Halloween Havoc!: Boris Karloff in THE WALKING DEAD (Warner Brothers 1936)


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1936’s THE WALKING DEAD has absolutely nothing to do with the wildly popular AMC TV series. This WALKING DEAD stars Boris Karloff , making the first of a five-picture deal he signed with Warners, an interesting hybrid of the gangster and horror genres about an unjustly executed man who’s revived by science exacting vengeance on those who set him up. The result was a fast paced (clocked at 66 minutes) entry in the first horror cycle, and one of the last horror films made until their 1939 revival (more about that later).

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Boris stars as John Ellman, newly released from a stretch in prison. A gangland cartel, looking to get rid of a law-and-order judge, set Ellman up as a patsy, hiring him to stake out the judge’s home, murdering the guy, and dumping the body in Ellman’s car. He goes on trial, defended by crooked lawyer Nolan, and sentenced to death…

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6 Scary Trailers For October 2nd


Well, it’s October!  It’s horror month!  It’s a freaking horrorthon!

And that means that it’s time for the return of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  And yes, it’s a horror edition!

Let’s see what trailers we have this week:

The House On Haunted Hill (1959)

The House On Haunted Hill (1999)

Return to House On Haunted Hill (2007)

The Haunting (1963)

The Haunting (1999)

The Others (2001)

What do you think, Halloween Possum?

(Picture Taken By The Dazzling Erin Nicole)

(Picture Taken By The Dazzling Erin Nicole)

 

 

What Lisa Watched Last Night #157: My Husband Is Missing (dir by Brenton Spencer)


Last night, I watched more than just The Crooked Man!  I also watched the latest Lifetime premiere, My Husband Is Missing.

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Why Was I Watching It?

Because it was on Lifetime, of course!  Now, I do have to admit that it was something of a disjointed viewing experience.  I watched the first hour of My Husband Is Missing, just long enough to discover that the main character’s husband was indeed missing.  I then switched over to SyFy and I watched The Crooked Man.

After the Crooked Man ended, I started to watch the final hour of My Husband Is Missing off of the DVR but then I noticed that I also had an episode of Cheaters on the DVR as well.  Well, naturally, I couldn’t understand why I would have ever recorded an episode of Cheaters.  So, I decided to watch it.  I was thinking maybe it would be the episode where Joey Greco got stabbed.

Nope, no stabbing.  It was just a normal episode of Cheaters.  Since the show was filmed in Dallas, I saw a lot of familiar locations but I still have no idea why I recorded it.

Life is weird, y’know?

Anyway, after all that, I watched the final hour of My Husband is Missing.

What Was It About?

Dale Bradshaw (Robert Underwood) is a father and a husband.  AND HE’S MISSING!  He was kidnapped out of his SUV and now, his kidnappers are posting videos of him all tied up and gagged.  Are his kidnappers forcing him to act in an Eli Roth movie?  Agck!

Since the police are totally useless — except for Det. Matthews (Aaron Pearl), I guess — it’s up to his daughter (Nicole Munoz) and his wife (Daphne Zuniga) to figure out what has happened to Dale!

As for Detective Matthews, he wants to help but he’s struggling because of government bureaucracy.  Fortunately, to help him out, he has a hacker who looks like he stepped straight out of 1998.

What Worked?

Uhmm…

Actually, I will give the film credit for two things.  I loved the title.  According to the imdb, this film was originally known as Abducted Love but My Husband Is Missing is a hundred times better.  My Husband Is Missing just screams Lifetime.

Secondly, this is yet another Lifetime film that was obviously filmed in Canada.  That’s not a problem because I love Canada.  Still, I appreciated the fact that every scene seemed to have an American flag in the background.  It’s as if the filmmakers were saying, “The film is too taking place in the U.S., regardless of how Canadian most of the supporting cast may sound!”  I appreciated the effort.

That said, I’d like to see a Canadian film on Lifetime that proudly embraced the fact that it was Canadian.  Enough of this “let’s pretend we’re in upstate New York” stuff.  I want to see a Lifetime film that proudly shouts, “THIS MOVIE IS SET IN TORONTO!  YOU GOT A PROBLEM WITH THAT!?”

What Did Not Work?

I usually have unconditional love for Lifetime films but this one just didn’t hold my interest.  Part of the problem is that I figured out the mystery after about 20 minutes.  There was no big or shocking twist.

