
Artist Unknown

Artist Unknown

by Raymond Johnson
It has now been over five years since ABC last aired It’s The Easter Beagle, Charlie Brown.
While It’s The Easter Beagle might not be as well-known as either It’s The Great Pumpkin, Charlie Brown or A Charlie Brown Christmas, it still doesn’t seem right not to air it. It’s the perfect conclusion to all of Peanuts holiday specials, tying up all the loose ends and building on the lessons of the previous specials. After giving Charlie Brown a hard time about serving popcorn and toast for Thanksgiving, Peppermint Patty discovers that it’s not so easy to prepare for a holiday at the last minute. After getting laughed at about the Great Pumpkin, Linus is proven to be correct about the Easter Beagle. After seeing his nest destroyed a countless number of times, Woodstock finally gets his own birdhouse. Even Lucy is proven right about Easter being the “gift-giving season,” even if the Easter Beagle is just returning to her the same eggs that she previously painted and hid. After not getting any cards on Valentine’s Day, Charlie Brown still doesn’t get any eggs on Easter. Some things will never change.
Whether ABC realizes it or not, we all need the Easter Beagle in our lives. He rewards our hope and reminds us to never surrender our faith in whatever it is that we believe in. He brings happiness to all of the people of the world, or at least he tries to. There’s only so many eggs that can be put in one basket. He’s the Easter Beagle and things just aren’t the same without him.
Happy Easter!

by Erin Nicole Bowman

by Erin Nicole Bowman

by Harry Bennett

by Virgil Finlay

Artist Unknown

Artist Unknown
Like many artists from the pulp era, there isn’t much biographical information to be found about Albert Fisher. I did several searches online for him and I did come across a painter named Albert Fisher. That Fisher, though, was born in 1940 and since Albert Fisher’s pulp covers were all published in the 40s and the 50s, it’s safe to say that they are two different artists.
We know of Albert Fisher’s work because he was one of the few pulp artists to sign his work. Almost all of his work that I’ve seen was done for true crime magazines like Inside Detective and Front Page Detective. As was typical of the era, all of the covers below feature women who are either in trouble or who are about to make trouble. My favorite is “the woman who cheated at love,” who appears to be preparing to hide a time bomb underneath a bed.