Late Night Retro Television Review: Pacific Blue 2.12 “Wheels of Fire”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, TC is pissed off because he’s expected to do his job.

Episode 2.12 “Wheels of Fire”

(Dir by Gary Winter, originally aired on November 17th, 1996)

Two Russian mobsters are shaking down businesses on the boardwalk.  Only Ed Tarlow (Richard Redlin), a paraplegic who owns a “head shop,” is willing to testify against them.  This means that he gets two undercover bicycle cops assigned to his shop to provide protection.  TC and Cory get the assignment but it turns out that TC doesn’t want to protect Ed because he feels that Ed is selling drug paraphernalia and that Ed “is a cop hater.”

Hey, TC — it’s your job, idiot.  You’re supposed to help everyone on the boardwalk, regardless of how you feel about them personally.

Still, TC spends most of the episode pouting.  It’s mentioned that he’s also worried about studying for his upcoming sergeant’s exam but if TC is too immature to protect Ed without bitching about it than maybe TC doesn’t deserve a promotion.  TC is also upset because his girlfriend wants to go out-of-state so that she can enroll in a graduate program, become a sex abuse counselor, and help rape victims.  Because how dare she try to help other women without checking with TC first, right?  TC IS THE WORST!

Eventually, Palermo rolls up and tells TC that Ed is a decorated veteran who was paralyzed by a cop during an anti-war protest.  TC realizes that he misjudged Ed and he finally stops pouting enough to catch the Russian mobsters.  But you know what?  It shouldn’t matter how Ed ended up in wheelchair and it also shouldn’t matter whether or not he’s a veteran.  TC’s job is to protect people from crime!  Ed has got two Russian mobsters trying to kill him.  TC should be protecting Ed because that’s HIS.  DAMN.  JOB!

Meanwhile, three woman are secretly beating up creepy men on the boardwalk.  One of the women is a rape survivor and the other two women claim that they are getting vengeance for her.  What is the deal with this show not only using rape as a plot point but also trivializing it in the process?  Chris Kelly eventually arrests the women and does her thing where she glares at everyone.

Palermo’s 15 year-old daughter goes to Del Toro and asks “type of condom do guys like.”  It turns out that she’s thinking about having sex with her 19 year-old boyfriend.  Del Toro’s answer should have been, “Your boyfriend is old enough to buy his own condoms.”  Instead, Del Toro convinces her to hold off on having sex until he can check out her boyfriend.  Her boyfriend turns out to be a nice guy but still, a 19 year-old dating a 15 year-old is kind of weird.  (It’s less the age difference and more the maturity difference.  Four years isn’t that big a deal when it’s something like a 26 year-old and a 22 year-old.  But this is the difference between someone starting high school and someone starting college.)  It’s also statutory rape, though no one seems to be too concerned about that.

Anyway, Palermo finds out so guess which couple isn’t going to be having sex for a long time?

This was another stupid episode of Pacific Blue.  Again, the problem isn’t just that the cops all look stupid on their bicycles.  It’s also that the cops represent everything that people hate about cops.  Chris and TC are both self-righteous and immature.  (When someone complains about Chris nearly running someone over on her bicycle, Chis replies that she’s doing her job.)  It gets annoying after a while.

This week’s episode served as a reminder to never depend on anyone riding a bike.

Retro Television Review: Fantasy Island 7.2 “The Big Switch/Hooker’s Holiday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, the tyranny of Laurence continues.

Episode 7.2 “The Big Switch/Hooker’s Holiday”

(Dir by Bob Sweeney, originally aired on October 15th, 1983)

Shelley James (Melinda Culea) is a high-priced call girl who comes to Fantasy Island looking for an escape from her life.  For one weekend, she wants not only a normal life but also a chance to meet a man who will love her without paying her for sex.  Luckily, Brad Jacobs (Richard Hatch) is also on the Island!

