Late Night Retro Television Review: Check it Out! 2.1 “Getting To Know You”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

Today, we start a new season of Check It Out!

Episode 2.1 “Getting to Know You”

(Dir by Alan Erlich, originally aired on October 3rd, 1986)

The second season of Check It Out! opens with some changes at Cobb’s Grocery store.

Howard now has a mustache.  Tonya Williams and Henry Beckman are no longer listed in the opening credits so I guess Jennifer and Alf have moved on from working at the store.  Gordon Clapp, however, is now listed in the opening credits so Viker, who was one of more consistently funny characters during the first season, is now a series regular.

The episode opens with zero customers in the store.  Due to a broken waterline, the store’s parking lot has been taken over by a bunch of construction workers.  Howard calls them “apes.”  Marlene is sick of them hitting on her whenever she comes to work.  Christian thinks he could take them on.  And Mrs. Cobb is demanding that Howard lay off two employees to help offset costs.

Howard could always point out that, with Jennifer and Alf gone, the store now only has seven employees but he doesn’t.  Instead, he follows Edna’s advice and sits down for one-and-one interviews with his employees and gets to know them.  Howard thinks that he’ll be able to find an employee who doesn’t really need the job but instead, he discovers that all of his employees are wonderful people.  Marlene cries about how difficult her life has been lately.  Murray talks about how both of his parents are out of work.  Leslie volunteers to give up his job and Howard is so touched that there’s no way he can possibly accept Leslie’s offer.  Jack Christian, who is usually pretty self-centered and obnoxious, seems like an easy choice but then he gets beaten up defending Marlene from the construction workers.

Finally, Howard realizes that there’s only one thing he can do.  He lays off Edna and then he lays himself off.  He announces that he and Edna are going on vacation and they’ll be back in four months.  Ummm …. look, I’ll be honest.  I’ve never been through the experience of being fired or laid off so I don’t really fully understand how it all works.  Isn’t Howard kind of taking a risk here?  I mean, I guess Howard is assuming that Christian will just fill in for four months and then Howard and Edna will return and everything will go back to normal.  But what if Mrs. Cobb hires a new manager?  What if she doesn’t want to take back Howard and Edna?  I mean, to me, it sounds like Howard basically just quit his job and forced Edna to quit her’s as well.  But everyone in the store seems to be convinced that Howard will be back in just a few months.

I guess my point is that Check it Out! doesn’t seem like it was always 100% realistic.

Anyway, this episode was okay.  It reintroduced all the characters and gave us a chance to get reacquainted with them, as any season premiere should.  Gordon Clapp, Jeff Pustil, and Kathleen Laskey all had moments that made me smile.  Those three have the ability to make even the simplest of lines funny.  During the first season, Don Adams could occasionally be a bit overly frantic as Howard.  For the second season premiere, though, his performance felt a bit toned down and it no longer felt as if he and the show were begging for laughs.  Still, I just can’t get over that ending.  Edna was so excited that her boyfriend essentially put her future employment at risk.

Next week, we’ll see if Howard still has a job.

Lisa Marie’s Week In Television: 3/31/24 — 4/6/24


Here’s a few thoughts on what I watched this week.  (Most of this week was taken up with movies as opposed to television.)

Dirty Pair Flash (YouTube)

Yuri and Kei tried to capture a notorious con artist but instead ended up getting stranded in the middle of the wilderness with him.  This is the first episode of Dirty Pair Flash where I’ve actually been able to follow the plot and I have to admit it was pretty amusing.  I relate to Yuri.  We have a similar attitude towards life and I appreciated her efforts to stay positive.

Dr. Phil (YouTube)

Dr. Phil talked to a cheating husband and the wife who got revenge by having an affair of her own.  Phil seemed fairly annoyed with both of them and I really can’t blame him.

Geraldo (YouTube)

In an episode from the late 80s, Geraldo Rivera talked to teenagers on death row, all of whom claimed to be former Satanists.  I didn’t believe a word of it.  One of the teens that Geraldo talked to ended up going to Oklahoma’s gas chambers ten years later so I guess the whole Satanism scam didn’t work for him.  Myself, I’m just wondering how long Geraldo Rivera has been around.

It’s Always Sunny In Philadelphia (Hulu)

Heh heh, the bowling episode.  Dee finally knocked over a pin, just to discover that everyone had already left to go find something better to do.  I laughed.

