Late Night Retro Television Review: CHiPs 4.14 “Ponch’s Angels: Part 1”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch protests having to do his job.

Episode 4.14 “Ponch’s Angels: Part 1”

(Dir by John Florea, originally aired on February 28th, 1981)

It’s a busy week for the Highway Patrol!  The marina is full of tourists and carnival-goers.  A group of escaped convicts are trying to get out of town.  A man and his partner are stealing purses.  But all of that pales in comparison to what Jon and Ponch are having to do.

Jon and Ponch are having to train rookies!

Even worse, from their perspective …. the rookies are women!

Ponch protests when he’s given the assignment to train enthusiastic and blonde Melanie Mitchell (Trisha Townsend).  He tells Getraer that Melanie is attractive and that Getraer knows what happens when Ponch gets around attractive women.  Getraer replies that he wants Ponch to train Melanie precisely because Ponch has so many girlfriends.  A man with many girlfriends will be less likely to be tempted.  Okay, Getraer, that’s interesting logic….

And it turns out that Getraer doesn’t know what he’s talking about because this episode ends with Ponch and Melania passionately locking lips.  “TO BE CONTINUED” flashes on the screen so I guess we’ll get to the disciplinary hearing and the subsequent lawsuit next week.

As for Jon, he trains Paula Woods (Barbara Stock), who is as cool and reasonable as Melanie is enthusiastic and impulsive.  Paula tries to flirt with Jon but Jon keeps it all business because Jon is capable of actually doing his job in a professional manner.

What’s odd about this episode is that it’s called Ponch’s Angels, even though Ponch is only training one of the new motorcycle cops.  This season, even the episode titles were all about erasing Jon Baker!

Anyway, as I mentioned, this is the first part of a two-parter.  Apparently, this episode was actually a backdoor pilot for a series that would have focused on Melanie and Paula and it’s easy to see that Melanie was created to be another Ponch while Paula was created to be a female Jon.  Next week, we’ll see if Paula and Melanie can make use of the lessons they were taught by Jon and Ponch.

Retro Television Review: Miami Vice 4.21 “Deliver Us From Evil”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Caitlin makes a fateful return to Miami, an old enemy emerges from the shadows, and Crockett crosses a line that he never thought he would cross.  Will he ever be able to come back?

Episode 4.21 “Deliver Us From Evil”

(Dir by George Mendeluk, originally aired on April 29th, 1989)

At the end of this week’s episode, Crockett executes a man in cold blood!

Whoa!

Now, I should note that the guy that Crockett killed was really, really bad.  Frank Hackman (Guy Boyd) was a hitman who was previously on Death Row for killing one of Crockett’s former partners.  Hackman, who was pretending to be born again and seeking redemption, tricked Crockett into “proving” his innocence and getting his conviction overturned.  Only as Frank left the prison did he smirk at Crockett and reveal that all of the “new” evidence was faked.  It was one of Miami Vice’s darkest episodes.

Frank went back to his old ways, committing crimes and killing families.  Crockett made it his mission to take down Frank but, during a shootout with Frank’s gang, Frank’s wife was caught in the crossfire.  Crockett blamed himself, even though the bullet that killed her came from Frank’s gun.  Frank also blamed Crockett and, while Crockett was struggling with whether or not he wanted to remain a member of the Vice Squd, Frank plotted his revenge.

Caitlin Davies, Crockett’s wife, returned from her European tour.  Unfortunately, her homecoming concert was abruptly ended when she was shot by a sniper.  She died in Crockett’s arms, bringing to an end a marriage that never really made much sense to begin with.

Crockett spent a few days drinking on his boat and then rejoined the Vice Squad, determined to track down Frank.  Castillo did that thing where he narrowed his eyes and looked vaguely concerned but he still allowed Crockett to work the case.  After Crockett and Tubbs learned that Frank was living on a nearby island, Crockett confronted him alone.

“You wouldn’t shoot an unarmed man,” Frank said, smiling while lounging by the pool.

BANG!

Frank was wrong.

It was a powerful moment but one that was diminished by one final shot that showed Frank had been holding a gun in his hand when he was shot.  From what I’ve been able to uncover online, this was apparently added at the insistence of the network, who did not want Crockett to become a cold-blooded killer.  I doubt that would be an issue for the networks today.

Season 4 has been pretty uneven but this was a powerful episode.  As it ended, it definitely seemed as if Crockett had crossed  a line and that he would never again be the same.  Who knows what that might mean for next week’s season finale?

We’ll find out!

10 Films For The Week (9/22/25)


With the passing of Robert Redford last week, I want to start things off by recommending one of his last films, 2013’s All Is Lost.  Redford gives a great performance as a nameless man trying to survive on a damaged boat.  The film opens with a brief Redford voice over and then, towards the end of the film, Redford utters one other line.  Even without dialogue, Redford dominates the screen and shows why he was one of great movie stars.  All Is Lost is streaming on Tubi.

