As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1987’s The Principal!
This film features Jim Belushi in his greatest role, high school school principal Rick Lattimore! Rick rides a motorcycle, introduces his students to the concept of “No more!,” and teaches a kid to read! He extends a hand to drug dealer Victor Duncan. When Victor threatens to cut Rick’s hand off, Rick replies that he’s got another! “He’s the principal, man!” Of course, it all leads to a big afterschool fight. You don’t become the principal if you don’t know how to throw a punch or two!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Today’s music video of the day is for INXS’s Don’t Change, from their third album, Shabooh Shoobah. Though INXS had been around for a while and had released two previous albums before releasing Shabooh Shoobah, Don’t Change is often described as the song that introduced the band to the world outside of Australia.
The song’s video was originally envisioned as featuring the band performing on airport runway. However, due a bad weather, the band was instead forced to film and perform the song in a nearby hangar. The video was directed by Scott Hicks, who would later go on to direct Geoffrey Rush to his first Oscar in 1996’s Shine.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on Tubi!
Roll with the city guys!
It’s Thursday and that means that it’s time to review two more episodes of City Guys! When last I reviewed this show, I was wondering whether the show would improve on its first two episodes. Actually, I wasn’t so much much wondering as I was hoping. (Maybe even praying….) But before we examine episodes 3 and 4 of City Guys, let’s get in the mood:
City-wide! We’re all the same …. you know the drill.
Episode 1.3 “Knicks Tickets”
(Directed by Frank Bonner, originally aired on September 20th, 1997)
At the end of the second episode of City Guys, Chris and Jamal were best friends and the principal, Ms. Noble, was acting as if she had known them and all the other students at Manhattan High for years.
However, the third episode finds Chris and Jamal still engaged in the adversarial relationship that they had during the first episode. They’re working together on the video yearbook but neither is happy about it. Chris is determined to date Cassidy Guiliani. (Yes, that’s her last name. Rudy was mayor of New York when this show aired but I have no idea if Cassidy is meant to be a relative or not.) Jamal is still referring to Chris as being “some rich white boy.” Neither one of them knows enough about Ms. Noble to understand that they’ll always get caught if they try to fool her.
My guess is that the third episode was originally meant to be the second episode but, when the show originally aired, the episodes were shown out of order. This is something that NBC was notorious for doing with its TNBC shows. (It also explains why Zach Morris’s age seemed to change so dramatically from one episode to another of Saved By The Bell.) Technically, showing a show like City Guys out of order is not the greatest outrage that’s ever occurred even in the history of television but it is an indication of how little NBC cared about things like maintaining continuity or, for that matter, respecting the ability of its audiences to realize that something strange was happening. It’s just one of those things that annoys me to no end.
As for the plot of this episode, Ms. Noble has arranged for the class to attend a performance of MacBeth in Central Park. Ms. Noble wants Chris and Jamal to film the performance for the video yearbook and she also wants them to get Patrick Stewart’s autograph. (Patrick Stewart, we’re told, is playing MacBeth and that sounds pretty badass, to be honest.) However, Chris, Jamal, and Cassidy skip school and go to a Knicks game instead. Naturally, Ms. Noble sees them on television and eventually, Jamal and Chris have to come clean and….
Wait a minute. Didn’t all this happen on Saved By The Bell? Zach pretended to be Jewish so he could skip school and go to a baseball game and he was caught on television. Of course, Zach still got away with skipping because Mr. Belding and Zach’s parents didn’t watch the game. Ms. Noble, however, is a far better principal than Mr. Belding. Instead of accusing Jamal, Chris, and Cassidy of skipping, she waits for their guilt to force them to confess.
But what if they hadn’t confessed? Well, I guess Ms. Noble would have looked pretty stupid.
Speaking of stupid, that’s what this episode was. Let’s move on.