Law & Order (Thursday Night, NBC)

This week, via Peacock, I got caught up on the last three episodes of Law & Order.  They were, as is typical of this show, uneven. The first episode that I watched dealt with a shooting at a hospital and it was well-done.  The second episode was yet another one about a murdered millionaire and a dominatrix and it was enjoyably trashy.  The third episode was a take on the death of Jordan Neely and it felt a bit like Leftist fanfic, straight down to portraying the Daniel Penny stand-in as being a secret white supremacist.

I continue to enjoy Reid Scott’s performance as the newest cop.  Tony Goldwyn has now taken over as District Attorney and I guess he’ll be okay, though it’s going to be difficult to replace Sam Waterston.  Neither Price nor Maroun seem like they were worth Jack resigning to protect.

Night Court (Peacock)

I finished up Night Court’s second season this week.  I’m not really sure why I felt the need to watch the remaining episodes, because I laughed even less while watching the second season than I did while watching the first season.  I think the main problem with this show is that there’s really no room for the characters to develop.  Abby will always have to be impossibly naive or the show will have to totally change direction.  Dan will always have to be a cynic or the show won’t work.  The supporting characters all have to be one-dimensional or the show will be thrown off-balance.  It’s just not a very good show, despite the best efforts of Melissa Rauch and John Larroquette.

Watched and reviewed elsewhere:

  1. Baywatch Nights
  2. Beane’s of Boston
  3. Check it Out — The review will be dropping in about 90 minutes
  4. CHiPs
  5. Degrassi Junior High — The review will be dropping tomorrow
  6. Fantasy Island
  7. Friday the 13th: The Series
  8. Highway to Heaven
  9. The Love Boat
  10. Miami Vice
  11. Monsters
  12. T and T
  13. Welcome Back Kotter

Diner (1982, directed by Barry Levinson)


Which member of the Diner gang would you be?

I think that is the question that everyone, or at least every guy, asks themselves after watching Barry Levinson’s debut film.  Most would probably want to say that they’re Boogie (Mickey Rourke), because he’s cool, all the ladies love him, and he makes creative use of a popcorn box at the movies.  Some would probably say that they want to be Fenwick (Kevin Bacon) because he’s smart and sarcastic.  No one wants to be Billy (Tim Daly) or Eddie (Steve Guttenberg), even though we would all want to be their friend.

The truth is that most of us would probably be Shrevie (Daniel Stern), the just-married one who is discovering that being an adult means working an unglamorous job and discovering the rest of the world doesn’t care about your taste in music.  The luckiest of us might be Modell (Paul Reiser), the funny one who doesn’t get a story but who makes a lot of jokes.

Diner was one of the first great hang-out movies.  There is no plot, at least not in the traditional sense.  Instead, it’s about a group of long-time friends who live in Baltimore in 1959.  They grew up together.  They went to high school together.  They’ve been hanging out at the same diner for as long as they can all remember.  And now, they’re at the point in their lives where the world expects them to act like adults and accept all the responsibility that goes along with that.  It’s a film that celebrates their friendship while also acknowledging that some of them are using that friendship as an excuse to not grow up.  They escape into trivia and movies, with one minor character reciting Sweet Smell of Success by memory.  Fenwick drinks.  Boogie gambles.  Even Billy, who doesn’t even live in Baltimore anymore, reverts to his old ways as soon as he returns for Eddie’s wedding and ends up sucker punching someone because of an old high school incident.

The preparations for Eddie’s wedding gives the film what structure it has.  Eddie is marrying the unseen Elyse, assuming she can pass his demanding quiz about the Baltimore Colts.  (That may sound unfair but if you’re from Baltimore, you’ll understand.)  While Eddie gets ready for his wedding, Shrevie’s marriage to Beth (Ellen Barkin) seems to be falling apart and she finds herself tempted to cheat with Boogie, who has his own problems with a local bookie.  Meanwhile, Billy learns that his girlfriend (Kathryn Dowling) is pregnant.

The film is about friendship and the friendships between the men feel real.  Levinson held off on shooting the largely improvised diner scenes until the end of the film, by which time all of the actors had developed their own idiosyncratic relationships with each other.  The heart of Diner is to be found in scenes like the one where Modell tries to ask for someone else’s sandwich without actually coming out and asking for it.  The dialogue in that scene and so many others has the ring of age-old friendship.  Though the film makes it easy to see why Mickey Rourke and Kevin Bacon become movie stars while Tim Daly has spent most of his career on television, the entire cast is still perfect in their roles.  It’s about as strong as an ensemble as you could ever hope to see.  They become the characters and watching the movie, it’s impossible not to see yourself and your friends in their performances.

