Don’t mess with Charles Bronson.
That’s the main lesson that can be taken away from Chato’s Land. In this western, Bronson plays Chato, an Apache who enters the wrong saloon and is forced to shoot a racist sheriff in self-defense. Former Confederate Captain Quincey Whitemore (Jack Palance) forms a posse to track Chato down but soon discovers that his posse is not made up of the best and brightest. Instead, most of them are sadistic racists who just want to kill Apaches. Despite Whitemore’s efforts to stop them, the posse rapes Chato’s wife and kills his best friend. Chato trades his white man’s clothes for a loin cloth and sets out for revenge.
Chato’s Land is historically significant because it was the first of many films that Charles Bronson made with Michael Winner. The most famous Bronson/Winner collaboration was Death Wish, which also featured Charles Bronson as a man who seeks revenge after his wife is raped. What is surprising about Chato’s Land is how little screen time Bronson actually has. Most the film is spent with the posse, which is full of familiar faces (Richard Jordan, Simon Oakland, Victor French, Ralph Waite, and James Whitmore all report for duty). It actually works to the film’s advantage, making Bronson even more intimidating than usual. There’s never any doubt that Chato is going to kill every member of the posse but since almost every member of the posse is loathsome, that’s not a problem.
It’s possible that Chato’s Land was meant to be an allegory for the Vietnam War, which is probably giving Michael Winner too much credit. (In an interview, the author of Death Wish, Brian Garfield, once shared an anecdote about Winner inserting a shot of three nuns into Death Wish and bragging about how the shot was meaningless but that it would fool the critics into thinking he was making a grand statement about something.) Like most of Winner’s films, Chato’s Land is good but not great. There are parts of the movie that drag and Jack Palance and Charles Bronson don’t get to share any big scenes together, which seems like a missed opportunity. Bronson, who was always underrated as an actor, gives one of his better performances as Chato. Chato does not say much but Bronson could do more with one glare than most actors could do with a monologue. In Europe, Bronson was known as Il Brutto and Chato’s Land features him at his most brutal.