Scenes I Love: The Martin Bat Spider Thing From The Angry Red Planet


My friends and I just watched the 1959 sci-fi film, The Angry Red Planet.  The scene below comes from that film and …. well, it’s the greatest thing ever.  Just watch!

(And yes, the scenes on Mars are tinted red, there’s nothing wrong with your screen.)

Go, Spider Bat, go!

Here Are The 2021 Nominations of the Online Association of Female Film Critics


Here are the 2021 nominations of the Online Association of Female Film Critics!  The winners will be announced on December 21st!

Best Film
Belfast
CODA
Spencer
The Power Of The Dog
The Worst Person In The World

Best Director
Kenneth Branagh – Belfast
Jane Campion – The Power Of The Dog
Julia Ducournau – Titane
Rebecca Hall – Passing
Denis Villeneuve – Dune

Best Breakthrough Filmmaker
Maggie Gyllenhal – The Lost Daughter
Rebecca Hall – Passing
Natalie Morales – Language Lessons
Edson Oda – Nine Days
Emma Seligman – Shiva Baby

Best Breakthrough Performance
Alana Haim – Licorice Pizza
Emilia Jones – CODA
Woody Norman – C’mon C’mon
Agathe Rousselle – Titane
Saniyya Sidney – King Richard

Best Female Lead
Jessica Chastain – The Eyes Of Tammy Faye
Renate Reinsve – The Worst Person In The World
Agathe Rousselle – Titane
Kristen Stewart – Spencer
Tessa Thompson – Passing

Best Male Lead
Nicolas Cage – Pig
Peter Dinklage – Cyrano
Andrew Garfield – Tick, Tick…Boom!
Joaquin Phoenix – C’mon C’mon
​Will Smith – King Richard

Best Supporting Female
Caitriona Balfe – Belfast
Ariana DeBose – West Side Story
Ann Dowd – Mass
Kirsten Dunst – The Power Of The Dog
Riley Keough – Zola

Best Supporting Male
Colman Domingo – Zola
Jason Isaacs – Mass
Troy Kotsur – CODA
Kodi Smith-McPhee – The Power Of The Dog
Jeffrey Wright – The French Dispatch

Best Acting Ensemble
Belfast
Mass
The French Dispatch
The Harder They Fall
The Power Of The Dog

Best Original Screenplay
Kenneth Branagh – Belfast
Julia Ducournau – Titane
Fran Kranz – Mass
Michael Sarnoski – Pig
Joachim Trier & Eskil Vogt – The Worst Person In The World

Best Adapted Screenplay
Jane Campion – The Power Of The Dog
Maggie Gyllenhal – The Lost Daughter
Sian Heder – CODA
Steven Levenson – Tick, Tick…Boom!
David Lowery – The Green Knight

Best Cinematography
Bruno Delbonnel – The Tragedy Of Macbeth
Andrew Droz Palermo – The Green Knight
Greig Fraser – Dune
Claire Mathon – Spencer
Ari Wegner – The Power Of The Dog

Best Animated Feature
Belle
Flee
Luca
Raya And The Last Dragon
The Mitchells vs. The Machines

Best Documentary
Flee
Julia
Summer Of Soul
The Rescue
Val

THE ROSIE
The OAFFC’s signature award celebrates the film that “best promotes women, their voices, and the female experience through cinema.”
I’m Your Man
Passing
Petite Maman
Shiva Baby
The Lost Daughter

The Portland Critics Association Honors The Green Knight!


As a part of their inaugural film awards, The Portland Critics Association has named The Green Knight as the best film of 2021!  This is the first Awards Season victory for the critically acclaimed fantasy film.

Here are the winners from Portland:

Best Picture
Last Night in Soho
Licorice Pizza
The Power of the Dog
The Green Knight
The Last Duel
West Side Story

Best Director
David Lowery, The Green Knight
Denis Villeneuve, Dune
Edgar Wright, Last Night in Soho
Guillermo del Toro, Nightmare Alley
Jane Campion, The Power of the Dog
Maggie Gyllenhaal, The Lost Daughter

Best Male Leading Role
Andrew Garfield, tick tick… BOOM!
Benedict Cumberbatch, The Power of the Dog
Denzel Washington, The Tragedy of Macbeth
Dev Patel, The Green Knight
Nicolas Cage, Pig
Will Smith, King Richard

