Music Video of the Day: Opportunities (Let’s Make Lots of Money) by Pet Shop Boys (1985, directed by Andy Morahan and Eric Watson)


First off, a big thank you to Lisa for covering the past few days!

“It’s a simple message isn’t it? ‘I’ve got the brains, you’ve got the looks, let’s make lots of money.’ A very insensitive thing that was meant to be a satire of Thatcherism. Actually, we’d written the Thatcherite anthem. But it’s very difficult to think, now, that there was a period before money culture. That was the changing moment. It wasn’t even an original thing to say because it was at the same time as Loadsamoney, Harry Enfield. It was that period where suddenly one’s sensitive left-wing soul was shocked by everything being about money. Now, of course, generations have grown that haven’t known anything else.”

— Neil Tennant

It’s amazing how things can get misinterpreted.  I remember when I was a kid, Mercedes used Janis Joplin singing, “Oh Lord, won’t you buy me a Mercedes Benz” in their commercials.  It used to drive my father crazy because the whole point of the song was that a Mercedes wasn’t a big deal and it was foolish to act like the car you drove had anything to do with your worth as a human being.

Right now, the song in today’s music video of the day is being used in an Allstate Commercial!  Of course, in the commercial, all you hear is “Let’s make lots of money!”  The commercial doesn’t include any of the lyrics that indicate that the singer is basically looking for someone who is dumb but good-looking so that he can be exploited.

There were two music videos for this song.  This is the first one and it leaves no doubt what the point of the song actually is.

Enjoy!

10 Essential Chuck Norris Films


Chuck Norris is 81 years old today!  Below are ten essential Chuck Norris films.  These are the movies to watch if you want to understand how and why Chuck Norris, despite being an actor with an admittedly limited range, became not only an action hero but an enduring pop cultural icon.

  1. The Delta Force (1986, directed by Menahem Golan) — The Delta Force, a.k.a. The Greatest Movie Ever Made, is the obvious pick for the top spot on our list of Chuck Norris essentials.  Not only does it feature, along with Chuck, Lee Marvin, Robert Vaughn, George Kennedy, Bo Svenson, and Robert Forster chewing up all the scenery but this is the film where Chuck rides a missile-equipped motorcycle.  Not only does this film feature Chuck Norris at his stoic-but-determined best but it also features one the greatest lines in film history when a recently released hostage is handed a Budweiser and responds by shouting, “Beer!  America!”
  2. Code of Silence (1985, directed by Andrew Davis) — For a film that features Chuck Norris and a crime-fighting robot called THE PROWLER, Code of Silence is actually a tough, gritty, and realistic Chicago-based crime drama.  Giving the best performance of his career, Chuck plays an honest cop who finds himself in the middle of a drug war.  Henry Silva plays the main bad guy.  Director Andrew Davis later went on to direct The Fugitive.
  3. Way of the Dragon (1972, directed by Bruce Lee) — Chuck plays a rare bad guy here.  He’s a mercenary named Colt and the film climaxes with a brutal fight between him and Bruce Lee.  The fight is a classic, with a good deal of emphasis put on the shared respect between not only the characters played by Norris and Lee but also between Lee and Norris themselves, two masters at the top of their game.
  4. Silent Rage (1982, directed by Michael Miller) — In this slasher/kung fu hybrid, Chuck is a sheriff who must stop a madman who, as the result of a poorly conceived medical experiment, is basically immortal.  For once, Chuck faces an opponent who is just as strong and relentless as he is.
  5. Invasion U.S.A. (1985, directed by Joseph Zito) — Chuck vs. Richard Lynch!  This is one of Chuck’s best Cannon films.  Chuck is as good a hero as ever but what makes the film work is the diabolically evil performance of Richard Lynch.  They are ideal opponents, with Norris stepping up to not only defeat the bad guys but also to save America itself!
  6. Lone Wolf McQuade (1983, directed by Steve Carver) — This is the first film to feature Chuck Norris as a Texas Ranger and, as we all know, it turned out to be the perfect role for him.  This was the first of Chuck’s neo-westerns.  Cast as the bad guy, David Carradine proved to be one of Chuck’s best opponents.
  7. A Force of One (1979, directed by Paul Aaron) — A serial killer is targeting cops.  Chuck essentially plays himself, a karate instructor who is brought in to teach the detective self-defense.  This serial killer plot is actually interesting and the film features some of Chuck’s best fight scenes.
  8. Missing In Action (1984, directed by Joseph Zito) — Chuck plays a vet and a former POW who returns to Vietnam in the 80s to rescue the men who were left behind.  This is hardly my favorite Norris film and it owes too much to Rambo: First Blood II to truly be successful but this is also one of Chuck Norris’s biggest hits and it’s an essential film is you want to understand the man’s film career.  It’s a cheap production but Chuck’s sincerity and his convincing skills as an action hero almost save the day.  It’s also hard to overlook that, as far as I know, this is the only Chuck Norris film that features Chuck watching an episode of Spider-Man and His Amazing Friends.
  9. An Eye From An Eye (1981, directed by Steve Carver) — Chuck Norris plays an undercover cop who quits the force and tries to bring Christopher Lee to justice.  This one is worth seeing just because it brings together two pop culture icons, Chuck Norris and Christopher Lee.
  10. Breaker!  Breaker! (1977, directed by Don Hulette) — This was Chuck Norris’s first starring role.  He’s actually miscast as a trucker but this film is still worth seeing just for the final scene, in which Chuck and his friends use their trucks to destroy an entire town.

