The 11th music video to play on MTV on August 1st, 1980, the network’s first broadcast day, was When Things Go Wrong by Robin Lane and the Chartbusters.
This song and video are may not be as well-known as some of the other videos that aired that day but, in many ways, the video for When Things Go Wrong does predict what would become the standard MTV music video. As opposed to the performance clips that most bands of the era used as music videos, this video tells a story, complete with horses, ships at sea, and gothic cliffsides that look like something out of Wuthering Heights. This is the type of narrative video that would largely replace the stodgy performance clips of the past.
If you’re one of the many people who watched The Father and thought to yourself, “Good movie but I wonder what it would have been like if every character involved had been thoroughly unlikable and one-dimensional,” Falling might be for you.
I almost felt guilty writing that paragraph because Falling is the directorial debut of actor Viggo Mortensen and Mortensen has been very open about how several members of his family have struggled with dementia. He lost both his mother and his father to dementia and he served as his father’s caretaker during the last year of his life. As Falling is film about a man taking care of his father when the latter develops dementia, it’s easy to see that this film is a very personal one for Mortensen. Unfortunately, as both a director and a screenwriter, Mortensen basically leads his story straight into a dead end.
Lance Henriksen plays Willis Peterson, a bigoted and angry old farmer who is being taken care of by his estranged son, John (Viggo Mortensen) and John’s husband, Eric (Terry Chen). John hopes to find Willis a new and nearby place to live so that he and his sister, Sarah (Laura Linney), can check in on him. Willis is occasionally charming in a irascible old man way but, usually, he’s just abrasive, abusive, angry and a bit of a homophobe. He’s also losing his memory, continually forgetting that his wife is dead and talking about all of the ways that John and Sarah disappointed him when they were teenagers.
The film asks whether or not Willis was always an asshole or if he’s just asking like this because he’s suffering from dementia. That would be an interesting question if not for the fact that the film is also full of heavy-handed flashbacks that reveal that, without any doubt, Willis was always an asshole. The problem is that, once you realize that Willis was an unbearable young parent and an unbearable middle-aged crank, it becomes difficult to care much about him once he becomes an unbearable old man. If The Father showed how dementia changes one’s personality and way of looking at the world, the message of Falling seems to be that terrible things also happen to terrible people. And while that’s a certainly true statement, it doesn’t make for a particularly compelling narrative.
One does have to give Mortensen some credit for giving Lance Henriksen a leading role. Henriksen not only looks like he could conceivably by Viggo Mortensen’s father but he does what he can to suggest that, under all of the bluster and the anger and the hateful words, Willis is ultimately a man who is scared because the world is transforming into one that he’s not capable of understanding. That’s a idea that is present in the film almost solely due to Henriksen’s performance and the few scenes that are genuinely interesting to watch are almost all due to his efforts. There’s no winking at the audience during Willis’s many abrasive moments and Henriksen deserves credit for fearlessly and honestly playing a character that most viewers aren’t going to like.
Unfortunately, the rest of the film doesn’t live up to the promise of Henriksen’s performance. The script often feels repetitive and neither Mortensen nor Linney make much of an impression as Henriksen’s children. (Linney, as happens far too often, feels especially wasted, leaving viewers to wonder what happened to the actress who, long ago, gave such a fierce performance in Mystic River.) The scene where Henriksen meets Linney’s children is especially poorly-written and seems to go on forever. It becomes clear that, as a director, Mortensen has a good visual eye but no idea how to build or maintain narrative momentum with a story that centers on characters who are incapable of moving forward.. One watches the film and admires Mortesen’s intentions but emotionally, the whole production feels remote and overly studied. Falling underwhelms.
Monday would have been the 90th birthday of Tom Laughlin, the actor who revolutionized independent American cinema through his Billy Jack films.
In four films, Laughlin played Billy Jack, an American Navajo, a former Green Beret, a veteran of the Vietnam War, a hapkido master, and a man who just protects children and other living things. When he first appeared in 1967’s TheBornLosers, he was protecting a woman from bikers. In 1971’s BillyJack, he was protecting the Freedom School from ignorant townspeople. In 1974’s TheTrialofBillyJack, he was …. well, in that film, Billy Jack did a little bit of everything but the National Guard still ended up destroying the Freedom School. Finally, in 1977’s BillyJackGoesToWashington, Billy was appointed to the United Stated Senate because what else are you going to do with someone who has killed a tremendous amount of people over the course of three films?
