Turn up the volume!
Enjoy!
Turn up the volume!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi
In yourself, you must believe….
Episode 2.3 “Loyalties”
(Dir by John Bertram, originally aired on November 19th, 1990)
Oh look, more Caitlin drama.
Seriously, if I was a student at Degrassi High, I would warn any new enrollees about becoming friends with Caitlin. Caitlin may be nice and she may be sincere in her desire to be friendly with the new students but, ultimately, everything with Caitlin is a drama and being her friend means being a part of the drama, whether you want to be or not. Last season, Caitlin had to go to court after he got caught vandalizing the nuclear plant and she immediately expected all of her friends to skip school and go with her. This episode, Caitlin spots her father having a romantic lunch with someone who is not Caitlin’s mother and, of course, Caitlin’s friends are expected to forget about the own problems so they can listen to her obsess about it. And while Caitlin did not tell her mom, she did suggest that her dad take her mom to the restaurant where she previously spotted him.
Caitlin wasn’t the only person with drama this week. Michelle is struggling to deal with having gotten dumped by BLT. When she discovers that Alexa and Simon are still hanging out with BLT and his new girlfriend, Cindy, she’s not happy. Alexa and Simon, meanwhile, are tired of Michelle being such a downer. And while I had sympathy for Michelle, I also had sympathy for Alexa. It’s not easy when your friends break up and you find yourself expected to pick a side. Snake has a crush on Michelle and they go out on a date but Michelle starts crying ten minutes in. Later, Michelle apologize to Snake and says she’s not ready to date. Snake, being the perfect guy despite (or maybe because of) his nickname, is totally understanding and says he’ll wait until she’s ready.
Awwwwww!
Compared to last week’s episode, Loyalties was not quite as memorable. No one discovered they were HIV+. Still, it was a nicely done episode and I appreciated the effort to try to realistically deal with Michelle’s feelings. I’m not looking forward to the inevitable episode in which Caitlin confronts her father but I know it’ll happen. That’s Degrassi!
Welcome to May. This year is just flying by. I might as well start watching all of my horror films now because October will be here before you know it.
Actually, this month, I’m watching and reviewing a Jimmy Stewart movie each day, much as I did for Eric Roberts last month. It should be fun!
Here’s what I watched this week.
Films I Watched:
Television Shows I Watched:
News and Links From Last Week:
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, life and death both continue in Baltimore.
Episode 3.10 “Every Mother’s Son”
(Dir by Kenneth Fink, originally aired on January 6th, 1995)
Let’s get the least important part of this week’s episode out of the way first. Felton is still looking for his wife and kids. He abandons Kay while she’s in the middle of a homicide investigation. When Kay calls him out on it, Felton brings up the fact that she went on vacation for a weekend. The difference is that Felton isn’t taking vacation days. Instead, he’s just leaving in the middle of work and expecting Kay to handle all of his cases.
BEAU FELTON — WORST HOMICIDE DETECTIVE EVER!
Meanwhile, Lewis and Munch discover that their bar is a historical landmark because George Washington once stopped there to use the restroom. The bar stuff, while not really related to the episode’s main drama, didn’t feel as unnecessary as the stuff with Felton’s family. A lot of that is because Lewis, Munch, and Bayliss are a lot more sympathetic than Felton. This week’s scenes with Howie Mandel as an interior decorator felt a bit off for an episode of Homicide but they still amused me. That said, at some point, these three really are going to have to get it together and open the place.
As for the main storyline, it featured Pembleton and Bayliss investigating the shooting of a 13 year-old in a bowling alley. It’s a familiar story, one that this show has used before. The fact that we’ve seen it before is not a reflection on the show. It’s reflection of the reality of life on the streets. The murderer was another kid, one who was now facing life in prison if he ended up getting charged as an adult. The murderer showed little remorse, telling Pembleton that he would rather be in jail than the on the streets. What made this episode stand out was a scene between two mothers — one the mother of the victim and the other the mother of the shooter — meeting by chance in a police station and striking up a conversation despite not knowing who the other was. Gay Thomas Wilson and Rhonda Stubbins White both gave excellent and poignant performances of two women who, by the end of the show, would have both ended up losing their oldest son.
This was a simple but effective episode, a moody look at the ironies of death and violence in Baltimore. George Washington once stopped by the Waterfront Bar but that doesn’t mean anything to the people who are dying and suffering in the city. In the end, Pembleton could only look on in silene as the shooter announced that he was happy to be in jail. “You’re probably going to die in a cell just like this,” Pembleton says.
“Better here than on the streets,” is the reply.
And nothing more is left to be said.
It seems appropriate for the day. In this video below, John Williams conducts the Vienna Philharmonic.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish all of our readers a happy May The Fourth Be With You Day! It’s time for….
4 Shots From 4 Star Wars Films
Get out there and fight, everyone!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!
