Happy Birthday, Arleigh!


This cute anime kitty is super excited for Arleigh's birthday!

This cute anime kitty is super excited about Arleigh’s birthday!

Hi, everyone!  Today is November 27th and that means that it is a major holiday here at the TSL Offices!  Today is the birthday of TSL co-founder and editor-in-chief, Arleigh Sandoc!  Five years ago, Arleigh came across me ranting about Dario Argento on twitter and asked me if I would be interested in contributing to this blog and it has been an amazing journey ever since!  Thank you, Arleigh, for the site and the opportunity!

As always, we first observe Arleigh’s birthday with song:

http://www.youtube.com/watch?v=EqolSvoWNck

And now, we shall move on to the traditional celebration of cake, Guiness, and a trip to the shooting range.  During the celebrations, why not check out some of the reviews that Arleigh has posted over the years:

Like, for instance, his review of A History of Violence?

Or Captain America: The First Avenger?

Or Pacific Rim?

Or Bubba Ho-Tep?

Or Skyfall?

Or Battle Beyond the Stars?

Or, one of my personal favorites, his review of Cloud Atlas?

Check out Arleigh’s thoughts on the first ever episode of The Walking Dead!

Check out this scene that Arleigh loves from Ken Burns’s The Civil War!

And then check out this scene from Saving Private Ryan!

And this scene from They Live!

Check out Arleigh’s report on Anime Boston 2014!

Check out Arleigh’s tribute to H.R. Giger!

And definitely, you simply must read Arleigh’s review of the original Night of the Living Dead!

Happy birthday, Arleigh, from all the writers and readers of Though the Shattered Lens!

ldb

Breithlá Sona!

OH MY GOD! It’s a preview of Degrassi: The Next Class!


Like a lot of wonderful people, I’ve always understood that the day when Degrassi ceased production would be the day that I would officially be an adult.  For that reason, I cried when I first heard that Degrassi was being canceled.  But then, there were a light on the horizon.  Netflix announced that they would continue the Degrassi saga.  Well, Netflix did not lie!  Degrassi: The Next Class is premiering in January and here’s the preview!

Judging from this preview, it doesn’t look like much has changed at Degrassi but that’s okay.  Degrassi is a lot like real high school in that nothing ever really changes that much. Myself, I’m just hoping that Maya has finally found some sort of inner peace.  I’ll also be interested to see if Spinner is still managing the Dot.  Seriously, he’s never going to get out of Toronto…

So yay!  This means I have at least a little while longer before I officially become an adult!

Film Review: Chatterbox! (1977, dir. Tom DeSimone)


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I’ve known about this movie for awhile now because of The Cinema Snob. I knew it was one of at least four talking vagina movies from the 1970s. MGM Impact even had a warning on it that said “Impact elements of action include: Talking Vagina Tv”. None of that really prepared me for actually watching this movie. And they should have added the boom mic as an action element in this movie. That sucker pops in all the time, and at really odd times in odd places. Well, since the movie jumps right to it, let’s jump right to it. Penelope (Candice Rialson) is lying in bed with her boyfriend when chimes ring and a voice starts talking saying it wasn’t happy with the sex it just received. Then we learn what’s making the noise.

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It takes the characters way too long in this movie to realize it’s her vagina talking. Even though the sound is coming from a different place, it’s not Penelope’s voice, and sometimes people are looking directly at her face when it happens. Her boyfriend isn’t happy with the pussy talk and storms off.

Penelope works at a beauty parlor and here comes the attack of the boom mic.

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It’s Rip Taylor doing a flamboyant gay stereotype. I think the boom mic could have picked him up just fine out of frame. It really looks like it’s going to hit him on the head. Oh, but it gets better. Penelope decides to confide in a friend about her little problem.

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Yep, the boom mic is below them as if Candice Rialson’s vagina is actually going to speak and the microphone needs to be there to pick it up. The boom mic also swings back and forth between the two actresses during this scene staying visible most of the time.

Now a customer comes into the place and because it’s the 1970s, Penelope is wearing this.