Best Female Leading Role
Alana Haim, Licorice Pizza
Jessica Chastain, The Eyes of Tammy Faye
Kristen Stewart, Spencer
Lady Gaga, House of Gucci
Renate Reinsve, The Worst Person in the World
Tessa Thompson, Passing

Best Male Supporting Role
Bradley Cooper, Licorice Pizza
Jared Leto, House of Gucci
Jeffrey Wright, The French Dispatch
Kodi Smit-McPhee, The Power of the Dog
Mike Faist, West Side Story

Best Female Supporting Role
Ariana DeBose, West Side Story
Cate Blanchett, Nightmare Alley
Jessie Buckley, The Lost Daughter
Kirsten Dunst, The Power of the Dog
Ruth Negga, Passing

Best Ensemble Cast
Dune
House of Gucci
The French Dispatch
The Green Knight
The Harder They Fall
West Side Story

Best Animated Feature
Flee
Luca
The Mitchells vs. The Machines
Raya and the Last Dragon

Best Documentary Feature
Billie Eilish: The World’s a Little Blurry
Flee
Kurt Vonnegut: Unstuck in Time
Summer of Soul
The Sparks Brothers
The Velvet Underground

Best Film Not in the English Language
Drive My Car
Flee
Lamb
Petite Maman
The Worst Person in the World
Titane

Best Comedy Feature
Barb and Star Go to Vista del Mar
Licorice Pizza
Shiva Baby
The French Dispatch
The Mitchells vs. The Machines

Best Horror Feature
Candyman
Fear Street Part One: 1994
Last Night in Soho
Malignant
The Night House
Titane

Best Science Fiction Feature
Dune
Godzilla vs Kong
Oxygen
Eternals
The Tomorrow War

Best Oregon Feature
Everything in the End
Lorelei
Luz
Pig

Best Screenplay
Licorice Pizza
The French Dispatch
The Green Knight
The Lost Daughter
The Power of the Dog

Best Cinematography
Dune
Nightmare Alley
The Green Knight
The Power of the Dog
The Tragedy of Macbeth

Best Original Score
Dune
Last Night in Soho
No Time to Die
Spencer
The Power of the Dog

Best Costume Design
Dune
House of Gucci
Nightmare Alley
Spencer
The Last Duel
West Side Story

Best Production Design
Dune
Nightmare Alley
The French Dispatch
The Green Knight
The Tragedy of Macbeth
West Side Story

Best Sound Design
Dune
The Green Knight
The Harder They Fall
The Power of the Dog
tick tick… BOOM!
West Side Story

Best Visual Effects
Dune
Eternals
Godzilla vs Kong
No Time to Die
The Green Knight

Best Stunts or Action Choreography
Dune
No Time to Die
Shang-Chi and the Legend of the Ten Rings
The Harder They Fall
The Last Duel

Top 10 Films of 2021
The Green Knight
The Power of the Dog
Dune
The French Dispatch
West Side Story
Last Night in Soho
Licorice Pizza
The Worst Person in the World
The Lost Daughter
The Last Duel

Here Are The 2021 Nominations For The Black Reel Awards


Awards season continued today with the announcement of the 2021 nominees for the Black Reel Awards!  The winners will be announced in February!

Here are the nominees:

Outstanding Motion Picture
The Harder They Fall
King Richard
Passing
The Tragedy of Macbeth
West Side Story

Outstanding Director
Halle Berry – Bruised
Nia DaCosta – Candyman
Reinaldo Marcus Green – King Richard
Rebecca Hall – Passing
Jeymes Samuel – The Harder They Fall

Outstanding Actor
Mahershala Ali – Swan Song
Winston Duke – Nine Days
Jonathan Majors – The Harder They Fall
Will Smith – King Richard
Denzel Washington – The Tragedy of Macbeth

Outstanding Actress
Zazie Beetz – The Harder They Fall
Halle Berry – Bruised
Jennifer Hudson – Respect
Taylour Paige – Zola
Tessa Thompson – Passing

Outstanding Supporting Actor
Colman Domingo – Zola
Idris Elba – The Harder They Fall
Andre Holland – Passing
LaKeith Stanfield – The Harder They Fall
Jeffrey Wright – The French Dispatch

Outstanding Supporting Actress
Ariana DeBose – West Side Story
Aunjanue Ellis – King Richard
Regina King – The Harder They Fall
Rita Moreno – West Side Story
Ruth Negga – Passing

