Lifetime Film Review: Kidnapped By A Killer: The Heather Robinson Story (dir by Lee Gabiana)


John Robinson has been described as being the Internet’s first serial killer.

I don’t know if that’s an accurate description but it is true that Robinson, who most of his neighbors and family knew as just being a somewhat eccentric businessman who always seemed to be in trouble with the IRS, did make contact with several of his victims in online chatrooms.  No one is quite sure how many women Robinson killed in the 80s and the 90s.  Robinson himself has given contradictory numbers.  What is know is that Robinson started out by luring women to his home by claiming that he had a job for them.  Many of the women who accepted his job offer were either never seen again or their bodies were eventually found on his properties in Kansas and Missouri.  Eventually, after serving time on fraud conviction, Robinson started to use internet chatrooms to find his victims.  He used the screenname Slavemaster, something that would have undoubtedly stunned all of his neighbors.

In Kidnapped By A Killer, Steve Guttenberg plays John Robinson.  Now, it should be noted that Guttenberg doesn’t get much screentime and he’s also nearly unrecognizable under a ton of old age makeup.  Guttenberg plays Robinson as being a creepy old man who uses the fact that he walks with a cane to put people at ease.  The film doesn’t spend much time with Robinson and it doesn’t show any of his murders.  Instead, the focus is on the police who investigated Robinson and also on Heather Robinson, a young woman who was Robinson’s adoptive niece but who was also the daughter of one of Robinson’s victims.  After killing her mother, Robinson “gave” Heather to his brother and sister-in-law, telling them that her mother had been a drug addict who abandoned her baby.

The majority of the film focuses on Heather (Rachel Stubington), who is a teenager when John is arrested for the murders that he committed.  Heather struggles to come to terms with the knowledge that her uncle — who seemed kindly, if a bit corny — murdered her mother and that she was essentially kidnapped and given away.  What seemed like an act of kindness — Uncle John not wanting a drug addict’s daughter to get lost in the system — was actually John Robinson’s attempt to cover up his crimes.  Much like the criminal who starts a business to launder money, Heather’s adoption was John’s attempt to launder evidence.  Stubington does a good job as Heather, capturing her struggle to come to terms with her identity.  The scenes of her dealing with her feelings towards John and the scenes of hardened detectives recoiling in shock as they discover the remains of John’s victims all serve as a reminder that murder is not an isolated crime.  It’s something that effects communities and families long after the act itself has been completed.

Kidnapped By A Killer deserves credit for focusing on a victim instead of on John Robinson, himself.  Too often, when it comes to true crime movies, the victims are forgotten while the serial killer gets all the best lines and the big moments.  Kidnapped By A Killer presents John Robinson as being a rather pathetic old man and that’s perhaps the best thing about it.

The Films of 2025: Emmanuelle (dir by Audrey Diwan)


This film is taking itself way too seriously….

I had that thought 16 minutes into Emmanuelle.  A remake of the wonderfully trashy 70s film that made a star (of sorts) out of Sylvia Kristel, this version of Emmanuelle takes itself way too seriously.  It should be noted that no one is under the impression that the original Emmanuelle films or any of the unofficial spin-offs were high art.  The first film may have pretended to be about something but, ultimately, it was a trashy sex romp that was made because some folks wanted to make a lot of money.  That’s one reason why the original film and Kristel’s version of the character continue to be popular.  Both were totally shameless and unapologetic.

The remake, though, is boring.  Emmanuelle (played by Noemie Merlant) even has a boring job.  She works in quality control for a large chain of luxury hotels.  That’s right, quality control.  This film reimagines Emmanuelle as being the female version of Creed from The Office  Emmanuelle has been sent to Hong Kong so that she can evaluate a hotel that is being managed by Margot (Naomi Watts).  The company has tasked Emmanuelle with finding an excuse to fire Margot and Emmanuelle is feeling conflicted about it.  Let me tell you, there’s nothing sexier than quality control.

Emmanuelle has several sexual experiences while staying at the hotel.  The sensuality of Hong Kong gets to her.  While wearing a towel, she flirts with a nervous room steward.  She touches herself in front of an escort who hangs out at the hotel’s pool and she gets upset when Margot sends the escort and her friends away.  Emmanuelle wanders through the film with a blank expression on her face, staring at things that are often happening off-camera.  Hong Kong is presented as being a world where everything is for sale and no desires are forbidden.  If this was one of Joe D’Amato’s Black Emanuelle films, the decadence would probably be strange and entertaining.  However, since this is an Emmanuelle film that takes itself seriously, it’s kind of boring.

In fact, this film really does get caught up in the whole “Will Emmanuelle get Margot fired?” plot.  That is probably the least interesting part of the movie but the filmmakers really do want us to understand that Emmanuelle could lose her job if she doesn’t give Margot a bad report.  But honestly, who cares?  This film makes the mistake of assuming that “quality control” is a lot more exciting than it actually is.