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Penelope’s vagina starts talking, so she runs into the back room. The vagina apparently has eyes too since it knew the lady was a lesbian and was checking her out. You know one thing leads to another at beauty parlors and before you know it, this happens.

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Of course Rip Taylor comes in and breaks things up.

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Penelope decides to see a psychiatrist about her problem and it turns out the vagina can not just talk and apparently see, but can sing too. He immediately decides to exploit the talking vagina for money and books her on a show. This is as much as I can show without resorting to black boxes.

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Then we get a ridiculous scene where she gets pulled over by a cop and the talking vagina gets her arrested. She is then bailed out by the boyfriend from the beginning of the film. Seriously, the only reason I can think of that the scene exists is to remind us that the boyfriend is still a character in this movie. The boyfriend storms off, but the psychiatrist/agent takes her out and walks with her through a park. This is when the film tries to give some meaning to this talking vagina situation. He says that it’s her otherwise anonymous organ crying out to have attention paid to it. Sadly, this is leading to an ending that makes no sense. Also, they have named the vagina Virginia.

Penelope listens to the doc and Virginia so she decides to walk the street dressed like this.

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And wouldn’t you know it. It attracts some unwanted attention. Go figure! Of course it does lead to her being rescued by a bunch of jocks. Yep! Just yep.

The next morning she gets a call that Virginia and her have been booked on another show. And there you go.

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Did I mention this movie is quite the experience to watch. Now she has become a huge star and you can tell because of the newspaper and magazine montage. This includes such classics as the headlines “Odds Go Down On Virginia” and “Police Close Virginia’s Opening”. Then, well, I expected to see plenty of Turkish Supermen, but I never expected to see the ‘S’ there.

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Things get even wackier when Penelope’s mother shows up and gets in on the act. There’s also a really stupid restaurant scene with bad jokes. Then Penelope decides to try and patch things up with the boyfriend. They even make it so far as the bed before Virginia pisses him off and he’s out the door again.

Now she goes on a version of The Dating Game called The Mating Game. This scene and the sequence that follows only exist because the writers must have thought the talking vagina alone wasn’t funny enough so this needed to happen.

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Yep! She gets dressed up like a princess and he walks in dressed in full armor. He even lays down on the bed with her that way. The next morning he tells her he can’t see her anymore via a fortune cookie. No joke. He says all of his fortune cookies say goodbye. This is followed by more coming to fame stuff including Hollywood Walk of Fame stars and concrete feet. Then she’s going to be in a movie directed by a guy who wants people to know his movie isn’t “just the first film to star a real cunt.” I do love that considering the number of times the boom mic pops into frame in the movie itself, we can actually see the boom mic for the movie within the movie. Then the actual movie starts. Here’s are a few shots of this insanity.

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She runs off the set and goes to jump off a cliff. This is when the movie ends in the dumbest way possible.

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Yep! Even though it makes no sense, the boyfriend had a talking penis this whole time. It and Virginia sing together before Penelope and him run to each other for a final embrace.

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THE END!

This is one of the weirdest things I have ever sat through. It’s not good, but it’s strange enough that I kind of do recommend it. Also, I will be tracking down Pussy Talk, Pussy Talk 2, and Angel Above – The Devil Below as a result. Cause once I’ve sat through this one, I might as well sit through the others too. Plus, I’ve heard that Pussy Talk is actually good and is a bit of a landmark in French cinema. But I think I need a little break before I come back to this genre.

Turkish Film Fest: Kilink vs. Django/Cango – korkusuz adam (1967, dir. Remzi Jöntürk)


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Let me address the first question on your mind. Does it use the famous Django (1966) theme song included below?

Unfortunately, no. But it does use the one from For A Few Dollars More (1965).

Now comes the time when I actually have to talk about this thing. Why? Can’t I just say it’s not good and leave it at that? Okay, fine, but it won’t be much.

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The movie begins with the McLee family and Mr. McLee’s nephew Tom (Tunç Oral).

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Tom is supposed to take charge of the new family gold mine. Enter Kilink known as the Death Rider in this one.

