Retro Television Reviews: A Great American Tragedy (dir by J. Lee Thompson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s A Great American Tragedy!  It  can be viewed on YouTube!

Brad Wilkes (George Kennedy) had a good career, working as an aerospace engineer.  He was able to buy a nice house.  With his wife, Gloria (Vera Miles), he was able to raise a good family.  He was even able to buy a sailboat, one that is the pride of the entire marina.  But then, one day, he’s told that the company is letting him go.

Returning to his home, Brad tells Gloria that he’s lost his job but that everything’s going to be okay because not only does he have a $10,000 pension but he’s sure he can find a new job.  “Of course, I might not be making $35,000 a year….” he says.

(Watching at home, I said, “Pfffft!  I make more than that!”  But, of course, Brad is talking about $35,000 in 1972 money, which would be the equivalent of a quarter of a million today.)

However, Brad soon discovers that getting a new job will not be as easy as he assumed.  It turns out that there are a lot of people out there looking for work and most of them are younger, cheaper, and better educated than Brad.  The bills start to pile up.  His former boss (Robert Mandan) informs Brad that his pension is going to be $7,000 less than he thought.  Brad forces himself to go down to the unemployment office so that he can collect $25 a week and then suffers the humiliation of being offered a loan by his well-meaning son-in-law (played by a youngish James Woods).  Gloria gets a job at the same clothing store where she used to shop and her lecherous boss (Kevin McCarthy) starts to hit on her.

For Brad, the final humiliation comes when he has to sell the boat.  A younger boat owner (Tony Dow, with a huge mustache) puts Brad in contact with a woman named Paula (Natalie Trundy).  Paula wants to buy the boat and, after they take it out on the water, Brad finds himself tempted to cheat on his wife.  It all gets to be too much for Brad and soon, he’s on a plane to Nevada where hopefully one good night at the craps table will be enough to pay his bills….

Watching this film, I found myself feeling very sorry for Brad while, at the same time, becoming very frustrated with him.  On the one hand, his company tossed him out after years of loyal service and then tried to screw him out of his pension.  On the other hand, Brad spent almost the entire movie in denial about how bad things actually were.  It’s one thing to be proud and it’s another to just be stubborn.  Knowing that he has next to no money, Brad still insists on throwing his annual 4th of July party and he even invites his former boss to come over and celebrate.  Brad simply cannot bring himself to admit that his old life is over but really, who can blame him?  He’s not the one who chose to be fired.

A Great American Tragedy was directed by J. Lee Thompson, who also did Cape Fear, The Guns of Navarone, the Planet of the Apes sequels, and several Charles Bronson films.  There are no fight scenes to be found in A Great American Tragedy but Thompson does get good performances from his cast and the film makes great use of George Kennedy’s likability.  The viewer remains sympathetic to Brad, even when he makes mistake after mistake.  A film about a formerly secure family suddenly discovering just how much the economy sucks, A Great American Tragedy remains just as a relevant today as when it was first made.

Music Video of the Day: Perhaps by Guns N’ Roses (2023, directed by ????)


Today’s music video of the day is the latest video from the veteran rockers Gun N’ Roses.

This video is the first to have been filmed since the return of Slash to the band.  Watching this video, it’s interesting to see the members of the Guns N’ Roses, all older and more weary but still as proficient at rocking out as they were in their youth.

Enjoy!

Lisa Marie’s Week In Television: 8/13/23 — 8/19/23


Big Brother 25 (24/7, CBS and Paramount Plus)

I wrote about Big Brother here!

The Challenge: USA (Sunday and Thursday Night, CBS)

I did have this show on in the background on Thurdsay night but, if you want to know how little I paid attention to this episode, just consider that I somehow missed Paulie coming out until I read about it on twitter afterwards.

City Guys (YouTube)

I wrote about City Guys here!  I’m nearly done with this show!

Claim to Fame (Monday Night, ABC)

J.R. was eliminated this week.  It’s still a cute show but I don’t really care that much about any of the relatives left.

Dr. Phil (YouTube)

Sunday morning, as I waited for the Big Brother live feeds to come back, I watched an old episode of Dr. Phil on YouTube.  A mother was upset that her teenage daughter was dating a registered sex offender.  Her daughter insisted that it was no big deal and that her boyfriend had changed.  It turned out the daughter was naïve but the mother was overbearing and a bit hypocritical herself.

On Thursday and on Saturday, I watched a few episodes about trashy in-laws because I needed some background noise.  They all kind of blended together, to the extent that I’m not even sure how many episodes I ended up watching.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Night Flight (Night Flight Plus)

On Friday night, I joined Jeff and our friend Pat in watching an episode about British pop stars.  It was a fun episode!