This week, Jack Christian gets an episode of his very own.
Episode 3.15 “Make Room For Daddy Christian”
(Dir by Alan Erlich, originally aired on December 27th, 1987)
In the role of the obnoxious assistant manager Jack Christian, Jeff Pustil was often one of the funniest people on Check It Out! His comedic timing was always spot-on and he delivered his lines with just the right amount of attitude that they always made me smile even if the jokes themselves weren’t always brilliant. This week, we get a rare episode that not only focuses on Christian but which also portrays him as being a somewhat decent human being.
Christian goes out with Barbara (Ann Turnbull), a friend of Marlene’s. One thing leads to another and, the next thing you know, Christian is meeting Barbara’s ten year-old son while lying in bed in with her. Christian, who had no idea that Barbara had a son, freaks out, makes some hurried excuses, and then leaves. But later, he returns and apologizes and he and Barbara decide to continue seeing each other. Neither one is ready to make a firm commitment but they both want to see where things go. What a surprisingly mature attitude for a show that has shaken the Enda-is-miserable-with-Howard tree more times than I can count.
This was a pretty simple episode but it was a good one and I’m glad that, even if it was during the show’s final season, the show finally did a story that was centered on Christian but which didn’t feature him trying to cheat his friends or get someone fired. This episode stayed true to Christian’s character — he does act like a jerk when he finds out that Barbara has a son — while also giving him something that he didn’t often get, a chance at redemption. Jeff Pustil, Kathleen Laskey, and Don Adams were the only three regulars to appear in this episode and all three of them did a good job, especially Pustil. (For his part, Adams was stuck with a pretty silly B-plot in which he tried to hire an animal performer to come to the store.)
This episode was simple but good. Check It Out! really was a much show during its third season than during the previous two.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing 3 By Cheever, which ran on PBS in 1979. The entire show can be purchased on Prime and found on YouTube.
Episode 1.2 “O Youth and Beauty!”
(Dir by Jeff Bleckner, originally aired on October 31st, 1979)
Back in the day, Cash Bentley (Michael Murphy) was an athletic marvel. He was a track star who could jump the hurdles with ease and who everyone in high school looked up to. Now, however, he’s 40 years old and he feels lost. He’s aging and a new generation of young people have come along. They certainly have no idea who Cash Bentley used to be.
At drunken neighborhood parties, Cash insists on recreating his youth by having his hosts set up their furniture like an obstacle course. Giving them a starter’s pistol that he insists be fired to signify the start of the race, Cash will run through the house, jumping over chairs and couches and tables while everyone cheers. Unfortunately, Cash’s luck runs out and he ends up breaking his leg during one of his demonstrations.
Forced to get around on crutches, Cash feels isolated from the rest of the world. He doesn’t get a promotion because his bosses say they need someone who can start traveling immediately. When all of his neighbors get on the train that is heading into the city at the usual morning time, a hobbled Cash arrives late and is forced to wait alone for the next one. His wife, Louise (Kathryn Walker), gets a job working at a boutique to help pay the bills. She says that maybe she’ll make enough that they’ll be able to take a vacation. At the neighborhood parties, no one wants to deal with Cash and his broken leg. His athleticism was all he had left. It was what he was known for. It was the source of all his confidence. Now that he doesn’t have that, he’s lost.
Eventually, his legs comes out of the cast and he insists that Louise set up all the furniture in the house so that he can run another obstacle race. He gives Louise the starter’s pistol and insists that she fire it when it’s time for him to start. The scene cuts to the outside of their suburban home. The sound of one gunshot upsets the calm. Later, Louise and her children are seen moving out of the house. Cash is nowhere to be seen.
The episode ends ambiguously. Those who are familiar with the original John Cheever short story know that Louise shot Cash and that no one was sure whether she meant to do it or not. The movie cuts away before the gun is actually fired. For all we know, Cash did the obstacle course and then just never returned home.
O Youth and Beauty is one of John Cheever’s most acclaimed short stories. The screen adaptation features an excellent performance from Kathryn Walker but the scenes of Cash running the furniture obstacle course are probably something that worked better on the page and in the reader’s imagination than when actually presented on film. Michael Murphy is almost too confident and handsome as Cash. The role calls for a former jock slowly going to seed and desperately trying to hold onto his youth whereas Murphy looks like he’s still in peak athletic form. Murphy does a good job portraying Cash’s depression and his alienation after he breaks his leg but, physically, he still seems miscast in the role.
Edward Herrmann and Sigourney Weaver, who were the center of last week’s episode, make a brief appearance in this one, hovering in the background of the neighborhood’s endless parties.
Next week, we finish up 3 By Cheever.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, TSL wishes a happy birthday to director Joseph Kosinski! It’s time for….
4 Shots From 4 Joseph Kosinski Films