Music Video of The Day: Don’t Stop Believin’ by Journey (1981, directed by ????)


Don’t Stop Believin’ is now probably destined to be forever associated with The Sopranos but the song itself had established itself as a classic long before it was used in the finale of HBO’s famous show about the New Jersey mafia.

In fact, the song means so much to Journey’s Steve Perry that he was hesitant to give HBO permission to use the song until it was explained to him exactly how the song was going to be used and he was assured that it wouldn’t be played over any type of violence.  Other than the members of the cast and the production crew, Steve Perry was one of the few people to know, in advance, how The Sopranos was going to end.

While Perry has said that the majority of the lyrics were inspired by his own early struggles to find success in the music industry, keyboardist Jonathan Cain says that the name was inspired by something that his father told him when Cain was thinking about leaving Hollywood and returning to Chicago.  Cain’s father told him, ‘No, son. Stay the course. We have a vision. It’s gonna happen. Don’t stop believin’.”

As for the video, it was filmed in Houston and features Journey performing the song as a part of their Escape tour.  With the exception of the infamous video for Separate Ways, Journey was known for keeping things simple and straight-forward when it came to their music videos.  This one is no exception.

Music Video Of The Day: Christmas At Ground Zero by Weird Al Yankovic (1986, directed by Weird Al Yankovic)


“The sad part is, I can’t really play the song live anymore because too many people misunderstand the connotations of Ground Zero. It’s not a reference to 9/11, obviously. It was written in 1986 when ‘ground zero’ just meant the epicenter of a nuclear attack.”

— Weird Al Yankovic

Try to force Weird Al to do a Christmas album and this is what you’re going to get.

In 1986, Weird Al’s record label insisted that he record something for the holiday season.  In response, Yankovic came up with Christmas At Ground Zero, a Phil Spector-style production about Christmas in the aftermath of a nuclear attack.  It wasn’t really what the record company had expected and, at first, they refused to release it.  Yankovic responded by creating his own music video for the song.  This video was not only his first stab at directing but it also proved to be popular enough to convince the record company to change their position on the song.

Though the majority of this video is made up of stock footage, the live action scenes of Weird Al and the carolers performing surrounded by rubble were filmed in The Bronx.  No nuclear explosions were needed to get the bombed-out feel.  Instead, they just filmed in New York in the 80s.

Enjoy and Merry Christmas!

Music Video Of The Day: Christmas in Hollis by Run-DMC (1987, directed by Michael Holman)


Christmas in Hollis is one of the most famous Christmas rap songs, though it nearly didn’t happen.  When Bill Adler first approached Run-DMC and asked them to contribute to the holiday compilation album, A Very Special Christmas, the band turned him down.  It wasn’t until Adler suggested the title Christmas in Hollis that the band changed their mind.

All of the proceeds of A Very Special Christmas went to support the Special Olympics.  (Other contributors included Madonna, Bruce Springsteen, Sting, Eurythmics, U2, and Pertenders.)  Christmas In Hollis was the only original composition to appear on the album and it has gone on to become a holiday mainstay.

Hollis, of course, refers to the neighborhood of Hollis, Queens, where the members of Run-DMC grew up.

This video was named the “Best Video of 1987” by Rolling Stone Magazine.

Enjoy and Merry Christmas Eve!

Holiday Scenes That I Love: Festivus Dinner From Seinfeld (NBC, 1997)


Again, Happy Festivus!

This scene is from The Strike episode of Seinfeld.  Believe it or not, it is based on a true story.  Scriptwriter Dan O’Keefe, who wrote this episode, grew up celebrating Festivus, a holiday that was created by his father.  In the real Festivus, the aluminum pole was replaced by a clock that O’Keefe’s father would put in a bag and nail to a wall.  To quote O’Keefe:

“The real symbol of the holiday was a clock that my dad put in a bag and nailed to the wall every year…I don’t know why, I don’t know what it means, he would never tell me. He would always say, ‘That’s not for you to know.'”

Enjoy!