The PGA Tour on CBS (Sunday, CBS)

I refuse to apologize for liking golf.  I didn’t even care that the tour totally preempted Big Brother on Sunday.  I enjoy looking at the courses.

Radio 1990 (Night Flight Plus)

On Saturday morning, Jeff and I joined our friend Pat in watching an episode of this old music program.  The episode featured a profile of Van Halen.

60 Minutes (Sunday Night, CBS)

Because golf ran late on Sunday, I sat through an episode of 60 Minutes as I waited for Big Brother to start.  I can’t remember anything about any of the stories that they showed.  60 Minutes has always seemed like such a strange show to me.  It feels like a show that’s permanently frozen in the past century.  That said, I appreciate the way the stopwatch always tells me how many more minutes are left in each episode.

Stars on Mars (Monday Night, Fox)

Ariel, who was the person on Mars to whom I related to, volunteered to be sent back to Earth.  If I was a producer of this reality show, I would be concerned by the fact that all of the participants keep volunteering to be kicked off the show.

Superfan (Wednesday Night, CBS)

People competed for the title of being Shania Twain’s biggest fan.  It was dumb and it’s tempting to blame the show on the dearth of new scripted content during the writer’s strike but, to be honest, the networks were airing game shows just this stupid on television before everyone went on strike.

T. and T. (Tubi)

I wrote about T. and T. here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Retro Television Reviews: Welcome Back Kotter 1.22 “Father Vinnie”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the first season comes to an end with a surprisingly touching episode.

Episode 1.22 “Father Vinnie”

(Dir by Bob LaHendro, originally aired on February 26th, 1976)

At the apartment, Gabe asks Julie if he’s ever told her about his Uncle Jerry and Aunt June and how, on their 40th wedding anniversary, they took a second honeymoon.  Aunt June was feeling romantic and asked Jerry to bite her neck, just like he did when they were newlyweds.

“Wait a minute,” Jerry replied, “I’ll get my teeth.”

(Gabe comes from a very old family, I’ve noticed.)

At school, Gabe teaches his class about the Russian revolution.  Horshack asks where Kotter “learned all that stuff.”  Gabe replies that he saw Dr. Zhivago four times.  Horshack breaks out into wheezy laughter.  All the Sweathogs are amused but …. WHERE’S BARBARINO!?

Barbarino shows up, just as the bell for lunch is ringing.  Depressed, he barely acknowledges Gabe’s question as to where he’s been.  Instead, he sits down at the classroom window and stares at the rain falling outside.  Epstein tries to cheer him up by reading some his latest “excuse notes.”  They’re all in verse!

“Roses are red, violets are blue, I’ve been home two days with the Spanish flu.”

Freddie reads note that Epstein wrote for him.  “Please excuse me for missing your lecture on mold but I was home sick with a bad head cold.”

Barbarino is not amused.  He explains that he’s just gotten back from the hospital, where his 87 year-old grandmother is dying.  “She’s got a bad case of being old,” Barbarino explains.

The Sweathogs discuss death.  Epstein doesn’t worry about it because he has a note for wherever he goes.  Horshack mentions that he’s against death.  Freddie, always the pragmatist, says that death is something that you have to accept.

Barbarino explains that his grandmother’s dream was always for him to become a priest and now that she’s dying, he has to do it!  The other Sweathogs scoff at the idea and Gabe tells him that not everyone is cut out to be a priest.  Despite not wanting to become a priest himself, Barbarino is stunned by their lack of faith and decides that he is going to become a priest just to show them.

A few days later, in the teacher’s lounge, Mr. Woodman tells Gabe that Barbarino just blessed Epstein’s gym locker and that he’s now walking around the school and telling people that he loves them.  Gabe, however, is depressed because Barbarino’s grandmother has died and now he’s thinking about all the family members that he’s lost and used for material for his stand-up routine.  Woodman mentions that Epstein’s mother died four times over the course of the previous school year.

Gabe asks Woodman if he ever thinks about death.  Woodman replies, “Mot people want to go quickly but not me.  I want to linger.  I want to be a burden to people for as long as possible.”

(As always, John Sylvester White brilliantly portrays Woodman’s mix of bitterness and what appears to be genuine mental instability.  As played by White, Woodman could announce that he had just spent the morning attacking muggers on the subway and it would be a laugh-out-loud funny line.)

Carrying a bible, a much changed Barbarino enters the teacher’s lounge.

Barbarino says that he forgives Gabe for the previous day’s pop quiz.  Gabe tells Barbarino that he doesn’t need to forgive him, he just needs to study.  When Barbarino replies that he no longer needs to study because the Lord is his shepherd, Gabe tells him that he’s taking the religion thing too far.

The next day, in the school hallway, Barbarino interrupts a Sweathog dice game and tells Horshack that he loves him.

