Late Night Retro Television Review: Degrassi High 2.4 “A Tangled Web”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

This week, everyone’s lying.

Episode 2.4 “A Tangled Web”

(Dir by Kit Hood, originally aired on November 26th, 1990)

We’ve got three plots going on in this episode.  Let’s start with the one that no one cares about.

Alex, who may appear in the opening credits (he’s wearing glasses and smiling) but who hasn’t really made much of an impression as a character in the 5 years that he’s been a Degrassi regular, has a crush on Tessa.  Tessa has a crush on Joey.  Arthur — hey!  Arthur’s still on the show! — decides to help out by leaving notes in both Tessa and Alex’s lockers.  Tessa and Alex meet up after school, each expecting to find someone else.  Tessa seems kind of annoyed but Alex swears to Arthur that they actually had a good time talking.

Let’s move on to the plot that only director Kevin Smith, famous for his teen crush on Caitlin, would care about.  Caitlin finally confronts her father about his cheating.  She also tells her mother.  Caitlin’s mom is like, “We’re trying to work through it, mind your own business for once!”  As usual, Caitlin is stunned to discover that life is complex and I’m sure her friends will have to listen to her complain about it for the next few weeks.

Meanwhile, Wheels is being a little brat again, refusing to study and lying to his grandmother about his grades.  She finally grounds Wheels but Wheels sneaks out anyway so that he can go to the Gourmet Scum concert with Joey and Snake.  Uh-oh …. the car that the three of them bought breaks down!  Wheels says that this is all Joey’s fault.  They’ve missed the concert and now, Wheels is going to be in a huge amount of trouble when he returns home.  And Wheels is right about that!  In fact, his grandmother kicks him out of the house!

There was a lot of drama in this episode but it all felt a little bit familiar.  We went through a whole storyline about Wheels acting like a jerk during Degrassi Junior High.  It’s hard not to feel like the show is repeating itself here.  And seriously, when did Wheels become such a jerk?  In this episode, he does apologize to Joey but then, he asks if he can stay with Joey and his family.  Uhmm …. gee, Wheels, didn’t you get caught stealing a bunch off money the last time you stayed at Joey’s house?  Interestingly enough, the episode doesn’t make clear where Wheels stayed after his grandmother kicked him out.  I mean, where is Wheels going to live?  Since Wheels is actually an orphan, shouldn’t grandma have called the Canadian version of Child Protective Services to come pick him up?  The whole thing just seems odd!

Now, of course, if you know your Degrassi history, you know what’s going to happen to the characters in this episode.  Tessa is going end up sleeping with Joey, having an abortion, and leaving town.  Wheels is going to end up in prison after driving drunk and killing a kid.  Joey and Caitlin will eventually fall in love again but it won’t work out and grown-up, middle-aged Caitlin will end up sleeping with a college student.  And Snake will become the principal of Degrassi.  As for Arthur, he’s going to start a computer software company with Yick Yu. And Alex …. well, no one really cares.

Next week, life goes on.

 

Lisa Marie’s Week In Review: 5/5/25 — 5/11/25


Films I Watched:

  1. The Amazing Transparent Man (1960)
  2. Cradle Will Rock (1999)
  3. The Dove (1968)
  4. The Five Forty Eight (1979)
  5. I Come In Peace (1990)
  6. Me and Orson Welles (2008)
  7. RKO 281 (1999)
  8. The Texas Chainsaw Massacre (1974)
  9. Truth or Dare — A Critical Madness (1986)
  10. Two (1969)

Click here for last week!

Brad’s “Video of the Day” – Chow Yun-Fat sings OH VERY NICE! 


Chow Yun-Fat was such a big Hong Kong movie star, and he couldn’t do anything wrong in the late 80’s. While he’s most well known for his action films, he also starred in a lot of comedies. He was often goofy and over the top and the audiences loved it. In the hit film, THE DIARY OF A BIG MAN (1988), Chow plays a man married to two of the most beautiful women of Hong Kong cinema, Sally Yeh (THE KILLER) and Joey Wong (GOD OF GAMBLERS)… at the same time. Needless to say, it’s not an easy situation. Fair warning, if you’ve never seen a Chow Yun-Fat comedy, this may take some getting used to. I personally love it and can’t help but smile as big as Chow when I watch it. I present Chow Yun-Fat singing “Oh Very Nice” from THE DIARY OF A BIG MAN. Enjoy my friends! 

Prisoner of War (1954, directed by Andrew Marton)


The setting is the Korean War.  After getting information that American POWs are being tortured and brainwashed in North Korean prisoner-of-war camps, Major Hale (Harry Morgan) assigns Webb Sloane (Ronald Reagan) to go undercover.  After parachuting behind enemy lines, Webb spots a group of POWs being marched through the snow and joins the group.  From the minute that Webb joins the march, he begins to observe war crimes.  The death march itself, with the POWs being forced to move in freezing weather, is itself a war crime.  At the POW camp, Webb discovers the presence of an arrogant Soviet interrogator (Oscar Homolka) and a routine designed to break the POWs down until their ready to betray their native country.  Some POWS, like Captain Stanton (Steve Forrest), refuse to break.  Others, like cowardly Jesse Treadman (Dewey Martin), break all too quickly.  Webb sends the information back to Hale and eventually tries to make his escape.