(Of course, in Senator Jack’s defense, they were all bad people.)
Laughlin not only starred as Billy Jack but he also directed all four of the films and, starting with BillyJack, he also handled the distribution of them. A huge box office hit, BillyJack is considered to be a seminal counter culture film. The other three films are a bit less acclaimed and TrialofBillyJack is often cited as one of the most pretentious and self-indulgent films ever made. But, regardless of their individual artistic merits, all of the Billy Jack films share an appealing mix of sincerity and silliness. Laughlin was a good actor and, visually, he was a stronger director than he was often given credit for. Some of the shots in the original Billy Jack are breath-taking. At a time when even self-styled progressive films still portrayed women in the most condescending and demeaning way possible (check out GettingStraight or R.P.M., if you dare), the BillyJack films were as much about Jean (played by Delores Taylor, Laughlin’s wife and creative partner), the founder of the Freedom School, and her beliefs, as they were about Billy Jack and his struggles to accept pacifism. If nothing else, the Billy Jack films featured actual conversations and debates about actual ideologies and philosophies, as opposed to the usual shallow Hollywood politics. Unfortunately, Laughlin was also a heavy-handed storyteller and a terrible editor. TheTrialofBillyJack goes on for three hours.
And yet, of all the BillyJack films, TheTrialofBillyJack is my favorite. It’s just so weird that it’s hard not to like it. It’s a film that doesn’t really work but, at the same time, you can’t help but appreciate all the effort that was put into it. Whatever else you might be able to say about him and his films, it’s obvious that Tom Laughlin truly did think that the movies could make a difference. There’s an aching sincerity to Laughlin’s work that pretty much cannot be found in the majority of today’s films.
In honor of Laughlin’s birthday and his legacy, here’s a scene that I love from TheTrialofBillyJack. In this scene, Billy goes on a vision quest and experiences the Three Levels. I would be lying if I said I really followed much of the logic in the scene but at least we get to see Billy hit a hippie professor. Billy also smacks Jesus, which isn’t cool but Jesus shows exactly how to handle that type of belligerence and hopefully, he provides a lesson for us all.
Learn about the Three Levels, with Billy Jack. And be sure to spare a thought for the hard work of Tom Laughlin.
According to Styx’s Dennis DeYoung, this song was meant as a “working class take on what was wrong in America.”
it was also the first song on the Paradise Theater album. The Paradise was a real theater in Chicago. It opened in 1928 and, after years of neglect, it was torn down in 1958. DeYoung saw a picture of the dilapidated Paradise in an art museum and he felt that it was the perfect metaphor for the end of the American dream. Hence, the album and this song.
And, for that matter, this video. The video opens with DeYoung on a stage that could very well have been in the Paradise Theater. He wears a white tuxedo, the type that would have been popular when the Paradise Theater first opened. Of course, once he joined onstage by the rest of Styx, the video becomes a fairly standard performance clip.
This was the 10th video to be played on MTV on August 1st, 1981, the network’s first day of broadcast.
“Conner” (Dir Alex Kalymnios) is not a flashback as much as a flash-lateral. The previous episode had Jason Todd, a principle, falling to his death. Then, this episode dives right into a muscular naked guy with a dog. Yep, he’s Superboy and the Dog- Krypto and yes, if you talk to the dog he’ll go on and on about The Blockchain. It can be worse than if people do CrossFit and are vegan.
“Conner” introduces Superboy (Joshua Orpin). We get to relax and see some tragic comedy with him and Dr Eve Watson (Genevieve Angelson) play off one another for about an hour. We learn that Eve created Superboy- see what they did there?! Also, that he has the emotional maturity of child, strength of Superman, much of the knowledge and memories of Lex Luthor and Superman because is cloned from both of their DNA strands. As you do.
He ends up saving Jason Todd because why not? Joshua Orpin played well as Superboy and he is a new principal; so, we needed an origin story. I think it could’ve had some more action scenes. Orpin is very good at those and I’m looking forward to seeing him in more of the series. However, he did get hit by some kryptonite bullets; so, it might be short-lived.
Jason Todd has been captured, but why? Why is there a feud between Deathstroke and the Titans? What happened? Why didn’t Dick tell the new recruits any of the details before joining up?
“Aqualad” (Dir. Glen Winter – Dir. of Smallville and Arrow) opens FIVE YEARS AGO with Deathstroke doing a ritual before a mission, not with a sacrifice, but a ritual nonetheless. For him, he showers and trims his facial hair perfectly. Why? Because that’s his ritual. Next, in a series of shots, he is sniping target after target. Lawyer, prisoners who turned State’s evidence, a Judge- everyone connected to his mission.