“I’ve always been fond of you,” Horshack says.

Barbarino suggests that the Sweathogs should give their money to the poor.

“We are the poor!” Freddie replies.

A blonde named Bambi asks if Barbarino is going to meet her at their usual place “behind the billboard.”  Horshack replies that Barbarino is now a priest.  After an offended Bambi walks away, Barbarino has a meltdown in the school hallway, saying, “I can’t take it!”  Gabe steps out of his classroom and says that maybe he’s not cut out to be celibate.  The other Sweathogs start taunting Barbarino about all of his now ex-girlfriends.  Barbarino realizes that it will be okay for him not to become a priest but he worries about how he’s going to tell his mother.

Epstein writes an excuse note for Barbarino to give to his mother, though he asks Gabe to sign because Epstein has yet to figure out how to forge his signature.  The note reads,  “Dear Mrs. Barbarino, they were shocked when you had a son, because that meant you could not be a nun.  I hope you won’t mind this as a reason but your son Vinnie will not be a priest.  Signed, Epstein’s teacher.”

Back at the apartment, Gabe tells Julie about his Uncle Morris, who was so thrifty that he never gave any money to charity.

And with that, season one ends!  Wisely, Welcome Back, Kotter ended by focusing on Barbarino.  All of the actors playing the Sweathogs were talented and all of them did a good job in the episodes that focused on them but, from the start, John Travolta was clearly the star and Travolta does a pretty good job of capturing both Barbarino’s sweet-natured stupidity and his earnest sincerity in this episode.  It was hard not to be emotionally moved by his desire to make his grandmother’s dying wish come true, even though it wasn’t what he wanted to do with his life.  This was a rare sitcom episode that dealt with religion in an even-handed manner while still remaining funny and non-preachy.  All in all, this was not a bad way to end the first season.

(I have to admit that I wasn’t expecting much from Welcome Back, Kotter but I’ve certainly enjoyed watching and reviewing the first 22 episodes.)

Next week, season two begins!

Live Tweet Alert: Watch The Town That Dreaded Sundown with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1976’s The Town That Dreaded Sundown!  Who was Texarkana’s Phantom Killer!?  Join us to investigate the mystery!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Music Video of the Day: Wonderin’ by Neil Young and The Shocking Pinks (1983, directed by Tim Pope)


I was going to feature Neil Young’s controversial video for This Note’s For You today but it turns out that the video can’t be embedded anywhere outside of YouTube.  That is probably because of a scene in the video in which a Michael Jackson impersonator sets his hair on fire while filming a commercial.  This was based on a real-life incident and when it was recreated for the music video, it led to Michael Jackson threatening legal action and MTV briefly banning the video.

So, I decided to go with a different Neil Young video.  Wonderin‘ comes from Young’s 13 studio album, 1983’s Everybody’s Rockin’.  The album was a “rockabilly” album and featured Young performing with a band called The Shocking Pinks, who were put together specifically for the album.

Enjoy!

Retro Television Reviews: T. and T. 1.3 “Settling the Score” and 1.4 “Stowaway”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. Turner confronts the man who framed him!

Episode 1.3 “Settling the Score”

(Dir by Allan Goldstein, originally aired on January 25th, 1988)

“In this episode,” Mr. T tells us before the opening credits, “a young boxer is accused of throwing a fight.  While Amy tries help him clear his name, I get a rematch with the man who sent me to prison.”

The episode opens with T.S. Turner in a very polite Canadian bar, watching a boxing match.  He’s shocked when the favored boxer, “Dancin'” Joe (Louis Ferreira), starts to act groggy and is knocked out in the 2nd round.  The next day, at the courthouse, people are talking about how Joe obviously took a dive.  Amy, however, is busy keeping her latest clients out of jail.

“Hey, Amy,” T.S. asks, “what’s the score today?”

“Justice triumphed,” Amy says, “Suspended sentence.”

Woo hoo!

Amy then asks T.S. about Dancin’ Joe’s boxing lisence.  T.S. reveals that the Commission suspended Dancin’ Joe and now they’re after his friend Decker because Dancin’ Joe trained at Decker’s gym.

“They’re after his lisence, too?” Amy asks.

“No one gets away clean,” T.S. growls.

T.S. thinks that Dancin’ Joe was forced to take a dive by Targon (Steven Makaj), the same gangster who earlier framed T.S. for the beating death of his manager.  T.S. confronts Targon in his bar.  (All gangsters have a bar.)

“A little far from home, aren’t you, Turner?” Targon says.

“Yeah,” T.S. replies, “and traveling don’t improve my temper …. I know you got to Dancin’ Joe.  But this time, you’re going down!  Last night’s fix makes it a whole new ball game.”