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Before Tom can really take charge of things, Kilink kills Mr. McLee.

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Tom swears vengeance and asks everyone to call him Django, or Cango as my subtitles kept saying despite Tom audibly saying Django.

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And that’s about it as far as the main plot goes. There’s a bunch of stuff that seems to be happening, but I couldn’t really tie it back to anything unless it was on the rare occasion that Django actually showed up or Kilink severed a guy’s arm.

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Other than that, it’s just Western stuff that keeps happening while the two characters, who should be at the center of things, are on the periphery. Kilink even takes off his mask in this. Kilink never did that in the other three ones I watched.

I’m sure I could pick up some more of the plot if I watched it again, but I don’t care. So much of it felt like padding with a bunch of characters I don’t need to know about. Every once in awhile Django or Kilink would interject to presumably move things along, but they should have been at the center of everything going on. It was not a good time watching this movie.

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4 Shots From 4 Films: Enter the Dragon, Drive Angry 3D, The A-Team, Ichi the Killer


Tis November 27, 2015 and all 4 Shots from 4 Films are dedicated to four actors who share the same birth date. A date which all will have now figured out as being November 27. One comes from the Master of the Martial Arts himself, another a veteran character actor, a third who became a prawn and, lastly, the one who made the Glasgow Smile cooler before Heath Ledger.

4 SHOTS FROM 4 FILMS

Enter the Dragon (dir. by Robert Clouse)

Enter the Dragon (dir. by Robert Clouse)

The A-Team (dir. by Takashi Miike)

Ichi the Killer (dir. by Takashi Miike)

Lisa’s Editorial Corner: Thank You


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Hi, everyone!  It’s Thanksgiving!  Well, actually, it’s the final hours of Thanksgiving.  In fact, it’s 10:03 as I start this and it’s totally possible that I won’t be ready to post it until midnight so, by the time you read this, Thanksgiving will probably be over and you’ll be in a Christmas/Hanukkah/Kwanzaa/None of the Above type of mood.  Well, no matter…

So, every year, I make out a list of what I’m thankful for and I post it on this site.  Today, as I relaxed at my uncle’s house and I listened to all my cousins talking about football, I realized that I wasn’t really quite sure what I was specifically going to mention.

Don’t get me wrong.  There’s a lot that I am thankful for.  I’m thankful to be alive.  I’m thankful that I have people in my life who love me and I’m thankful that there are people who I love.  I’m thankful that my sprained foot is much, much better.  I’m thankful that it rained today so I would have an excuse not to lay out in the sun and pretend like I’m actually capable of getting a tan.  Seriously, I’m a redhead.  We don’t tan, we just burn.

And, because this is an entertainment-related site, this would be a good time to mention that I’m thankful that 2015 has been a pretty good year for film.  Mad Max, Ex Machina, Sicario, 88, Inside Out…I’m not even beginning to scratch the surface of how many good films have been released this year.  As for the bad films — well, The Fantastic Four, Ted 2, and Vacation were all terrible but you know what?  None of them did a bit of good at the box office so at least the movie going public is not adding insult to injury.

It’s been a good year and, as a lover of the Oscars, I’m especially excited by the fact that there is no clear front runner.  Oscar season is going to be exciting!  Sure, it would appear that The Martian and Spotlight appear to be early favorites but neither has dominated.  Seriously, this is going to be fun.

So, there’s a lot that I am thankful for but you know what I’m really thankful for?  I’m thankful that I have thoughts to share and I am even more thankful that are people out there who are actually interested in learning them.  There is nothing more wonderful than the freedom to say whatever the Hell you want.  That, along with so many other things, is what I’m thankful for in 2015.

So, instead of coming up with a big list and trying to show off how witty I am, I’m just going to use this holiday to say “Thank you.”  Thank you to all of the writers and reviewers at the Shattered Lens.  Thank you to Arleigh Sandoc for asking me, 5 years ago, if I would be interested in contributing to an entertainment blog that he had just started.  Thank you to all of the writers who were here before me and thank you to everyone who joined after me.  Thank you for keeping this site alive.  Thank you for keeping this site interesting.  Thank you for keeping things lively.  Thank you to all of you.  Thank you for everything.