4 Shots From 4 Films: Special Jack Nance Edition


In honor of the late, great Jack Nance’s birthday, here are…

4 Shots From 4 Films

Eraserhead (1977, directed by David Lynch)

Twin Peaks 1.1 “The Pilot” (1990, directed by David Lynch)

Whore (1991, directed by Ken Russell)

Meatballs 4 (1992, directed by Bob Logan)

Song of the Day: Don’t You Want Me by The Human League


Inspired by a story that the Human League’s Phil Oakley read in a teen-girl’s magazine, Don’t You Want Me is a song not about love but instead a song about two people battling for control.  While the song was originally conceived as being a male solo, Oakley made the last-minute decision to turn it into a duet, with Susan Ann Sulley taking on the role of the girl who once worked in a cocktail bar but always knew she was meant for a much better life.

After the song was recorded, Oakley disliked it because he felt that the song’s sound was too “poppy” and he was not happy when Virgin decided to release Don’t You Want Me as the fourth single off of The Human League’s third studio album, Dare!  Despite Oakley’s misgivings, Don’t You Want Me went on to become the band’s biggest hit and one of its signature songs.

(As of 2014, Phil Oakley still didn’t think much of the song.  In an interview with Classic Pop Magazine, Oakley said, “‘Don’t You Want Me‘ might have shifted gazillions, but either I’ve heard it too many times or the rest of Dare! is just so far ahead that it puts it in the shade. Still, it made the band.”)

Don’t You Want Me was the 1981 Christmas number one in the UK, where it has sold over 1,560,000 copies, making it the 23rd most successful single in the history of the UK Singles Chart.  In 2015, in an ITV poll, it was voted the 7th most popular number one single of all time.

Music Video of the Day: Hourglass by Squeeze (1987, directed by Adrian Edmondson)


“Lyrically it doesn’t mean much but we had some fun writing it.”

— Chris Difford on Hourglass

In the 80s, Squeeze was one of the most popular bands in the UK but they often struggled to find the same success in the U.S.  Some of that was because, much like Madness, Squeeze wrote songs that were undeniably British.  Their relatively few U.S. hits were also the relatively few Squeeze songs not to feature any obviously British references in the lyrics.

Hourglass, for instance, was largely a nonsense song that had a strong hook and an unforgettable melody.  What does “Take it to the bridge, throw it overboard, see if it can swim” refer to?  No one knows and it doesn’t matter.  Along with being insanely catch, Hourglass also had a memorable music video.  The video was popular on MTV and, in the 80s, that usually led to success on the U.S. Charts.  Hourglass became on the few Squeeze songs to break into the U.S. Top 40.

The video features the band performing amongst a series of optical illusions.  The video was directed by Adrian Edmondson while the Salvador Dali-inspired concept for the video was credited to Squeeze’s keyboardist Jools Holland.  Holland would later go on to host Later …. with Jools Holland on BBC Two and has become a British cultural icon.

Enjoy!

Music Video of the Day: Here’s To The Night by Ringo Starr (2020, directed by ????)


Though it may not be a Christmas song, this song from Ringo Starr feels appropriate for the season.  Ringo sings for peace and hope in this song and he’s brought along an impressive supporting cast to help him make his case.  Among those featured in the song and the video: Paul McCartney & Joe Walsh, Corinne Bailey Rae, Eric Burton, Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton, and Yola.

Enjoy!

Music Video of the Day: What Have I Done To Deserve This? by Pet Shop Boys and Dusty Springfield (1987, directed by Eric Watson)


“Someone who’s in this relationship that they know they shouldn’t be in. It’s this dysfunctional relationship, and they don’t have the strength to get out. And ‘what have I, what have I, what have I done to deserve this?’ – there’s a real sense that they shouldn’t be there, but they’re basically a slave to this obsessive love. It’s one of the few songs of mine that is about that but doesn’t turn itself around and go, ‘I’m leaving here, screw you, go make someone else miserable.’ Usually I don’t just leave it at ‘what have I done to deserve this,’ but it felt right for the group, so that’s what it was.”

— Allee Willis, co-writer of What Have I Done To Deserve This?

Though this song may be out a toxic relationship, I always think of it as being about the showgirl taking off her glasses before going out to dance on stage.  That’s the power of a good music video.

This video was directed by Eric Watson, who spent most of his music video career working with Pet Shop Boys, though he also did videos for Samantha Fox, Rod Stewart, and Debbie Harry.

Enjoy!