Late Night Retro Television Review: Good Morning, Miss Bliss 1.9 “Let’s Get Together”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, the kids learn yet another lesson about conflict resolution.

Episode 1.9 “Let’s Get Together”

(Dir by Burt Brinckerhoff, originally aired on February 18th, 1989)

After Ms. Palladino (Joan Ryan) is kicked out of her apartment by her boyfriend, she temporarily moves in with Miss Bliss.  It doesn’t go well.  Ms. Palladino is messy and quirky and accident-prone.  Miss Bliss is British.  Can these two friends figure out how to live together?

Meanwhile, Nikki and Zach have been assigned to work on a class project but they’re suddenly not getting along.  They have to convince Miss Bliss that the telephone is a worthwhile invention.  (Miss Bliss plays the role of a skeptical pilgrim.)  Nikki wants to use a bunch of charts to make her point.  Zach pretends to call Nikki on the phone and apologizes to her for not being a good friend.  It’s extremely awkward to watch, despite the fact that Mark-Paul Gosselaar and Heather Hopper both pour their hearts into the scene.  Actually, maybe that’s why it’s so awkward to watch.  Imagine being a student, trapped in that classroom and forced to listen to Zach and Nikki work out their differences.  Miss Bliss give them an A and decides to stop being such a bitch to Ms. Palladino.  Good for her!

This episode probably would have been more effective if we hadn’t already been subjected to an episode where Mickey and Zach get into a disagreement and then talk about their friendship while the entire school watches.  This episode felt like a do-over.  I also found it curious that all the students apparently knew that Miss Bliss and Ms. Palladino were living together and not getting along.  First off, why would the students know this and secondly, why would the students cares?

I’m starting to think that Good Morning Miss Bliss was not a realistic portrayal of the Indiana middle school experience.

Retro Television Review: The American Short Story #15: The Sky Is Gray


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a 1963 short story.

Episode #15: The Sky Is Gray

(Dir by Stan Lathan, originally aired in 1980)

This adaptation of an Ernest Gaines short story takes place in Louisiana during the 1940s.  James (James Bond III) is a young black child who lives on a farm.  His father is overseas, serving in the Army during World War II.  His mother (Olivia Cole) is a stern but loving woman who is trying to raise the sensitive James in a world where one often has to depend on their inner strength to survive.  When James comes down with a toothache, he and his mother travel to a nearby town so he can see the dentist.  From having to stand in the back of the bus to listening to a debate between a priest and a militant in the dentist’s office, it’s an eye-opening journey for James.  When the white receptionist at the dentist’s office arbitrarily cancels James’s appointment and tells him and his mother to come back tomorrow, the two of them seek shelter.  James discovers how strong his mother is when they’re harassed by a pimp (Reuben Collins).  He also learns that there is unexpected kindness in the world when a white store owner invites him and his mother inside to give them shelter from the cold and windy day.  During one trip to the dentist, James learns that the world is far more complicated than he originally knew.

This was an okay adaptation of Gaines’s acclaimed short story.  Young James Bond III gave a good performance as James and the episode was full of scenes that visually captured the feel of being an outsider.  That said, as was often the case with this series, the adaptation was so straight-forward that it didn’t really capture the nuance of Gaines’s writing.  In the short story, Gaines put the reader right into James’s head.  The adaptation doesn’t really do that.  A heavy-handed musical score doesn’t help matters but, with all that in mind, this was still an effective coming-of-age tale.

Scenes I Love: Carrie Blows Up A Car


When it comes to the 1976 film, Carrie, we tend to focus so much on what Carrie does at prom that we forget about what she does while she’s walking home.

The prom scene, to me, is disturbing because Carrie not only kills her bullies but also a lot of people who probably weren’t actually laughing at her.  The floppy-haired photographer wearing the dorky fake tuxedo?  That dude did not deserve to die in a fiery inferno!

However, the scene in which Carrie blows up Chris and Billy is extremely satisfying because there’s no doubt they deserved it.

4 Shots From 4 Films: Special Telekinesis Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

For today’s edition of 4 Shots From 4 Films, we celebrate films that demonstrate what the human mind can do when it’s angry and there’s stuff around that can explode.  These are….

4 Shots From 4 Telekinetic Films

Carrie (1976, dir by Brian DePalma)

The Fury (1979, dir by Brian DePalma)

Patrick Lives Again (1980, dir by Mario Landi)

Scanners (1981, dir by David Cronenberg)

Live Tweet Alert: Watch Ozark Sharks With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 2016’s Ozark Sharks!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Music Video of the Day: Strangelove by Depeche Mode (1987, directed by Anton Corbijn)


Shot in an around Paris, the music video for Depeche Mode’s Strangelove was considered to be so controversial that MTV refuses to broadcast the original version.  The band offered up a re-edited version, in which some of the shots of the two models were replaced with shots of the band.

Director Anton Corbijn needs no introduction.  Along with being a renowned photographer who has been responsible for countless album covers and music videos, Corbijn has also directed films like The American, Control, and A Most Wanted Man.

Enjoy!