I Wish I Were A Fish: Don Knotts in THE INCREDIBLE MR. LIMPET (Warner Brothers 1964)


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Don Knotts’ popularity as Deputy Barney Fife on TV’s THE ANDY GRIFFITH SHOW led to his first starring feature role in THE INCREDIBLE MR. LIMPET. Knotts plays milquetoast Henry Limpet, a hen-pecked hubby and military 4-F who longs to be a fish and magically gets his wish. This Disneyesque fantasy-comedy benefits greatly from Knotts’ vocal talents and the animation of “Looney Tunes” vet Robert McKimson. In fact, the whole film would’ve been better off as a complete cartoon, because the live-action segments directed by Arthur Lubin distract from the aquatic antics of Limpet as an animated fish.

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Lubin was a former Universal contract director noted for five Abbott & Costello films (including their first, BUCK PRIVATES), the Francis the Talking Mule series, and TV’s MR. ED. You’d expect lots of slapstick with a resume like that, but no such luck. Instead, Knotts is put through some domestic paces with shrewish wife Carole Cook…

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Here’s the Latest Trailer For Demolition!


Much like Miles Ahead, Demolition is another film that was briefly pegged as a certain 2015 Oscar nominee until its release date was moved back to 2016.  Jean-Marc Vallee’s follow-up to the wonderful Wild, Demolition features Jake Gyllenhaal as a recent widower who struggles to deal with his grief.

I have to admit that I’ve seen the first trailer for Demolition about a hundred times now (it plays before every film at the Alamo Drafthouse) and I’m kind of sick of listening to Gyllenhaal talk about that damn vending machine.  That said, I’ll watch Jake Gyllenhaal in just about anything.  If I could force myself to sit through Southpaw, I’m sure I’ll be able to handle Demolition when it opens in April.

Here’s the latest trailer for Demolition!  Unfortunately, it opens with that same endless vending machine monologue but it does go on to reveal that one of my favorite actresses, Naomi Watts, is in the film as well.  So, that’s a good thing.

Hallmark Review: All Things Valentine (2016, dir. Gary Harvey)


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Sorry I’ve been gone for a few days, but it’s been pretty horrible here. No worries though because I come bearing All Things Valentine. All Things Valentine is a film that on the surface appears to be just a reworked version of Love On The Air, but is actually pretty messed up. For those of you who don’t recall, Love On The Air was the movie where two idiots on the radio fall in love with each other over #NotAllMen and #YesAllWomen statements they make on the radio. Not my favorite, but at least it didn’t do what this film does.

The film opens up with that super generic title card that at least looks better than the ones for Unleashing Mr. Darcy and Dater’s Handbook. Then we are introduced to Avery Parker played by Sarah Rafferty. I guess that makes two Hallmark movies where the actresses are from the USA show Suits since Dater’s Handbook had Meghan Markle in it.

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Poor Avery was really happy as she was walking around in red, carrying a gift, and balloons, but then saw her boyfriend kissing another girl. Instead of confronting him or anything, she just goes home to pout. Then we get a shot of a dog she owns. Can’t say I’ve seen a dog with a nose like that.

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And yes Hallmark, I am excited about your upcoming cannibal Valentine’s Day movie. If somebody doesn’t get eaten then I am going to be very disappointed by your deceptive title. Now we find out that Avery works for The Portland Banner as a Dear Abby type called “The Coach”. Her column is called “Consult The Coach”. Here’s the letter that just came in:

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Now we meet the person who wrote the letter named McKenna played by Kimberly Sustad. Sadly, Superman from The Nine Lives Of Christmas isn’t here to save her.

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Here’s the response she receives from The Coach:

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So her letter said that she kept bringing up Valentine’s Day, but that it didn’t seem important to him. The Coach’s advice is that “his insensitivity suggests the kind of man he is. Not someone you should trust with your heart.” Based on the letters I don’t think there is trust in this relationship at all. Wouldn’t the right advice be to stop being cryptic and actually just tell him? Being cryptic then being sad because the other person didn’t figure it out is your problem, not there’s. She actually will do this later and the film will rub it in her face.

Now Avery goes to work and her boss suddenly springs on her this idea for a series of Valentine’s Day related columns. Avery tells her how she isn’t the right person for this, that she doesn’t like Valentine’s Day, etc. Didn’t think of this just a little while ago when she dispensed advice about Valentine’s Day to McKenna, but now this comes out. I know she couched it with “I’m not a big fan of Valentine’s Day”, but come on! How many of us have read Internet comments that started with I’m not racist or homophobic, but then launch into something blatantly racist or homophobic? Her boss tells her not to worry because it wouldn’t really be you writing the columns, but you’d be pretending to be someone who likes this holiday. Oh, that’s nice! Her boss is telling her to be a liar. Let’s go to dinner now!