Emmanuelle does fall in love over the course of the film.  Kei (Will Sharpe) is an enigmatic guest who hasn’t had sex in “two or three years” because he lost his desire.  He’s suffering from ennui!  Emmanuelle yells at Kei for smoking in the hotel but she’s attracted to him as well.  At least, that’s what the film wants us to believe.  Merchant and Sharpe have so little chemistry — romantic or sexual — that it’s hard to really care.  They have some philosophical discussions, the type of stuff that even Zalman King would have dismissed as being rather pretentious.

The main problem, as I said before, is that this film just isn’t fun.  It gets bogged down with its plot and Merlant, Watts, and Sharpe all sleepwalk through their roles.  This film should have been glorious trash.  Instead, it’s just dull.

#MondayMuggers present THE MECHANIC (1972) starring Charles Bronson & Jan-Michael Vincent!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday June 16th, we are showing THE MECHANIC (1972) starring Charles Bronson, Jan-Michael Vincent, Keenan Wynn, Jill Ireland, and Frank DeKova.

In THE MECHANIC, Charles Bronson plays a hitman who takes on a young apprentice (Jan-Michael Vincent) and trains him to be a professional assassin. But in their world, you never know when you’ll go from being the killer… to becoming the next target!

I reviewed THE MECHANIC for The Shattered Lens back on New Year’s Day!

Join us tonight for #MondayMuggers and watch THE MECHANIC! It’s on Amazon Prime. The trailer is included below:

I Watched Day of Reckoning (2025, Dir. by Shaun Silva)


In this modern day western, Billy Zane plays a U.S. Marshal who recruits a down on his luck sheriff (Zach Roerig) to help him capture a banker robber (Scott Adkins).  Zane goes out to Adkins’s ranch and holds Adkins’s wife (Cara Jade Myers) hostage.  Roerig is not okay with this, especially since he thinks that Zane and his men have ulterior motives for wanting to track Adkins.  Eventually, some other yahoos show up, all wanting to join Zane’s posse, setting up a final violent showdown and Roerig having to decide which side he’s on.

Day of Reckoning had the right, dusty look and the acting was decent but it took forever for the action to actually start.  Instead, there were way too many scenes of Roerig bonding with Myers, who spent nearly the entire running time handcuffed in a bathtub.  Scott Adkins is a martial artist who has a huge online following but he didn’t get to show off any of his skills in the movie so I’m not sure what the point of casting him was.  Trace Adkins (no relation to Scott) and Mike Wolfe (from American Pickers) are also in the movie and I’m always happy to see them.  Rapper Yelawolf, who was supposed to be the next big thing 15 years ago, is also in Day of Reckoning.  He plays the imaginatively named Wolf.  I liked Billy Zane’s performance but it was mostly just because he was Billy Zane.  (I even liked him in Titanic because it’s impossible not to like Billy Zane.)  There’s nothing that interesting or surprising about his character.  It’s obvious that he’s going to turn out to be bad from the first moment he shows up.

Once the action does start up, it’s decent.  I just wish there had been more of it and less scenes of everyone standing around giving each other the evil eye.

 

Song of the Day: Ode To The Texas Rangers by Mark Singletary Band


I was searching for something on YouTube when I came across this song.  From 1975 to 1980, this song was played before every Rangers home game and also after every Rangers victory!  I listened to it and I loved it.  I wish they still played it.

As for my Rangers this season, they’ve currently got a 36-36 record and they’re in third place in the AL West.  Luckily, there’s still a lot of baseball to be played and the Astros are only leading by five games.  That’s one thing I love about baseball.  You’re never really out of contention, unless you’re the White Sox.

Go Rangers!

4 Shots From 4 Films: Special Vilmos Zsigmod Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the legendary cinematographer, Vilmos Zsigmond.  Born 90 years ago today in Hungary, Zsigmond got his start in the 60s with low-budget films like The Sadist but he went on to become one of the most in-demand cinematographers around.  In fact, of all the people who started their career working on a film that starred Arch Hall, Jr.,  it’s hard to think of any who went on to have the type of success that Zsigmond did.

Zsigmond won one Oscar, for his work on Close Encounters of Third Kind.  He was nominated for three more.  He also received a BAFTA award for his work on The Deer Hunter and was nominated for an Emmy for his work on Stalin.  He’s considered to be one of the most influential cinematographers of all time.

In honor of the legacy of Vilmos Zsigmond, here are….

4 Shots From 4 Films

Deliverance (1972, directed by John Boorman, DP: Vilmos Zsigmond)

The Long Goodbye (1973, dir by Robert Altman, DP: Vilmos Zsigmond)

Close Encounters of the Third Kind (1977, dir by Steven Spielberg, DP: Vilmos Zsigmond)

Heaven’s Gate (1980, directed by Michael Cimino, DP: Vilmos Zsigmond)

Music Video of the Day: Don’t Let The Bastards Get You Down (2025, Dir. by Ian Blair)


Don’t let the bastards get you down.  That’s something I tell myself every day.  Sometimes, it’s easier to remember than others but it’s something I believe in.