Episode 1.4 “The Package”
(Directed by Frank Bonner, originally aired on September 27th, 1997)
Every TNBC show had to have an annoying sidekick and, on City Guys, that role was fulfilled by Al. Al rode a bicycle, worked as a messenger, had “connections,” and had an annoying habit of shouting, “Bam!” at random moments.
The fourth episode opens with Al telling Chris and Jamal that he has a new job. All he has to do is deliver one package a day for Tonio and Tonio shows his gratitude by paying Al an exorbitant amount of money. Chris and Jamal inform Al that Tonio is obviously a drug dealer. Al argues that Tonio is just an electronics salesman.
Tonio eventually shows up on a campus to discover why his latest package hasn’t been delivered. He’s wearing a gold medallion and he’s accompanied by two silent men who keep their hands in their jackets.
Yes, Tonio’s a drug dealer.
Fortunately, Chris, Jamal, and Ms. Noble are able to help Al get out of his bad situation. When Tonio tries to threaten Al, Ms. Noble orders him off campus and Tonio leaves …. once again proving that even drug dealers respect the authority of a caring principal. What was odd about City Guys is that apparently, all problems were resolved by whatever happened in front of the school or, occasionally, up on the roof. No one seems to be concerned that Tonio might just decide to wait outside of school until the bell rings and Al has to leave campus. Instead, Ms. Noble told everyone to go to class and …. hey, problem solved! (Admittedly, Ms. Noble does say that she’s going to call the police and let them know what’s going on but seriously, New York is a big city and there’s only so many cops.)
That’s just the way it was in the world of TNBC. There wasn’t a problem in the world that couldn’t be solved in just 20 minutes.
Anyway, The Package was well-intentioned but pretty dumb. How would Al not have known that Tonio was a drug dealer? To its credit, the show does feature Ms. Noble suggesting that Al was deliberately fooling himself because he wanted the money that Tonio was willing to pay him but still, the whole thing felt a bit contrived. “If you see something, say something!” this episode says, while giving little thought to what happens to snitches in real life. This isn’t Bayside and no one can magically stop time.
That’s it for this week’s City Guys! Next week, Chris and Jamal continue to heal America!
The video below features flashing lights and similar visual effects that may be difficult for viewers with photosensitive epilepsy so, as always, watch it at your own discretion.
This music video features Anthrax doing what they did best, rocking it. Like many of the older metal bands, Anthrax usually kept it simple when it came to their music videos. Instead of going for gimmicks or a lot of bells and whistles, they just picked up their instruments and played as fast and as loud as they could. It’s not a bad approach. Though this video does feature clips of cattle and construction, it still puts the band front and center.
The song was recorded and this music video was shot during the time that John Bush was lead singer of the band, replacing Joey Belladonna after the latter was fired. Belladonna, of course, would later rejoin the band.
Who directed this? I have no idea. Neither does the imdb or the imvdb.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Welcome aboard, it’s love!
Produced by Aaron Spelling, The Love Boat is one of the signature shows of the 70s and the 80s. Each week, the Pacific Princess would set off for a different location with a different group of guest stars. Typically, each episode would feature three stories. One story would be silly fun. One story would be a dramedy. And then one story would typically feature a member of the Love Boat crew either falling in love or worrying about losing their job. It was a tremendously silly show but, from the episodes I’ve seen, it was also very likable. If nothing else, the ship looked really nice.
While the passengers changed from week-to-week, the crew largely remained the same. During the show’s first season, the crew was made up of:
Captain Merrill Stubing (Gavin MacLeod), who started out as a stern, no-nonsense captain but who became significantly nicer and a good deal goofier as the series progressed,
Adam “Doc” Bricker (Bernie Kopell), the ship’s doctor who hit on every woman who boarded the boat and who probably would have been an HR nightmare if the show actually took place in the real world,
Gopher (Fred Grandy), the ship’s purser who …. well, I’m not sure what a purser does but hopefully it wasn’t too important of a job because Gopher was always getting into weird situations,
Isaac (Ted Lange), the ship’s bartender who spent the entire cruise getting people drunk,
and Julie (Lauren Tewes), the cheerful cruise director.