This is the type of fantasy that Fantasy Island handled well in the past.  It doesn’t work out quite as well this episode became Mr. Roarke’s new servant (there’s no other word for him), Laurence, makes some rather snarky and judgmental comments about Shelly and her profession (asking at one point whether she’s on the Island for a fantasy or to give someone a fantasy) and it just feels totally wrong.  One of the good things about Fantasy Island was that Roarke never judged the people asking for fantasies.  He may have warned them about what they would discover.  Sometimes, he manipulated them to help them discover something important about themselves.  But once you were allowed to come to the Island, Roarke didn’t judge you and neither did Tattoo.  In fact, Tattoo was probably even less judgmental than Roarke.  Tattoo knew what it was like to be judged.  Laurence, on the other hand, is a snooty British butler and seems personally offended by Shelley’s presence on the Island.  (Eventually, after she shares her tragic backstory, he comes around but still, it shouldn’t take a sad story to get people to treat each other with decency.)  Laurence is the type of employee who would keep me from wanting to visit the Island.  I fear he would tell me that my skirt was too short or something.

As for the other fantasy, Laura Walter (Katharine Helmond) feels that her husband George Walter (Vic Tayback) is a chauvinist and she’s right.  She wants him to experience what it’s like to be a woman so Roarke arranges for them to switch bodies.  Laura is in George’s body and George is in Laura’s body but for some reason, the show dubs their voices so, whenever George speaks, we hear Laura’s voice and whenever Laura speaks, we hear George’s voice.  It’s a bit awkward.  Why would their voice switch too?  Anyway, Laura discovers that women tend to toss themselves at George and George discovers that his business partner is a lech.

It’s the final season and final seasons often feel uninspired.  That was certainly the case with this episode.  Even the reliable Ricardo Montalban seemed bored with it all.  In the end, it’s just not as much fun without Herve Villechaize around.

Scenes that I Love: Walter Matthau Talks To Robert Shaw in The Taking of Pelham One Two Three


100 years ago, on this date, Joseph Sargent was born in New Jersey.  Sargent would go on to become one of the busiest directors of the 70s, 80s, and 90s, working in both film and television.  Though he would never receive the type of critical attention as some of his contemporaries, Sargent was a skilled director who specialized in making entertaining, no-nonsense films.  Though his reputation was tarnished a bit by the fourth Jaws film, it should be remembered that Sargent was also responsible for films like Colossus: The Forbin Project, Tribes, Nightmares, and The Taking of Pelham One Two Three.

1974’s The Taking of Pelham One Two Three has come to be recognized as a genre classic.  It’s certainly one of my favorite films about how New Yorkers will be rude to anyone in any circumstances.  You can see an example of this in today’s scene that I love.  Having hijacked a train, Robert Shaw calls in his last of demands and gets a very New York response.

4 Shots From 4 Films: Special Paul Schrader Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of the one and only Paul Schrader!  It’s time for….

4 Shots From 4 Paul Schrader Films

Blue Collar (1978, dir by Paul Schrader, DP: Bobby Byrne)

American Gigolo (1980, dir by Paul Schrader, DP: John Bailey)

Cat People (1982, dir by Paul Schrader, DP: John Bailey)

First Reformed (2018, dir by Paul Schrader, DP: Alexander Dynan)

Late Night Retro Television Review: CHiPs 4.4 “The Poachers”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch brings us all closer together.

Episode 4.4 “The Poachers”

(Dir by Barry Crane, originally aired on October 19th, 1980)

In the beautiful hills surrounding Los Angeles, Jon and Ponch (but mostly Ponch because, as of the start of season four, this is The Ponch Show) pursue two poachers (Robert F. Lyons and Michael Gwynne).  However, Ponch is not the only one after the poachers.  A Native American grandfather named Nathan (Michael Ansara) is in the hills with his grandson (Tony Raymond) and, together, they shoot arrows at the poachers.

Hey, that’s attempted murder!

Well, no matter.  No one like poachers, least of all me.