“OMG!  Just like me!” Moments

There is a redhead in the film but she works for the government and that’s something you’ll never find me doing.

Lessons Learned

Canada shouldn’t have to pretend to be upstate New York.

Horror Film Review: The Wolf Man (dir by George Waggner)


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“Even a man who is pure in heart, and says his prayers by night;

May become a wolf when the wolfbane blooms and the autumn moon is bright.”

— Gypsy Poem, The Wolf Man (1941)

Poor Larry Talbot.

We all know his story, of course.  The plot of the original Wolf Man is so iconic and has been imitated in so many other films that, even if you somehow have never seen the original 1941 film, you still know what happened.

Larry (played by Lon Chaney, Jr.) is a loser.  When we first meet him, he is nervously returning to his childhood home in Wales.  (Chaney doesn’t sounds at all Welsh nor does he sounds like he’s from any other part of the UK for that matter, but that’s not really important.)  Larry’s older brother has recently died and Larry hopes that maybe he can reconcile with his father, Sir John (Claude Rains).  Larry’s brother was the favored son, the one who lived up to the Talbot name and made his father proud.  Larry, on the other hand, hasn’t really succeeded at anything he’s ever done.  To use the slang of the time, Larry comes across as basically being a lug.  A big dumb lug.

After discovering that his father really doesn’t seem to want to have much to do with him, Larry goes for a stroll through the nearby village.  He buys a silver-headed walking stick, mostly so he can flirt with the salesgirl, Gwen (Evelyn Ankers).  It turns out that there’s a gypsy camp nearby.  What better place to go on a date!?

Well, perhaps Larry should have just invited her to the movies.  Not only does a fortune teller (Maria Ouspenskaya) see something terrible in his future but Larry ends up getting bitten by what appears to be a wolf.  The good news is that Larry was bitten while saving the life of one of Gwen’s friends, which is certainly going to make him look like good boyfriend material.  The bad news is that the wolf was actually the fortune teller’s son, Bela (played by none other than Bela Lugosi).  It turns out that Bela was a werewolf and now, Larry’s going to be a werewolf too!

Larry, needless to say, is not happy about this.  But then again, Larry wasn’t happy before he became the werewolf either.  Lon Chaney, Jr. played Larry Talbot in five different movies and I don’t think he smiled once.  I guess that’s understandable, seeing as how he was a werewolf.  In every film in which he appeared, Larry would beg someone to kill him and put him out of his misery.  And, in every sequel, Larry would somehow be brought back to life and have to go through it all over again.  I guess he earned the right to be a little glum.

But still, even before he’s bitten in The Wolf Man, Larry is kind of a boring character.  The only time that he’s interesting is when he’s a wolf man.  And really, he’s a far more successful werewolf than human.  When we first meet Larry, he apologizing to his father for never living up to his expectations.  But once Larry turns into the Wolf Man, he finally manages to get things done.  When he’s the wolf man, Larry has the inner drive that he lacks as a human.

To me, the heart of The Wolf Man is not to be found in Chaney’s glum performance.  Instead, it’s in Claude Rains’s performance as John.  When we first meet Sir John, he seems like a rather imposing figure but, over the course of this 70 minute film, John slowly lowers his guard.  We discover that he’s actually a loving father and there’s something rather sweet about watching as he slowly welcomes Larry back into his life.  Of course, it all ends in tragedy.  These things often do.

Everything, from the set design to shadowy cinematography to the hard-working fog machine (which keeps the moors looking properly creepy) to the performances of Claude Rains and Maria Ouspenskaya, comes together to make The Wolf Man into a genuine classic of horror cinema.  And, of course, I have to mention the brilliant makeup job that was done to transform Chaney into The Wolf Man.  

Still, I have to wonder — why did Lugosi turn into an actual wolf while Chaney turned into this?

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Oh well, it probably doesn’t matter.  Just relax and enjoy the damn film, as a wise person somewhere once said.  Be sure to watch The Wolf Man this holiday season!

4 Shots From Horror History: Bluebeard, The Monster, Satan At Play, The Sealed Room


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we look at the 1900s.