And, of course, we can’t forget the true star of the show, the theme song!
Before the series, there were three made-for-television movies: The Love Boat (1976), The Love Boat II (1976), and finally The New Love Boat (1977). These movies served as pilots for the show. The first movie featured an entirely different cast playing the ship’s crew. Kopell, Lange, and Grandy first played their roles in The Love Boat II. MacLeod and Tewes came aboard in The New Love Boat. Unfortunately, these pilots aren’t available on Paramount Plus but, fortunately, the rest of the series is.
So, let’s set sail on a course for adventure with the first episode of The Love Boat!
Episode 1.1 “Captain & The Lady/Centerfold/One If By Land….”
(Directed by Richard Kinon, Stuart Margolin, and Alan Rafkin, originally aired on September 24th, 1977)
The Pacific Princess is about to set sail but all is not right on the cruise ship that some call The Love Boat.
Ginny O’Brien (Brenda Sykes) just wants to get away from her longtime boyfriend, Ronald (Jimmie Walker). Ginny wants to marry Ronald but Ronald just wants to have a good time. When Ginny boards the cruise, Ronald decides to follow her. The only problem is that the cruise is sold out and Ronald can’t break the law by stowing away. (I was actually surprised that didn’t happen. I can imagine The Love Boat writers room descending into chaos as the writers argued about whether or not it was too early to do a stowaway story.) Ronald decides to follow the Love Boat from port to port, just so he can show Ginny that he is committed to something. Ginny ends up spending her entire cruise wondering if Ronald is going to be make it to every port. To me, it felt as if her cabinmate (Suzanne Somers) seemed to be kind of annoyed about getting sucked into all of Ginny’s personal drama but that could just be projection on my part. I know that I would certainly get annoyed by it.
Meanwhile, Congressman Brad Brockway (Shelly Novack) has set sail with his fiancée, Sandy (Meredith Baxter-Birney). When Sandy was younger, she posed for a sleazy photographer. Now that she’s engaged to the Congressman, a tabloid has published those pictures. Sandy spends the entire cruise trying to keep Brad from seeing any copies of the magazine. The only problem is that the magazine is sold in ship’s gift shop! (Did most cruise ships sell adult magazines in their gift shop? I supposed it’s possible. It was the 70s….) Sandy manages to get almost every copy of the magazine but misses the copy that Doc keeps in his examination room. Doc looks at the pictures and tells her that she has nothing to be ashamed of because the pictures look good. That really wasn’t her main concern, Doc. Anyway, it turns out that the Congressman doesn’t care. Personally, I would have preferred that the story had ended with Sandy announcing that she was the one who didn’t care.
Finally, Captain Stubing is a nervous wreck because an executive of the cruise line named Aubrey Skogstad (Robert Symonds) is on the cruise and so is his wife, Stacy (Bonnie Franklin). While Aubrey is quiet and polite, Stacy proceeds to tell every member of the crew that they are inadequate and that she will personally make it her duty to get them all fired. It turns out that Stacy is hostile because she’s Captain Stubing’s ex-wife. Since Captain Stubing is still new to the ship and has kept himself aloof from the rest of the crew, they wonder if he’ll ever stand up for them. Eventually, the captain tells Stacy off and, in doing so, he finally wins the loyalty of his crew. Yay!
Anyway, the first episode of The Love Boat was very, very 70s. The only thing that could have made it more 70s would have been a disco ball on the lido deck. Fortunately, as our long-time readers know, I’m a total history nerd so I enjoyed the show as a floating time capsule. It’s one thing to watch a movie that’s set in the 70s and which features everyone going out of their way to bring to life every stereotype. It’s another thing to actually view something that was specifically made during the time period.
