Anime You Should Be Watching: Asobi Asobase


Greetings all, as the supposed resident anime expert here at TSL, I’ve let a lot slip through the cracks due to crazy amounts of laziness, and let’s face it, a certain amount of sobriety.  Was I not drunk enough?  Was I too drunk?  We’ll leave that up to your imagination.  What shouldn’t be left in the realm of uncertainty is how great Asobi Asobase is.

To start with, this show looks like your standard, boring, slice of life that any anime fan worth their salt has seen a million times, right?  Oh, that’s just what these devious devils want you to think!  In fact, if you watch the opening sequence, that’s exactly what you’re supposed to think.

I’ll admit, I don’t know very much Japanese.  Just enough to get me into, and sometimes out of trouble.  But from what I can tell, that OP is nothing but innocence and typical SOL sugary goodness.  So you go into this anime expecting that, and somewhere in the first episode, like 10 minutes in, you’re in for a rude awakening.  Sure, this starts off as all sweet, sugary high school life of “Oh hey, let’s start an after school club!” But it quickly forgets whatever premise it ever had and completely devolves into “Let’s make these girls as effed up as we possibly can!”  I’d tell you the premise of this anime, but it seriously has no premise.  It’s hilarity done strictly for the sake of hilarity.  You’d still like some kind of starting point you say?  Ok, here’s the premise they initially start us with.  Hanako is a bored rich girl who wants to form a club to play games.  Kasumi is a girl who is terrible at English, whose sister always beat the crap out of her at games without mercy and has a complex about that.  Olivia is a girl who looks like a foreigner (something strange and mysterious to Japanese apparently) yet was born and raised in Japan and doesn’t know a lick of English.  Kasumi joins the club because she expects Olivia to tutor her in English.  Olivia joins because she thinks she can fool Kasumi, and also because she thinks Hanako is an idiot and likes making fun of her.  Hanako turns out to be the smartest member of the club.  Absolutely none of that matters past episode 2.  Hanako is borderline genius, Olivia gets exposed, Kasumi, well she’s got a lot more going on that just being poor at English.

As we watch further into the show, we get hit with full on craziness. How crazy could it be might you ask?  Well, one of the more normal segments revolves around Hanako’s butler? Maeda revealing that prior to joining her household he was a homeless man who was abducted by aliens and anal probed with a laser device inserted into him.  Yes, he shoots lasers out of his ass.  And it’s viewed as totally normal.

And I did say that was one of the tamer scenes, yes?  I’d be remiss if I didn’t share with you one of my favorite scenes I’ve seen so far.  If you need some sort of setup, I guess I’ll give it to you.  Essentially the girls are forced to sneak into the office of the student council president by someone who may or may not be a guy pretending to be a girl (totally is, no question about it) and they have to steal a certain file that contains information that this guy would rather not get out into the open, even though most of it is about the three girls in question.  Anyways, this is the penultimate scene.

This is the kind of humor you’re in for with this show.  If you didn’t find that hilarious, then this show isn’t for you.  I’m not judging (I’m totally judging) but that’s OK.

Finally, I gotta say, the ending theme to this is probably the best ED I’ve ever seen in an anime.  Ever.  But definitely for this season.  First off, I’ll share with you the ending theme that we get to see after each episode.

Totally different theme from the OP, right?  I think it’s great how they go from a sugary sweet opening theme to this total metalcore ending.  Gives the right balance between what you expect from the description, and what you actually get from the show.  I should mention that both the OP and ED are sung by the main three girls on the show.  Also, I really want to share with you all the full version of that song since I feel they really do a fantastic job of it.

To me, the amazing part is that none of the three main actresses, Hina Kino (Hanako), Konomi Kohara (Kasumi), Rika Nagae (Olivia) have ever really starred as the main voices in any show prior to this, yet they really come across to me as veterans in the industry.  Just the way they interact with each other and totally own their roles is something you’d only expect from long time veterans.  These are girls that I think we’ll be hearing a lot from the in the future in the anime business.

This offering from Rin Suzukawa is easily the best comedy I’ve ever had to recommend on this site.

Ultimately, this is a show that is much greater than anything anyone could say about it.  Comedy is super subjective, but if you don’t find this funny at least 80% of the time, it’s time to  play some Operation and have your funny bone checked.

And They Call It “Petey & Pussy : Puppy Love”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

It’s a rough old world, and sometimes you’re just in the mood for a good laugh — or, better yet, hundreds of them in glorious, mind-numbing succession. If that sounds like something you could really go for in the face of the relentless onslaught of bad news that reality has become, then congratulations are in order, because you’ve definitely come to the right comics blog — this time, at any rate.