4 Shots From 4 Films

Bluebeard (1901, dir by Georges Méliès)

Bluebeard (1901, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

The Monster (1903, dir by Georges Méliès)

Satan At Play (1907, dir by Segundo de Chomón)

Satan At Play (1907, dir by Segundo de Chomón)

The Sealed Room (1909, dir by D.W. Griffith)

The Sealed Room (1909, dir by D.W. Griffith)

What Horror Lisa And The Snarkalecs Watched Last Night #156: The Crooked Man (dir by Jesse Holland)


Last night, my friends, the Snarkalecs, and I watched the latest SyFy original film, The Crooked Man!

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Why Were We Watching It?

Gawdamn, y’all (as we tend to say down here in Texas), do you remember how much fun it used to be when SyFy would premiere a different movie every Saturday night?  Back when I first started regularly watching SyFy and live tweeting with the Snarkalecs, SyFy was all about original movies.

Sadly, things have changed.  Now, we only get SyFy original movies twice during the year.  Once is during the week leading up to the latest Sharknado film.  The other time is October, when SyFy does its 31 Days of Horror.

Since the Snarkalecs are still trying to change SyFy’s policy towards original movies, we make it a point to watch every single one of them.  We also make it a point to tweet about the movies, the hope being that someone at SyFy will see that there is an audience for original movies.

That’s what we were doing last night as we watched The Crooked Man.

What Was It About?

Olivia (Angelique Rivera) gets all of her friends killed but isn’t ever really held responsible because she’s the main character in the film.

Okay, there’s actually a little more to it than that.  The Crooked Man is a hybrid of The Ring, It Follows, Candyman, Slenderman, The Nun, and … well, just about every other horror film made over the past 16 years.  It starts with a slumber party, where a group of 12 year-old girls make the mistake of listening to a song online.  The song, it’s said, will summon the Crooked Man.

Later, the slumber party is interrupted when all the lights go out.  Fortunately, there’s also a pizza delivery guy at the party and he knows how to turn the lights back on.  Well, that’s good.  However, there is yet another interruption when one of the girls, Jill, is found dead at the foot of the stairs.  Standing over her is Olivia.  Though Olivia has a knife in her hands, she swears that she didn’t kill Jill.  It was … THE CROOKED MAN!

Olivia is sent to a mental asylum for six years.  When she’s released, she returns home.  The problem is that nobody in the town wants her to come home.  And actually, they have a point because, as soon as Olivia returns, The Crooked Man starts killing everyone who was at that slumber party.

EVEN THE PIZZA GUY!

What Worked?

I will be the first to admit that most of my tweets were pretty critical last night but there were a few effectively creepy moments in The Crooked Man.  The Crooked Man himself was scary.

The Voice‘s Dia Frampton showed up to sing a song and then promptly got killed.  That definitely provided the film with a nice WTF moment.

What Did Not Work?

Okay — so the Crooked Man can only get you when you’re in the dark, right?  SO WHY DOES EVERYONE IN THE FILM KEEP TURNING OFF ALL THE LIGHTS!?  Seriously, nobody seemed to appreciate that there was a really easy solution to most of their problems…

(Actually, in all fairness, The Crooked Man had the power to kill all the electricity and plunge people into darkness.  But still, it did seem like the characters often never even considered trying to turn on all the lights.  I would have at least liked to have seen some sort of effort.)

“OMG!  Just like me!” Moments

I related to the character of Violet.  Violet was at the slumber party and therefore, she was on Crooked Man’s kill list.  And Violet put the blame right where it belonged.  On Olivia!

Seriously, Olivia, way to get all your friends killed.

Lessons Learned

If a monster can only exist in the dark, turn on the damn lights!

Horror on the Lens: The Undying Monster (dir by John Brahm)


For today’s horror on the lens, we have 1942’s The Undying Monster!

It tells the story of the Hammonds, a noble British family who, for centuries, have been haunted by suicide, murder, and rumors of a curse.  When a mysterious creature attack Oliver Hammond, Scotland Yard dispatches a scientist to figure out what’s going on.  Perhaps not surprisingly, the local villagers insist that it’s the curse.  The scientist, however, is convinced that it has to be something else…

Clocking in at 63 minutes and made on an obviously low budget, The Undying Monster is actually pretty good.  Director John Brahm emphasizes shadows and darkness, taking an almost film noir approach to this tale of gothic horror.  The Undying Monster is a hidden gem of 40s horror and here it is!

Enjoy!