Outstanding Screenplay
Candyman – Nia DaCosta, Jordan Peele & Win Rosenfeld
The Harder They Fall – Jeymes Samuel & Boaz Yakin
In the Heights – Quiara Alegria Hudes
Passing – Rebecca Hall
Zola – Janicza Bravo & Jeremy O. Harris

Outstanding Documentary
Ailey
Citizen Ashe
My Name is Pauli Murray
Rita Moreno: Just a Girl Who Decided to Go for It
Summer of Soul (…Or, When the Revolution Could Not Be Televised)

Outstanding Foreign-Language Film
African America (South Africa)
Bitter Sugar (Tunisia)
Faya Dayi (Ethiopia)

Outstanding Ensemble
The Harder They Fall
In the Heights
King Richard
Passing
Zola

Outstanding Voice Performance
Eric Andre – The Mitchells vs. The Machines
Marsai Martin – Spirit Untamed
Maya Rudolph – Luca
Maya Rudolph – The Mitchells vs. The Machines
Zoe Saldana – Vivo

Outstanding Score
Candyman
The Harder They Fall
In the Heights
Passing
Respect

Outstanding Original Song
“Automatic Woman” (Bruised) – H.E.R., performer; Van Hunt, H.E.R. & Brittany Hazzard, writers
“Be Alive” (King Richard ) – Beyonce, performer; Beyoncé Knowles-Carter & DIXSON, writers
“Guns Go Bang” (The Harder They Fall) – Jay-Z & Kid Cudi, performers; Shawn “Jay-Z” Carter, Kid Cudi & Jeymes Samuel, writers
“The Harder They Fall” (The Harder They Fall) – Koffee, performer; Shawn “Jay-Z” Carter & Jeymes Samuel, writers
“Here I Am (Singing My Way Home)” (Respect) – Jennifer Hudson, performer; Carole King, Jennifer Hudson & Jamie Hartman, writers

Outstanding Independent Film
Concrete Cowboy
Nine Days
Test Pattern
The Water Man
Zola

Outstanding Short Film
54 Years Late
Coffee
The Door of Return
Junior
The Snakes

Outstanding Independent Documentary
100 Years from Mississippi
Big Chief, Black Hawk
I Still Breathe
Little Satchmo
Unzipped: An Autopsy of American Inequality

Outstanding Emerging Director
Halle Berry – Bruised
Janicza Bravo – Zola
Rebecca Hall – Passing
Ahmir “Questlove” Thompson – Summer of Soul (…Or, When the Revolution Could Not Be Televised)
Jeymes Samuel – The Harder They Fall

Outstanding Breakthrough Performance, Male
Deon Cole – The Harder They Fall
Edi Gathegi – The Harder They Fall
Joshua Henry – tick, tick…Boom!
Caleb McLaughlin – Concrete Cowboy
Anthony Ramos – In the Heights

Outstanding Breakthrough Performance, Female
Danielle Deadwyler – The Harder They Fall
Ariana DeBose – West Side Story
Taylour Paige – Zola
Saniyya Sidney – King Richard
Demi Singleton – King Richard

Outstanding First Screenplay
In the Heights
Passing
Zola

Cinematography
The Harder They Fall
In the Heights
Passing
The Tragedy of Macbeth
West Side Story

Outstanding Costume Design
Coming 2 America
The Harder They Fall
Passing
The Tragedy of Macbeth
West Side Story

Outstanding Editing
Bruised
The Harder They Fall
King Richard
Respect
Zola

Outstanding Production Design
The Harder They Fall
In the Heights
Passing
The Tragedy of Macbeth
West Side Story

The Eternal Abjectness Of Life : Bhanu Pratap’s “Dear Mother & Other Stories”


“As only the unreal is not ignoble and empty,” wrote J-K. Huysmans, “existence must be admitted to be abominable.” And while most of us enjoy the pleasures of the flesh to one degree or another, every once in awhile something comes along that makes you think Huysmans was probably on to something with that thought. So let’s talk Bhanu Pratap’s full-length debut (as far as I’m aware, at any rate) Dear Mother & Other Stories (Strangers Fanzine, 2021), shall we?