Unfortunately, the stories and the passengers themselves were pretty forgettable. The whole thing about the Stacy and the Congressman was slightly interesting just because, with the rise of social media, everyone’s got smutty pictures out there now. For the most part, though, this first episode was about introducing Captain Stubing and the crew and the cast did display a good deal of chemistry together. They were all likable. Even Doc Bricker, with his stash of cruise porn, seemed to be well-intentioned. They came across as people who most viewers would want to take a cruise with, which is exactly what the show required to be a success.
Next week …. more love, more 70s fashion, and more intrusive laugh tracks as we set sail on another voyage!
The director Elia Kazan was born 113 years ago, in what was then the Ottoman Empire and what is today Turkey. Though he died in 2003, Kazan has remained a controversial figure and there’s still a lot of debate over what his artistic legacy should be. As a director, he revolutionized both Broadway and Hollywood. He made films about topics that other directors wouldn’t touch and he played a huge role in making Marlon Brando a star and popularizing the method. (I’ll allow you to decide whether that’s a good or a bad thing.) He won two Oscars and he’s been cited as an influence by some of the most important directors of the past century.
Kazan was also a former communist who, at the height of the 50s red scare, testified in front of the HUAC and who “named names.” Kazan often claimed that he only identified people who had already been named. Many of his former colleagues, however, felt that Kazan had betrayed them and never forgave him. Though Kazan always denied it, many felt that his decision to name names had more to do with settling personal scores than with any actual concern about national security. Not helping matters was that Kazan’s 1954 film, On The Waterfront, was widely viewed as being Kazan’s attempt to justify being an informer. Indeed, Kazan’s post-HUAC films seemed to alternate between thinly veiled attempts to paint himself as a hero and attempts to remind people that he was still a liberal.
That adds an interesting subtext to his best film, 1957’s A Face In The Crowd. In this film, Andy Griffith plays Lonesome Rhodes, the type of down-home entertainer who would probably have been quite popular with the supporters of HUAC. A reporter played by Patricia Neal falls in love with Lonesome and helps him become a celebrity with a national following but, too late, she discovers that Rhodes is hardly the folksy and naïve country boy that she originally believed him to be. Instead, he’s a master manipulator who, drunk on his own power and fame, makes plans to transform himself into a political power. Lonesome is portrayed as being a down-home fascist, a countryfied version of the infamous Father Charles Coughlin. At the same time, one could also argue that Rhodes, with his seething contempt for the people who follow him, was also meant as a commentary on the people who claimed to represent the workers but who only saw them and their struggle as a means to an end.
A Face In The Crowd may have been Kazan’s attempt to remind his detractors that he was still a man of the Left but it’s far more interesting as a work of prophecy. There’s really not much difference between Lonesome Rhodes and the modern day celebrities and influencers who are currently famous simply for being famous and who, for the right amount of money and ego-stroking, are more than willing to propagandize for one side or the other.
In this wonderfully acted and directed scene, Lonesome Rhodes gets drunk on his own power and reveals just how corrupt his outlook has become. Making this scene all the more powerful is that it’s easy to imagine our current leaders springing something like Secretary of National Morale on us today.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to one our favorite directors, the great Dario Argento! It’s time for….
8 Shots from 8 Dario Argento Films
The Bird With The Crystal Plumage (1970, dir by Dario Argento, DP: Vittorio Storaro)
Deep Red (1975, dir by Dario Argento, DP: Luigi Kuveiller)
Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)
Inferno (1980, dir by Dario Argento, DP: Romana Albani)
Tenebrae (1982, dir by Dario Argento, DP: Luciano Tovoli)
Phenomena (1985, dir by Dario Argento, DP: Romano Albani)
The Stendhal Syndrome (1996, dir by Dario Argento, DP: Giuseppe Rotunno)
Sleepless (2001, dir by Dario Argento, DP: Ronnie Taylor)
Through the Shattered Lens 