October Positivity: The Sin: From Adam and Eve to Cain and Abel (dir by Robert Savo)


2017’s The Sin tells a familiar story.

Shortly after creating the world and the first people, God allows Adam (Ayman Nahas) and Eve (Khawlah Hag-Debsy) to live in the Garden of Eden.  He only gives them one major rule to follow.  They can eat from any tree except for the Tree of Knowledge.  They’ve got all the food that they could possibly want, as long as they don’t break that one very simple rule.  Eve promptly breaks that rule, taking the advice of a serpent and eating an apple.  She then convinces Adam to do the same.  When God asks Adam whether or not he ate from the tree, he lies.  Then he tries to put all the blame on Eve.  God responds by kicking them out of the Garden and cursing them to suffer on Earth.

Adam and Eve wander the Earth, arguing nonstop about who is to blame.  Finally, they stop arguing long enough for Eve to get pregnant.  In the film, they are depicted as having two sons, Cain (Shredi Jabarin) and Abel (Nahed Bashir).  Abel is the gentle sheep herder.  Cain is the farmer who sees everything as a competition.  When God prefers Abel’s offering of a lamb to Cain’s offering of some nuts and berries, Cain murders his brother and then lies about it.

And, needless to say, everything’s been going downhill ever since.

This is a short film, barely clocking in at 50 minutes.  It tells the story faithfully enough, though it leaves out Seth and Adam and Eve’s other children.  (Perhaps that’s to avoid discussing the possibility that Cain and Seth ended up marrying their own sisters.  I mean, they had to populate the Earth somehow)  The main problem with the film is the acting.  The actors playing Adam and Eve both come across as being rather goofy and the scenes of them arguing about who is to blame feel more like petulant nagging than an actual discussion about who is to blame for bringing sin into the world.  As for Cain and Abel, Abel is kind of wimpy while Cain comes across as being the worst dumbass teenager ever.  The scene were Cain start to shout “competition” over and over again made me smile a bit too much, considering that I knew this was going to lead to the first murder.

On the plus side, the film refrains from putting all the blame on Eve.  While Eve may have been the first to bite into the forbidden fruit, Adam made his choice and then he not only lied about it but tried to put all the blame on Eve.  If anything, this film suggests that Adam was punished less for what he did and more because he refused to accept responsibility for his actions.  By that same token, Cain’s murder was bad but his refusal to take responsibility for his actions showed that he was beyond redemption.

As a final note, let me just say that it’s always amazing to me the odd and obscure things that you can find on Tubi if you just spend a few minutes scrolling through your list of recommendations.

Late Night Retro Television Review: Check It Out! 2.15 “Tots ‘R’ Us”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Edna has a good idea.

Episode 2.15 “Tots ‘R’ Us”

(DIr by J. Sumner, originally aired on February 1st, 1987)

I have no idea who J. Sumner was.

J. Sumner is credited as being the director of this episode.  (Up until this episode, Alan Erlich was the show’s regular director.)  I’ve never seen the name before and it struck me as being such an odd name to use that I actually looked the director up on the IMDb.  According to the IMDb, this episode of Check It Out! is the only thing that J. Sumner has ever been credited as having been involved with.  That’s quite an accomplishment, making your entertainment career debut as a director   Most people have to work up to it.

I kind of suspect that J. Sumner is a pseudonym of some sort.  Maybe the real director didn’t want to be credited for this episode, though there’s nothing about it that’s really all that different from any other episode of Check It Out.  It’s not a terrible episode but it’s also not a particularly interesting one, which is why I’m wasting so much time speculating about the identity of J. Sumner.

The episode takes place on Canadian Mother’s Day.  Edna decides to turn the back offices into a daycare so mothers can leave their children while they shop.  That actually does sound like a good idea to me.  Whenever I go grocery shopping, I always seem to get stuck in line behind people who have multiple hyperactive children.  Just last week, this little brat stepped on my foot while running around the store and his mother didn’t even apologize to me.  Seriously, I was limping for hours afterwards!  I should have called the cops and pressed charges….