John Kerschbaum is far from the most prolific cartoonist working today (although he’s prone to turn up when and where you least expect it, and never seems to lack for reasonably high-profile gigs), but some things are worth the wait, and the decade between his first Fantagraphics book, the now-legendary Petey & Pussy, and its brand-spanking-new sequel, Petey & Pussy : Puppy Love, appears to have been put to good use, because he’s pulled out all the…

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Here’s The Trailer for The Ballad of Buster Scruggs!


Today, everyone else is talking about the fact that Henry Cavill will not be playing Superman in any future DC films but all I care about is the fact that the trailer for The Ballad of Buster Scruggs has been released!

This is the latest film from the Coen Brothers.  It’s a western.  Originally, it was going to be a miniseries but apparently, the Coens decided that it worked better as a movie so they edited the anthology together.  It’s six stories about death in the old west and it will soon be available on Netflix!

Music Video of the Day: Dead Format by Blanck Mass (2015, dir by Konx-Om-Pax)


Today, as they tend to say, is the first day of the rest of your life.  What better way to celebrate than with a little Blanck Mass?

Dead Format is off of Blanck Mass’s second album, Dumb Flesh.  If a rogue planet ever threatens to crash into Earth and exterminate all human life, Dumb Flesh is something that I will definitely make sure to listen to one final time before the end comes.  The video for Dead Format is both exuberant and ominous.  You’re not really sure if you want to repent your sins or maybe commit some news ones.  This is perfect end of the world music.  Listen to this track with the knowledge that you could very well be dead and that all of your hopes and dreams could be rendered meaningless within the next two hours.

Enjoy!

Holy “Roly Poly”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Not to sound too dramatic — or maybe that should be melodramatic — right out of the gate, but it strikes me that any way you look at it, the much-vaunted “age of reason” is over.

Oh, sure, social and political commentators have been telling us at least since the elevation of Donald Trump to the presidency, if not earlier, that we are living in a “post-truth world,” but I think that misses the larger point : things are happening so fast, and they’re coming at us from so many directions simultaneously, that for many, it’s simply flat-out impossible to determine what the truth even is anymore.

Consider, if you will : in Dez Vylenz’ intriguing-if-flawed documentary The Mindscape Of Alan Moore, the noted comics author and occultist opines that human culture was essentially analogous with ice for the first x-million years of our existence as a species…

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That’s Blaxploitation! 13: BLACK CAESAR (AIP 1973)


gary loggins's avatarcracked rear viewer

1972’s blockbuster smash THE GODFATHER began an onslaught of gangster movies released to your neighborhood theaters and drive-ins trying to capitalize on that film’s success. American-International Pictures was right in the thick of it, and since Blaxploitation was all the rage at the time, why not combine the two hottest genres? Producer/director/genius Larry Cohen already had a script written for Sammy Davis Jr., but when Sammy backed out, AIP Boss of Bosses Samuel Z. Arkoff signed Fred “The Hammer” Williamson to star as the Godfather of Harlem, BLACK CAESAR.

BLACK CAESAR is a semi-remake of the 1932 classic LITTLE CAESAR starring Edward G. Robinson, updated for the Blaxploitation/Grindhouse crowd and spun around on it’s head by Larry Cohen. You already know how much I enjoy Cohen’s work, and the auteur doesn’t fail to deliver the goods with this one. Casting the charismatic former NFL star Williamson was a bonus, and…

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Here’s The Trailer For F–k You All: The Uwe Boll Story


Somewhere on this site, I once posted my opinion that Uwe Boll was the worst director of all time.

That, of course, was many years ago and I posted that before watching Ulli Lommel’s Zodiac movie.  At the time that I posted that, Boll was mostly known for directing movies that were based on a video games.  A little bit later, Boll would get political and direct films like Assault of Wall Street and that led to some critics saying that perhaps Boll wasn’t as bad as they thought he was.

Myself, I stand by my original claim.  Uwe Boll was the worst director of all time.  I say was because he’s apparently retired from filmmaking.  Before he retired — and this is actually really neat — he challenged some of his fiercest internet detractors to a boxing match.  Many of them accepted, not realizing that Boll was an accomplished boxer before he became a director.  Say what you will about Boll’s films but I imagine that, by literally beating the crap out of some of his critics, he got to live every director’s dream.

Anyway, there’s a documentary coming out about Uwe Boll.  It’s called Fuck You All: The Uwe Boll Story.  I may or I may not see it.  Here’s the trailer!