Escape From New York (1981, directed by John Carpenter)


What’s your favorite John Carpenter film?

Halloween is an obvious choice.  It’s probably the film that John Carpenter is best-known for.  The Thing and Assault on Precinct 13 are two other popular choices.  Libertarians and anarchists have embraced They Live as a sacred text.  In The Mouth of Madness is one of the few films to capture the feel of a classic H.P. Lovecraft story.  Christine is one of the best of the Stephen King adaptations.  My techphobic father recently purchased a Blu-ray player just so he could watch Big Trouble In Little China whenever he felt like it.

For me, though, my favorite will always be Escape From New York.

Everything about this movie, from the premise to the execution to the darkly funny ending, is pure brilliance.  For those who have been living off the grid for the last 40 years, Escape From New York takes place in what was, at the time of the film’s initial release, the near future.  Due to a 400% increase in crime, Manhattan has been turned into a floating prison.  A wall has been built around the island.  The bridges are covered in mines.  All of the residents are prisoners who have been sentenced to a life term and the Chock Full O’Nuts is now literally full of nuts.

There’s a new resident of New York City.  He’s the President (Donald Pleasence!) and he was supposed to soon deliver a classified cassette tape to the Soviets.  Instead, with the world on the verge of war, Air Force One has crashed in Manhattan and the Duke of New York (Isaac Hayes!!) is holding him hostage.  Bob Hauk (Lee Van Cleef!!!) recruits notorious criminal Snake Plisskin (Kurt Russell!!!!) to sneak into the prison and retrieve the cassette and save the President, by any means necessary.  If Snake succeeds, he’ll get a pardon.  If Snake fails, he’ll die due to the microexplosives that have been injected into his system.

How unbelievably cool is Kurt Russell as Snake Plisskin?  Before fanfic was even known by that name, people were writing stories about Snake Plisskin’s past and how he lost his eye.  Delivering his lines in a Clint Eastwood-style rasp, Kurt Russell gives one of the best action hero performances of all time.  (Snake was the role that transformed Russell from being a clean-cut former Disney child star to being a cult film icon.)  Everything that Snake says is quotable and, even with tiny explosives circulating through his blood, Snake never loses his cool.  Sometimes, it doesn’t seem like Snake cares whether he lives or dies and that’s what makes Snake such a strong hero.  He’s wiling to take the risks that no one else would.  If he saves the President and the world, cool.  If he doesn’t, neither was probably worth saving anyways.  At the end of the film, Snake reveals that there are things that he does care about.  If you don’t appreciate the people who sacrificed their lives for you, don’t expect Snake to do you any favors.

Snake gets some help from a rogue’s gallery of familiar faces, all of whom have their own reasons for trying to save the President from the Duke.  Harry Dean Stanton is Brain while Adrienne Barbeau is Maggie.  Brain is the smartest man in Manhattan and Maggie’s good with a gun and it’s too bad that we never got a prequel about how they met.  My favorite of Escape from New York‘s supporting cast is Ernest Borgnine as Cabbie, who is the perfect New York taxi driver and whose taste in music plays off in an unexpectedly satisfying way.

Escape From New York is John Carpenter at his best, an exciting race against time full of memorable characters and thrilling action.  Whenever I go to New York and I cross over a bridge into Manhattan, I think about Snake, Cabbie, and the gang driving through a minefield.  Everyone who meets Snake says “I thought you were dead,” but we know better.  Snake Plisskin will never die and neither will my love for Escape From New York.

Once Upon A Time In Hollywood Wins in North Dakota


Here are the first inaugural winners of the North Dakota Film Critics Society!

Best Picture: Once Upon a Time…In Hollywood (Quentin Tarantino, David Heyman, Shannon McIntosh, producers)

Best Director: Bong Joon-ho, Parasite

Best Actor: Joaquin Phoenix, Joker
Best Actress: Florence Pugh, Midsommar
Best Supporting Actor: Willem Dafoe, The Lighthouse
Best Supporting Actress: Laura Dern, Marriage Story

Best Screenplay: Quentin Tarantino, Once Upon a Time…In Hollywood

Best Animated Feature: I Lost My Body (Jérémy Clapin, Marc du Pontavice)
Best Documentary Feature: Honeyland (Ljubo Stefanov, Tamara Kotevska, Atanas Georgiev)
Best International Feature: Parasite (South Korea)

Best Cinematography: Jarin Blaschke, The Lighthouse
Best Editing: Louise Ford, The Lighthouse
Best Production Design: Once Upon a Time…In Hollywood (Production Design: Barbara Ling, Set Decoration: Nancy Haigh)
Best Original Score: Hildur Gu∂nadóttir, Joker
Best Original Song: ”Glasgow (No Place Like Home)” from Wild Rose (Mary Steenburgen, Caitlin Smith, Kate York)

Special Achievement
1917 – Due to the release date of Sam Mendes’ 1917, many society members were unable to view the film in time for nomination or consideration. The society has voted to acknowledge the film with a Special Achievement Award.

Lisa Reviews An Oscar Nominee: Lady for A Day (dir by Frank Capra)


The 1933 film, Lady For A Day, tells the story of Apple Annie (May Robson) and Dave the Dude (Warren William), who is perhaps the nicest gangster that you could ever hope to meet.