Music Video of the Day: No Money Down by Lou Reed (1988, directed by Godley and Creme)


“Lou decided to get Godley and Creme to do the video for ‘Video Violence’ with these robots. Then the label decided to change single, but Lou didn’t want to waste the robots, so you had this great clever pop song with a video of this robot tearing its own face off… MTV debuted it, and then we got a call saying people were complaining that their video was making kids cry.”

— Lou Reed’s bassist Fernando Saunders on the music video for No Money Down

That pretty much says it all.  How many young viewers were traumatized by the discovery that Lou Reed was a terminator?  I can’t imagine that the man between Metal Machine Music minded too much.

Enjoy!

Music Video of the Day: Winner Takes It All by Sammy Hagar (1987, directed by ????)


Winner Takes It All was written for the classic Sylvester Stallone arm-wrestling film, Over The Top.  It was originally recorded by the lead singer of Asia but the film’s producers felt that his version wasn’t tough enough for a Stallone film so they instead offered it to Hagar.  Hagar’s version is the one that appeared on the soundtrack.  Eddie Van Halen plays bass on the track.

Hagar has said that he didn’t care much for the song but he did enjoy getting to arm wrestle Sylvester Stallone while filming the music video.  At the end of the shooting, Stallone and Hagar both signed the black cap that Stallone was wearing and the cap was later auctioned off for $10,000.  All of the money went to charity.

Enjoy!

Music Video of the Day: Dumb Waiters by The Psychedelic Furs (1981, directed by ????)


What is Dumb Waiters about?  The song mentions nothing about waiters, dumb or otherwise.  Nor does it appear to be about the elevator that some restaurants and hotels use to transport food from one room to another.  Check out the lyrics for yourself:

Give me all your paper ma
Gimme all your jazz
Give me something that I need
Something I can have
Mrs. London’s coming round
She’s coming with her son
Gimme all your paper ah
So I can get a gun
She has got it in for me
Yeah I mean it honestly
She’s so mean
Give me all your paper ma
So I can buy a train
They just want to suck you in
To being one of them
Tell her that I’m not in here
Tell her I’m a freak
Tell her that I fall about
Every time I speak
She has got in for me
Yeah I mean it honestly
I just scream
Give me all your paper ma
So I can buy a train
I don’t know how I got in here
It’s making me insane
Have another cigarette
And have another cigarette
In a room where lovers go
Talking on the telephone
They have go it in for me
Yeah I mean it honestly
They all dream

According to guitarist John Ashton, the lyrics were meant to be surreal.  As he told Songfacts, “I think they tend to make people use their imaginations really. The way we never play a song the same. It never means quite the same. I guess people relate to it any way, make something out of it themselves.”

The song reached #59 on the UK chart while doing slightly better in the U.S., peaking at #25.

Enjoy!

