Late Night Retro Television Review: Pacific Blue 1.4 “Over The Edge”

Posted on January 28, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

There’s been a murder but don’t worry. The bike patrol is here.

Episode 1.4 “Over the Edge”

(Dir by Cory Michael Eubanks, originally aired on March 23rd, 1996)

“I need some personal time!” TC announces to Lt. Palermo after TC’s childhood friend, Todd (Dave Oliver), washes up dead on the beach. It turns out that Todd was killed in a skydiving incident and TC doesn’t think it was an accident. Todd jumped out of 700 planes without dying so obviously something is up.

(Really? 700? Did he just spend a year jumping out of plane after plane? 700 is a HUGE number, especially when it comes to risking your life.)

TC’s partner, Chris, is shocked to discover that TC had a friend because apparently, he never mentioned Todd in the past. Well, Chris, this is only the fourth episode so it’s not like you two have been partners for that long. This is a weird episode because it assume that the audience has an emotional investment in TC despite the fact that we know next to nothing about him. We know that TC rides a bicycle. We know that he comes from a rich family. And we know he hardly ever smiles because being on the bicycle patrol is suuuuuuuuch an important responsibility. Otherwise, TC is just kind of a boring guy. I’m sorry his friend died because I’m sorry when anyone dies but other than that, I don’t really have any emotional connection to any of this.

Anyway, it turns out that Todd fell in with a bunch of Australian extreme athlete types and they shoved him out of an airplane without a properly working parachute. I’m sure there was a reason why but, for the most part, this episode is just an excuse for TC to look grim while doing the whole extreme sports thing. I remember that, when I was growing up, you’d always hear all this breathless talk about how someone was doing “extreme sports” but then it would just turn out they were riding a unicycle or rolling down a hill. Remember bike jousting, where people would joust while slowly riding bicycles and it looked totally stupid but everyone would still go, “Whoa!” while watching? That was dumb.

Speaking of dumb, I’m still having a hard time taking the idea of cops on bicycles seriously. Did the people who made this show not realize how stupid the cast looks rolling up and down the boardwalk in their crisp white shirts and blue shorts? Seriously, it’s hard to take them seriously. Baywatch was a dumb show but at least those red swimsuits were visually effective. The bicycle cops on Pacific Blue just look like idiots, no matter how fast they try to peddle.

This show just seems silly right now. I’ve got over a 100 episodes left to review so I hope things will get better.

Ghosts of Sundance Past: Minari (dir by Lee Isaac Chung)

Posted on January 28, 2025 by Lisa Marie Bowman

The Sundance Film Festival is currently underway in Utah. For the next few days, I’ll be taking a look at some of the films that have previously won awards at Sundance.

First released in 2000, Minari is a classic story of the pursuit of the American dream.

Taking place in the early 80s, the movie follows Jacob Yi (Steven Yeun), a South Korean immigrant who relocates his family from California to Arkansas. Jacob has purchased a farm and he plans to make a fortune selling Korean produce to restaurants in Dallas. (Dallas, I should mention, does have a very large Korean population so Jacob’s plan is not a bad one.) Jacob is enthusiastic and confident that his plan will succeed. His wife Monica (Han Ye-ri) is a bit less confident. She doesn’t want to live in a mobile home and she worries about the health of her young son David (Alan Kim), who has a heart murmur. Monica feels that her husband has dragged them out to the middle of nowhere and that he has no idea what he’s doing. Jacob is determined to become a success and he even hires his first employee, Paul (Will Patton), a local eccentric who often walks up and down the highway with a cross on his back.

I have to admit that I was initially a bit cautious about watching Minari. I have family from Arkansas. When I was growing up, my family sometimes lived in Arkansas. (When I was growing up, we moved around so much that I used to just think of Arkansas, Oklahoma, New Mexico, Louisiana, Colorado, and Texas as just being one big state that I called home.) Arkansas is one of those states that is usually not treated particularly kindly in the movies. For that reason, I was pleasantly surprised by Minari. Jacob may be an outsider, as both an immigrant and a former Californian, but, for the most part, the people that he meets are kind and willing to help. Paul is especially an interesting character. Many movies would have treated Paul as a redneck joke but, in Minari, he’s given a certain dignity. The cinematography is wonderful, capturing the humid beauty of not just Arkansas but the midwest in general. Jacob and his family are 20th century pioneers, exploring what for them is a new and untouched land.

Eventually, Monica’s mother, Soon-ja (Youn Yuh-jung), comes to stay with the family. She shares a room with David and it takes a while for David to get used to his grandmother. (David complains that she doesn’t act like a grandmother.) It also takes Soon-ja a while to get used to life in Arkansas. Youn Yuh-jung won a deserved Oscar for her performance here, playing a stranger in a strange land who ultimately inspires David to find his own inner strength. The scenes between Youn and Alan Kim are some of the strongest in the film. Towards the end of the film, Youn has a scene that truly left me in tears.

