Late Night Retro Television Review: Degrassi: The Next Generation 1.7 “Basketball Diaries”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Jimmy decides that Ritalin might be key to improving his jump shot.  Meanwhile, Liberty makes a fool out of herself

Episode 1.7 “Basketball Diaries”

(Dir by James Allodi, originally aired on April 29th, 2002)

This epiosde features two stories.  The weaker of the two, not surprisingly, focuses on Liberty and her desire to do the video announcements.  Ashley finally agrees to let Liberty do them before the big basketball game with Earl Grey Academy.  Liberty, of course, bombs.  Paige laughs because she thinks that Ashley set Liberty up.  Feeling guilty, Ashley gives Liberty some pointers and then allows Liberty to do the post-game announcements.  Liberty does much better and Ashley says that Liberty will be great when she starts regularly doing the announcements …. after Ashley graduates.

This storyline was a Liberty storyline so who cares.  During the first three seasons, Liberty was the most annoying character on the show and her storylines were always cringe.

Fortunately, the episode’s other storyline features Jimmy and Spinner.  Jimmy is worried about making the basketball team, especially with Ms. Kwan constantly on his back about reading Lord of the Flies.  Jimmy convinces Spinner to hand over his last Ritalin.  As a result, Jimmy goes crazy on the court and scores a lot of points but he also injures his teammate, Sean.  Meanwhile, Spinner loses focus and moons the gym.

So, the reason why I love this storyline is becuase it features every myth that people seem to believe about ADD.  For the record, the medication does not give you super powers and also most people don’t suddenly go wild just because they miss one pill.  I have ADD.  There have been days when I’ve forgotten to take my pills and, while there is definitely a difference in those days than the day when I do take my pills, I’ve still always managed to survive without breaking the law or crashing my car or doing any of the other things that always seem to happen on television.  Whenever I forget to take my pills, I usually end up doing something like deciding it would be a good idea to start doing daily late night retro television reviews on top of everything else that I have to do.

(The first time my mom ever took me to an appointment to get my perscription refilled, she said she could tell who was at the doctor’s office for ADD because we were the ones who couldn’t go 5 minutes without grabbing another magazine to look through.)

As for Jimmy, he wins the game but he still gets cut from the team because he’s not a good teammate.  That’ll teach him to take Ritalin without a perscription!

Retro Television Review: Homicide: Life on the Street 4.8 “Sniper, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, a sniper terrorized Baltimore.

Episode 4.8 “Sniper, Part One”

(Dir by Jean de Segonzac, originally aired on January 5th, 1996)

This week, Bayliss investigates a red ball!

Actually, the case turns out to be a red ball within a red ball!

And then it turns into a third red ball!

A red ball is a term used for a case that is going to draw a lot of media attention and which is going to result in pressure from the guys in command.  It’s an actual term, one that was introduced in the David Simon book that served as the inspiration for Homicide.  I’m pretty sure that the term was also used in The Wire, though perhaps not as much as it was used in Homicide.

It’s hard not to notice that, starting with the third season, there have been a lot of red balls on Homicide.  If one were to judge solely based on seasons 3 and 4, one might be justified in thinking that Baltimore was the serial killer capitol of the world.  That’s not really a complaint because most of the red ball episodes have been pretty entertaining.  Still, it’s very much a contrast to the first two seasons, where the emphasis was always put on gritty realism and the recurring theme was that, outside of the Homicide detectives, the media didn’t really care about the majority of the murders taking place in Baltimore because the victims were almost always minorities in economically disadvantaged neighborhoods.

This latest red ball involves a sniper who is gunning down people at random and leaving behind a hangman game at each location.  He’s trying to figure out a 9-letter word.  It’s an odd motivation but serial killers are odd people.  Bayliss, who is suffering from back pain and popping muscle relaxants like candy, gets the case because, as he continually reminds us, he was the one who answered the phone.  (Somehow, Bayliss does manage to get through the investigation without bringing up Adena Watson.)

While Bayliss tries to find a killer who shoots people at random, Russet deals with the brass.  Colonel Barnfather, who was originally quite enthusiastic about promoting her, now suddenly hates her and the episode ends with Russert getting demoted back down to being a detective.  (So, I guess that Giardello’s homicide squat will be getting a new investigator.)  Russert’s demotion felt like it came out of nowhere but, from a dramatic point of view, it made sense.  This show already has Giardello as the beloved boss.  It didn’t also need Russert in the role.

As for the killer, he is tracked down by his signature on the receipt that he signed when he purchased his chalk.  He turns out to be a nervous insurance agent who has a big house in the suburbs and who is playing a hangman game in his study.  When Bayliss attempts to negotiate with him and asks him to leave the study, the insurance agent asks for a letter.  “Uhmm …. B,” Bayliss says.  B turns out to be just the letter that was needed and the insurance agent promptly shoots himself in the head.

The word that he was trying to come up with turns out to be Eromitlab.  Look at in a mirror.

This was a good episode, even if it did sometimes go a bit over the top with everyone shouting, “We’ve got a red ball!” and the nonstop montages of the detectives swarming the streets of Baltimore.  I’ve really grown to love Kyle Secor’s performance as Tim Bayliss and this episode featured Bayliss at his loopy best.  For an episode about a serial sniper who ended up killing eight people, there was a rather odd sense of humor running through it.  This is an episode that started with Jay Leno coming in the Waterfront Bar.  (Munch tells Bayliss that Leno is probably sick of people treating him like he’s famous so they decide to ignore him until Leno gets mad and leaves the bar.)  When the first shooting is called in, the phone rings several times before anyone is able to answer, leading to Munch to question whether a murder has actually occurred if no one answers the phone.  Bayliss obsesses on his upcoming back surgery.  “Its says a possible side effect is death!” Bayliss exclaims, looking over the information about the operation.  Meanwhile, Brodie gets on everyone’s nerves with his big video camera.

Ominously, this episode with a second sniper climbing up to the roof of the building.  The red balls continue.

 

4 Shots From 4 Films: Special 2014 Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the cinematic year of 2014.  It’s time for

4 Shots From 4 2014 Films

Goodbye to Language (2014, dir by Jean-Luc Godard, DP: Fabrice Aragno)

The Grand Budapest Hotel (2014, dir by Wes Anderson, DP: Robert Yeoman)

Boyhood (2014, dir by Richard Linklater, DP: Lee Daniel)

Guardians of the Galaxy (2014, dir by James Gunn, DP: Ben Davis)

 

Scenes That I Love: Naomi Watts in Twin Peaks: The Return


Today, the Shattered Lens wishes a happy birthday to Naomi Watts.

In this scene from 2017’s Twin Peaks: The Return, Watts tells off to low-level hoodlums who have been demanding money from her husband.

Music Video of the Day: Sunday Bloody Sunday by U2 (1983, directed by Gavin Taylor)


This video was shot at Red Rocks in Denver, Colorado during U2’s tour supporting War. When they were a young group and before Bono’s messianic tendencies got the better of him, U2 were a rocking band who were responsible for some of the best songs of the 80s.  Sunday Bloody Sunday was one of their signature songs and this video captures them at their best.

The song is meant to be a condemnation of the atrocities committed by both sides during The Troubles.

Enjoy!