Music Video of the Day: Rock and Roll Ain’t Noise Pollution (1980, directed by Eric Dionysius and Eric Mistler)


“We were in London at the time and there were all those problems with the old Marquee Club because it was in a built-up area and there was this whole thing about noise pollution in the news, the environmental health thing that you couldn’t have your stereo up loud after 11 at night, it all came from that.”

— Malcolm Young

Angus and Malcolm Young reportedly wrote this song in just 15 minutes, after they were asked to come up with one more track for the Back in Black album.  Rock and Roll Ain’t Noise Pollution became the 10th and final track on Back in Black.  It was also the fourth and final single to be released from the album.  The song reached number 15 on the UK charts, the highest of any of the singles that were released off of Back in Black.

As was always the case with AC/DC, the music video for Rock And Roll Ain’t Noise Pollution is simple and to the point.  AC/DC was never a band that needed gimmicks to make itself heard.

Enjoy!

Music Video of the Day: Mony Mony, covered by Billy Idol (1987, directed by Larry Jordan)


The cover of a song by Tommy James & The Shondells would be Billy Idol’s only number one hit in the United States.  As hard as it may be to believe, other Idol songs like White Wedding, Rebel Yell, and Dancing With Myself failed to even crack the top 30.  Interestingly enough, when Mony Mony hit number one, the song that it replaced was another song that was originally recorded by Tommy James, Tiffany’s cover of I Think We’re Alone Now. 

A good deal of the success of Billy Idol’s Mony Mony can probably be linked back to this music video, which features Billy Idol at his most energetic.  During performances of Mony Mony, audience members would regularly shout, “Hey Motherfucker … Get Laid!  Get fucked!” in between the lines.  How this became a tradition is not known but it did lead to this otherwise innocuous song getting banned from several high school dances.

This video was directed by Larry Jordan, who has also done videos for Shania Twain and Mariah Carey.

Enjoy!

Music Video of the Day: I Knew The Bride When She Used To Rock ‘n’ Roll by Nick Lowe (1985, directed by ????)


Though this video was first released in 1985, the song had been around for quite some time before that.  It was written by Nick Lowe in the late 70s and it was first a hit for Lowe’s frequent collaborator, Dave Edmunds, in 1977.  The version that’s featured in this music video is a slightly slower version that Lowe recorded for his 1985 album,  The Rose of England.  This version was produced by Huey Lewis, who brought in the News to play on the album.  Lewis played harmonica.

The video, itself, feels like a companion piece to several of Huey Lewis’s videos from the 80s.  The sense of humor is the same type of humor that often appeared in Lewis’s video, as is the wistful acknowledgment of times gone by.

Enjoy!

Music Video of the Day: Shadows of the Night by Pat Benatar (1983, directed by Mark Robinson)


Today’s music video of the day features Pet Benatar as a Rosie the Riveter-type of character, working in a factory during World War II and having fantasies about being a flying ace.  Judge Reinhold appears as a pilot while the much missed Bill Paxton plays an enemy radio operators.  Interestingly, this video was filmed before either one of the two men became well-known.  Reinhold had just starred in Fast Times at Ridgemont High but he wouldn’t play his best-known role, as Detective Billy Rosewood in Beverly Hills Cops, until a year after this video came out.  At the same time that Reinhold was trading quips with Eddie Murphy, Bill Paxton was playing an ill-fated street punk in The Terminator.

Pat Benatar was not actually the first artist to record this song.  The song was originally written by D.L. Byron in 1980 for a film called Times Square but it was rejected by both the filmmakers and Byron’s record label.  The song was subsequently recorded by both Helen Schneider and Rachel Sweet before Benatar did her version.  Of course, Benatar’s recording is the best known, climbing up to the third sport on the charts and inspiring even more artists to cover the original song.

If you’ve ever stolen a car in Los Santos, there’s a good chance you’ve heard Shadows of the Night on the radio.

Enjoy!

Music Video Of The Day: Every 1’s A Winner by Hot Chocolate (1977, directed by ????)


I’ve been told that the Golden Globes are tonight so this seemed like a good song to go with.  Everyone’s a winner, though not really.

This was Hot Chocolate’s 2nd biggest hit, right after You Sexy Thing.  The music video, or “promotional video” as they were called back in the 70s, is a performance clip but what a performance!  How can you not be jealous of that super keyboard?

Good luck to all of the Golden Globe nominees and enjoy!