Song of the Day: The Leaving/The Search from Conan the Barbarian (by Basil Poledouris)


Conan the Barbarian OST

Composer Basil Poledouris crafted one of cinema’s most powerful and enduring scores for John Milius’s Conan the Barbarian. His sweeping orchestral sound defines the film’s mythic tone, giving the story its emotional depth and sense of destiny.

From the first track, “Anvil of Crom”, Poledouris sets the stage with thunderous brass and relentless percussion — a musical invocation of strength and survival that announces the film’s world of gods, warriors, and fate.

Today’s selection, “The Leaving/The Search”, accompanies Conan’s departure into exile and his first steps toward vengeance. The piece moves with controlled majesty — its somber strings and noble themes capturing both the loneliness and courage inherent in his quest. It’s music that transforms the hero’s physical journey into a spiritual pilgrimage.

Other unforgettable themes include “Orphans of Doom/The Awakening” and “Atlantean Sword”, each echoing the film’s blend of melancholy and grandeur. Yet it’s “The Leaving/The Search” that best represents the score’s heart — a reflection of loss and perseverance wrapped in orchestral beauty.

Poledouris doesn’t just score a fantasy adventure — he gives it a sense of history and feeling that makes it linger long after the credits roll. His work turns Conan the Barbarian into more than a sword-and-sand saga; it’s a story that feels legendary in its own rough-edged, heartfelt way.

That’s Blaxploitation 4: ABAR THE BLACK SUPERMAN (Mirror Releasing 1977)


gary loggins's avatarcracked rear viewer

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When TCM Underground announced they were running something called ABAR THE BLACK SUPERMAN last Saturday at 2AM, I just had to record it. For one thing, I’d never heard of it, and for another, it sounded so cheesy I knew I had to take a look. So last night (after watching the mighty New England Patriots vanquish their arch-enemies, the hated New York Giants), I settled into my recliner and pressed play. What I got was unexpected, and though the film is cheaply shot, with high-school level acting and no technical skills behind the cameras, it’s a game attempt at trying something different within the confines of the Blaxploitaion genre.

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Dr. Ken Kinkade, a researcher working on a top secret grant project, and his family move into an affluent white neighborhood, and immediately become victims of white bigotry. The neighbors protest outside the Kinkade’s home,  hurling garbage onto the lawn, until members…

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