Late Night Retro Television Review: Baywatch Nights 2.21 “The Vortex”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, Mitch has a day off but still has to work.

Episode 2.21 “The Vortex”

(Dir by L. Lewis Stout, originally aired on May 9th, 1997)

Mitch has the day off and he’s spending it with Ryan!  No matter what else one might say about Baywatch Nights and the direction it took as the production budget grew smaller, David Hasselhoff and Angie Harmon made for a cute couple and, as this episode began, I was kind of looking forward to watching them spend the day together.

Unfortunately, when they come across a fortune teller’s shop, Ryan insists that they go inside and discover their future.  Mitch mocks Ryan for “believing in that stuff” and says that there’s no such thing as psychic powers or being able to see the future, despite the fact that, over the course of the second season, Mitch has both gotten psychic powers and traveled through time.  Seriously, I get that Mitch was supposed to be the skeptic of the group but, by this point in the series, Mitch has seen and dealt with enough that his continual skepticism is just not believable.  Especially after last week’s episode, Mitch should be prepared to accept anything.  If this was a Lovecraft short story, Mitch would be ranting about the things he’s seen while locked away in an insane asylum.

At first, the store appears to be deserted.  Ryan sits at the fortune telling table and, when an actress (played by Priscilla Inga Taylor of Malibu CA), comes in the store, Ryan is able to tell her that she’s going to get the next role for which she auditions.  (I’d like to think that Taylor is playing her Malibu CA character, Traycee, here.)  After the actress leaves, Mitch and Ryan are suddenly joined by the owner of the shop, Wahote (Floyd “Red Crow” Westerman).  Wahote invites them to step behind a curtain and into a vortex and soon, Mitch and Ryan find themselves ten minutes into the future and watching as their future selves receive a call from Teague telling them that they need to investigate a boat that’s come back from the Amazon.  Future Mitch complains about always having to do things on his day off.  What I find strange is that neither present not future Mitch and Ryan seem to be curious as to why Teague, who apparently has connections with the CIA, is always asking the two of them to do these things.

A mysterious woman (Elaine Bilstad) shows up and says something about pollution and the rain forests.  Mitch and Ryan jump around in time and eventually, future Ryan and Mitch have to help present Ryan and Mitch get off the boat because the boat is full of mutants that have been created by pollution.  Or something.  To be honest, I had a hard time following the plot of this one.  Time travel nonsense is always a bit difficult for me to follow and the constantly moving camera was a bit of a distraction.

To give credit where credit is due, this episode had a good deal of atmosphere and, as I said earlier, Hasselhoff and Harmon were a likable team.  But the episode’s story was nearly incoherent and the fact that Mitch was still a skeptic at the end of the episode required too great of a suspension of disbelief.  During this episode, all I could think about was how obvious it was that Baywatch Nights was on its last legs.

Speaking of which …. next week, we finish up Baywatch Nights!  It’s time for it all to end.

Retro Television Review: Fantasy Island 5.20 “Forget-Me-Not/The Quizmasters”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Tattoo is still missing.

Episode 5.20 “Forget-Me-Not/The Quizmasters”

(Dir by Cliff Bole, originally aired on April 10th, 1982)

Amnesiac Ellen Layton (Jill St. John) comes to the Island in hopes of remembering who she was in her past life.  Ever since she was tossed off a horse and struck her head, Ellen has not been able to recall a single detail of her old life.  Roarke agrees to help, using another one of those magic plants that seem to grow in abundance on Fantasy Island.  However, Roarke also shows Julie a hologram that reveals that, in her previous life, Ellen was a ruthless businesswoman who fired people at the drop of a hat.

As quickly becomes obvious, amnesiac Ellen is far happier than corporate Ellen.  Afterall, amnesiac Ellen has all sorts of friends on the Island and she even has sleazy Mike Collins (Dan Gautier) pretending to be in love with her.  (In what I believe is a Fantasy Island first, we hear the thoughts of Mike and several other men when they first learn that the wealthy and beautiful Ellen can’t remember anything about her past life.)  But when Ellen’s real husband (Brett Halsey) comes to the Island looking for her, she has to decide if she wants to go back to who she used to be or if she wants to continue being the carefree amnesiac that she’s been for the last several months.  Which will she choose?

You already know the answer to that one.  Ellen’s fantasy really wasn’t that interesting.  I preferred the first part of the show’s other fantasy.  Two game show hosts (Gene Rayburn and Jan Murray), who are both in love with the same woman (Vikki Carr), come to the Island because they want to compete in the ultimate game show.  Roarke actually sets up a game show for them, with himself as host and a studio audience.  The two men are asked a question.  The first man to answer correctly is given the choice of opening one of four doors.  Three of the doors contain prizes, like love and money.  The other door is the …. DOOR OF DEATH!

One of the joys of this episode is watching Ricardo Montalban play a game show host.  He appears to be having a blast, especially when he gets to dramatically remind the two contestants about “the Door of Death!”  And, while the two men do manage to open up two of the doors successfully (leading one contestant rescuing Vikki Carr from being burned at the stake as a witch and the other contestant robbing a 1920s bank), the third door that the two men open is THE DOOR OF DEATH!

Unfortunately, the Door of Death turns out to be a bit anticlimatic.  The two men and the women they love have to survive in the wilderness while being pursued by an archer whose fantasy is to — *sigh* — hunt the most dangerous prey of all, man.  The show just did a Most Dangerous Game knock-off just two episodes ago so why do it again?  Fortunately, both of the game show hosts and the woman they’re fighting over survive.  They leave the Island together, their love triangle unresolved.

