A Movie A Day #223: The Texas Rangers (1936, directed by King Vidor)


Sam (Lloyd Nolan), Jim (Fred MacMurray), and Wahoo (Jack Oakie) are three outlaws in the old west.  Wahoo works as a stagecoach driver and always lets Sam and Jim know which coaches will be worth holding up.  It’s a pretty good scam until the authorities get wise to their scheme and set out after the three of them.  Sam abandons his two partners while Jim and Wahoo eventually end up in Texas.  At first, Jim and Wahoo are planning to keep on robbing stagecoaches but then they realize that they can make even more money as Texas Rangers.

At first, Jim and Wahoo are just planning on sticking around long enough to make some cash and then split.  However, both of them discover that they prefer to be on the right side of the law.  After they save a boy named David from Indians, Jim and Wahoo decide to stay in Texas and protect its settlers.

The only problem is that their old friend Sam has returned and his still on the wrong side of the law.

Made to commemorate the Texas centenary (though it was filmed in New Mexico), The Texas Rangers is a good example of what’s known as an oater, a low-budget but entertaining portrayal of life on the frontier.   King Vidor does a good job with the action scenes and Fred MacMuarry and Jack Oakie are a likable onscreen team.  The best performance comes from Lloyd Nolan, as the ruthless and calculating Sam.  Sam can be funny and even likable but when he’s bad, he’s really bad.

Jack Oakie was better known as a comedian and The Texas Rangers provides him with a rare dramatic role.  Four years after appearing in The Texas Rangers, Oakie would appear in his most famous role, playing a parody of Benito Mussolini in Charlie Chaplin’s The Great Dictator.

Dead Pigeons Make Easy Targets: THE CHEAP DETECTIVE (Columbia 1978)


gary loggins's avatarcracked rear viewer

THE CHEAP DETECTIVE could easily be subtitled “Neil Simon Meets MAD Magazine”. The playwright and director Robert Moore had scored a hit with 1976’s MURDER BY DEATH, spoofing screen PI’s Charlie Chan, Sam Spade, and Nick & Nora Charles, and now went full throttle in sending up Humphrey Bogart movies. Subtle it ain’t, but film buffs will get a kick out of the all-star cast parodying THE MALTESE FALCON, CASABLANCA , TO HAVE AND HAVE NOT, and THE BIG SLEEP .

Peter Falk  does his best Bogie imitation as Lou Peckinpaugh, as he did in the previous film. When Lou’s partner Floyd Merkle is killed, Lou finds himself in a FALCON-esque plot involving some rare Albanian Eggs worth a fortune. Madeline Kahn , John Houseman, Dom De Luise , and Paul Williams stand in for Mary Astor, Sydney Greenstreet, Peter Lorre, and Elisha Cook Jr, respectively, and they milk it for every…

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Music Video of the Day: Shadow Of A Doubt by Sonic Youth (1986, dir. Kevin Kerslake)


The title is from a Hitchcock movie. It looks like the consensus is that the song is based on Strangers On A Train (1951)–more Hitchcock. I haven’t watched either film recently.

While the music video is gorgeous, I can’t find anything on it other than a quote from Kevin Kerslake in the book, I Want My MTV:

It was a point of honor among bands on 120 Minutes to not show up in regular rotation on MTV. They wanted to be the bad kids on the block, who showed up for those two hours on Sunday night and ran riot. At that point, indie rock was thriving. You had great underground labels like SST and Rough Trade, and they’d give you complete freedom. I wanted to do something totally new. I’d shoot Super 8, and play with the color palette to make it more psychedelic. The punk rock ethos really drove the visual content, even if you weren’t working with punk bands. My first music video–“Shadow Of A Doubt,” for Sonic Youth–used horrible quality, super-grainy performance footage. It was fantastic.

The part with the performance footage doesn’t do a whole lot for me–except to provide a strong tie between song and video by putting the harder part of the song in there. I like what Kerslake did before and after that the most. It makes me think of a very colorful, indie, and simplified version of one of those collage-style videos that Jim Blashfield made for And She Was by Talking Heads or Don’t Give Up by Peter Gabriel & Kate Bush. It gives the video an ethereal quality that I love.