While Ponch captures the poachers and befriends the grandfather, the rest of the Highway Patrol spend their time at the drag strip and try to win races and set records.  Ponch insists that he should be the one allowed to represent the force on the track and he’s probably right because he’s Ponch and this is The Ponch Show.  Instead, Sgt. Getraer — who technically outranks Ponch but who knows how long that will last — takes to the track himself and amazes everyone with his speed.  Woo hoo!  Meanwhile, poor Baker stands in the background and perhaps remembers how, when the show started, he actually got to do stuff other than follow Ponch around.

This episode was nothing special.  It was well-intentioned with its anti-poaching storyline but it also featured even more cliches than usual.  Michael Ansara was himself not Native American.  He was born in Syria.  The actors who played his son and his grandfather were also not Native American, at least not as far as I could detect from their IMDb profiles.  In short, this was an episode about the wisdom of Native Americans that doesn’t appear to have featured any actual Native Americans.

All that said, it was nice to Robert Pine get to have some fun with the role of Sgt. Getrear.  Pine’s tough-but-fair performance as Getraer has often been this show’s secret weapon and, in this episode, he at least got to smile for once.  He earned it!

Retro Television Review: Miami Vice 4.12 “The Cows of October”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. I don’t even know how to describe it.

Episode 4.12 “The Cows Of October”

(Dir by Vince Gillum, originally aired on February 5th, 1988)

A cannister of bull seamen has been stolen from a Miami lab and the feds (represented by Harry Shearer) want it back before it falls into the hands of the Cubans.  Switek assists.  Izzy shows up to broker the deal.  Gerrit Graham plays a shady person who we are told is from Texas.  (His accent is more Arizona.)  Philip Michael Thomas wears a cowboy hat.  Don Johnson is largely absent until the final scene.  One gets the feeling that Johnson hated every minute of this episode while Thomas just seemed to be having fun.

This episode was, without a doubt, the stupidest episode of Miami Vice ever filmed.  And listen, I will admit that I haven’t seen every episode.  I’ve still got a season and a half to go.  There seems to be a general online consensus that the final two seasons of Miami Vice were not good at all.  I’m sure I have many dumb episodes ahead of me.  But I cannot — as much as I try — imagine any episode that could be as a dumb as the Vice Squad abandoning the war on drugs so that they could keep the Cubans from getting their hands on a cannister of bull semen.

Miami Vice has always been as its best when its been surrealistic, cynical, and gritty.  I would argue that Miami Vice really does not need to do comedic episodes.  For the first three seasons, nearly every episode ended with an innocent person either dead or forever embittered.  At its best, Miami Vice was not a happy show.  It was a show where Crockett and Tubbs drove around in the dark, loaded their guns, and Phil Collins sang in the background.  When Collins sang, “I can feel it coming in the air tonight,” he was not talking about bull semen.  At least, I hope he wasn’t.  (Oh, Lord….)

I really don’t know what to make of season 4.  Trudy’s going to space.  Crockett’s married.  The Vice Squad is searching for bull semen.  Yet somehow, through it all, Castillo continues to just stare at the floor and speak through gritted teeth.  Like seriously, shouldn’t Castillo be concerned about all this weird stuff going on?

I didn’t care much for this episode.  Searching for bull semen is a Pacific Blue thing.  Miami Vice needs to handle real cases and leave all that other stuff for the bike cops.

Join #MondayMuggers For MANHUNTER!


Hi, everyone!  Brad and his wife Sierra are on vacation so guess is who is guest hosting the #MondayMuggers live tweet tonight?  That’s right …. me!

Tonight’s movie will be MANHUNTER (1986), the classic Michael Mann-directed thriller that introduced the world to the characters of Will Graham, Jack Crawford, Francis Dollarhyde, and Hannibal Lecter!  (Though it’s spelled Lektor in this film.)  Check out the trailer!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Monday Live Tweet Alert: Join Us for Tripwire!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Tripwire!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Tripwire on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!