(Really, the main pleasure of T. and T. is listening to Mr. T speak.)

Back at the gym, a bruised Dancin’ Joe shows up to tell Decker and T.S. that he didn’t throw the fight.  According to Dancin’ Joe, he suddenly started to feel woozy during the fight.  Maybe Amy can help him get his license back!

This leads to a scene of T.S. Turner, shadowboxing while wearing a pink jumpsuit, and having flashbacks to the time that Targon demanded that he take a dive.  “T.S. Turner ain’t going in the tank!” T.S. declared before knocking out his opponent.  Targon framed T.S. for murdering his trainer.  (Fortunately, Amy was there to somehow get a second trial and win T.S. an acquittal.)

Turner starts to investigate the Dancin’ Joe’s fight so Targon decides to stop T.S. by …. framing him for a crime he didn’t commit!  (Hey, it worked before.)  Targon’s goon beats up Dancin’ Joe’s cornerman and Targon’s bartender calls the police and claims that he witnessed T.S. doing it.  Learning that there is a new warrant out for his arrest, T.S. hits the mean streets of Canada in an attempt to clear his name.

Luckily, the cornerman survived his beating and he informs T.S. that Targon put some sort of drug on Dancin’ Joe’s mouthpiece.  T.S. gets the mouthpiece from Decker, holds it up to his nose, and announces, “What they used, it don’t smell.”  Amy then shows up to tell T.S. that he needs to turn himself in and that the reports from the lab prove that Dancin’ Joe was drugged.  T.S. flees from the gym so he can track down the bartender who claimed to see him beating up the cornerman.

Because there’s only five minutes left in the episode, Targon and his men suddenly show up at the gym and take Decker and Amy hostage.  Fortunately, T.S. decides to come back to the gym and he rather easily beats up all of Targon’s men and Targon himself!

“Stop, T.S.,” Amy says, “Leave Targon for the law.”

“Look at me!” T.S. shouts at Targon, “I want you to see what’s coming!”  T.S. then runs his finger across his throat, allowing Targon to know that he will be heading to one of Canada’s prisons.  Fortunately, for Targon, Canada has no death penalty.

With Targon captured, Dancin’ Joe gets to fight again and T.S. makes peace with Detective Jones (Ken James), the man who arrested him years ago and who has always doubted his innocence.

“I’m never going to change,” the Detective says.

“Neither am I,” T.S. growls.

Woo hoo!  You tell ’em, T.S!

Episode 1.4 “Stowaway”

(Dir by Allen Kroeker, originally aired on February 1st, 1988)

“In this episode,” Mr. T says, “A runway kid has to grow up quickly when his friendship is tested and life depends on the outcome.”

“You know, when I was small,” T.S. says, “I used to think about running away also, but I didn’t realize my mother was doing the best she could with what she had.”  T.S. delivers these lines from a hospital bed, which is where he spends most of this episode.  While searching for a runaway named Fabian (Sean Roberge), T.S. got hit on the back of the head by a group of smugglers, temporarily taking him out of action.

Indeed, the majority of this episode is dominated not by T.S. Turner and Amy Taler but instead by Captain Grayson (played by the episode’s special guest star, Don Stroud).  Captain Grayson is the captain of a boat that transports goods to South America.  Fabian befriended Captain Grayson when he went to the docks to draw pictures.  When Fabian runs away from home because he wants to go to sea with Captain Grayson, he discovers that Grayson is smuggling guns.

“People need those guns,” Grayson explains.

“Guns hurt people!” Fabian yells.

Anyway, Grayson is a good-hearted smuggler but his boss is not.  Grayson is ordered to keep Fabian on the boat and to drop him off somewhere in South America.  However, Grayson feels very guilty about this and Don Stroud, who is probably best-remembered for playing the convict who Clint Eastwood tracked to New York in Coogan’s Bluff, does a really good job of portraying Grayson’s inner conflict.  Grayson finally decides to let Fabian go home.  At the same time, T.S. Turner sneaks out of his hospital bed and rescues Fabian from the other smugglers, none of whom are as good-hearted as Grayson.

“If you really want to make your mother proud of you,” T.S. tells Fabian, “stay in school, get a good education, learn to become an architect, and never run away again.”  T.S. also convinces Fabian to forgive Grayson for holding him prisoner.  “Little brother, that man cares for you.”

These were two good episodes of T. and T.  Yes, the plots were predictable but the appeal of this show is listening to Mr. T talk and sound like Mr. T.  And Mr. T does a lot of talking in these two episodes.

Live Tweet Alert: Join #FridayNightFlix for I’m Gonna Git You Sucka!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got the 1988 comedy, I’m Gonna Git You Sucka!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

I’m Gonna Git You Sucka! is available on Prime!  See you there!