, Earle Bergey is considered to have been one of the most prolific and influential pulp fiction artists of the 20th Century.  His most famous cover was the one he painted for Gentleman Prefer Blondes in 1948.

Check out that cover and some more of Earle Bergey’s work below!

 3 4 5 6 7 8 Dragon's Island Gay Book Gentlemen Prefer Blondes Her Life to Live Revolt of the Triffids The Curtain Never Falls The Hero Tonight is Forever Venus of the Counting House

Artist Profile: Robert Stanley (1918 — 1996)


Born in Kansas and educated at the Kansas City Art Institute, Robert Stanley was a prolific cover artist who worked for paperback publishers like Bantam, Dell, Eagle Books, Lancer Books, Lion Books, Popular Library, and Pyramid Books.  He’s probably best known for the racy work he did for Beacon Books.

A small sampling of his work can be found below.

Cradle of the Sun

Crows Can't Count Framed in Blood Nightmare Town Pagan Passions Rocket To The Morgue Sin in Space Slan The Creeping Siamese The Dead Ringer The Deviates The Male Response Universe Virgin Planet When World Collide