There’s a fair amount of “buzz” circulating about this comic in the corners of the internet I’m assuming most readers here pay attention to, and it’s not hard to see why : Pratap fucks with so many conventions and formalities those of us who rightly or wrongly consider ourselves to be possessed of a certain degree of “comics erudition,” if you will, like to see fucked with, from chronology to physicality to perspective to proportion, that it’s almost like an aesthete’s wish list on paper — but (and you saw this coming), I think much of the discussion misses something vital. This is no collection of “body horror” stories — it’s a collection of psychosexual horror stories that have bodily consequences.

First order of business with this comic, though, is getting one’s bearings within it, and sometimes that’s no easy task, both in terms of deciphering what Pratap is showing us, and when what we’re seeing takes places in relation to other events. More or less all of the more interpretive imagery is overtly sexual in nature, but hell — the same is true of the shit that’s easy to figure out. There’s sublimation galore to be found in these strips, but nothing particularly subliminal about its portrayal. And while the transformations and transmutations and transfigurations of bodies (or, sometimes, what used to be bodies) that Pratap delineates with such a Garo-informed eye toward the disturbingly lyrical are certain to grab your attention, by my reading almost all of them come about as a result of unmitigated (if not always unrequited) need. Indeed, to the extent we can be said to get to know the characters in these stories at all, we get to know them though the sheer force of their desperation — as well as the equally-desperate lengths to which they’ll go in order to try to sate it.

The “title track” story is the most obvious example of this, as a sex worker is literally sucked dry (though not of blood) by one of her customers who may or may not be an older iteration of the son who she’s breast feeding well past any sort of socially acceptable “cut-off point” in the first place, but if there’s one thing that’s perfectly clear throughout it’s that whatever she provides is never gonna be enough for either giver or receiver here, so bottomless is the hole they’re each trying to fill. Over at TCJ, Jog pointed out in his review (which, in fairness, is also where I poached these scans from, not finding sample pages online anywhere and not trusting my own shitty phone to do the art justice given this comic’s generous, magazine-sized dimensions) that the women in Pratap’s stories don’t fare too well, and that conclusion is certainly inescapable : just as the women in much of David Lynch’s work suffer for the redemption of others, Pratap’s are called upon to be instruments of psychological and biological sacrifice, only nobody’s coming out ahead in the deal. The men take all and still want more, the women offer all and still wish they had more to give. I told you Huysmans had it right — this whole corporeal existence thing is a goddamn abomination.

Pratap himself seems to acknowledge as much in “An interrogation Of A Man’s Body,” wherein a hapless asshole meets his end courtesy of his asshole — yup, you read that right, fatal flatulence — but even this wretched creature had a woman who loved him and can’t bear to let him go. I’m not in a position to psychoanalyze any cartoonist based on their work — after all, it could very well be that Pratap’s simply playing us all for suckers, and I’d actually congratulate him if that turned out to be the case — but the degree to which the very same themes pop up in these strips again and again can certainly lead a reasonable person to conclude that he’s working through a very particular set of issues, and ultimately finding no more resolution than his characters do. In that respect, there is a core of existential bleakness here that’s pretty difficult to deny, but equally undeniable is the “command to look” power with which the cartoonist imbues his work, both visually and conceptually. It’s one thing to ask whether or not our desires can ever truly be fulfilled, but Pratap takes it a step further by asking if we even deserve for them to be.
This, then, is some pretty weighty stuff any way you slice it — and trust me when I say things get sliced a lot of ways here, many of which you had likely never considered before. Whether or not it’s the year’s best work, as some seem to be inching toward proclaiming it, I couldn’t say, but in all likelihood it’s 2021’s most challenging comic, so don’t be surprised if your view of it is as fluid as the forms it depicts. Existence sucks and all, sure — but hey, at least it offers us plenty to think about.

**********************************************************************

Dear Mother & Other Stories is available for $12.00 from Strangers Fanzine at https://strangersfanzine.bigcartel.com/product/dear-mother-other-stories-by-bhanu-pratap-strangers-fanzine-presents

Also, this review is “brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Subscribing is the best way to support my continuing work, so I’d be very appreciative if you’d take a moment to give it a look by directing your kind attention to https://www.patreon.com/fourcolorapocalypse

The Chicago Film Critics Association Honors The Power of the Dog!