Anyway, all of the moms and their kids eventually leave.  Except there’s one child (played by Benjamin Barrett) left behind.  He wears a nametag that reads “Orphan” but a call to the local orphanage reveals that no one is missing.  Edna calls the police but tells them that the store will take care of the kid and hold onto him until his parents arrive.  The police apparently say, “Okay, thanks for letting us know,” and then never bother to come out to the store.  That doesn’t sound like typical police procedure when it comes to an abandoned child but who knows?  This is a Canadian show so maybe that’s the way they do it in Manitoba.

Edna pressures Howard into using a sock puppet to talk to the kid.  The previously silent kid is happy to talk to Goober The Sock.  The kid’s name is Freddy.  He stays overnight at the store with Edna and, in a really sad scene, Edna asks Freddy if he knows anything about adoption.  Edna’s dreams of taking Feddy into her home are ruined when Freddy’s father (Walker Boone) shows up.  Howard gives Freddy and his father tickets to a baseball game.  Awww, that was nice!

This was a pretty simple episode and, to be honest, it was kind of boring.  Howard and Edna are more fun when they’re weird than when they’re nice.  As always, Gordon Clapp (as Viker, the electrician) got a few funny lines and made the most of his limited screentime.  Otherwise, this was a sweet-natured but not particularly enthralling episode.

And if J. Sumner is reading this, say hi in the comments!  We’d love to hear from you!

Lisa Marie’s Week In Television: 10/6/24 — 10/12/24


Here’s my thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

Abbott‘s back.  Jeanine and Gregory are dating and they’re a cute couple.  That said, I can’t help but remember how The Office kind of started to become less interesting once Pam and Jim officially became a couple.  Single, neurotic people are always funnier than stable people in love.

It’ll be interesting to see how this season goes.  Last season, I got annoyed with Jeanine working for the district and the show itself occasionally got a bit heavy-handed in a way that it hadn’t during the previous seasons.  At the time, I choose to believe that season’s weaker moments were due to the season being shortened by all the strikes that were going on.  I’m hoping this new season will prove me correct.

Ava continues to be the best character on the show.

Accused (Tuesday Night, FOX)

After an incredibly uneven first season, Fox’s crime anthology show is back for a second season.  The first episode featured a psychic accused and on trial.  Felicity Huffman (who hasn’t really been seen much ever since she was implicated in the so-called Varsity Blues scandal) and William H. Macy provided some star power but the overall results were still pretty dull. I’m not a huge fan of anthology shows in general.  They always seem to be trying a bit too hard.

American Sports Story: Aaron Herndanez (Tuesday, FX)

This week, Aaron started to find fame as a pro football player with the New England Patriots, while continuing to deal with stress by hanging out with lowlifes and criminals.  While struggling to maintain the squeaky clean image that the NFL demanded from its players, Hernandez also beat up his abusive stepfather.  Much as with last week, this episode was well-done but it still feels as if the show is dragging out the story a bit too much.  This episode was about 20 minutes worth of story stretched out over 50 minutes.  Needless to say, it did start to feel a bit repetitive after a bit.  The attempt to use Aaron Hernandez’s stupidity as a way to comment on American society continues to feel a bit half-baked.

Dr. Phil (Pluto TV)

“Shut up!” Kaye yelled, when confronted about her Nigerian boyfriend, who she has never actually met despite selling her house and sending him the money.  I know Kaye was embarrassed but yelling shut up isn’t going to get her money back.

Hell’s Kitchen (Thursday Night, FOX)

One chef left the show to go to the hospital.  Another hurt his back and voluntarily withdrew from the competition.  The Blue Team had a terrible dinner service and a Chef Ramsay sent another chef home.  The Red Team is getting pretty cocky, which I’m going to assume means that they’re going to fall apart next episode.  Getting cocky is always the worst thing that any chef can do on Hell’s Kitchen.  Hell’s Kitchen remains one of the few reality shows to remain as entertaining today as when it first aired.  The show has been smart enough to stick to its formula and not change things up just to satisfy whatever the current cultural trend may be.

Homicide: Life On The Streets (Peacock)

I wrote about Homicide here!