Esai Morales plays this perfectly calm and that’s how these Men actually are. The ones who I knew who did this sort of work were matter of fact Salt of the Earth types. His character doesn’t say a lot of words because why should he?
We get a hint as to what drives him. We see that he is outside of home with a teenager and mom. The teenager is mute and you wonder why are they targets? They aren’t because if they were, they’d be dust. Obviously, it is his son. Deathstroke had a son and Rose had a brother.
We learn about the unrequited romance between Aqualad and Wondergirl. They’ve wanted each other since they were 12 years old. He wants her, but she has a destiny to return to Themyscira and shoot arrows or something. Side question: what’s the point of Themyscira? Primitive weapons, feta everywhere, and lamb after lamb – doesn’t it get old? So they go there and train, buy why? Is it just The Olympics everyday? The pizza is the worst! Move on.
He wants her to stay and she secretly plans to leave before his fish charms get to her.
Since Doctor Light has been bothering everyone, we get his backstory. He was a physicist turned evil blah blah blah lightning hands. They need to stop Doctor Light because he’s getting a super weapon. All the while, Deathstroke is getting closer to his target.
The night of battle occurs and they wreck Doctor Light. Post battle, Aqualad and Wondergirl consummate, but she leaves without a word that very night!!!! Aqualad pursues and is accidentally killed by Deathstroke.
Dick uses the Bat-surveillance to determine the shooter is Deathstroke, which sets in motion their plan. They decide to get Dick to know the boy that was surveilled by Deathstroke.
This episode serves as half of the bridge. We know why the Titans hate Deathstroke, but not why he hates them. What makes these flashback episodes fun is that they keep their focus. We learn their side of the revenge, but Deathstroke’s revenge is a totally different story and can’t be rushed.
The following episode “Deathstroke” doesn’t reveal his motive, BUT it does show his magnificent bastardness! Esai is so Stone Cold! We can see Curran Walters really embody Jason Todd.
The entire episode is about how Deathstroke is setting up the pieces for maximum revenge against Dick Grayson. Rose is constantly pitting them against one another with perfect psy-ops. Deathstroke furthers that rift by offering a trade of Rose for Jason. Why? Because he wants the team to be constantly conflicted. This is from his military training: Infiltrate, Alienate, Isolate, and Destroy. Rose infiltrated, she is working to alienate them from one another, once isolated- attack.
Dick tries to offer himself in return for Jason. This is NOT going to work for Deathstroke. He wants Dick to suffer. The dead no pain; it is the survivor that lives with remorse and pain. Deathstroke wants Dick to be helpless as sees everyone he cares about die.
Deathstroke goes full Bond villain by having Jason on a scaffolding that will blow up and cause him to fall with Dick watching into a pit of alligators and maybe a shark. Why? Because THAT’S DRAMA!!!! He does get Jason to fall and have Dick helplessly watch. Then, CUT TO BLACK?! WHAT?!
This episode is great not just because the performances are great, but because it makes you desperate to know WHY is Deathstroke going to all this trouble? Thank you again and sorry for the wait.
The 9th music video to air on MTV on August 1st, 1981 was the video for REO Speedwagon’s Take It On The Run. However, due to technical difficulties, only 12 seconds of the video were aired before the Speedwagon was replaced by a black screen, which, to me, sounds like an improvement. Though MTV moved on to the next video, the video for Take It On The Run would eventually be aired two more times over the course of August 1st.
REO Speedwagon does have its fans. I’m not one of them but they are out there. This video was the type of concert clip that celebrated bands like REO Speedwagon in all of their light rocking glory.
I already mentioned this in my week in television post but I basically spent almost this entire week in bed, suffering from and then recovering from a sinus infection. You know how you always hear about writers who wrote their best novels while they were stuck in bed, recovering from illness? Well, that was not my experience. Instead, I was miserable. I read nothing. I wrote little. I watched TV once on Thursday. I did watch a few movies but most of them were on Monday afternoon, before I got totally ill. Basically, from Monday night to Friday afternoon, I was too out of it to really focus on anything.
Seriously, it sucked!
But, the important thing is that it appears to be over so and I’ve got a lot of things to watch on my DVR over the upcoming few days!
Here’s what little I did get watch and listen over the course of the previous week:
Through the Shattered Lens 