What Lisa Watched Last Night #186: Killer Caregiver (dir by John Murlowski)


Last night, I watched the latest Lifetime movie premiere, Killer Caregiver!

Why Was I Watching It?

Why not?

What Was It About?

While visiting one of her clients, Mariah Wilson (Nicole Hayden) is shocked when an accident leads to not only his death but also to her breaking her arm.  With months of physical therapy ahead of her, Mariah hires a home caregiver.  Tara (Camila Banus) seems like she’s perfect.  She gets along with Mariah’s estranged husband, Greg (George Stults).  She helps Mariah exercise her arm.  Most importantly, Mariah’s son, Jacob (Jaeden Bettencourt), loves her!

It all seems perfect, except … uh oh!  It turns out that Tara is the daughter of Mariah’s dead client and she’s out for revenge!

What Worked?

Oh my God, the houses were to die for!  Seriously, one of the things that I love about Lifetime films is that they always take place in these huge houses, the majority of which have a pool in the back yard.  But, even by the standards of Lifetime, this film featured some nice houses.  In fact, Greg and Mariah’s house was so nice that I was half expecting Greg to reveal that he worked as a money launderer for the mob.  But no, Greg’s job had something to do with computers.  Having seen this film, I’m now encouraging my boyfriend to get an IT-related job because I could have a lot of fun with a house that big.

However, it wasn’t just Greg and Mariah who had a nice house.  Tara also had a really nice house, too.  For that matter, when Greg, Mariah, and Jacob were forced to stay in a motel for a night, the motel looked really, really good.

From her first appearance, Tara established herself as being a classic Lifetime villain and Camila Banus really threw herself into the role.  From the minute Tara showed up, she was like, “This is my film and now, everyone’s at my mercy!”  A film like this is only as good as its villain and Tara was a great one.

What Did Not Work?

What happened to Eugene?  The well-meaning but intellectually disabled groundskeeper (played by David Meyers) seemed like he was going to be an important character but then he just kinda disappeared.  It was hard not to feel that the character deserved a resolution to his subplot, as minor as it may have been.

Other than that, it all worked!  I mean, I could sit here and wonder if perhaps Tara could have come with a simpler revenge scheme (spoiler: she could have) but that would be kind of silly on my part.  Melodrama is one of the reasons why I love Lifetime movies!  Besides, how can you go wrong when you’ve got a great psycho and a big house?

“Oh my God!  Just like me!” Moments

While I personally would never plot anyone’s downfall, I still found myself admiring how organized Tara was about it.  You could tell that she probably made out a To-Do List before she set about destroying Mariah’s life:

  1. Become a caregiver
  2. Get hired
  3. Brainwash Jacob
  4. Drug Mariah…

And so on and so forth.  At least, that’s what I would do.

Lessons Learned

With enough planning and preparation, there’s nothing you can’t accomplish.

Plus, computer people make hella money!

August Lipp’s “Roopert” : Smarter Than The Average Bear


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

There’s no doubt about it : “funny animal” comics aren’t what they used to be.

Then again, they never really were, at least not the good ones — one way or another, they were always at least a little bit subversive, and whether we’re talking about Walt Kelly’s open socio-political commentary in Pogo or Carl Barks’ knowing winks to the audience showing that he understood, accepted, and derived something very much like joy from working around, the limitations of form and function supposedly imposed upon his limitless imagination in his various “Duck Books,” our anthropomorphic stand-ins have always been one of the very finest means by which skilled and inventive artists communicate largely-unspoken truths about ourselves to ourselves.

In that sense, then, Philadelphia-based cartoonist August Lipp’s late-2017 Revival House Press release Roopert carries on an already-proud tradition — but this 56-page oversized magazine (a real bargain at ten bucks, trust me)…

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Music Video of the Day: Dangerous by Big Data (2014, dir by Chris Ledoux)


This is actually one of several videos for Big Data’s Dangerous.  Val shared two of them previously, here and here.  However, the one above is my personal favorite because it features kitties!

This video was written and produced by Tom Borden and directed by Chris Ledoux.

And it features a lot of cats!  Did I mention that?

Enjoy!

There’s A New Kid in Town: RETRO FAN Magazine


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I frequent a place called Newsbreak, which has virtually every type of magazine you could ever ask for, from your tried-and-true legacy mags (TIME, PEOPLE, READER’S DIGEST) to the more esoteric (dedicated to things like raising chickens, bluegrass music, and mysticism). There are a few I pick up on a regular basis, mainly dealing with old movies: FILMS OF THE GOLDEN AGE, SHOCK CINEMA, and PHANTOM OF THE MOVIES’ VIDEOSCOPE, (along with my monthly fix of REASON, the magazine of libertarian thought). While browsing last week, I came across something new – the 1st issue of RETRO FAN, published by TwoMorrows, who are also responsible for publications like ALTER EGO (covering the Golden Age of Comics and edited by Roy Thomas), BACK ISSUE ( Bronze Age Comics), and JACK KIRBY COLLECTOR (’nuff said!).

The animated crew of The Enterprise

RETRO FAN is for people interested in pop culture past, and…

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Happy Friday the 13th From The Shattered Lens!


Happy Friday the 13th from the Shattered Lens!

This is the second Friday the 13th of 2018!

What does that mean?

It means that today is going to be even more unlucky than the previous Friday the 13th!  You know what that means!  Don’t walk under ladders!  Respect black cats, even more than usually do!  If you break a mirror, give up all hope!  If you’re camping in the woods, listen to crazy old Ralph or Eustace or Earl or whoever the local weirdo may be!  No late night naked swimming!  No running around in the rain in your underwear!  No comments about how life’s too short!  No drugs!  No sex!  No fun of any kind!

I know, I know.  We all like to live dangerously but if all of our readers die, who will be around to read the site?  Think about it!

Anyway, have a happy and safe Friday the 13th!  And remember the human-turned-zombie who made this holiday famous.  Today is his birthday…

Eurocomics Spotlight : “The Strange”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

Namelessness. Anonymity. Invisibility.

For the protagonist in Jerome Ruillier’s new Drawn+Quarterly-published graphic novel, The Strange, these three things are inextricably linked — and while all of them are, to one degree or another, imposed upon him by society and circumstance, the first two are undeniably de-humanizing (even if, fair enough, he’s a dog), while the third is key to, if not his freedom, at least his continued survival in the country he is attempting to scratch out a subsistence-level “living” in.

And sticking with the theme of anonymity, it permeates this book throughout : not only is its central character never saddled with a name, neither are the countries of his birth and residence. This could be happening anywhere. To any immigrant.

Ah, yes — immigration. As far as issues go, they don’t come much more timely and topical than that, do they? In the last few years, as…

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The Big Let-Down: THE TWO MRS. CARROLLS (Warner Brothers 1947)


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You would think THE TWO MRS. CARROLLS is just the type of movie I’d love. It’s a Warner Brothers pic from the 1940’s, it’s got Humphrey Bogart and Barbara Stanwyck , there’s mystery and murder, a Gothic atmosphere… and yet, I didn’t love it, or particularly like it, either. For the first three-quarters, it’s too mannered, slow-moving, and (the cardinal sin) boring for my tastes. Things do pick up a bit towards the end, with Bogie menacing Babs alone in that gloomy mansion, but the denouement failed to satisfy me.

There are a number of reasons why the movie just doesn’t work. It was filmed in 1945, but held back two years by the studio for some reason or another (reports vary). Director Peter Godfrey, a Stanwyck favorite, just wasn’t up to the task of creating much suspense. Then again, the screenplay by Thomas Job practically gives everything away early…

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