Law & Order (Thursday Night, NBC)

This week’s episode saw SVU‘s Mariska Hargitay making a guest appearance on Law & Order and it really does show just how much things have changed as far as this franchise is concerned.  At one time, SVU was kind of like Law & Order‘s sordid and little-acknowledged bastard cousin and it was a big deal if anyone from L&O lowered themselves to make an appearance on SVU.  Now, things are reversed.  Law & Order is still struggling to find its voice in  the 2020s and it’s SVU that’s providing some star power to its struggling cousin.

On another note, I’m surprised that there’s any tech gurus left in New York as they seem to be the number one victim of choice on Law & Order.  If they’re not getting murdered, they’re going to jail.

I continue to miss Jack McCoy.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Amazon Prime)

I wrote about Miami Vice here!

Night Flight (Night Flight Plus)

On Friday, I watched an episode from 1988.  The first half of the episode featured music videos, including X’s Devil Doll.  The second half took a look at “upcoming” films, including one in which Arnold Schwarzenegger and Jim Belushi teamed up to fight crime.  No, it wasn’t The Principal.

One Step Beyond (YouTube)

This week, I have continued to watch and share episodes of this old anthology show.  I’ve been having a lot of fun watching this show.

Horror On TV: One Step Beyond 2.6 “The Inheritance” (dir by John Newland)


Tonight’s episode of One Step Beyond features host John Newland listening as a drunk (Sean McClory) at a bar tells the story of his former life as a gigolo and how a cursed necklace drove him mad.  This episode is interesting if just because it takes the show’s “Did this story really happen?” premise to its logical conclusion.  Apparently, John Newland couldn’t leave his house without someone telling him a story about the paranormal!

This episode originally aired on October 27th, 1959.

Black Cadillac (2003, directed by John Murlowski)


On a snowy night, Scott (Shane Johnson), CJ (Josh Hammond), and Robbie (Jason Dohring) cross into Wisconsin so that they can have a good time at a notorious roadhouse.  After CJ starts a fight that gets them kicked out, the three of them start to drive back to Minnesota.  They stop to pick up a deputy sheriff, Charlie (Randy Quaid), whose squad car has broken down.  Charlie assures the young men that he’s off-duty and asks them a lot of questions about what they’ve been doing during the night.  When a mysterious 1957 black Cadillac pulls up and challenges the Scott to a drag race, Charlie tells Scott to “go for it!”

It turns out that the Cadillac is interested in more than just a race.  It tries to force Scott into crashing his car and, even after Scott seems to escape from the car, it keeps showing up wherever the friends are driving.  Why is the other driver after them and how is Charlie involved?

Not a bad film.  The black Cadillac and its driver are great villains that seems to be able to transport anywhere.  No matter what the three young men do, they can’t escape from or even slow down the Cadillac’s pursuit.  The three friends are all likable, even if the movie does get bogged down with all of their secrets.  Randy Quaid shows  why, before he apparently lost his mind and started talking about star whackers, he was one of the busiest character actors around.  Black Cadillac is a good mix of horror and car chases.

Retro Television Review: Welcome Back, Kotter 4.3 “Don’t Come Up And See Me Sometime”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Vinnie tries to move on with his life.  The Sweathogs say, “No!”

Episode 4.3 “Don’t Come Up And See Me Sometime”

(Dir by Norman Abbott, originally aired on September 25th, 1978)

Vinnie Barbarino has his own apartment!

And it’s a dump!

Seriously, if you watch enough 70s sitcoms, you know that no one is going to live in a nice apartment.  For whatever reason, characters on 70s tv shows always lived in the ugliest apartments imaginable.  But, even with that in mind, Barbarino’s apartment is terrible.  The walls are stained.  The couch is worn and has visible stuffing.  Every time the train goes by, the entire apartment shakes and Vinnie’s bed falls out of its closet.  It’s an awful apartment in an awful part of Brooklyn but then again, Barbarino is a janitor who hasn’t even graduated from high school so really, the crappy apartment is probably the most realistic part of this episode.

Vinnie is happy to have his own place because he has a serious girlfriend, Sally (Linda McCullough).  Sally works as a nurse at the hospital.  Vinnie can’t wait to spend time with her, though she has to break their first date when she’s assigned to work overnight.

Julie Kotter makes her first appearance of the season when she drops by to give VInnie a house-warming present and to show off her terrible new haircut.  The present turns out to be towels.  Vinnie is happy with the gift because he was feeling bad about stealing towels from the hospital.