As for this video, it makes me want to grab my camera, hop in my car, drive out to the country, and take a lot of pictures.  The video is pure Americana, from Elvis to the bars to the song to the tattoos.

Enjoy!

Late Night Retro Television Review: Degrasssi Hibh 2.6 “Crossed Wires”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

In yourself, you must believe …. let’s return to Degrassi High.

Episode 2.6 “Crossed Wires”

(Dir by Kit Hood, originally aired on December 10th, 1990)

Alex is dating Tessa but he has yet to kiss her and Tessa’s getting tired of waiting for him.  Arthur and Yick (remember them?) both tell Alex that he’s a total wimp.  Myself, I’m just wondering how Alex somehow went from being a background character to suddenly getting storylines.  For the record, Alex does eventually kiss Tessa and he leaves her breathless, which seems like a bit of an overreaction.  I mean, it’s just Alex….

Of course, any Tessa storyline that doesn’t involve Joey is going to feel somewhat odd because true Degrassi fans know that Tessa is eventually going to end up pregnant after sleeping with Joey, leading to a jealous Snake dropping the first F-bomb ever heard on Canadian television.  But, that was all far in the future.  When this episode aired, Tessa was still just the girl who apparently only owned that one blue dress.

Alex and Tessa’s rather silly storyline is matched with one where Liz, after going on a date with Tim (Keith White, finally getting a storyline after spending so much time as a background character), freaks out after Tim attempts to kiss her goodnight after taking her to a Pogues concert.  Liz eventually tells Spike that she was sexually abused by her mom’s ex-boyfriend and that’s why Liz doesn’t allow anyone to get close to her.  (In many ways, this episode feels like a dry run for the Jane Says episodes of Degrassi: The Next Generation.)  This episode handles the subject with sensitivity, as Degrassi (to its credit) always did.  Tonally, it can be a bit of shock to go from the silliness of Tessa’s story to the seriousness of Liz’s but that’s kind of the way it is when you’re a teenager.  One minute, you’re in a sitcom.  The next minute, you’re in the most depressing drama ever.  That’s certainly the way it was for me when I was in high school.  I preferred the sitcom moments but the fact that I can cry on cue came in useful whenever things started to get serious.

Finally, Dwayne’s moronic friends are upset because Dwayne will no longer let them beat up on Joey.  Dwayne doesn’t care.  Joey’s the only person that knows that Dwayne is HIV positive.  Joey has kept his word and not revealed Dwayne’s secret.  Dwayne helps Joey fix his car and Joey, in return, gives Dwayne a life home.  Dwayne going from being a bully to a sensitive guy is another character arc that would become a Degrassi tradition.

Next week, Kathleen finds some marijuana.  Oh no!

Lisa Marie’s Week In Review: 6/9/25 — 6/15/25


Greetings from Florida!  Jeff and I started our vacation today.  Tonight, I am writing to you from lovely Pensacola, Florida!

Here’s a quick look at what I watched this week:

Movies I Watched:

  1. Almos’ A Man (1976)
  2. Borderline (1980)
  3. Brian Wilson: Song Writer: 1962 — 1969 (2010)
  4. Can You Feel The Beat: The Lisa Lisa Story (2025)
  5. Casualties of War (1989)
  6. Emmanuelle (2025)
  7. Fandango (1985)
  8. Fire Birds (1990)
  9. Friday the 13th (1980)
  10. Friday the 13th: A New Beginning (1985)
  11. Friday the 13th: The Final Chapter (1984)
  12. Friday the 13th Part 2 (1981)
  13. Friday the 13th Part 3 (1982)
  14. Happy Gilmore (1996)
  15. The Jolly Corner (1975)
  16. Kidnapped By A Killer: The Heather Robinson Story (2025)
  17. My Amish Double Life (2025)
  18. Night of the Blood Beast (1958)
  19. The Seduction (1982)
  20. Side Out (1990)
  21. Space Mutiny (1988)
  22. The Surfer (2025)
  23. Tourist Trap (1979)

Television Shows I Watched:

  1. Check It Out!
  2. CHiPs
  3. Degrassi High
  4. Fantasy Island
  5. Highway to Heaven
  6. Homicide: Life On The Street
  7. The Love Boat
  8. Malibu CA
  9. Miami Vice
  10. Monsters
  11. Pacific Blue
  12. St. Elsewhere

Links From Last Week:

  1. Erin reviewed Catch Me If You Can!
  2. Brad reviewed Death Hunt!
  3. Jeff reviewed The Secret of My Success!
  4. I recommended some books and some movies!
  5. PFFT!  (From Ramses and House M)
  6. RIP Brian Wilson…An Homage To The Beach Boys Musical Genius…

(You can check out last week by clicking here!)