Horror Film Review: One Body Too Many (dir by Frank MacDonald)


In 1944’s One Body Too Many, Jack Haley stars as Albert L. Tuttle. Tuttle is an insurance agent. He’s a rather mild-mannered one. In fact, people often have a hard time remembering his name. He’s called “Mr. Turtle.” He’s called “Mr. Title.” Patiently, he explains over and over again that his name is Tuttle. Looking to secure his job, Tuttle hopes to sell $200,000 in life insurance to an eccentric millionaire named Cyrus J. Rutherford.

What Tuttle doesn’t know is that Cyrus J. Rutherford has recently died. His entire greedy family and all of his servants have gathered at the Rutherford Mansion so that they can hear the reading of the will. In his will, Rutherford lays out all the reasons why he didn’t like his family or anyone who worked for him. He accuses the butler, Merkil (Bela Lugosi), of padding his expense account. He accuses his lawyer (Bernard Nedell) of always trying to take advantage of him. Rutherford writes that his last request is that his body be placed in a glass-domed vault so that the stars can forever shine down upon his face. He says that anyone who leaves the house before the glass vault is built will lose their inheritance. If the body is buried instead of in the vault, then Rutherford’s largest beneficiaries will instead become his smallest beneficiaries and vice versa. It’s a bit of an odd will, to be honest. I’m not particularly sure that it would stand up in court today, but in 1944, eccentric millionaires could pretty much do whatever they wanted. Myself, I have to applaud Rutherford for messing with everyone even after death. That takes determination.

When Tuttle shows up, the family mistakes him for a detective that has been sent to make sure that Rutherford’s body isn’t stolen before the glass dome is constructed. Tuttle, not picking up on how weird this all is, assumes that the family is just really excited about insurance. When Tuttle finds himself locked in with the dead body, he immediately demands to leave. However, since the real detective has failed to show up, Rutherford’s niece, Carol (Jean Parker), asks him to stay and guard the body. A good Tuttle appears on one of Tuttle’s shoulders while a bad Tuttle appears on the other. After listening to the debate, Tuttle decides to stay if only because Carol is attractive.

It’s going to be a long night, though. Not only does the body disappear, but it appears that there is a murderer in the house!

One Body Too Many is an amiable comedy, one that features a very 1940s mix of absurd dialogue and slapstick humor. Though Jack Haley, who is best-remembered for playing the Cowardly Lion in The Wizard of Oz, is the lead and a very likable one at that, the movie is pretty much stolen by Bela Lugosi. Lugosi’s later films tend to be a mixed bag, but One Body Too Many allows Lugosi to give a good and genuinely funny performance as a butler who is far more clever than anyone realizes. Lugosi’s snarky reactions make the film, and they’re a nice reminder that Lugosi was a far more talented actor than he’s often given credit for.

Angels Wash Their Faces (1939, directed by Ray Enright)


Gangster William Kroner (Bernard Nedell) and his henchman Martino (Eduardo Ciannelli) frame teenager Gabe Ryan (Frankie Thomas) for setting several buildings on fire.  Because Gabe has just gotten out of reform school and is a member of a local neighborhood gang, they know that no one will believe him or his sister, Joy (Ann Sheridan).

What Kroner and Martino did not count on were the Dead End Kids (Billy Halop, Bobby Jordan, Leo Gorcey, Gabriel Dell, Huntz Hall, and Benard Punsley).  They’re not going to sit by while the adults send their friend to jail.  Plus, one of their friends was killed in one of the fires.  The kids are out for revenge and sympathetic district attorney Pat Remsen (Ronald Reagan) is on their side.

As a publicity stunt, the city is holding an election for “Kid Mayor.”  The Kid Mayor gets to run the city for a week.  What could go wrong?  Billy Halop decides to run for Kid Mayor so that he can order the arrest of Kroner and then beat a confession out of him.

Angels Wash Their Faces was one of the last of the studio-made Dead End Kid films.  After this one, they would be sent down to Poverty Row and their films would be more obviously comedic.  Angels Wash Their Faces starts out as a juvenile delinquent drama, with Gabe struggling to rebuild his life and keep on the right track.  Then it becomes a goofy comedy, with Billy Halop running for mayor and unleashing vigilante justice on the bad guys.  I’m not sure that any city would actually give the “kid mayor” the power to lock people up.  Whoever came up with the idea of a kid mayor should be run out of politics.

On the positive side, Ann Sheridan is beautiful.  Future president Reagan is his usual friendly self.  On the negative side, the movie, overall, lacks the edge that made the first few Dead End Kids films memorable and the Dead End Kids themselves seem to be pretty much interchangeable.  Huntz Hall would have made a better mayor.

 

A Movie A Day #222: Secret Service of the Air (1939, directed by Noel M. Smith)


When a secret service agent’s investigation into a supposed counterfeiting ring instead leads to him discovering a plot to smuggle illegal aliens into the United States via airplanes, the agent ends up plummeting several hundred miles to his death.  Realizing that they need someone who can go undercover and infiltrate the smuggling ring, the Secret Service recruits Lt. Brass Bancroft (Ronald Reagan).  Bancroft is a war hero who is now a commercial airline pilot.  He is also good with his fists, has an innate sense of right and wrong, and a sidekick named Gabby (Eddie Foy Jr., giving a very broad performance as the movie’s comic relief).  But before Brass can win the trust of the smugglers, he will have to establish a firm cover story and that means allowing himself to be arrested on fake charges.  In order to save the day, Brass will have to first survive prison.

If Secret Service of the Air is remembered today, it is because it featured future President Ronald Reagan in an early starring role.  In the role of Brass Bancroft, Reagan gives a performance that can be best described as being amiable.  He may not be anyone’s idea of a good actor but he is likable, a trait that served him well when, 26 years later, he ran for governor of California.  As for the rest of the movie, it was obviously cheaply made but it is also only an hour long, which means that there is rarely time for a dull moment.  It plays out like as serial, with a new cliffhanger ever few minutes.  Though Reagan was dismissive in the film in his autobiography, Secret Service of the Air was enough of an unexpected success that he would play Brass Bancroft is two sequels.