Also streaming on Tubi is 1972’s Jeremiah Johnson, starring Redford as a mountain man who is trying to escape from civilization.  Jeremiah Johnson is today probably best-known for giving the world the nodding Redford meme but it’s also a strong film in its own right and it features Redford at his best.  Jeremiah Johnson can be viewed here.

I was very happy to recently see that one of my favorite films, 1982’s Split Image, is now streaming on Tubi.  Split Image is one of those films that I am always recommending to anyone who hasn’t seen it.  Michael O’Keefe plays a college athlete who is brainwashed into joining a cult led by Peter Fonda.  O’Keefe’s father (Brian Dennehy) hires a sleazy cult deprogammer (James Woods) to rescue his son.  This is an intelligent and well-acted film.  It was also shot in my part of the world.  If you watch it, pay attention to the scene in which O’Keefe is abducted from a college campus.  The scene was shot at Richland Community College.  It’s a lovely campus that still looks the same in 2025 as it did in 1982.  Split Image is on Tubi.

James Woods and Brian Dennehy also teamed up in 1987’s Best Seller, a smart thriller that was written by Larry Cohen and directed by Rolling Thunder’s John Flynn.  Dennehy plays a cop-turned-writer.  Woods plays the hitman who has decided that he wants Dennehy to write his life story.  Best Seller can be viewed here.

2013’s The Spectacular Now is listed as “leaving soon” over on Tubi so now is as good a time as any for you to watch this well-written and surprisingly poignant coming-of-age story.  Miles Teller and Shailene Woodley both give strong performance as teen lovers.  Kyle Chandler steals the film as Teller’s alcoholic father.  The Spectacular Now is streaming here.

In a world where politics is becoming increasingly violent, 2008’s The Baader Meinhof Complex feels as relevant as ever.  This film takes a look at the group of middle and upper-class activists who decided to play at being revolutionaries and how their actions spiraled out of-control.  This film is a powerful portrait of a group of people who some proclaimed to be heroes and who some (correctly) portrayed to be political LARPers.  It can be viewed on Prime.

Follow up The Baader Meinhof Complex with 1988’s Patty Hearst, Paul Schrader’s film about the kidnapping and subsequent brainwashing of heiress Patty Hearst.  The film’s first half is especially harrowing.  By the end of the film, Patty has almost become a powerless bystander as she watches her own story unfold in front of her.  Patty Hearst can be viewed on Tubi.

1974’s Big Bad Mama is a Roger Corman-produced Depression epic, in which Angie Dickinson and her daughters rob banks and shoot guns.  This one is worth watching not just for Dickinson’s performance but also for the supporting turns of two very different actors, William Shater and Tom Skerritt.  It can be viewed on Prime.

William Shatner is also present in The Kidnapping of the President (1980), a Canadian-made and -set film in which President Hal Holbrook is taken hostage while visiting Toronto.  William Shatner is the Secret Service agent negotiating for the President’s release.  Van Johnson is the Vice President and Ava Gardner is his wife.  Maury Chaykin appears as one of the kidnappers.  With a cast like that, you can be assured that there’s not a piece of unchewed scenery to be found in this slight but entertaining thriller.  It is streaming on Tubi.

Finally, it doesn’t get more 70s than 1973’s The Harrad Experiment, in which a group of students enroll at Harrad College, a progressive school where everyone is encouraged to lose their clothes, hug trees, and have open relationships.  James Whitmore and Tippi Hedren play the unlikely founders of the college.  Don Johnson, Laurie Walters, and Bruno Kirby are students.  Fred Willard has a brief cameo as himself.  It’s not necessarily a good film but it’s such a product of its time that it’s interesting from a historical perspective.  It’s streaming on Prime.

Click here for last week’s films!

 

 

Join #MondayMania For The Wrong Roommate!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2016’s The Wrong Roommate, starring Vivica A. Fox, Dominique Swain, and Eric Roberts!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

4 Shots From 4 Films: Special John Woo Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to director John Woo.  It’s time for….

4 Shots From 4 John Woo Films

A Better Tomorrow (1986, dir by John Woo, DP: Wing-Hang Wong)

The Killer (1989, dir by John Woo, DP: Peter Pau, Wing-Hang Wong)

Broken Arrow (1996, dir by John Woo, DP: Peter Levy)

Face/Off (1997, dir by John Woo, DP: Oliver Wood)

Monday Live Tweet Alert: Join Us for Blind Fury!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Blind Fury!

If you want to join this watch party, just hop onto Mastodon, pull up Blind Fury on YouTube or Tubi, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Music Video of the Day: Hold Me Now by Thompson Twins (1983, directed by Rupert James)


Today’s music video of the day is for a song that epitomizes the 80s for a lot of people.  I don’t know how many John Hughes’s film featured Hold Me Now but it seems like everyone one of them should have.  This was not only the group’s first big hit but the video was a popular one in the early years of MTV.  This was one of those videos that proved that even a performance clip could be more than just a video of the band on stage.

Enjoy!