RIP, Fats Domino


This is from a 1956 episode of the Ed Sullivan Show:

Rock and roll legend Fats Domino passed away yesterday in Harvey, Louisiana.  He was 89 years old.  Beginning his career in 1947, Fats Domino performed for 60 years straight before retiring in 2007.  He leaves behind 5 gold records, 37 Top 40 singles, and 35 records in the Billboard Top 40.

Once, when a reporter called Elvis “the king,” Elvis pointed at Fats Domino and said, “No, the real king of rock and roll is right over there.”

RIP, Fats Domino.

Thank you for the music.

 

4 Shots From 4 Films: Special Michele Soavi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: the brilliant Michele Soavi!

4 Shots From 4 Films

Stage Fright (1987, dir by Michele Soavi)

The Church (1989, dir by Michele Soavi)

The Sect (1991, dir by Michele Soavi)

Dellamorte Dellamore (1994, dir by Michele Soavi)

 

Horror on the Lens: Track of the Moon Beast (dir by Richard Ashe)


When it comes to bad movies from the 70s, you have to love a movie like 1976’s Track of the Moonbeast.  This film takes place in New Mexico and tells the story of Paul (Chase Cordel), a slow-talking mineralogist who gets a chunk of moon rock lodged into his brain.  As a result, he turns into a gigantic lizard and goes around killing people.  His only hope appears to be his old friend, the stoic Profession Johnny Longbow (Gregorio Sala), who knows all sorts of indian lore.  He also knows how to make stew and early on in the film, he gives a world-weary monologue about what ingredients he puts in his stew.  (Onions, mostly).  Anyway, this is an awful, awful film that’s full of bad acting, bad special effects, and dumb dialogue.  It’s also a lot of fun and it features the guy pictured below singing a song called California Lady that totally got stuck in my head.  I loved Track of the Moon Beast.

Enjoy!

Cleaning Out The DVR: One Small Indiscretion (dir by Lauro Chartrand)


(Lisa is not just watching horror movies!  She is also trying to clean out her DVR!  She has got over 200 movies that she needs to watch before January 1st!  Will she make it?  Keep checking here to find out!  She recorded One Small Indiscretion off of Lifetime Movie Network on September 2nd!)

I learned a few things from watching One Small Indiscretion.

First off, and most importantly, I learned that there is no such thing as a “small” indiscretion.  In this film, Caroline (Ashley Winters) has a brief affair while separated from her husband, Sam (Cru Ennis).  When Caroline and Sam get back together, she tries to forget that the whole thing even happened.  Six years later, Caroline tells her best friend that she isn’t even sure what eventually became of her former lover.  However, we know that he ended up killing both himself and his alcoholic wife.  For Caroline, it was a small indiscretion but, for a little girl named Elle, it was a tragedy that took away her parents.

Secondly, if you work hard and marry well, you can eventually live in a really big house that has a pool, a jacuzzi, and a guest house.  However, if you work too hard, all of the romance will go out of your marriage and soon, you won’t even be using the pool after a couple of years.

Third, if you own a guest house, you are required by the laws of plot contrivance to rent it out.

Fourth, if you do rent out your guest house, there’s a good chance that it will lead to someone from the past tracking you down.  In this case, it’s Elle (Tiera Skovbye).  Elle is now 21 years old and eager to avenge the death of her parents but destroying Caroline’s life.  Though she may be young, Elle is already an evil genius.

Actually, I guess it’s debatable as to whether or not Elle is that smart.  It’s entirely possible that Elle only seems smart because everyone else in the movie is incredibly stupid.  From the minute Elle moves into that guest house, she’s manipulating and seducing.  She’s taking naked midnight swims.  She’s encouraging Caroline and Sam’s son, Logan (Johnny Visotcky), to skip college.  She doesn’t make much of an effort to hide what she’s trying to do and yet, Caroline soon decides that Elle is going to be her new BFF.  It’s actually kind of hard not to be on Elle’s side.  Elle’s methods may be extreme and she does get more and more psycho as the movie unfolds but Caroline and Sam are so bourgeois that it’s difficult to have much sympathy for them.  Add to that, Elle’s an artist.  She draws.  If you side with the non-artists over the the artist, that means you’re doing life wrong.

But back to what I learned from One Small Indiscretion:

Fifth, it’s not that difficult to bug a house.

Sixth, search engines are like magic.

Seventh, it’s easy to knock people out.

Eighth, Canada is a beautiful country.