Even more importantly, thank you to all of our readers.  They you to everyone who subscribes to this site.  Thank you to everyone who has ever left a comment.  Thank you to everyone who has ever clicked the like button.  Whether you’re a regular reader or if you just found us through a google search, thank you!  Thank you, thank you, thank you!

Whether today was Thanksgiving or just another Thursday, I hope it was a wonderful one for you!

All my love — Lisa.

P.S. Wow, it’s 10:26 and I’m already ready to post.  Happy Thanksgiving!

P.P.S. By the way, since it’s Thanksgiving, here’s the NSFW trailer for Eli Roth’s Thanksgiving.  Hurry up and get this movie done, Eli!

P.P.P.S. Finally, since it is Thanksgiving, why not read my review of the classic killer turkey film, Blood Freak?

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Film Review: Creed (2015, directed by Ryan Coogler)


CreedOn Wednesday, I saw the movie Creed and what can I say?  Creed is exactly the film that we were hoping it would be.  Not only does it continue the story of Rocky Balboa but it proves that Ryan Coogler is a major directing talent and that Michael B. Jordan is a film star in the making.  Ever since Creed was first screened for critics, we’ve been hearing that “Creed is the best Rocky since the first one.”  I would go even further to say that Creed is one of the best boxing films to be released since the first Rocky.  Though the story may be formulaic, Creed is a film that will take you by surprise.  No one — not even the biggest Rocky fans — was expecting it to be this good.

When the movie opens, Adonis Johnson, the illegitimate son of the legendary boxer Apollo Creed, is just another kid in foster care.  His mother has recently died and Apollo was killed in the ring before Adonis was even born.  Adonis is adopted by Apollo’s widow, Mary Anne (Phylicia Rashad).  Fifteen years later, Adonis is working in an office and has just gotten a big promotion but he spends his weekends boxing in cheap venues in Mexico.  Eventually, over Mary Anne’s objections, Adonis quits his job and moves to Philadelphia.  Adonis wants to box professionally and he wants his father’s greatest opponent and best friend, Rocky Balboa (Sylvester Stallone), to train him.

But Rocky is no longer the man he used to be.  He stills owns his restaurant and he still goes out to the cemetery to visit the grave of his wife, Adrian.  Since the end of Rocky Balboa, Rocky’s best friend, Paulie, has died and his son has moved to Canada.  (Paulie still gets an affectionate shout out when Adonis comes across his old porn stash at Rocky’s house.)  Rocky is older, sadder, wiser, and more alone than he has ever been.  He is also still haunted by Apollo’s death in the ring.  At first, Rocky does not want to train Adonis but eventually, the younger man wins him over.  Under Rocky’s tutelage, Adonis wins his first professional fight.  When the news gets out that Adonis is Apollo’s son, he is given a chance to fight the reigning world champion, Ricky Conlan (Tony Bellew).

Creed 2Watching Creed, it is obvious that Ryan Coogler knows his Rocky films.  Creed features call backs to every entry in the series, even the ones that have not received the positive reviews of the first Rocky and Creed.   Of course, the entire film is haunted by Apollo’s death at the hands of Ivan Drago in Rocky IV.  The restaurant and Rocky’s visits to Adrian’s grave were first introduced in Rocky Balboa.  When Rocky shows Adonis a picture of him and his son, it is a still photo of Sylvester and Sage Stallone in Rocky V.  When Adonis first meets Rocky, he asks him who won the fight that ended Rocky III.   Adonis’s fight against Conlan is a call back to Rocky’s fights against Apollo in the first two Rocky films.  When Adonis thinks about his father, a clip of Carl Weathers flashes across the screen.  Finally, just as Rocky fell in love with Adrian, Adonis falls for a singer named Bianca (Tessa Thompson).