The Chicago Film Critics have named Jane Campion’s The Power of the Dog as the best film of the year!  Here are the winners from the Windy City:

BEST PICTURE
“Drive My Car”
“The Green Knight”
“Licorice Pizza”
“The Power of the Dog”
“West Side Story”

BEST DIRECTOR
Paul Thomas Anderson, “Licorice Pizza”
Jane Campion, “The Power of the Dog”
Ryûsuke Hamaguchi, “Drive My Car”
David Lowery, “The Green Knight”
Steven Spielberg, “West Side Story”

BEST ACTOR
Nicolas Cage, “Pig”
Benedict Cumberbatch, “The Power of the Dog”
Andrew Garfield, “tick, tick…BOOM!”
Hidetoshi Nishijima, “Drive My Car”
Simon Rex, “Red Rocket”

BEST ACTRESS
Jessica Chastain, “The Eyes of Tammy Faye”
Olivia Colman, “The Lost Daughter”
Alana Haim, “Licorice Pizza”
Agathe Rousselle, “Titane”
Kristen Stewart, “Spencer”

BEST SUPPORTING ACTOR
Bradley Cooper, “Licorice Pizza”
Colman Domingo, “Zola”
Mike Faist, “West Side Story”
Kodi Smit-McPhee, “The Power of the Dog”
Jeffrey Wright, “The French Dispatch”

BEST SUPPORTING ACTRESS
Caitriona Balfe, “Belfast”
Jessie Buckley, “The Lost Daughter”
Ariana DeBose, “West Side Story”
Riley Keough, “Zola”
Ruth Negga, “Passing”

BEST ADAPTED SCREENPLAY
“Drive My Car” by Ryûsuke Hamaguchi, Haruki Murakami & Takamasa Oe
“The Green Knight” by David Lowery
“The Lost Daughter” by Maggie Gyllenhaal
The Power of the Dog” by Jane Campion
“West Side Story” by Tony Kushner

BEST ORIGINAL SCREENPLAY
“The Card Counter” by Paul Schrader
“The French Dispatch” by Wes Anderson
“Licorice Pizza” by Paul Thomas Anderson
“Pig” by Michael Sarnoski
“Red Rocket” by Sean Baker & Chris Bergoch

BEST ANIMATED FEATURE
“Belle”
“Encanto”
Flee”
“Luca”
“The Mitchells vs. The Machines”

BEST DOCUMENTARY
“Flee”
“Procession”
“The Sparks Brothers”
Summer of Soul (…Or, When the Revolution Could Not Be Televised)
“The Velvet Underground”

BEST FOREIGN LANGUAGE FILM
“Drive My Car”
“A Hero”
“Petite Maman”
“Titane”
“The Worst Person in the World”

BEST ART DIRECTION/PRODUCTION DESIGN
“Dune”
“The French Dispatch”
“The Green Knight”
“Nightmare Alley”
“West Side Story”

BEST CINEMATOGRAPHY
“Dune,” Greig Fraser
“The Green Knight,” Andrew Droz Palermo
“The Power of the Dog,” Ari Wegner
“The Tragedy of Macbeth,” Bruno Delbonnel
“West Side Story,” Janusz Kaminski

BEST COSTUME DESIGN
“Cruella,” Jenny Beavan
“Dune,” Robert Morgan & Jacqueline West
“The Green Knight,” Malgosia Turzanska
“Spencer,” Jacqueline Durran
“West Side Story,” Paul Tazewell

BEST EDITING
“Drive My Car,” Azusa Yamazaki
“Dune,” Joe Walker
“The French Dispatch,” Andrew Weisblum
“The Power of the Dog,” Peter Sciberras
“West Side Story,” Michael Kahn & Sarah Broshar

BEST ORIGINAL SCORE
“Annette,” Ron Mael & Russell Mael
“Dune,” Hans Zimmer
“The French Dispatch,” Alexandre Desplat
“The Power of the Dog,” Jonny Greenwood
“Spencer,” Jonny Greenwood

BEST USE OF VISUAL EFFECTS
“Annette”
“Dune”
“The Green Knight”
“Nightmare Alley”
“Titane”

MOST PROMISING PERFORMER
Ariana DeBose, “West Side Story”
Alana Haim, “Licorice Pizza”
Emilia Jones, “CODA”
Rachel Sennott, “Shiva Baby”
Rachel Zegler, “West Side Story”

MILOS STEHLIK BREAKTHROUGH FILMMAKER AWARD
Maggie Gyllenhaal, “The Lost Daughter”
Rebecca Hall, “Passing”
Sian Heder, “CODA”
Michael Sarnoski, “Pig”
Emma Seligman, “Shiva Baby”