Music Video of the Day: Dragula by Rob Zombie (1998, dir. Rob Zombie)


Nothing says 1998 like seeing Rob Zombie and a group of devils doing The Night at the Roxbury (1998) head bob.

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The greatest thing about this music video is knowing that Robert Osborne and/or Ben Mankiewicz saw it, which lead to him hosting TCM Underground for awhile. Thanks to Rob Zombie’s brief time there, I was introduced to Faster Pussycat! Kill! Kill! (1965).

I wouldn’t be surprised if the dancing lady is a reference to that movie. Then again, it could be any cult film from the 1960s.

Thanks to Wikipedia, I know some of the footage he uses. The bit about “superstition, fear, and jealousy” comes from the film The City Of The Dead/Horror Hotel (1960). The line is spoken by Christopher Lee. That part is played over footage from 1920’s Dr. Jekyll And Mr. Hyde. The killer robot is from the The Phantom Creeps (1939). Frankenstein is in there too. I know I’ve seen the shocked woman at the beginning somewhere, but I can’t place it. I wanna say the 1958 version of The Fly, but it’s just a guess.

There’s plenty more in there, but those are the only ones I could find. If you can tell me more, then please do so.

The car in the music video and in the song title itself comes from Grandpa Munster’s dragster on The Munsters.

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However, the car in the music video only resembles the car driven on the show.

This stuff came out in an interview that Rob Zombie gave with Billboard magazine. Don’t quote me on it, but I swear I remember him saying his dad or grandfather owned a Dragula, which is where the song came from. I could have just misheard it for Grandpa Munster. I couldn’t find a reference to that anywhere.

Of course Rob Zombie directed the music video before he went on to give us the backstory of Michael Myers that I don’t think anyone was asking about. After Halloween II (2009), I think it’s safe to say he was all but crucified. But being a zombie, it didn’t matter. He’s alive and well. Even 82-year-old John Hetlinger performed the song on an episode of America’s Got Talent back in July of this year despite not knowing what the lyrics mean–according to Songfacts.

Welcome to the club, Hetlinger! I have no idea what they mean either. This is one of those songs where I ignore the lyrics, and take Rob Zombie’s voice to be just another instrument. That goes for the music video that to this day is pure fun, whether it’s October or not.

Jeff Selis edited the music video. He’s edited over 100 music videos, and still is working today with artists like Beyoncé, Usher, Jennifer Lopez, Lana del Ray, Selena Gomez, Taylor Swift, and many more. It looks like before he was a music video editor, he was a location manager on films such as Body of Evidence (1993) and My Own Private Idaho (1991). I can’t find a credit for him working on a Madonna or Dogstar music video. That would be too awesome.

Dave Hussey was the colorist on this music video. He has worked on somewhere around 330 music videos with Ariana Grande, Taylor Swift, Eminem, Katy Perry, Britney Spears, OutKast, Aerosmith, The Offspring, Michael Jackson, and many many more. He has worked on two Madonna music videos.

Enjoy!

Horror AMV of the Day: Homura’s Seven Devils (Mahou Shoujo Madoka Magica)


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It’s that time of the year when all things dark, terrifying and horrific invades the halls and corridors of Through the Shattered Lens.

While many who hear the term magical girl and colorful-costumed girls fighting evil won’t think dark and disturbing well they’d be dead wrong. The magical girl genre of Japanese animation have always had that undercurrent of darkness which makes these so-called kiddie anime series more adult than that many people realize.

In 2011, the magical girl anime series Puella Magi Madoka Magica (aka Mahou Shoujo Madoka Magica) came out and it finally explored that very undercurrent of darkness in the magical girl genre that people discussed about. The series was still cute, but also disturbing in how it explored the cost these teenage girls would incur in gaining magical abilities to fight evil.

The latest AMV of the Day takes Madoka Magica (especially the three films which followed the series) and it’s two lead character in Homura Akemi (girl with the dark hair) and Madoka Kaname (girl with the pink-hair) and their very complicated relationship that transcends not just their friendship, but time and divinity itself.

What better song to pair up with Madoka Magica but none other than “Seven Devils” by Florence + The Machine.

Anime: Mahou Shoujo Madoka Magica

Song: “Seven Devils” by Florence + The Machine

Creator: Kinnsao San

Past AMVs of the Day