It’s not terrible.  That the North Koreans and, later, the North Vietnamese tortured their POWs and forced some of them to denounce America is a matter of the historical record and, for a 1954 film, Prisoner of War doesn’t shy away from the brutality of the torture that POWs were often subjected too.  Of all of Reagan’s film, Prisoner of War had the strongest anti-communist message, though Reagan himself feels miscast as a hard-boiled secret agent.  (Reagan’s affability comes through even in a film set in a POW camp.)  Sending someone undercover into a prisoner of war camp and then hoping that they’ll find a way to escape doesn’t sound like the most efficient way to determine if the Geneva Convention is being violated.

The film features a dog who is found by one of the POWs.  Don’t get attached.

Retro Television Review: Homicide: Life on the Street 3.11 “Cradle to Grave”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, secrets are uncovered and trust is betrayed.

Episode 3.11 “Cradle to Grave”

(Dir by Myles Connell, originally aired on January 13th, 1995)

Police Commissioner James Harris (Al Freeman, Jr.) gives Pembleton a special assignment.  A congressman (Dick Stillwell) claims to have been temporarily abducted by a man in a van but he also says that he doesn’t want to press charges.  Both Harris and Pembleton suspect that the Congressman is lying and that he filed a false police report, which is itself a crime.  Pembleton’s investigation leads to the discovery that the abduction story was actually the congressman’s attempt to cover-up a quarrel between him and his lover (Christopher Glenn Wilson).  Pembleton goes to the congressman and offers to drop the investigation into the abduction so that the congressman’s personal life will not be exposed.  The congressman agrees.

Unfortunately, news of the false police report still gets out and Pembleton is sold out by Harris, who claims that he never gave Pembleton permission to drop the investigation, even though Harris made it clear that he wanted the problem to go away.  Outraged over being sold out by his boss and also by Giardello’s refusal to back him up (Giardello is upset that Pembleton lied to him about the investigation), Pembleton turns in his badge and quits the force.

Meanwhile, Lewis and Much investigate the murder of a biker.  What they discover is that the biker sacrificed his own life after it was discovered that his wife was an FBI informant.  In order to keep the gang from going after his daughter, the victim agreed to be killed in retribution.

And finally, Felton and Howard try to investigate a murder but …. where’s the body!?  It turns out that the body is on the move.  First, it’s accidentally sent to the hospital before Felton and Howard can get a look at it.  Then, it’s returned to the crime scene while Felton and Howard are heading to the morgue.  Apparently, this was based on a true story and I can believe it.  There’s no incompetence like bureaucratic incompetence.

This was not a bad episode.  Andre Braugher did a great job of capturing Pembleton’s pain at being betrayed by his mentor, Commission Harris.  Even the biker stuff was well-handled, with Timothy Wheeler giving a strong performance as the club’s “warlord.”  The biker stuff had an interesting subplot, with one of the bikers revealing himself to be an undercover FBI agent trying to make a RICO case.  As with the case involving the congressman, it helped to create a definite atmosphere of mistrust that ran through the entire episode.  Whether it was the FBI or the congressman or just the EMTs, no one could be trusted and no one knew what they were doing.

It’s a good episode.  I hope Pembleton reconsiders quitting.  The city needs him.

 

Song of the Day: The Twilight Zone Theme by Marius Constant


Technically, the French composer Marius Constant did not set out to write the theme song for The Twilight Zone.  In the 50s, CBS commissioned Constant to compose a number of short pieces for CBS stock music library, basically as musical stingers that could be used for radio shows.  In 1960, when The Twilight Zone needed a theme song, an enterprising CBS employee combined two of Constant’s composition to create the iconic Twilight Zone theme.

Enjoy our short but haunting song of the day.

Scenes I Love: Norman Bates Talks About His Mother In Psycho


Norman Bates, now there’s someone who probably made a big deal out of every Mother’s Day.  Today’s scene that I love comes from 1960’s Psycho and features Hitchcock, Janet Leigh, and Anthony Perkins at their absolute best,

4 Shots From 4 Films: Special Twilight Zone Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s Twilight Zone Day!  In honor of this site’s favorite anthology show, it’s time for….

4 Shots From The Twilight Zone

Twilight Zone 1.8 “Time Enough At Last” (1959, dir by John Brahm)

Twilight Zone 1.22 “The Monsters Are Due On Maple Street” (1960, dir by Ronald Winston)

Twilight Zone 2.6 “Eye of the Beholder (1960, dir by Douglas Heyes)

Twilight Zone 2.17 “Twenty-Two (1961, dir by Jack Smight)