Minari is about the pursuit of the American dream but it’s also about the strength of family. Jacob is not always a sympathetic character but he proves himself in the end. The film ends on an ambiguous note but I choose to believe that Jacob eventually found his fortune.

Minari won the Dramatic Grand Jury Prize and, like many so many Sundance hits in the past, it went on to be nominated for Best Picture. It lost to Nomadland, despite Minari being a far superior film. That’s the Academy for you.

Lisa Marie Reviews An Oscar Nominee: Maestro (dir by Bradley Cooper)

Posted on January 28, 2025 by Lisa Marie Bowman

I hope that Bradley Cooper will win an Oscar soon.

It’s obvious that Cooper wants that Oscar and really, who can blame him? After spending years being dismissed as a lightweight comedy actor, Cooper has really come into his own over the past thirteen years. 2012 was the year that he starred in Silver Linings Playbook and received his first Best Actor nomination. In the years that followed, he was nominated for American Sniper, American Hustle, A Star Is Born and Maestro. He deserved to be nominated for both Nightmare Alley and Licorice Pizza. Cooper has shown himself to be both a talented actor and director. He may not have been nominated for his direction of A Star Is Born but everyone knows that he should have been. He’s come a long way from being the star of The Hangover films and it makes sense that he would want an Oscar to make it official.

(The Oscar itself may not carry the cultural cachet that it once did but seriously, an award is an award.)

That desire for an Oscar is probably the best way to explain 2023’s Maestro, a film that really might as well have just been called Oscar Bait. Not only did Cooper direct and co-write Maestro but he also donned a prosthetic nose (and was briefly the center of some online controversy) to play the role of composer Leonard Bernstein. Filmed in both black-and-white and color, the film follows Leonard Bernstein from his young debut as a conductor through his marriage to Felecia (Carey Mulligan). Throughout the film, Felecia remains Leonard’s strongest supporter and his muse, even when she’s embarrassed by the rumors of his own impulsive behavior and his habit of cheating on her with men. The film is a portrait of the struggle to be a genius, the struggle to support a genius, and the love that can hold two people together even during the most difficult of times. And it’s all very Oscar bait-y, giving both Bradley Cooper and Carey Mulligan several scenes that, while well-executed, still feel as if they were designed specifically to appeal to the voters.

I had mixed feelings about Maestro when I watched it. On the one hand, I definitely admired the craft and the skill that went into the production. I admired the performances of both Bradley Cooper and Carey Mulligan. The movie’s soundtrack is full of the best of Bernstein’s compositions, all performed by the London Symphony Orchestra. The movie looked wonderful and it sounded wonderful but it also felt strangely hollow. Watching it, I realized that the movie really didn’t know what it wanted to say about Bernstein and Felecia. The movie was so consumed with technical perfection that the emotions of the story sometimes felt rather remote. It was a film about Leonard Bernstein that, despite Cooper’s strong performance, failed to really give us a reason to care about Bernstein. Maestro is a film that you admire while you watch it but it doesn’t really stick with you afterwards. It’s the epitome of Oscar bait.

Maestro did not win Cooper any Oscars, though it did bring some nominations. The film was also nominated for Best Picture but it lost to Oppenheimer. That said, I’m looking forward to the year when Bradley Cooper does finally win his Oscar and hopefully, he’ll win it for a film that’s more like the emotion-filled A Star Is Born than the rather detached Maestro. He’s one of my favorite actors and he’s due.

Going Berserk (1983, directed by David Steinberg)

Posted on January 28, 2025 by Jedadiah Leland

John Bourgignon (John Candy) is a man of many talents. He’s a limo driver. He’s a drummer. He is an occasional actor, having starred in Kung Fu U. for his friend, director Sal DiPasquale (Eugene Levy). John is also improbably engaged to Nancy Reece (Alley Mills), the daughter of Congressman and presidential candidate Ed Reese (Pat Hingle). As the wedding approaches, John deals with a number of things. He chauffeurs around a group of Spanish Beatles impersonators. He finds himself handcuffed to a fugitive (Ernie Hudson) who dies at an inopportune time. A cult leader (Richard Libertini) attempts to brainwash John into assassinating Ed, though the process might just turn John into a “schmuck.”

Going Berserk was John Candy’s first lead feature role and it was obviously designed to play to Candy’s popularity as one of the stars of SCTV. Going Berserk doesn’t gave a plot as much as it’s a collection of skits, some of which work better than others but all of which are held together by Candy’s comedic timing and amiable presence. Going Berserk is disjointed and wildly uneven but it’s also frequently funny and that is a testament to Candy’s talent. Even an overlong parody of The Blue Lagoon raises a smile because John Candy is just so committed to playing out the joke.