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That’s right! McKenna is going to dump her boyfriend Brendan Bates played by Sam Page. I love this conversation because McKenna ceases to think for herself and basically quotes verbatim the turd The Coach sent her calling it advice. He reminds her that the very reason they are out at dinner right now is because he knows he won’t be able to be there on Valentine’s Day, but she doesn’t listen. He is just kicked to the curb.

So let’s see what we have so far. We have a woman who has the maturity of a 12 year-old. A boss who tells her to lie to people in an advice column. We have a woman who probably would think poison would be in her Valentine’s Day candies if an anonymous person online told her that. Wait, sorry, that was Ann Landers and Dear Abby that did that convincing people poison and razor blades might be in their child’s candy. The Coach would never give bad advice even though the scene that follows her giving said advice has her saying she shouldn’t write that stuff because she is biased. Then we have a guy who knew that he would have to work on Valentine’s Day so he made sure to take her out when he could. Fine, but watch what the movie does to this person whose relationship was ruined and what they do to the person who ruined it. That’s why this film is messed up.

Next we meet Brendan’s best friend and McKenna’s best friend who she works with at a bakery. They exist in this story to be a charming subplot on the surface, but really are there to just rub it into McKenna’s face even more. Yes, she will have a conversation with her blonde friend here to try and set us up for the ending. Still not going to work for Hallmark though. If this movie could have ended with none of the main characters together, then it could have worked, but it’s Hallmark so that can’t happen. Yeah, I think you can see what’s coming, can’t you?

Now we find out that Brendan is a vet. And wouldn’t you know it? Avery comes in with her dog that is now sick. Oh, but just before, Brendan fires off an angry letter to The Coach as Bench The Coach. Then the lovers meet, and they start dating.

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I’ve teased it enough. This movie is going to reward this woman for destroying this other’s woman’s life by giving her this guy and delivering an even better guy to her blonde friend leaving McKenna twisting in the wind. No joke. Oh, the writer J.B. White tries to put in a scene here and there so we are properly couched for this ending, but nope. This would be like if Chilly Scenes Of Winter (1979) stuck with it’s original ending and rewarded John Heard for all his stalking by having him end up with the girl. That’s what happens here.

I probably should stop now, but can you believe this situation is made even worse. Yeah, McKenna actually has a conversation with Brendan where she says that the Bench The Coach letters to The Coach have caused her to reconsider what she did. He not only brushes her off, but apparently has a date with The Coach on Valentine’s Day. The very day he said earlier he couldn’t do anything on.

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So in case we thought this might actually be a decent guy and were rooting for him, the movie gives us a reason to hate him. Yep!

The rest of the story plays out with Brendan and Avery getting closer and closer together while Brendan’s friend builds and builds up his courage to finally tell the blonde he is head over heels in love with her.

Near the end of the movie McKenna and Avery actually do have a conversation with each other about the whole situation. McKenna told Avery that Brendan was the guy who was sending her Coach persona those letters as Bench The Coach. They have a conversation that really tries to justify the ending by having McKenna reach out in a heart to heart with Avery.

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The movie so wants this to work, but it doesn’t. J.B. White has written some of the better Hallmark movies I’ve seen such as Lead With Your Heart. He obviously wanted to avoid the childish and contrived plots that usually riddle these Hallmark films and shoot for the stars with this one. The movie ends with blonde and Brendan’s friend getting together right in front of McKenna, Brendan and Avery getting together, and this being the last shot of McKenna that we get.

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Looks happy, doesn’t she? This simply wasn’t a plot that the Hallmark template could handle. The movie needed to end with only the blonde and Brendan’s friend getting together. The two worst people in the story end up happy together and the person who was lied to by both of those people is left alone with no one. Neither Avery nor Brendan learn lessons about hiding behind anonymity because doing so gets them together and heals Avery’s wounds associated with Valentine’s Day. This just wasn’t the right script for Hallmark. I actually kind of encourage you to watch it because White was certainly trying here for something adult and mature, but you’ll find that it doesn’t quite work because of the Hallmark romance movie framework that he just couldn’t break so strongly.

Here’s The Trailer for Miles Ahead!


With Miles Ahead, Don Cheadle both directs and stars as jazz legend Miles Davis.  Originally expected to be released at the end of last year, Miles Ahead is also a film that many of us were expecting to be a definite Oscar contender.  However, the film’s release was delayed, the Oscar nominations led to #OscarsSoWhite trending on twitter for the second year in a row, and Miles Ahead will finally be released in April of this year.