The game show had a lot of potential but this episode was disappointing.  Unfortunately, Tattoo was not in this episode and Julie served as Roarke’s assistant.  Nothing against Julie but the whole game show thing seemed like it would have been a perfect set up for some Roarke/Tattoo banter.  This show was definitely better with Tattoo than without him.

The New York Film Critics Circle Honors The Brutalist


The New York Film Critics Circle has announced their picks for the best of 2024 and it was a good day for The Brutalist, RaMell Ross, Marianne Jean-Baptiste, Kieran Culkin, and — in probably the biggest surprise of the voting — Carol Kane!  As for the social media reaction, there are a lot of happy Brutalist fans but there’s also currently a lot of very angry Wicked stans.

Here are the winners:

Best Picture: The Brutalist

Best Director: RaMell Ross, Nickel Boys

Best Actor: Adrien Brody, The Brutalist

Best Screenplay: Sean Baker, Anora

Best International Feature: All We Imagine As Light

Best Actress: Marianne Jean-Baptiste, Hard Truths

Best Supporting Actress: Carol Kane, Between the Temples

Best Non-Fiction Film: No Other Land

Best Cinematography: Jomo Fray, Nickel Boys

Best First Film: Janet Planet

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Animated Film: Flow

HONDO – John Wayne takes on Apaches!


John Wayne is just one of those actors I love. He’s made so many great movies. My personal favorites are RIO BRAVO, TRUE GRIT, BIG JAKE, THE SONS OF KATIE ELDER, THE MAN WHO SHOT LIBERTY VALANCE, THE SEARCHERS, THE QUIET MAN, RED RIVER, THE SHEPHERD OF THE HILLS and STAGECOACH. But hell, there are so many great ones not listed above. He just knew how to play tough, honorable, flawed men in his uniquely John Wayne way. When I hit play on a John Wayne film, I know I’m in for a good time. 

The 1953 John Wayne movie HONDO starts with a man and his dog walking through a dusty, rocky landscape on their way towards a pond and a rough looking farmhouse. He’s greeted by a woman and her young son. The man, Hondo Lane (Oscar winner John Wayne), is a scout for the U.S. Cavalry who’s just escaped from Apaches but lost his horse in the process. The woman, Angie Lowe (Oscar winner Geraldine Page), allows Hondo to stay at her ranch to rest and get something to eat. She tells him that her husband is away in the hills chasing wildcats for the day, and he asks her if he can buy a horse to get back to his cavalry post. Hondo ends up having to stay a few days at the ranch in order to break a wild, rambunctious horse before it can be ridden. While there, Hondo learns that Angie doesn’t really know where her husband is, as he left months ago and has never returned. Hondo and Angie share some nice conversation and even a kiss. Before he leaves, he tells her that she’s not safe at her remote ranch. It seems that the U.S. government has broken their treaty with the Apaches and no one is safe in the area. Angie refuses to leave her farm as the Apaches have always treated her well, using her spring for water. Hondo heads back to his post and is barely out of sight when the Apaches show up. Will they scalp Angie and her son, Johnny? Will Angie’s husband ever show back up? Will Hondo come back to the ranch and kiss her again in the moonlight? Will Hondo teach Johnny how to swim by throwing him into the pond? Will Hondo have to save a regiment of pony soldiers and settlers from marauding Apaches? It’s my guess that you probably know the answers to these questions, and that’s part of the fun of watching John Wayne movies. 

It should come as no surprise that I enjoyed HONDO. John Wayne plays a variation of his normal tough, honorable, honest character, and I like that character. Geraldine Page was nominated for her first Oscar for her performance as Angie Lowe. It was the first of eight nominations she would receive in her career. She’s an interesting actress. She’s not conventional at all in this role yet she absolutely nails it. I haven’t watched much of her work so I need to check some more of her stuff out. Ward Bond shows up as fellow cavalry scout Buffalo Baker. It’s always fun to see Wayne and Bond work together. They go together like peas and carrots. Leo Gordon is effectively slimy as the deserter Ed Lowe, and James Arness shows up as cocky young man who’s humbled and then redeems himself through battle. It’s a fine cast that helps in the fun factor. 

It’s not a perfect film, especially by the social standards of 2024, but it’s a fun and entertaining western. I liked it. 

Here Are The Winners Of The 2024 Gotham Awards


The Gotham Awards were presented last night.  Here are the winners!

Best Feature Winner: A Different Man
Outstanding Lead Performance Winner: Colman Domingo in Sing Sing 

Outstanding Supporting Performance Winner: Clarence Maclin in SING SING
International Feature: All We Imagine as Light
Best Director: RaMell Ross, Nickel Boys
Breakthrough Director Winner: Vera Drew for The People’s Joker
Best Documentary Feature Winner: No Other Land
Best Screenplay Winner: Azazel Jacobs for His Three Daughters
Breakthrough Performer Winner: Brandon Wilson in Nickel Boys  

The Gothams are not exactly the most dependable of Oscar precursors but still, the people behind Sing Sing and Nickel Boys have to be happy with their awards.  Sing Sing, in particular, is a film that was getting a lot of buzz but seems to have lately been overshadowed by more recent releases.

Awards season is here!  I’ll do my best to keep up.