Going Berserk also features several familiar faces, like Richard Libertini, Pat Hingle, Ernie Hudson, Dixie Carter, Kurtwood Smith, Paul Dooley, and two of Candy’s SCTV co-stars, Eugene Levy and Joe Flaherty. I especially liked Levy’s performance as the sleazy director who blackmails his way into filming the wedding. Going Berserk was frequently stupid but, more often than not, it made me laugh.

Trailer: Sinners (2nd Official)

Posted on January 28, 2025 by Arleigh

Ryan Coogler and Michael B. Jordan have become their generations director-actor duo. Films like Fruitvale Station, Creed, Creed 2, Black Panther and Black Panther: Wakanda Forever has the two working together for over a decade and they continue with a new film that brings the two into a new genre with the period action horror Sinners.

We haven’t had a good horror film set in the Deep South and this one takes it a layer deeper by setting it during Jim Crow era. Knowing Coogler there’s bound to be more than just visceral action and horror for audiences to sink their teeth on.

Michael B. Jordan will be joined by other MCU alumni Hailee Steinfeld and Wunmi Mosaku and his frequent collaborators Ludwig Göransson, Autumn Durald Arkapaw and Michael Shawver.

Sinners is set for release on April 18, 2025.

Retro Television Review: Fantasy Island 6.3 “The Perfect Gentleman/Legend”

Posted on January 28, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

Smiles, everyone!

Episode 6.3 “The Perfect Gentleman/Legend”

(Dir by Philip Leacock, originally aired on October 30th, 1982)

Jimmy Jordan (Paul Williams, who appeared on a lot of these type of shows) is a rock star who witnessed a mob hit at one of his concerts. Jimmy did what anyone would do. He called the police. They offered to protect him if he testified but then they told him that they probably wouldn’t be able to continue to protect him afterwards. (Uhmm …. hello? Witness Protection Program?) Jimmy decided to fake his own death and then go to Fantasy Island. His fantasy? To not get caught by the two mobsters who have been sent to make sure that he’s actually dead.

Uhmmm …. that’s weird. Like all of that was going on Jimmy just decided to go to Fantasy Island? And then he shows up on Fantasy Island wearing a trenchcoat over his rock star jump suit? Weird.

Fortunately, Michelle (Leslie Easterbrook) is on the island and her fantasy is apparently to have a new butler! Soon, Jimmy is calling himself Godfrey and helping Michelle and her family save their business while Tracer (John Davis Chandler) and Killer (Joseph Ruskin) search for him. Needless to say, Jimmy and Michelle fall in love and leave the island together and, unless I missed something, it appears that Jimmy is planning on just being Godfrey for the rest of his life. He even drives Michelle and her daughter to the docks so that they can all fly off to the mainland. I guess the world is going to go on believing that Jimmy’s dead and….

This fantasy raised way too many unanswered questions and Paul Williams was convincing neither as a rock star or a butler. This is a fantasy that called out for someone like …. oh, I don’t know. Sonny Bono, maybe.

The other fantasy was a bit of an improvement, just because it featured the unlikely but surprisingly likable pairing of Michelle Phillips and Andy Griffith. Phillips plays Andrea Barclay, who has a beautiful singing voice but who suffers from crippling stage fright. Her fantasy is to successfully perform in front of the toughest crowd ever.

Really? Roarke says, The toughest crowd?

By now, guests should realize that whenever Roarke says something like that, it means your fantasy is going to be interpreted in a bizarre way that you never expected. Considering that, the last time that Michelle Phillips was on the show, her fantasy to be the most famous woman in the world somehow led to her becoming Lady Godiva, Andrea really should have known better. Instead, Andrea is shocked when she finds herself in the Old West, where Judge Roy Bean (Andy Griffith) has promised the citizens of Langtry, Texas that his favorite actress and singer, Lillie Langtry (Madlyn Rhue), will be performing for them. When Lillie leaves without singing, it’s time for Andrea to put on a mask and pretend to be Lillie as she performs in Judge Bean’s saloon. Yeah, it’s a silly fantasy but Andy Griffith and Michelle Phillips both put their heart into their performances. Andy Griffith does his folksy-but-intelligent routine while Michelle Phillips especially deserves a lot of credit for taking things seriously.

This episode had the same problem as last week’s. Everything felt very familiar. Last week, we had what seemed like the show’s hundredth boxing and dancing fantasy. This week, we have what feels like the hundredth singing fantasy. After five seasons, it’s obvious that the show’s writers had started to run out of ideas.

Next week …. Roddy McDowall returns to Fantasy Island! Yay!