And here’s the trailer!  With a few notable exceptions — like Grand Budapest Hotel — it’s rare that anything too good is ever released in March or April.  But I remain cautiously optimistic, if just because of the pairing of Don Cheadle and Ewan McGregor.

Lisa Reviews An Oscar Nominee: Five Star Final (dir by Mervyn LeRoy)


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In 1911, a pregnant secretary named Nancy Voorhees (Frances Starr) shot and killed her boss and lover.  It was quite a scandal at the time but, twenty years later, it has largely been forgotten.  Nancy has married a successful businessman named Michael Townsend (H.B. Warner) and is a respected member of society.  Her daughter, Jenny (Marian Marsh), has no idea about Nancy’s past and believes Michael to be her father.  Jenny is now engaged to marry the handsome and rich Phillip Weeks (Anthony Bushnell).

Everything seems to be perfect but you know what they say about perfection.

Bernard Hincliffe (Oscar Apfel) is the publisher of a struggling tabloid newspaper.  He is frustrated by city editor Joseph Randall (Edward G. Robinson) and Randall’s refusal to do whatever it takes to boost circulation.  “Why, he won’t even print pictures of women in their underwear!” one of Hincliffe’s assistants exclaims.  Finally, Hincliffe orders Randall to publish a series of articles that will take a retrospective look at both the scandal and what has happened to those involved in the years since.  At first, the cynical Randall refuses but eventually, he gives in.

He assigns two reporters to crack the story.  One of them, Kitty Carmody (Ona Munson) is first introduced showing off her legs and bragging about how there’s no way that she won’t be hired to work at the newspaper.  (By the way, if anyone ever remakes Five Star Final and needs someone to play Kitty, I am ready and available.)  The other is the incredibly creepy T. Vernon Isopod (Boris Karloff).  Isopod was a divinity student until he was arrested on a “morals charge.”  Now, he pretends to be a minister as a way to fool people into revealing their deepest secrets to him.  Kitty and Isopod dig into the life of Nancy and Michael.  The stories appear on the front page.  Suicide and melodrama follow and Randall is forced to finally take a stand.

Released in 1931, Five Star Final was nominated for best picture but lost to Grand Hotel.  Seen today, Five Star Final is undeniably stagey (it was based on a play) but it’s still a compulsively watchable melodrama, featuring good performances and a lot of memorably snappy 30s dialogue. Five Star Final is one of several films about journalism to have been nominated for best picture.  Most of these films — like All The Presidents Men, The Front Page, and this year’s front-runner, Spotlight — have featured journalists as heroic seekers of the truth.  Five Star Final, on the other hand, plays more like a pre-Code version of Network set at a newspaper.  It’s a deeply angry film and, when Randall finally tells off Hincliffe, it feels like the 30s equivalent of Peter Finch shouting that he’s mad as hell and not going to take it anymore.

Finally, the best part of the film, for me, was Boris Karloff as the sleazy Isopod.  Karloff made Five Star Final right before he played the creature in Frankenstein and it’s interesting to see him play a totally different type of monster here.  If I had to choose which character is scarier, I’m going with T. Vernon Isopod.

Prepare To Cringe Your Way Through The Red Band Trailer For Green Room!


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So, here’s the thing: there is an intense moment towards the end of the just released red band trailer for Green Room that is literally bone snapping.  I saw it, I heard it, and I literally threw my hands over my eyes and went, “Agck!”

Green Room is about a punk band who finds themselves fighting for their lives against Patrick Stewart and a bunch of Neo-Nazis.  The red band trailer (which you can watch below) is seriously intense!  Now I have to admit that I’ve reached a point of exhaustion when it comes to film violence but I’m still going to see Green Room because it was directed by Jeremy Saulnier, who previously directed the brilliant (and unapologetically violent) Blue Ruin.  Saulnier’s involvement promises that, at the very least, Green Room will be a hundred times better than Kevin Smith’s Red State.

Anyway, here’s the trailer!

 

You Are The Shooter! Here’s The Trailer for Pandemic!


Here’s the trailer for the upcoming action film, Pandemic.  It’s a zombie apocalypse film that is entirely shot in the first person.  Judging from the trailer … well, it looks kinda awkward.  Since you’re viewing the film through the eyes of a soldier, I imagine that a good deal of the film will be made up of people telling the solider (and by extension, you) to do things.  I don’t know about you but I would have a problem with that.  I don’t like being told what to do, I’m not good at following orders, and I think I would resent a film that would suggest otherwise.

Then again, I really loved Unfriended and that was also shot in the first person.  So, I will try to keep an open eye.  (Not to mention an open mind!)

(Assuming, of course, that I actually see Pandemic…)