Anyway, One Small Indiscretion is a thoroughly predictable Lifetime film.  The best role in these films is always the psycho and Tiera Skovbye plays Elle as if even she can’t believe how stupid everyone else in the film is.  Elle is having so much fun being evil that you can’t help but be happy that she received the opportunity.  She may be the villain but you’ll totally be Team Elle when you watch One Small Indiscretion.

Music Video of The Day — Burn The Witch by Radiohead (2016, dir by Chris Hopewell)


Hi!  Lisa here with today’s music video of the day!

Today, we have the video for Radiohead’s Burn the Witch.  Through the use of stop motion animation, Burn the Witch tells a disturbing little story, one that deals with an inspector who comes to a seemingly idyllic English village and who eventually ends up getting trapped in a wicker man.  If any of this sounds familiar, it’s probably because you’ve seen either the original Wicker Man or the remake starring Nicolas Cage.  The video for Burn the Witch is actually a bit more positive than the film that inspired it.   In the video, the inspector escapes at the end.  Neither Edward Woodward nor Nic Cage were quite as lucky.

As for the song itself, it deals with the dangers of groupthink and blind obedience to authority.  Since Radiohead’s music has always possessed a libertarian streak, that’s certainly not a shock.  The video condemns not only those who would demand blind obedience but also on those who are foolish enough to give it.

Of course, with The Wicker Man theme, it’s also perfect for October!

Enjoy!

Horror on TV: Thriller 2.4 “The Weird Tailor” (dir by Herschel Daugherty)


On tonight’s episode of Thriller, we see what happens when an aspiring sorcerer (George MacReady) accidentally kills his son.  In order to brings his son back to life, he has to have a special suit made by the weird tailor of the title (played by Henry Jones).

This is one of the better episode of Thriller.  For once, the use of the word “weird” in the title is not a misnomer!  This one was written by Robert Bloch, who adapted his own short story.  It originally aired on October 16th, 1961.

A Movie A Day #289: Night Visitor (1989, directed by Rupert Hitzig)


Billy Colton (Derek Rydall) is a teenager who has a reputation for exaggeration.  Lisa Grace (Shannon Tweed) is his next door neighbor, a high-priced prostitute who does not mind if Billy spies on her.  When Billy tries to tell everyone about his wild new neighbor, no one believes him.  Billy decides to prove his story by grabbing his camera and sneaking next door.  Instead of getting proof that she’s a prostitute, Billy witnesses his neighbor being murdered by a robed Satanist, who just happens to be Zachary Willard (Allen Garfield), Billy’s hated science teacher!  Billy goes to the police with his camera but Captain Crane (Richard Roundtree) points out that Billy forgot to take off the lens cap.

What can Billy do?  He knows that Zachary and his strange brother, Stanley (Michael J. Pollard), are sacrificing prostitutes to Satan but he can’t get anyone to believe him.  Working with his best friend (Teresa Van der Woude) and a burned out ex-cop (Elliott Gould), Billy sets out to stop the Willard Brothers.

Combine Rear Window with late 80s Satanic conspiracy theories and this is the result.  Not as bad as it sounds, Night Visitor is an unfairly obscure movie about Satanism in suburbia. While it has its share of dumb moments (like when Billy uses a watermelon to end a car chase), it also has enough good moments that suggest that Night Visitor is deliberately satirizing the excesses of the Satanic panic that, at the time of filming, was sweeping across the nation.  It also has a once in a lifetime cast.  Along with those already mentioned, keep an eye out for character actor extraordinaire Henry Gibson and future adult film star Teri Weigel.  Allen Garfield is especially good as the evil Mr. Willard.  Any actor can say, “I sacrifice you in the name of Satan.”  It takes a good actor like Allen Garfield to say it without making anyone laugh.

One final note: this movie was originally called Never Cry Devil, which is a much better title than Night Visitor.

Halloween Havoc!: CHRISTINE (Columbia 1983)


gary loggins's avatarcracked rear viewer

Stephen King turned 70 last month, and the Master of Horror’s grip on the American psyche is stronger than ever, thanks to the unprecedented horror hit IT!, now playing at a theater near you. King’s macabre novels have been adapted for the screen since 1976’s CARRIE with  varying degrees of success; some have been unabashed genre classics, others complete bombs, most lie somewhere in the middle.

Top: Stephen King 1983
Bottom: John Carpenter 1983

Director John Carpenter had a string of successes beginning with 1978’s seminal slasher film HALLOWEEN, but his 1982 remake of THE THING, now considered a masterpiece of the genre, was a box office disappointment. Carpenter took on King’s novel CHRISTINE as a work-for-hire project. I recently watched it for the first time, and think not only is it one of the best adaptations of King’s work to hit the screen, it’s one of Carpenter’s best horror…

View original post 592 more words