Even though Creed is steeped in the history of Rocky, it still manages to establish its own identity.  Creed is not just a film about boxing.  It is also about a son’s effort to escape the shadow of his famous father and establish his own identity.  Michael B. Jordan gives a performance that feels so real and so honest that it constantly takes us by surprise.

StalloneSpeaking of surprising performances, Sylvester Stallone has never been better.  This is not only his best performance in the role of Rocky Balboa but the best performance of his underrated career.  It is a performance that is totally devoid of ego and Stallone has never been this vulnerable on screen.  If Stallone is not, at the very least, nominated for an Oscar for his performance here, it will be an injustice.

Coogler does a good job of capturing the mean streets of Philadelphia and watching Adonis’s training montage is an inspiring experience.  (It would not be a Rocky film without an inspiring training montage.)  Coogler also does a good job filming the action inside the ring.  The second fight, which is shown in almost one entirely unbroken take, is especially exciting.

Creed is a stunningly effective film.  When I saw it, the audience broke out in applause at the film’s final shot.  Rocky Balboa’s story may be close to finished but Adonis Creed’s has just begun.  I can not wait to see where it goes.

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Thank You, Mr. Peckinpah: Ride the High Country (1962, directed by Sam Peckinpah)


rideIt’s the turn of the 20th century and the Old West is fading into legend.  When they were younger, Steve Judd (Joel McCrea) and Gil Westrum (Randolph Scott) were tough and respect lawmen but now, time has passed them by.  Judd now provides security for shady mining companies while Gil performs at county fairs under the name The Oregon Kid.  When Judd is hired to guard a shipment of gold, he enlists his former partner, Gil, to help.  Gil brings along his current protegé, Heck Longtree (Ron Starr).

On their way to the mining camp, they spend the night at the farm of Joshua Knudsen (R.G. Armstrong) and his daughter, Elsa (Mariette Hartley).  Elsa is eager to escape her domineering father and flirts with Heck.  When they leave the next morning, Elsa accompanies them, planning on meeting her fiancée, Billy Hammond (James Drury), at the mining camp.

When they reach the camp, they meet Bill and his four brothers (John Anderson, L.Q. Jones, John Davis Chandler, and the great Warren Oates).  Billy is a drunk who is planning on “sharing” Elsa with his brothers.  Gil, Judd, and Heck rescue Elsa and prepare for a final confrontation with the Hammond Brothers.  At the same time, Gil and Heck are planning on stealing the gold, with or without Judd’s help.

Ride the High Country was actually Sam Peckinpah’s second film but it’s the first of his films to truly feel like a Sam Peckinpah film.  (For his first film, The Deadly Companions, Peckinpah was largely a director-for-hire and had no say over the script or the final edit.)  Peckinpah rewrote N.B. Stone’s original script and reportedly based the noble Steve Judd on his own father.  All of Peckinpah’s usual themes are present in Ride the High Country, with Judd and, eventually, Gil representing the dying nobility of the old west and the Hammond brothers and the greedy mining companies representing the coming of the “modern” age.  Ride The High Country‘s final shoot-out and bittersweet ending even serve as a template for Peckinpah’s later work in The Wild Bunch.

Much like the characters they were playing, Randolph Scott and Joel McCrea were two aging veterans on the verge of retirement.  For these two aging stars, who had starred in countless westerns before this one, Ride The High Country would provide both fitting farewell and moving tribute.  This would be the last chance that either of them would have to appear in a great movie and both of them obviously relish the opportunity.  The best moments in the film are the ones where Judd and Gil just talk with the majestic mountains of California in the background.

Among the supporting cast, Ron Starr and Mariette Hartley are well-cast as the young lovers but are never as compelling as Gil or Judd.  Future Peckinpah regulars R.G. Armstrong, L.Q. Jones, and Warren Oates all make early appearances.  Seven years after playing brothers in Ride the High Country, L.Q. Jones and Warren Oates would both appear in Peckinpah’s most celebrated film, The Wild Bunch.

The elegiac and beautifully-shot Ride The High Country was Sam Peckinpah’s first great film and it might be his best.

