A Multiverse Unto Itself : Scott Finch’s “The Domesticated Afterlife”

Ryan C.'s Four Color Apocalypse

There is absolutely nothing about Baton Rouge-based cartoonist Scott Finch’s new long-form graphic novel, The Domesticated Afterlife, that can be compared to much else : at the margins, I suppose, it could be argued that it explores similar thematic territory to that mapped out by anarchist philosophers such as Jacques Camatte, John Zerzan, and Fredy Perlman (to name just a few), all of whom have espoused variations on the idea that domestication is inherently immoral and that the relative security offered by civilization is in no way worth the price paid given how much richness, vitality, and even meaning is lost when life distances itself from wild nature; and sure, the use of anthropomorphized animals to comment upon issues in the human world is nearly as old as comics itself, but honestly — Finch can’t be fairly said to be following tradition here, or to be marching to the…

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One response to “A Multiverse Unto Itself : Scott Finch’s “The Domesticated Afterlife”

  1. Pingback: Lisa Marie’s Week In Review: 11/8/21 — 11/14/21 | Through the Shattered Lens

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