Then the Sweathogs show up, including a new blonde guy with a Southern accent.  Washington says that the guy’s name is Beau (Stephen Shortridge) and he’s a new student at Buchanan High and in Mr. Kotter’s class.  What’s odd is that the previous episode ended with Vinnie once again enrolled in high school and a student in Kotter’s class.  So, why hasn’t he met Beau yet?  Did Vinnie drop out after dropping back in?

After Vinnie and Beau debate which one of them is uglier, Vinnie gives everyone a tour of the apartment.  He’s especially proud of his dining table.

Things are going fine until the Sweathogs start to talk about how they’re going to be spending all of their time at Barbarino’s new apartment.  Vinnie, realizing the he just wants some privacy, asks all of the Sweathogs to leave.  The Sweathogs get offended and say that Vinnie has let his new apartment go to his head.

The next day, at school, Gabe is shocked to see the Sweathogs shunning Vinnie.  Woodman, however, tells Vinnie that he’s lucky.  “I haven’t had a friend in 20 years,” Woodman says, “and look how happy I am!”  Fortunately, Gabe is not quite so cynical and he’s able to help the Sweathogs realize that they need to give Barbarino room to live his own life.  This episode ends with Barbarino, having nearly been driven mad by loneliness, happily allowing the Sweathogs, the Kotters, and Mr. Woodman into his apartment.  But then Sally arrives and he kicks them all out.

This episode feels like a metaphor of sorts.  Just as Barbarino was escaping the Sweathogs and starting his own life, John Travolta was escaping television for the movies.  One has to imagine that, just as the Sweathogs were offended to be kicked out of the apartment, there were some Kotter people who weren’t necessarily happy about not being included in Travolta’s new Hollywood career.

This episode works surprisingly well.  That’s largely because it’s a showcase for John Travolta.  The scenes of Barbarino talking to himself come close to going on for too long but Travolta’s charisma carries the day.  At the end of the episode, even Gabe and Julie look happy for a minute or two.

Horror Scenes I Love: Sherlock Holmes vs Jack the Ripper in Murder By Decree


Though I may not agree with the film’s conclusions, Bob Clark’s 1979 film Murder By Decree is still the best of the Jack the Ripper films.

This scene, featuring the final battle between Sherlock Holmes (Christopher Plummer) and the Ripper, is not only full of fog-shrouded atmosphere but it also features one of the most savage portrayals of Jack the Ripper.

 

4 Shots From 4 Films: Special Bob Clark Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a filmmaker who got his start in Canada.  Though born in America, Clark spent most his career up north.  Though he’s today best remembered for directing the holiday classic, A Christmas Story, Clark started his career as a horror director.  In fact, long before telling the story of Ralphie and his BB gun, Clark directed one of the first Christmas slasher films.

Today, we honor the legacy of Bob Clark with….

4 Shots From 4 Bob Clark Films

Children Shouldn’t Play With Dead Things (1972, dir by Bob Clark, DP: Jack McGowan)

Deathdream (1974, dir by Bob Clark, DP: Jack McGowan)

Black Christmas (1974, dir by Bob Clark, DP: Reginald H. Morris)

Murder By Decree (1979, dir by Bob Clark, DP: Reginald H. Morris)

The Covers of Science Fiction Adventures


In the 1950s, there was actually two magazines called Science Fiction Adventures.  Neither one of them ran for very long.  The first Science Fiction Adventures lasted for two years, from 1952 to 1954 and it was canceled due to low sales.  The name was then used for another magazine, that ran from 1956 to 1958 and which was also canceled for low sales.  After the second cancellation, publishers got the hint and didn’t use the name again.

Below is a handful of covers from both versions of Science Fiction Adventures.

November, 1952, by H.R. Van Dongen

March, 1954. By Mel Hunter

December, 1956. By Edmumd Emshwiller

August, 1957. By Robert V. Engle

September, 1957. By Edmund Emshwiller

December, 1957. By Edmund Emshwiller

January, 1958. By John Schoenherr

April, 1958. By Edmund Emshwiller

Live Tweet Alert: Join #ScarySocial for Army of Darkness!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  1992’s Army of Darkness!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Army of Darkness is available on Prime!

See you there