Of course, when I refer to Dave the Dude as being a gangster, I should make clear that he’s not the type of gangster who guns down his rivals or sells drugs in back alleys.  I mean, I guess he might do that but we certainly don’t see much of evidence of it in the film.  Instead, Dave is just a dapper gambler who travels with a bodyguard named Happy McGuire (Ned Sparks) and whose girlfriend, Missouri Martin (Glenda Farrell), owns a nightclub where, since this is a pre-code film, the acts are slightly racy but not excessively salacious.  The country may be mired in a depression but Dave appears to be doing okay for himself.  Yes, Dave may be a criminal but at least he’s honest about it.

Surviving the Depression has proven to be far more difficult for Apple Annie.  She’s known as Apple Annie because she makes a meager living by selling fruit on the streets of New York City.  Dave is one of her regular customers, as he believes that her apples bring him good luck.  Annie has a daughter named Louise (Jean Parker).  Louise has never met her mother, having spent the majority of her life in a Spanish convict.  Annie regularly steals stationary from a high class hotel so that she can sends letters to Louise.  Not wanting her daughter to be ashamed of her, Annie has always presented herself as being a rich woman named Mrs. E. Worthington Manville.

However, it now appears that Annie’s charade is about to be exposed.  Louise is coming to New York with her fiance, Carlos (Barry Norton) and her prospective father-in-law, Count Romero (Walter Connolly).  Annie knows that when the Louise arrives, she’s going to discover that her mother is not wealthy and that the marriage will probably be called off.  So, led by Dave, Annie’s customers conspire to fool Louise into believing that her mother really is a member of high society.  And if that means that Dave is going to have to not only kidnap (but, let’s be clear, not harm) three nosy reporters and then make a deal with not just the mayor but also the governor to pull of the deception, that’s exactly what he’s going to do.

Though it may be disguised as a sweet and rather simple comedy, Lady For A Day is actually a rather melancholy little film.  Even when Annie and her friends are pretending to be wealthy members of high society, the film is aware that their escape from reality is only temporary.  Eventually, they’ll have to return to the reality of being poor in 1930s America.  At heart, it’s a sad story but May Robson, Warren William, Glenda Farrell, and Guy Kibbee (who plays the pool hustler who is recruited to pretend to be Annie’s husband) all bring such sincerity to their roles that you can’t help but smile while watching it.  Rejected by “polite” society, Annie and her friends have formed a community of outsiders and, throughout the film, the audience is happy that, no matter what, they have each other.

Lady for a Day was the first Frank Capra film to ever be nominated for Best Picture.  Capra was also nominated, for the first time, for best director but he had the misfortune to be competing with Frank Lloyd, who directed Cavalcade.  At the awards ceremony, when host Will Rogers, announced the winner for best director, he said, “Come on up here, Frank!”  An excited Capra ran down to the podium, just to discover that Rogers had actually been talking to Frank Lloyd.  Rogers, seeing what had happened, quickly invited the other nominated director, Little Women‘s George Cukor, to come join Lloyd and Capra at the podium.  Fortunately, one year later, Capra would win the directing Oscar for It Happened One Night.

Cavalcade would go on to win Best Picture but Capra retained so much affection for Lady For A Day that it was the only one of his films that he would subsequently remake.  A Pocketful Of Miracles came out in 1961 and featured Bette Davis in the lead role.  It would be Capra’s final theatrical film.

4 Shots From 4 John Carpenter Films: Starman, Prince of Darkness, They Live, In The Mouth of Madness


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

From the day that this site first came online, John Carpenter has been a bit of a mainstay here at the Shattered Lens.  Arleigh has written extensively about Carpenter’s films.  Every October, we seem to have, at the very least, a handful of posts that are somehow connected to the filmography of John Carpenter.  Hell, Carpenter and I were once both interviewed for the same article about the future of horror!

I guess my point is that we really love John Carpenter here at the Shattered Lens.  I’ve lost track of how many editions of 4 Shots From 4 Films we’ve devoted to Carpenter and his films.  However many there are, here’s one more.  Today is John Carpenter’s birthday and that means that it is time for….

4 Shots From 4 John Carpenter Films

Starman (1984, dir by John Carpenter)

Prince of Darkness (1987, dir by John Carpenter)

They Live (1988, dir by John Carpenter)

In The Mouth of Madness (1994, dir by John Carpenter)

Music Video of the Day: Utopian Facade by John Carpenter (2016, dir by Gavin Hignight and Ben Verhulst)


Let us all come together now to wish a happy 72nd birthday to John Carpenter!

John Carpenter is not only one of the greatest horror and sci-fi directors of all time, he’s also an acclaimed composer.  We all know, of course, that he was responsible for the iconic theme song of Halloween.  However, he’s also released two albums of his own original, non-soundtrack music, Lost Themes and Lost Themes II.  Utopian Facade, today’s music video of the day, is the last track on Lost Themes II.

This video features a running android.  As you might be able to guess, utopia isn’t quite as utopian as it has perhaps been advertised to have been.  The android is played by Erika Angel while Stuart Morales is credited as playing “Avatar.”

It’s a very atmospheric piece of music and proof that John Carpenter is as brilliant a musician as he is a filmmaker.

Enjoy!