Song of the Day: I Believe by Lou Reed & John Cale

Posted on January 28, 2025 by Lisa Marie Bowman

In today’s song of the day, Lou Reed sings about Andy Warhol and discusses his personal feelings toward Valerie Solanas, the woman who shot and nearly killed him.

Judging from the lyrics, this song was written after Warhol’s death in 1987 but before Solanas’s death in 1988. Needless to say, Reed did not have much use or sympathy for those who attempted to turn Solanas into a revolutionary icon or who claimed that her action could be explained by her mental illness. Reed demanded retribution and, with this brilliantly angry song, he got a little.

This song comes from Songs For Drella, a 15-song cycle about the life and art of Andy Warhol.

Valerie Solanas took the elevator
got off at the 4th floor
Valerie Solanas took the elevator
got off at the 4th floor
She pointed the gun at Andy saying
you cannot control me anymore

I believe there’s got to be some retribution
I believe an eye for an eye is elemental
I believe that something’s wrong if she’s alive right now

Valerie Solanas took three steps
pointing at the floor
Valerie Solanas waved her gun
pointing at the floor
From inside her idiot madness spoke and bang
Andy fell onto the floor

I believe life’s serious enough for retribution
I believe being sick is no excuse and –
I believe I would’ve pulled the switch on her myself

When they got him to the hospital
his pulse was gone they thought that he was dead
His guts were pouring from his wounds
onto the floor they thought that he was dead
Not until years later would
the hospital do to him what she could not
what she could not

Where were you, you didn’t come to see me
Andy said, I think I died, why didn’t you come to see me
Andy said, It hurt so much, they took blood from my hand

I believe there’s got to be some retribution
I believe there’s got to be some retribution
I believe we are all the poorer for it now

Visit me, visit me
Visit me, visit me
Visit me, why didn’t you visit me
visit me, why didn’t you visit me
Visit me, visit me
visit me, why didn’t you visit me

Songwriters: John Cale/Lou Reed

I Watched A Winner Never Quits (1986, dir. by Mel Damski)

Posted on January 28, 2025 by Dazzling Erin

In 1945, Peter Gray made history when he became the first one-armed major league baseball player. Gray grew up in poverty in Pennsylvania. His father was a miner and Peter was one of five children. He was only seven years old when he lost his right arm in a wagon accident but he loved baseball and he wasn’t going to let his disability keep him from playing. He learned how to bat and catch and throw with his left hand. He quit school when he was thirteen and worked for a while as waterboy while playing baseball in the local leagues. Eventually, he made his way up to the minor leagues and, in 1945, he was called up to the majors. He played one season for the St. Louis Browns.

The media loved the story of the one-armed baseball player but Peter always said that he resented feeling like he was being put on display whenever he took the field. He was a competitive outfielder who could catch a ball, remove his glove, and then throw the ball to the infield just as quickly as anyone with two hands. As a hitter, he struggled because pitchers figured out early on that he couldn’t hit the breaking ball. After the 1945 season, Peter was sent to back to the minors, where he spent the rest of his career. Though Peter was known for being an angry player who resented anyone pointing out his disability, he still made time to visit amputees in military hospitals to show them that they could still find success and to encourage them to chase after their dreams.

Peter’s story was the basis of A Winner Never Quits, which I watched on YouTube this weekend. It was a good baseball movie, starring Keith Carradine as Peter. What I liked is that the movie didn’t make him into a saint. Carradine played Peter as being angry and with a definite chip on his shoulder. Peter had every right to be angry and I’m glad the movie acknowledged that. In both the movie and in real life, Peter was worried that he was just being treated as a sideshow. In the movie, his attitude improves when he meets a young boy who recently lost his arm and who looks up to Peter. Peter remained a friend to the boy and his family for the rest of his life. A Winner Never Quits is about pursuing what you love and never giving up. That’s what baseball is all about. A Winner Never Quits is a good and inspiring baseball movie that’s not just for the fans.

The Covers Of Fifteen Western Tales

Posted on January 28, 2025 by Dazzling Erin

First published in 1942, Fifteen Western Tales ran for 130 issues and brought stories of the gunslingers, cattle rustling, and frontier exploring to readers across America. Saddle up, rest your guns and take a trip to the old west with this small sampling of some of the covers of Fifteen Western Tales.

Artist Unknown

by Ernest “Darcy” Chiriacka

by Charles Dye

Artist Unknown

by Sam Cherry

Artist Unknown

Alexandre Dumbass and THE SHAWSHANK REDEMPTION – a scene that I love!

Posted on January 28, 2025 by Bradley Crain

In honor of Director Frank Darabont’s 66th birthday, I’m sharing a scene from his masterpiece, THE SHAWSHANK REDEMPTION. One of the best things about this movie is how much humor is found behind those prison walls, often coming from seemingly unexpected places. In this scene, the humor is found when the characters take on the mundane task of cataloging the prison library. Enjoy!