Randolph Scott and Joel McCrea in Ride The High Country

Randolph Scott and Joel McCrea in Ride The High Country

“As God as my witness, I thought turkeys could fly”: Thanksgiving Memories From WKRP in Cincinatti


“As God as my witness, I thought turkeys could fly.”

With those words, the Turkeys Away episode of WKRP in Cincinnati takes it place as a holiday classic.  In this episode, Arthur Carlson — the station manager of the perpetually low-rated and eponymous radio station — attempts to pull off the greatest Thanksgiving promotion of all time.  However, after Mr. Carlson incorrectly assumes that turkeys can fly, things go terribly wrong.

Believe it or not, this episode is based on a true story.  A radio station in Atlanta tried a similar promotion, the main difference being that the station manager tossed the turkeys out of the back of a moving truck.

While enjoying the holiday, take a moment to remember this classic TV moment.  Happy Thanksgiving!

Turkish Film Fest: Turkish Rambo/Rampage/Korkusuz (1986, dir. Çetin Inanç)


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Right up front I have to say that this is a big step down from Turkish First Blood. Yes, the actor who plays Rambo resembles the character more than Cüneyt Arkin did. However, what made Arkin so good was his delivery, not his muscles or a more genuinely wounded soldier look. He was intimidating and he made the action exciting. He filled his role with an enthusiasm that isn’t matched even remotely by this Rambo. Oh, and the print I watched had good subtitles, but it looked more radioactive then the set of The Conquerer (1956). Let’s talk about the movie.

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Just like the first two Kilink movies, this one opens with the equivalent of a trailer of the movie you are about to watch that seems to seamlessly blend into the beginning of the movie. As such, we are immediately shown this movies Rambo named Serdar (Serdar Kebapçilar). As you can see, he’s got the muscles, and he’s got the I can and will kill you if needed, but I’m permanently wounded inside look about him. We’ll skip the rest of the trailer, cause that’s the rest of the movie. A rest of the movie that is kind of confusing. There is a lot of who is actually working for who stuff going on here. I will try to navigate it, but it’s really just something you wade through to reach the action sequences.

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This guy has been given a blank check to just do whatever he needs to in order to stop these bandits/terrorists in the mountains. He arranges a hit on a car so that some of the bandits will get captured. It’s a little unclear to me how this worked since it appears some people died, but regardless, they now have some of them in prison where they are conveniently placed in the neighboring cell to Serdar. They send Serdar and the bandits away to be delivered to the appropriate authorities when Serdar arranges a breakout.

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The men he helped escape agree to take him to their leader. Serdar gives them that choice, or death. At this point, I think we are cutting between the military guys and Serdar helping the other guys, but I think the military guys are shooting at them too. Doesn’t matter because we get another scene like in Turkish First Blood where the girl is having trouble getting up the slightest of inclines.

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This, the one in Turkish First Blood, and Black Widow’s capture in Avengers: Age Of Ultron (2015) are the least inconvenient character inconveniences I’ve seen since that guy named Julius tried to fight Jason on the rooftop in Friday the 13th Part VIII: Jason Takes Manhattan (1989).

Now Serdar is taken to a home. I’m not to sure about what goes on here, but Serdar kills some people and his love interest comes out of it.

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It’s interesting that director Çetin Inanç returned from Turkish First Blood to make the sequel. He’s not the only one who returned.

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Super over the top bad guy returns as well. Now the movie really is just a long string of torture scenes before Serdar goes all Rambo on them. In other words, highlights!

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It appears that the big bad guy decides to send Serdar out on a mission for him, but that doesn’t really work out. This is when the action largely takes over the rest of the film. Unfortunately, this is like the last 20 minutes or so of the movie. There are a few dialogue exchanges between Serdar and the girl. More highlights!

The flying knife thing makes a return in Turkish Rambo.

The flying knife thing makes a return in Turkish Rambo.

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With big bad guy dead after excessive use of a rocket launcher, Serdar is congratulated and let go to return to his unit. End of story!

Watch Turkish First Blood first, then go ahead and take a look at Turkish Rambo. It’s nowhere near as good, but it has it’s moments.