Barry Levinson has gone on to direct many more films but for me, Diner will always be the best.

 

Retro Television Review: Welcome Back, Kotter 3.16 “Sweatwork”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Arnold Horshack becomes the mad prophet of the air waves.

Episode 3.16 “Sweatwork”

(Dir by Bob Claver, originally aired on December 22nd, 1977)

At the new apartment, Gabe tells Julie about his Uncle Herman.  “He’s a sports mechanic,” Gabe explains, “He fixes basketball games.”

Hey, that’s illegal!

Meanwhile, at the school, Woodman asks to meet with Freddie.  Freddie agrees, even though Woodman has been acting strangely.  Woodman enters the classroom and immediately asks for a high five, holding up his hand and saying, “Right on, bro.  Skin me.”

Woodman is excited because the school board is giving money to every high school to start a radio station.  And the station that gets the highest ratings will receive a trophy.  Buchanan High has never won a trophy before.  Because Freddie has radio experience, Woodman want Freddie to be in charge of Buchanan’s station.  Freddie agrees.

“That’s groovy!” Woodman says.

Juan Epstein and Darth Vader at the station

Freddie makes Epstein the consumer repairs reporter while giving Horshack the lead anchor role.  (Vinnie is also said to be a reporter but John Travolta is never actually seen in this episode.)  Unfortunately, Horshack turns out to be ratings poison.

“He reminds me of Tokyo Rose,” Woodman says, while listening to Horshack.  “Bye bye, young G.I.”

Freddie follows Woodman’s orders and fires Horshack but he does agree to allow Horshack one more broadcast to say goodbye.  Grabbing the microphone, Horshack asks his listeners to go to their windows and shout, “I’m fed up, Arnold …. AND I DON’T CARE WHO KNOWS IT!”

Suddenly, Horshack is ratings gold.  He’s the mad prophet of the air waves.  He has fans who hang on his every word.  But when Horshack announces that the teachers should not be given a raise, he is invited to the Kotter apartment.  Gabe tells Horshack that he has meddled in the primal forces of nature and “YOU WILL ATONE!”

Horshack drops his anti-teacher rhetoric and goes back to being a normal, boring broadcaster.  His ratings crash.  Woodman vengefully announces that Horshack will be kept after school.

“This has been the story of Arnold Horshack,” Gabe says, “the only man kept after school for bad ratings.”

The episode ends with Gabe telling Woodman about how his Uncle Simon was buried in a rented tux and his father has to pay $15 a month as a result.  Woodman finds the joke to be hilarious and laughs so much that even Gabe starts to get nervous.

This episode, which you’ve already guessed was a parody of Network, had its moments.  Gabe is barely in this sone but I did enjoy his take on Ned Beatty’s famous monologue.  And any episode that features a lot of Woodman is going to be enjoyable because John Sylvester White was always delightfully unhinged in the role.  In the end, how one reacts to this episode will depend on how much tolerance one has for Ron Pallilo’s performance as Arnold Horshack.  By the time the third season came around, Pallilo’s performance in the role had gone from eccentric to cartoonish and a little of Horshack tended to be a lot.  Personally, I think Epstein should have been this episode’s Howard Beale.  That said, I chuckled quite a bit while watching this episode.  It was certainly better than the radio station episodes of Saved By The Bell.

Next week, Gabe freaks out when the Sweathogs are taught by a computer!  A.I. has been around a lot longer than I thought.

Live Tweet Alert: Join #ScarySocial for Exists!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2014’s Exists!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Exists is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Barry Levinson Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Happy birthday to Baltimore’s own Barry Levinson!

4 Shots From 4 Barry Levison Films

Diner (1982, directed by Barry Levison, DP: Peter Sova)

The Natural (1984, directed by Barry Levinson, DP: Caleb Deschanel)

Tin Men (1987, directed by Barry Levinson, DP: Peter Sova)

Avalon (1990, directed by Barry Levinson, DP: Allen Daviau)

 

 

Music Video of the Day: I Am The Walrus by Styx (2005, directed by ????)


This is one of the better Beatles covers that I’ve heard.  Styx does the song justice by not trying to add any greater meaning to John Lennon’s lyrics.  Many people have claimed that this song was actually about the death of Paul McCartney in an auto accident and how the Beatles replaced him with a look-alike but Lennon always said that most of the lyrics were just meant to be nonsense.  Lennon went as far as to cite Lewis Carroll as being the main inspiration for the song.

The trippy music video is fun and cheesy at the same time.  Unfortunately, I have not been able to find the name of the video’s director.

Enjoy!