It’s very appropriate that this was on 120 Minutes back in the 1980s. This is exactly the kind of thing I would have expected to see on late night cable back in the 1980s and 1990s.

Enjoy!

Here’s The Trailer for Molly’s Game


Eh.

When was the last time Aaron Sorkin really did anything to justify his sterling reputation?  Yeah, he won an Oscar for The Social Network and he gave one of those annoying, “Daddy just won an Oscar so go to bed now, my daughter” speeches.  And then he was nominated for Moneyball.  Since he didn’t win, he was not allowed to use his daughter as a prop for a second speech.

He also gave us The Newsroom, a misogynistic television program that was so smug and tone deaf in its coastal elitism that it was probably a contributing factor to the election of Donald Trump.  Sorkin also wrote an “open letter” to his daughter after the election, one that pretty much read like a parody of limousine liberalism.

In short, if Sorkin’s going to continue to be known as a great whatever he is, he needs to start delivering.  His latest attempt will be Molly’s Game, which he not only wrote but directed as well.  That’s right — no longer will Aaron Sorkin have to deal with meddling directors saying stuff like, “But all your female characters are portrayed as being simpletons who need a man to save them and tell them what to do…”

On the plus side, Jessica Chastain and Idris Elba are in the movie.

On the other side … Sorkin’s gotta be Sorkin…

Here’s the trailer:

Here’s The Trailer for The Florida Project!


The Florida Project is the latest film from Sean Baker, who was responsible for last year’s acclaimed Tangerine.

The Florida Project, which was critically acclaimed at Cannes, has a much larger budget than Tangerine, a bigger star (in the form of Willem DaFoe), and some very real Oscar hopes.  Let’s just hope that A24 doesn’t get so busy promoting The Florida Project, Baker, and DaFoe that they end up forgetting about The Disaster Artist and James Franco.

Spread the wealth around!

Here’s the trailer for The Florida Project!

 

Here’s The Trailer For The Death of Stalin!


The Death of Stalin is not a film that’s been getting a lot of attention but, since it was directed and co-written by Armando Iannucci, I’m looking forward to seeing it.  Iannucci, of course, created both Veep and The Thick Of It and it should be fun to see him turn his satirical sights to death of one of history’s greatest monsters.

Incidentally, in high school, I wrote a short story about a history student who was haunted by the ghost of Josef Stalin and a host of other dictators.  Unfortunately, no one in the class knew who Stalin was so they didn’t really understand the story.  Oh well.  Story of my life…

Here’s the trailer for The Death of Stalin:

A Movie A Day #222: Secret Service of the Air (1939, directed by Noel M. Smith)


When a secret service agent’s investigation into a supposed counterfeiting ring instead leads to him discovering a plot to smuggle illegal aliens into the United States via airplanes, the agent ends up plummeting several hundred miles to his death.  Realizing that they need someone who can go undercover and infiltrate the smuggling ring, the Secret Service recruits Lt. Brass Bancroft (Ronald Reagan).  Bancroft is a war hero who is now a commercial airline pilot.  He is also good with his fists, has an innate sense of right and wrong, and a sidekick named Gabby (Eddie Foy Jr., giving a very broad performance as the movie’s comic relief).  But before Brass can win the trust of the smugglers, he will have to establish a firm cover story and that means allowing himself to be arrested on fake charges.  In order to save the day, Brass will have to first survive prison.

If Secret Service of the Air is remembered today, it is because it featured future President Ronald Reagan in an early starring role.  In the role of Brass Bancroft, Reagan gives a performance that can be best described as being amiable.  He may not be anyone’s idea of a good actor but he is likable, a trait that served him well when, 26 years later, he ran for governor of California.  As for the rest of the movie, it was obviously cheaply made but it is also only an hour long, which means that there is rarely time for a dull moment.  It plays out like as serial, with a new cliffhanger ever few minutes.  Though Reagan was dismissive in the film in his autobiography, Secret Service of the Air was enough of an unexpected success that he would play Brass Bancroft is two sequels.